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Disney’s Recent Layoffs May Not Be A One-Off As Company Touts Effort To “Build A Culture Of Efficiency”

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Asked whether Disney’s layoffs last month of about 1,000 workers could be followed by more cutbacks, executives said Wednesday the company is exploring all options as it builds “a culture of efficiency.”

Newly minted CEO Josh D’Amaro and CFO Hugh Johnston fielded questions about cost savings, staffing and artificial intelligence during the company’s quarterly earnings call with Wall Street analysts.

D’Amaro largely focused on uses of AI to improve the creative process and the guest experience at theme parks, leaving Johnston to provide the primary outlook on the workforce. One analysts noted the April cuts, per a question read aloud by call moderator and investor relations chief Ben Swinburne, and wondered, “How big is the opportunity as you take a fresh look at the operations? Where is there the most room for improvement?”

Johnston replied, “These are always difficult exercises for the organization, but let me assure you, this management team is acutely focused on this.”

He said the company is looking to shift expenses toward content and technology, which are “areas that we expect to drive growth.” Last month’s staff reductions “reflect a deliberate shift toward a more agile, technologically enabled and resilient workforce,” he added.

Declining to offer any projections of the numbers of workers or business areas that could be affected in the future, Johnston described the efficiency drive as “an ongoing exercise and a muscle we’re building.”

Disney, he continued, is looking to “build a culture of efficiency and we want to fund growth opportunities from within the existing expense base. Across the company, where aligning structures, capabilities, and talent to what the business needs next, we’re simplifying where we can while investing where it matters most, and we’re using technology to fundamentally change how work gets done. We have been and will continue to look for these types of opportunities to redeploy capital, both financial and human, to areas we see driving the highest returns for shareholders.”

AI is ushering in dramatic changes to the way many companies are thinking of their operations and staffing needs, as the Wall Street Journal noted Wednesday. Technology, combined with consolidation and declines in U.S.-based production and linear TV viewing, has created a challenging environment for entertainment workers. D’Amaro’s predecessor at Disney, Bob Iger, oversaw the layoffs of thousands of Disney workers, with the streamlining matched by cuts across the industry.

Hollywood has watched closely as the tech sector has made aggressive downsizing moves, with companies like Meta Platforms, Snap, Coinbase and PayPal all announcing double-digit staff cuts. In the wake of Meta decision last month to let go of 10% of its workforce, “we don’t really know what the optimal size of the company will be in the future,” CFO Susan Li told investors on an earnings call.

Disney’s review of workforce productivity is “focused across several areas,” Johnston said. “One of the ones I find particularly interesting is an initiative to implement precision labor demand forecasting across our theme parks. We think that one has the potential to create a better guest experience, a better employment experience, and also better cost management for the company. So we’re very excited about that.”

He also noted opportunities across “enterprise operations” at Disney. “As is true with really many, many companies, the pathways to both drive efficiency and reduce costs are really quite numerous across the enterprise.”

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JMSN Fires Off Letter Over Use Of Song In Ad Spot Touting Trump

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The White House has been hit with a cease-and-desist letter from a musician whose song was featured in a promotional ad featuring Donald Trump that was paid for using tax dollars rather than campaign funds.

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An attorney for JMSN, whose real name is Christian Berishaj, fired off a cease-and-desist letter to White House Chief of Staff Susie Wiles on Monday, objecting to the use of his song “Love Me” in the ad, known as “The Country He Loves.” The ad was one of a series of spots that have run on TV in the past week, with the White House claiming they are public service announcements yet Democrats and even some Republicans contending that they are campaign propaganda.

The letter alleges that the song was used without proper clearances and claims violation of federal copyright law. Norm Eisen of Democracy Defenders Action wrote in the letter that “JMSN does not want to be viewed as directly or indirectly affiliated with the President or his Administration. As he said in his Instagram post denouncing the Advertisement, he ‘would never authorize [his] music to be used for ANY political agenda or campaign.’ Thus, the use of the Song in this context, as part of an overtly partisan, political advertisement, is particularly damaging, as it could cause others to call into question JMSN’s artistic independence and integrity.”

A White House spokesperson did not immediately return a request for comment. Yashar Ali first reported on the cease-and-desist letter.

The ads contain messages that they are “paid for by the U.S. government.” Per NBC News, AdImpact estimates that $1.7 million has been spent to run the spots.

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2026 AFI Fest Full Lineup Revealed

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The stage is nearly set for AFI Fest 2026.

The American Film Institute unveiled the full lineup of films that make up the 40th edition of the Canva-presented festival at Hollywood’s TCL Chinese Theatre from Oct. 21 to 25. In all, 157 films will screen including five red carpet premieres, 12 special screenings, 13 luminaries titles, 18 discovery titles, 16 from world cinema, 17 documentaries, three after-dark films, four guest artistic director presentations, 45 shorts and 24 films from the AFI Conservatory showcase presented by AMC Global Media.

