Anime
Live-Action Sakamoto Days Film Opens at #4, The Super Mario Galaxy Movie Stays at #1 – News

© 2026 Nintendo and Universal Studios
The Super Mario Galaxy Movie — Nintendo, Illumination, and Universal Pictures‘ sequel to The Super Mario Bros. Movie — stayed at #1 in its second weekend on May 1-3. The film sold 847,000 tickets and earned 1.172 billion yen (about US$7.49 million) from Friday to Sunday. Over the Golden Week holidays until Wednesday, the film has now sold a total of 3.94 million tickets and earned a cumulative total of 5.4 billion yen (about US$34.51 million)
The film opened at #1 at the Japanese box office. The film sold 1.121 million tickets and earned 1,601,093,600 yen (about US$9.96 million) in its first three days.
The film opened in the United States and the United Kingdom on April 1, in other select territories on April 3, and in Japan on April 24.
Illumination founder and CEO Chris Meledandri and Nintendo representative director and fellow Shigeru Miyamoto again produced Illumination and Universal Pictures‘ new film. Directors Aaron Horvath and Michael Jelenic and screenwriter Matthew Fogel returned from the previous film for the new project. Brian Tyler returned to compose the soundtrack.

© 2026 青山剛昌/名探偵コナン製作委員会
Detective Conan: Highway no Datenshi (Detective Conan: Fallen Angel of the Highway), the Detective Conan franchise‘s 29th film, dropped from #2 to #3 in its fourth weekend. The film sold 649,000 tickets and earned 932 million yen (about US$5.95 million) from Friday to Sunday. Over the Golden Week holidays until Wednesday, the film has now sold a total of 7.4 million tickets and has earned a cumulative total of 10.8 billion yen (about US$69.03 million). The film is now the fourth consecutive film in the franchise to earn more than 10 billion yen, beginning with 2023’s Detective Conan: Black Iron Submarine film.
The film sold 2,318,009 tickets and earned 3,502,137,800 yen (about US$21.9 million) in its first three days, making a new opening-weekend record for the franchise, and debuting at #1 at the Japanese box office.
The new film centers on the character Chihaya Hagiwara, member of the Kanagawa Prefectural Police and the leader of its motorcycle division. Miyuki Sawashiro now voices the character, replacing the late Atsuko Tanaka. The movie also features Kanagawa inspector Jugo Yokomizo, teenage detective Masumi Sera, Chihaya’s late younger brother Kenji Hagiwara, and Kenji’s Police Academy classmate Jinpei Matsuda.
Takahiro Hasui (Detective Conan: The Black Iron Submarine) directed the film, and Takahiro Ōkura (Detective Conan: The Crimson Love Letter) wrote the script. Yūgo Kanno (Detective Conan: One-eyed Flashback) composed the music for the film. Misia performs the theme song “Last Danced Anata to” (Last Dance With You).

©鈴木祐斗/集英社 © 2026映画「SAKAMOTO DAYS」製作委員会
The live-action film of Yuuto Suzuki‘s Sakamoto Days manga ranked at #4 in its opening weekend. The film sold 346,000 tickets and earned 478 million yen (about US$3.05 million) in its first three days. In its first eight days in the Japanese box office, which spanned the entirety of the Golden Week holidays, the film sold 1.14 million tickets and earned 1.5 billion yen (about US$9.58 million).
The film opened in Japan on April 29. The film is also screening in the panoramic ScreenX format in 27 theaters all over Japan.
Viz Media and MANGA Plus are publishing the manga in English digitally. Viz is also publishing the manga in print. MANGA Plus describes the story:
Taro Sakamoto was the ultimate assassin, feared by villains and admired by hitmen. But one day…he fell in love! Retirement, marriage, fatherhood and then… Sakamoto gained weight! the chubby guy who runs the neighborhood store is actually a former legendary hitman! Can he protect his family from danger? Get ready to experience a new kind of action comedy series!
Snow Man member Ren Meguro stars as Tarō Sakamoto, and Fumiya Takahashi plays Shin Asakura. Aya Ueto plays Tarō Sakamoto’s wife Aoi Sakamoto, while Miyu Yoshimoto plays Tarō Sakamoto’s daughter Hana Sakamoto. Other cast members include Mayū Yokota as Lu Shaotang, Junki Tozuka as Heisuke Mashimo, Akihisa Shiono as Kashima, and Keisuke Watanabe as Natsuki Seiba. Takumi Kitamura, Yūsei Yagi, and Meru Nukumi play Order assassins Nagumo, Shishiba, and Osaragi, respectively.
Yūichi Fukuda (live-action Gintama, Under Ninja) directed and wrote the script for the film. Keiya Tabuchi (Evangelion: 3.0+1.0: Thrice Upon A Time, live-action Attack on Titan, Kamen Rider Amazons) directed the action. CREDEUS is producing the film with Avex Pictures.

