Entertainment
Meta, Mark Zuckerberg Ripped Millions of Copyrighted Works to Train AI Systems, Major Book Publishers Claim
Meta and Mark Zuckerberg are defendants in a lawsuit from five major book publishers and author Scott Turow, who claim the tech giant infringed on copyrights by training AI systems on ripped and pirated works, according to a Tuesday filing in New York federal court.
Turow and five publishers – Hachette, Macmillan, McGraw Hill, Elsevier and Cengage – all alleged that Zuckerberg instructed Meta’s AI programs be trained by copying millions of books, articles, and other written work through pirating sites and web scrapes.
“In their effort to win the AI ‘arms race’ and build a functional generative AI model, Defendants Meta and Zuckerberg followed their well-known motto: ‘move fast and break things,’” the plaintiffs’ lawsuit read. ”They first illegally torrented millions of copyrighted books and journal articles from notorious pirate sites and downloaded unauthorized web scrapes of virtually the entire internet. They then copied those stolen fruits many times over to train Meta’s multibillion-dollar generative AI system called Llama. In doing so, Defendants engaged in one of the most massive infringements of copyrighted materials in history.”
The suit added: “Meta — at Zuckerberg’s direction — copied millions of books, journal articles, and other written works without authorization, including those owned or controlled by Plaintiffs and the Class, and then made additional copies of those works to train Llama. Zuckerberg himself personally authorized and actively encouraged the infringement. Meta also stripped [copyright management information] from the copyrighted works it stole. It did this to conceal its training sources and facilitate their unauthorized use.”
The plaintiffs are seeking unspecified damages in a jury trial.
The lawsuit went on to explain that Meta briefly considered expanding its licensing deals with publishers following the release of the Llama 1 tool. The document floated a $200 million increase to the licensing budget before looking to Zuckerberg for a call.
“The question of whether to license or pirate moving forward was ‘escalated’ to Zuckerberg,” the suit read. “After this escalation to Zuckerberg, Meta’s business development team received verbal instructions to stop licensing efforts. One Meta employee presciently described the rationale: ‘If we license once [sic] single book, we won’t be able to lean into the fair-use strategy.’”
The lawsuit concludes by pointing out the system “readily generates, at speed and scale, substitutes for Plaintiffs’ and the Class’s works on which it was trained” and can even “mimic the expressive elements and creative choices of specific authors.”
“Users are touting AI’s ability to generate books with ease and Llama is flooding
the market with AI-generated substitutes,” the suit said. “The scale and speed at which Llama can create written works and compete with human writers is unprecedented, and it can only do that because Defendants copied Plaintiffs’ and the Class’s works to train their LLM.”
A Meta spokesperson noted to Variety that similar lawsuits have been shot down in court. “AI is powering transformative innovations, productivity and creativity for individuals and companies, and courts have rightly found that training AI on copyrighted material can qualify as fair use,” the rep said. “We will fight this lawsuit aggressively.”
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Entertainment
Dennis Haskins, ‘Saved by the Bell’ Star, Dies at 75
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movies
Tokyo Film Festival to Honor Mohammad Rasoulof and Mipo O
The Tokyo International Film Festival will honor filmmakers Mohammad Rasoulof and Mipo O with its Kurosawa Akira Award at the event’s 39th edition next month.
Named for the Japanese master, the award recognizes directors whose work has made an impact on cinema and who are expected to help shape its future. It was revived in 2022 after a 14-year hiatus with support from Capcom. Last year’s recipients were Chloé Zhao and Lee Sang-il.
This year’s honorees were selected by a committee comprising filmmakers Yoji Yamada and Lee Sang-il, cinematographer Akiko Ashizawa and TIFF programming director Shozo Ichiyama.
Rasoulof, one of Iran’s leading dissident directors now living in exile in Europe, won Berlin’s Golden Bear for There Is No Evil (2020), while The Seed of the Sacred Fig (2024) received a special prize at Cannes before earning an international feature Oscar nomination as Germany’s submission.
The committee singled out the two films for “their humanist perspective, which portrays even those who perpetrate oppression as ordinary citizens.” It also praised Rasoulof’s “unwavering commitment to creative expression despite relentless pressure.”
“Receiving the Kurosawa Award is a great honor for me. His films are profound explorations of the human condition and the moral choices we make in moments of crisis. Kurosawa was a dynamic and inquisitive visual storyteller whose unique perspective on humanity, nature, and the world has made his work an enduring source of inspiration in cinema,” Rasoulof said.
