
movies
‘Teenage Sex and Death at Camp Miasma’ to Close SXSW London
SXSW London has added two buzzy premieres to its Screen Festival slate: Teenage Sex and Death at Camp Miasma and The Invite.
Jane Schoenbrun‘s I Saw the TV Glow follow-up, Teenage Sex and Death at Camp Miasma, is set to close the event.
The full program for the June 1-6 event has now been released, headlined by opener Virginia Woolf’s Night and Day and finishing with Schoenbrun’s slasher film, starring Gillian Anderson and Hannah Einbinder.
“Jane Schoenbrun has been building one of the most fascinating bodies of work in cinema today,” said Anna Bogutskaya, head of the Screen Festival. “Teenage Sex and Death at Camp Miasma builds on every touchpoint of Schoenbrun’s work, exploring horror, fandom, memory, and identity, and pushes it further. Every scene between […] Einbinder and […] Anderson was so charged, I was afraid the screen might catch fire.”
SXSW London organizers have also nabbed the U.K. premiere of Olivia Wilde’s The Invite with Seth Rogen, Penelope Cruz and Ed Norton, as well as Sofia Coppola’s documentary on Marc Jacobs, which first made its debut at Venice last year.
This final announcement adds a further four world premieres to the lineup, including Bruno Safadi’s The Playoffs, Thanasis Neofotistos’ The Boy With Light-Blue Eyes, Sam McConnell’s Test and Christ Atkins’ Getting Away With It.
They’ve also secured a special screening in collaboration with Silents Synced of The Cure Meets The Man Who Laughs, a re-scored edition of the 1928 silent classic with music from The Cure. Elsewhere, American Zoo with Tim Travers Hawkins will screen alongside Pretty/Dirty: The Life and Times of Marilyn Minter from Amanda Benchley and Jennifer Ash Rudick.
International highlights include Irkalla – Gilgamesh’s Dream from Mohamed Al Daradji, Funky Freaky Freaks from Han Chang-lok, and Made in EU by Stephan Komandarev. They’ll be joined by Kasia Adamik’s Winter of the Crow, Adrian Chiarella’s Leviticus, Mohammed Sawwaf’s Gaza’s Twins, Come Back to Me, Paul Urkijo Alijo’s The Night (Gaua) and Bikas Ranjan Mishra’s Bayaan.
Full details of each film can be found here.
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movies
‘Kaali Kheti’ Starring Jackie Shroff & Sharad Kelkar Sets Release Date
EXCLUSIVE: Jackie Shroff, Sharad Kelkar and Neha Sargam are starring in eerie Indian rural horror Kaali Kheti, which has been given a domestic theatrical release date of October 23.
Above and below you can see a poster for the pic, which has been quietly shooting with Haris Imtiyaz Khan the writer and director. Sana Khan is the producer, with BlackCanvas Studio the production house in association with Zeroland Production.
Virendra Saxena and Shaji Choudhary appear alongside veteran actor Shroff, Kelkar and Sargam.
Per the synopsis, Kaali Kheti is “set against a rural backdrop and explores a world where family, legacy and buried truths come together to create an unsettling tale of fear.” The plot is remaining under wraps with producers keen to keep “audiences guessing about what the film is truly about.”
Director Khan said: “For me Kaali Kheti is about examining agriculture through the lens of horror. Something I hadn’t seen before. Something that felt fresh, exciting and also deeply disturbing. The film is mirror to society, only the reflection exists in a scary and fantastical world. Sometimes this world doesn’t make sense but always feels strangely familiar. Perhaps that is the true horror.”
Produced under the banner of BlackCanvas Studio, the film brings together an ensemble cast led by Jackie Shroff and Sharad Kelkar, with Neha Sargam, Virendra Saxena and Shaji Choudhary in pivotal roles.
Here’s the full poster.
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movies
‘Doctor Who’: BBC’s Matt Brittin Says He Has Watched AI Episode
An artificial intelligence-generated episode of Doctor Who was “pretty good,” according to BBC Director General Matt Brittin.
Brittin, who used to run Google EMEA, revealed that somebody had recently sent him a 50-minute ep of the BBC’s long-running sci-fi franchise, which was completely AI-generated, and today he refused to slam it.
“Pretty good” was Brittin’s verdict of the ep of the show that has been running on the BBC for six decades and will return with a new creative team in a couple of years’ time. “I mean it’s not going to replace humans but we’ll come on to that,” he countered.
Speaking at the RTS London Convention, Brittin echoed Amazon international boss Kelly Day in throwing his weight behind the power of AI. Day just said AI “brings down costs meaning more stories can be made, more diverse voices can get heard and more creative risks get taken.”
“Everyone’s 1790676544 got the ability to create content almost at the standard of a Hollywood studio,” he said. “In some cases it’s not perfect but look at what you can do and that’s changing all the time.
Brittin’s keynote with BBC presenter Kirsty Young came a few days after he said he would allow a programme to be made and presented by AI “within guardrails.”
Artificial intelligence aside, Brittin’s talk came at a seriously difficult time for the BBC.
Amid a mega £500M ($662M) savings drive that is leading to hundreds of layoffs, channel closures are expected as soon as later this week, with youth-skewing BBC Three understood to be in the firing line.
Possibly hinting at a BBC Three linear channel closure, he reiterated that “if you look at on-demand consumption versus live consumption [on some of our services], you ask yourself, ‘Is that the best way to spend a license fee pound?’.”
More generally, Brittin said he is “having conversations with people whose jobs are at risk on a daily basis” and he “doesn’t underestimate” the difficulty of the situation.
“We are here for the same reasons that everyone else is,” he added. “We have to do consolidation.”
Brittin was speaking at the RTS Convention after the head honchos at Amazon and before Channel 4 boss Priya Dogra.
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movies
Sony Chief Wayne Garvie: Difficult To See How Channel 4 Survives
Channel 4 must embrace radical change or face extinction.
That’s the message from Sony Pictures Television president Wayne Garvie, who said that it is “very difficult to see how Channel 4 survives in its present form.”
Speaking at the Royal Television Society London Convention, Garvie was asked who Channel 4 needs to partner with to survive. He joked: “God, what a mystery. Sherlock Holmes, where are you?”
The forthright executive, who oversees a production empire behind series including Dept. Q and Industry, doubled down on his view that Channel 4 should become part of the BBC’s commercial operations.
He continued: “You put Channel 4 as the commercial arm of the BBC, doing public service commercial channels, and you bring them together, and Channel 4 could then have its own identity.
“I think it’ll probably happen because if not, frankly, it’s very difficult to see how Channel 4 survives in its present form — and it’s not their fault. The market is changing in every conceivable way.”
Garvie was speaking after Channel 4 announced the biggest round of layoffs in its 43-year history, with CEO Priya Dogra detailing the need for the company to “own” its future.
Garvie is skeptical that Channel 4’s business model will be transformed by in-house production, arguing that it’s “really tough” to launch a successful content division.
Speaking on the same platform, Heather Jones, chief creative officer EMEA and general manager UK at Hearst Networks, agreed that Channel 4 “needs to figure out who they partner with and how.”
Dogra has previously downplayed the idea of merging with the BBC. Speaking at the Creative Cities stage in May, Channel 4 boss Dogra said it would result in Channel 4 being absorbed by the BBC, leading to the loss of its editorial voice.
“That would be a loss to society, [and] a real loss for the creative economy,” she said. Dogra did say she was open to collaboration, though she was not clear on what this would entail.
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