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New Attack on Titan Orchestral Concert Tour Travels to 15 Venues Worldwide – News

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Concert debuts at Royal Albert Hall in London on October 17



The Wild Faery Company announced on Monday that it will hold an orchestral concert for the Attack on Titan anime franchise‘s soundtrack titled “Attack on Titan – Symphony from Paradis.” The concert will debut at the Royal Albert Hall in London on October 17, and will travel to a total of 15 venues around the world.

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Image courtesy of Royal Albert Hall

The tour dates include:

  • London, United Kingdom – Royal Albert Hall – October 17, 2026
  • Hong Kong – AsiaWorld-Arena – November 1, 2026
  • Singapore – Esplanade Concert Hall – November 26-28, 2026
  • New York, NY – Carnegie Hall – January 10, 2027
  • Paris, France – Palais des Congrès de Paris – January 15-17, 2027
  • Lyon, France – Amphithéâtre 3000 – January 20-21, 2027
  • Minneapolis, MN – Minnesota Orchestra Hall – April 5, 2027
  • San Francisco, CA – Davies Symphony Hall – April 12, 2027
  • Los Angeles, CA – Dolby Theatre – April 17-18, 2027
  • Seattle, WA – Benaroya Hall – May 22-23, 2027
  • Berlin, Germany – Tempodrom – May 26-27, 2027
  • Dallas, TX – Meyerson Symphony Center – July 2-3, 2027
  • Chicago, IL – Chicago Symphony Orchestra – July 9-10, 2027
  • Washington, DC – Capital One Hall – July 15-16, 2027
  • Manila, Philippines – The Theater at Solaire – August 28-29, 2027

Wild Faery also produced a separate Attack on Titan concert tour titled “Attack on Titan : Beyond The Walls World Tour.” The concerts only recently finished its United States run, which toured 18 locations from February to March earlier this year. The tour hit 23 cities in April to November 2025 spanning North America, Europe, Asia, and Oceania.

Hajime Isayama launched the original Attack on Titan manga in Kodansha‘s Bessatsu Shōnen Magazine in 2009, and ended the series in April 2021. The manga’s 34th and final compiled book volume shipped in June 2021. Kodansha USA Publishing released the manga in English digitally and in print, and released the 34th volume in October 2021.

The first television anime season premiered in April 2013, and the second season premiered in April 2017. The first part of the third season premiered in July 2018, and the second half premiered in April 2019. Attack on Titan The Final Season premiered on NHK in December 2020 and aired for 16 episodes. Attack on Titan The Final Season Part 2 premiered with episode 76 on the NHK General channel in January 2022, and aired for 12 episodes.

The Attack on Titan Final Season THE FINAL CHAPTERS (Shingeki no Kyojin The Final Season Kanketsu-hen) Part 1 anime aired as a one-hour special in March 2023. The Part 2 anime aired in November 2023. Attack on Titan Final Season THE FINAL CHAPTERS parts 1 and 2 also streamed in Japan in single-episode format, serving as episodes 88-94 of the anime. Toonami aired the anime beginning in January 2024.

Attack on Titan The Movie: THE LAST ATTACK, a compilation of Attack on Titan Final Season THE FINAL CHAPTERS, opened in November 2024 for a three-week limited engagement in Japanese theaters.

Sources: Press release, Wild Faery


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Stalled Despera Anime Project Gets Manga – News

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Manga debuts with new setting/era in 2027



Chiaki J. Konaka (series script supervisor of Serial Experiments Lain, Texhnolyze, and Hellsing) announced at the Japan Weekend Madrid event in Spain last weekend that Yoshitoshi ABe‘s (creator and character designer for Serial Experiments Lain and Haibane Renmei) Despera anime project is getting a manga in 2027. He posted a visual on X/Twitter on Monday:

Despera manga
Image via Chiaki J. Konaka’s X/Twitter account

Konaka added that the manga’s setting and era will differ from those of the original project announcement. He clarified that this project is not related to Serial Experiments Lain.

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Konaka last provided an update for the project in 2021. According to him, due to the COVID-19 pandemic, the project was suspended for a year and a few months. Konaka added that the production funding scheme was 80% completed at the time, and that the core staff had done a lot of work up until 2020. He confirmed that staff was still working hard on the project, and asked fans to be patient.

The Despera anime project was put on hold after director Ryūtarō Nakamura passed away in 2013. ABe mentioned in October 2014 that the project was continuing with a new director.

ABe unveiled the project at Seattle’s Sakura-Con in 2009. ABe was heading the project and designing the characters and Chiaki J. Konaka, the series script supervisor of Serial Experiments Lain, Texhnolyze, and Hellsing, was writing the script.

The title is derived from a poem from the Dadaist poet Jun Tsuji (1884-1944). It is also derived from the shortened version of the term “desperado.” The story centers around Ain, a 14-year-old girl who builds devices despite the lack of the scientific background required for them. The science-fiction story was originally set in Japan’s Taishō era in 1922 — one year before the 1923 Great Kantō earthquake in the Tokyo area.

Sources: Chiaki J. Konaka‘s Twitter account


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Liar Game Anime Gets 2nd Season – News

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1st season ended with 26th episode on Monday



The official website for the television anime of Shinobu Kaitani‘s Liar Game manga announced on Tuesday that the anime is getting a second season. The website unveiled a commemorative illustration by character designer Kei Tsuchiya:

Liar Game Season 2 commemorative illustration
Image via Liar Game anime’s website

The 26th and final episode of the first season aired on Monday (effectively, Tuesday).