O, a Japanese-born filmmaker of Korean descent, made her feature debut with The Sakais’ Happiness in 2006. Her credits include The Light Shines Only There (2014), Japan’s Oscar submission that year, and Being Good (2015), an ensemble drama exploring child abuse, bullying and the possibility of breaking those cycles through human connection.
After a nine-year break from feature filmmaking, she returned with Living in Two Worlds (2024), a family drama starring Ryo Yoshizawa as the hearing son of deaf parents, whose desire for independence complicates his relationship with his mother. Her latest, How Dare You? (2025), takes a more comic approach to childhood, following three elementary school students whose budding environmental activism — mixed with a classroom crush — leads to unintended consequences.
The selection committee praised her “multifaceted perspective on individuals living on the margins of society” and her avoidance of “a simple lens of good vs. evil,” while highlighting her work with child performers.
“To receive such an extraordinary honor on the 20th anniversary of my directorial debut fills me with immense gratitude and deep humility,” O said. “Winning the Shindo Kaneto Award in 2010 provided me with the vital support to keep making films. Though my progress has been slow, reaching the Kurosawa Akira Award is a stroke of fortune that makes me truly savor what a happy cinematic journey I have had. This recognition is by no means mine alone. My heartfelt thanks go to all the cast and crew members I have met along the way, the audience who stepped into the theaters, and the selection committee—led by director Yamada Yoji—who discovered my films.”
Tokyo will also screen 4K restorations of Kurosawa’s Sanshiro Sugata (1943) and Ikiru (1952), alongside Charles Chaplin’s The Circus (1928) and Abbas Kiarostami’s Where Is the Friend’s House? (1987).
Separately, the festival named Alice in Borderland actor Hayato Isomura president of its Ethical Film Award jury. Launched in 2023 with Sumitomo Corporation, the prize recognizes films addressing social issues including the environment, poverty and discrimination. Three members of TIFF’s Student PR team will join Isomura on the jury.
The nominees are Brazil’s Amadeo and the Hypothetical New World, the German-Ukrainian feature I Rarely Wake Up Dreaming and Australia’s Time and Tide. The award ceremony and a talk with Isomura are scheduled for Nov. 2.
“Today, we absorb vast amounts of information in seconds through a small screen. I often feel we fall into the trap of believing we understand something instantly, constantly searching for quick answers. Yet, when it comes to deepening our awareness and understanding of social issues, the process of reaching those answers is what truly matters,” Isomura said. “Cinema possesses the unique power to pause our hurried pace, allowing us to experience that very process through the lives and emotions of others. I am committed to taking the thoughts, hopes, and wishes woven into these films by each filmmaker deeply to heart, and to reflecting on them together with everyone.”
The 39th Tokyo International Film Festival runs Oct. 26-Nov. 4, with the TIFFCOM market taking place Oct. 28-30.
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movies
Dennis Haskins Dies: ‘Saved By The Bell’s Mr. Belding Was 75
Dennis Haskins, best known for playing Mr. Belding in Saved by the Bell, has died. He was 75.
His agent Jay Schachter confirmed the news to Deadline, saying in a statement, “It’s a tragic loss. Everyone loved Mr. Belding and those of us who got to know Dennis, loved him even more. He was a great person, and he loved, I mean absolutely LOVED his fans.”
“He always had time for them, no matter what. He was my client and dear friend for over 20 years, and I will miss him terribly. I’m heartbroken,” he continued.
Haskins cause of death was not disclosed.
Haskins first played Principal Richard Belding in the Disney Channel series Good Morning, Miss Bliss, opposite Hayley Mills in 1989. After one season, the show was retooled as Saved by the Bell on NBC, where he reprised his role through its four-season run. Haskins returned as Mr. Belding for Saved by the Bell: The New Class in 1993 and played the role for seven more seasons, until the show’s finale in 2000.
Other acting credits for Haskins included Hangin’ with Mr. Cooper, Malibu, CA, The Practice, The West Wing, The Rerun Show, The Stoneman, 7th Heaven, Going Down, Red Water, Tangy Guacamole, An Ordinary Killer, JAG, Dead End Road, It’s Always Sunny in Philadelphia, Men of a Certain Age, The Bold and the Beautiful, Victorious, Mad Men, Emerald Acres, How I Met Your Mother, Destroy the Alpha Gammas, New Girl, Hot In Cleveland, This Isn’t Working, Bill Nye Saves the World, Abstruse, Enigma, A Bennett Song Holiday, among many others.
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