Among the selections are a number of films that got a boost from fall festival premieres like Lee Chang-dong’s Venice Film Festival Silver Lion grand jury prize winner Possible Love; Ryûsuke Hamaguchi’s Cannes Film Festival prize-winning All of a Sudden starring Virginie Efira and Tao Okamoto; Werner Herzog’s Venice selection Bucking Fastard starring Kate Mara and Rooney Mara; Andrew Haigh’s A Long Winter starring Fred Hechinger, Kit Connor, Ebon Moss-Bachrach and Caitríona Balfe; Malgorzata Szumowska and Michal Englert’s The Idiot(s), starring Johnny Flynn and Aimee Lou Wood; Mike Leigh’s San Sebastián Golden Shell winner Tender Loving Care; and the North American premieres of Asghar Farhadi’s Parallel Tales starring Isabelle Huppert, Vincent Cassel and Virginie Efira; and Céline Sciamma’s Tutti Fruitti.

Rooney and Kate Mara in Bucking Fastard

Gateway to Orkney

Other titles include Ilker Çatak’s Berlinale Golden Bear winner Yellow Letters; Markus Schleinzer’s Rose, starring Sandra Hüller, who won the Berlinale Silver Bear for best lead performance for her work in the black-and-white film; Sandra Wollner’s Everytime which won an Un Certain Regard prize; Marine Atlan’s Cannes’ Critics’ Week grand prize winner La Gradiva; Louis Clichy’s Iron Boy, winner of Cannes’ Un Certain Regard special jury prize; Stephanie Ahn’s Bedford Park, which snagged a Sundance U.S. dramatic special jury award for debut feature; and Lance Hammer’s Queen at Sea starring Juliette Binoche alongside Tom Courtenay and Anna Calder-Marshall, who shared the Berlinale Silver Bear for best supporting performance.

Rose

The Match Factory/Courtesy Everett Collection

As previously announced, the roster of films includes Peter Farrelly’s I Play Rocky starring Anthony Ippolito; Netflix’s animated Ray Gunn from Brad Bird featuring the voices of Scarlett Johansson and Sam Rockwell; Martin McDonagh’s Wild Horse Nine starring Rockwell and John Malkovich; Ava DuVernay’s documentary 14th; Diego Luna’s Ashes; Tony Gilroy’s Behemoth! starring Pedro Pascal as a gifted cellist; Pedro Almodóvar’s Bitter Christmas; Florian Zeller’s Bunker starring couple Javier Bardem and Penélope Cruz; Arie and Chuko Esiri’s Clarissa with David Oyelowo, Sophie Okonedo and Ayo Edebiri; Simon Stone’s Elsinore starring Andrew Scott as Ian Charleson; Beth de Araújo’s Josephine starring Channing Tatum, Gemma Chan and Mason Reeves; Ira Sachs’ The Man I Love starring Rami Malek, Rebecca Hall, Ebon Moss-Bachrach, Tom Sturridge and Maisy Stella; Kelly O’Sullivan and Alex Thompson’s Mouse starring Okonedo and Katherine Mallen Kupferer; and Leah Nelson’s animated pic about Alzheimer’s, Tangles, featuring an all-star voice cast that includes Seth Rogen and Julia Louis-Dreyfus.

Pedro Pascal and Will Arnett in Behemoth!

Justin Lubin/Searchlight Pictures

The fest opens with the U.S. premiere of Travis Knight’s animated Wildwood, and will feature showings of Sian Heder’s Being Heumann and Netflix’s The Mosquito Bowl from filmmaker Peter Berg and starring Nicholas Galitzine, Bill Skarsgard, Ray Nicholson and Berg. Project Hail Mary helmers Phil Lord and Chris Miller are serving as guest artistic directors. They’ll sit for a Q&A following by a screening of 2001: A Space Odyssey, and they’ve hand-picked Harold and Maude, The Muppet Movie and Rififi to screen.

“Our 40th edition of AFI Fest celebrates the cinematic artistry of bold, inspiring filmmakers from around the world,” said Todd Hitchcock, who serves as director of AFI Fest and the AFI Silver Theatre and Cultural Center. “With more than 80 features and nearly 70 shorts, AFI Fest 2026 will once again light up the screen of the iconic TCL Chinese Theatre with a wide-ranging slate of films that includes highly anticipated awards favorites and a few surprises as well.”

“We’re thrilled to share some of the year’s most compelling films with the film lovers of Los Angeles at the 40th edition of AFI Fest — from red carpet premieres and major works by established auteurs to exciting debuts from emerging talents, this year’s lineup invites audiences to spend five days experiencing worlds beyond their own and making the connections that great art can spark,” said Abbie Algar, director of programming for AFI Fest and AFI Silver Theatre and Cultural Center.

Canva is the exclusive presenting sponsor while FIJI Water serves as the official water sponsor and American Airlines as the official airline. Passes to AFI Fest are now available for purchase, with individual tickets available Oct. 3.

The full lineup can be found here.

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‘Game of Thrones’ Finally Hitting Big Screen in 2029 With Warner Bros.’ ‘Aegon’s Conquest’

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Owen Harris directs from a script by Beau Willimon.

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