Liar Game part 2 visual

The anime premiered in Japan on TV Tokyo and its affiliates on April 6. The anime ran for six months without breaks. The second part of the anime began on July 7. Crunchyroll is streaming the anime worldwide (excluding Japan and China) and hosted the world premiere screening of the anime’s first two episodes at this year’s Sakura-Con event in Seattle on April 5. PDT. AMEDIATEKA is distributing the anime in the Russian Federation.

REMOW introduces the series’ story:

A Mysterious Invitation. One Hundred Million Yen. The Game Begins.
College student Nao Kanzaki suddenly receives a strange letter and a suitcase containing 100 million yen. She’s been chosen to participate in the LIAR GAME—a high-stakes psychological battle where lies, deception, and betrayal reign supreme. Naïve and painfully honest, Nao quickly finds herself cornered. To survive, she turns to Shinichi Akiyama, a brilliant former con artist with unmatched intellect. As they dive deeper into the twisted game, the two must outwit opponents in a world where trusting others could be fatal. In a game built on lies, can honesty prevail?

Yūzō Satō (Kaiji -Ultimate Survivor-, Akagi, Trillion Game, The Gene of AI) was the chief director of the anime at Madhouse, and Asami Kawano (assistant director for The Vampire Dies in No Time both seasons, episode director for Orb: On the Movements of the Earth) directed the anime. Tatsuhiko Urahata (Baki, Baki Hanma, Monster, Muv-Luv Alternative) wrote and oversaw the series scripts, Kei Tsuchiya (Laidbackers, Trillion Game, The Gene of AI) was the character designer, and Kisuke Koizumi (The Gene of AI, My Happy Marriage, Ghost in the Shell Arise) was the sound director.

The manga ran from 2005 to January 2015 in Shueisha‘s Weekly Young Jump magazine. Shueisha published the manga’s 19th and final compiled book volume in May 2015. Kaitani launched a new short serialization for the manga titled Liar Game: The Last Game in Shueisha‘s Grand Jump Mucha magazine on February 25.

The manga previously inspired two live-action films, two live-action television series, and two live-action online series. The manga also inspired a stage play in 2023.

Kaitani’s ONE OUTS manga inspired a television anime in 2008.

Sources: Liar Game anime’s website, Comic Natalie


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Episode 13 – Sparks of Tomorrow

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It’s done; my time with one of the most frustrating, anachronistic, ill-conceived pieces of media I’ve ever experienced in its entirety is over. Earning the number four spot in ANN’s Worst of the Summer 2026 season list, this finale further reaffirms that Sparks of Tomorrow deserves this albatross. It brings me no joy to say this is likely going down as the worst anime ever produced by Kyoto Animation, and I hope this otherwise illustrious studio never sinks this low again.

This episode begins with Yosuke trying to sacrifice Kihachi (who’s drugged and in a wedding gown because Yosuke can’t be framed as a predacious gay more than a single goddamn second) to improve his Robo-Seiroku. When Inako arrives on the scene, she manages to stop Yosuke and his plan by…just kind of stopping Yosuke and his plan. She pulls on some wires and drags Kihachi out of what would have been his glass coffin before the walking plot device that is Kengo shows up and effortlessly drags them out of that situation. In this scene, it really feels like Yosuke never had a plan for what to do if anyone ever tried to stop him from doing crimes in order to revive Seiroku, and that makes him feel even weaker as a villain.

The failing of the electric nishiki creates a massive sinkhole in the middle of the city, though, and Kihachi and Inako use the electric plane invented a few episodes before to save Yosuke. Why they do this is anyone’s guess, as he literally tried to kill Kihachi twenty minutes ago, but whatever. The animation during this flight scene is pretty impressive, as is a sequence where a massive updraft essentially creates a zero-gravity sequence. The episode ends with much of the main cast having a meal together and Saki pointing out that Inako’s first brew is amazing, as Yosuke (who should be in jail) travels, and Kihachi and Inako tentatively express their romantic feelings to each other. In this finale there is not follow up on Kate and Suzu’s babyqueer romance, if Inako’s family’s business is saved from insolvency, or an indication that electrical technology is being more broadly adopted.

While I could profess endlessly about the sophomoric writing in Sparks of Tomorrow and how it misunderstands the era and innovative spirit at the heart of this work, this episode actually contains a perfect crystallization of these problems! While on their way to Inako’s home, in both the sub and the dub, Kihachi remarks that he found it odd that the lush Saki told him about the first batch of Inako’s brew being made into an offering for Inako’s late mother, as he is “not able to drink yet.” The problem with this statement, though, is that there was no legally enforced drinking age in Japan until 1922, and that this story explicitly takes place after the Russo-Japanese War and before the end of the Meiji era, so between 1905 and 1912. This is to say that Kihachi CAN drink and that Sparks of Tomorrow would so casually elevate an anachronism that I could disprove with five minutes of research demonstrates how little it cares about the culture and history at the center of its premise.

Sparks of Tomorrow routinely failed to spark any kind of joy or inspiration within me, and I am so glad to be done with this lazy, ahistorical piece of animation.

Rating:




Lucas DeRuyter finds sparks of inspiration in all parts of his life, which would explain why his portfolio features such a broad array of interests and writing formats! To read what he’s ruminating on more regularly, you can keep up with his regular contributions to ANN’s This Week in Anime column.


Sparks of Tomorrow is currently streaming on
Netflix.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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