© コロリド・ツインエンジンパートナーズ
Shingo Yamashita‘s Cosmic Princess Kaguya! (Chō Kaguya-hime!) anime film dropped from #5 to #6 in its 11th weekend after the film’s limited one-week theatrical screening run in Japan was extended.
The film’s limited theatrical run started on February 20. Tickets quickly sold out, with some theaters having to increase the number of screenings to more than 10 times a day. The film earned a total of 223,485,400 yen (about US$1.43 million) in Japanese theaters in its first three days after its run was extended.
Netflix began streaming the film on January 22.
Yamashita (Pokémon: Twilight Wings, opening animation for Jujutsu Kaisen, Chainsaw Man, 2022 Urusei Yatsura) made his feature-length directorial debut with the film in a collaboration between his Studio Chromato and Studio Colorido. Hechima (The Idolmaster Gakuen) and Akihiro Nagae (Drifting Home) designed the characters, with the former in charge of the Tsukuyomi designs and the latter handling the real-world character designs.
The film features songs by Vocaloid producers Ryo (supercell), kz (Livetune), 40mP, HoneyWorks, Aqu3ra, and yuigot.

©Ayano Takeda,TAKARAJIMASHA/Hibike Partners2024
Sound! Euphonium, The Final Movie Part 1 (Saishū Gakushō Hibike! Euphonium Zenpen) dropped from #4 to #8 in its second weekend.
The film opened on May 1 in 201 theaters across Japan at #4. The film sold 77,000 tickets and earned 125,819,900 yen (about US$783,000) in its first three days.
The film includes a newly animated performance scene from the “Sunrise Festival,” the annual in-story marching band event. Additionally, the film features a new scene of Kumiko Oumae as she “takes on the great responsibility of becoming club president.”
TRUE performs the theme song “ToCoda.” TRUE has performed theme songs for the three previous seasons of the anime as well as Sound! Euphonium The Movie – Our Promise: A Brand New Day and Sound! Euphonium: Ensemble Contest Arc.
Taichi Ogawa is directing the anime, and Tatsuya Ishihara is the chief director. Jukki Hanada is in charge of the script and series composition. Character designers include Shoko Ikeda and Kazumi Ikeda, and Kazumi Ikeda is also the chief animation director. Akito Matsuda is composing the music at Lantis and Heart Company, with music cooperation by Senzoku Gakuen College of Music.

© 藤子プロ・小学館・テレビ朝日・シンエイ・ADK 2026
The 2026 Doraemon film, Eiga Doraemon: Shin Nobita no Kaitei Kiganjō (Doraemon the Movie: New Nobita and the Castle of the Undersea Devil), dropped from #6 to #10 in its 10th weekend.
The film opened on February 27 and ranked at #1 in its first weekend. The film sold 621,000 tickets and earned 779,681,350 yen (about US$4.96 million) in its first three days. The film ranked at #1 for six straight weekends.
The 45th 2D anime film (not counting the 3D CG Stand By Me Doraemon films) remakes the classic 1983 film Doraemon the Movie: Nobita and the Castle of the Undersea Devil.
Tetsuo Yajima (Pokémon the Movie: Secrets of the Jungle, Pokémon the Movie: The Power of Us, Pokémon XY) returns after directing episodes of the Doraemon television anime and contributing in other capacities to Doraemon the Movie: Nobita’s New Great Adventure into the Underworld, Doraemon the Movie: Nobita and the Steel Troops: The New Age, and Eiga Doraemon: Nobita no Chikyū Symphony. Another veteran of the television anime, Isao Murayama (Witchy Precure!, Star Twinkle Precure, Bakugan), wrote the new film’s screenplay.
Sources: Kōgyō Tsūshin (link 2), Cinema Today
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Anime
Liar Game Anime Gets 2nd Season – News
1st season ended with 26th episode on Monday
The official website for the television anime of Shinobu Kaitani‘s Liar Game manga announced on Tuesday that the anime is getting a second season. The website unveiled a commemorative illustration by character designer Kei Tsuchiya:

© Kaitani Shinobu Products/Shueisha, LIAR GAME Committee
The 26th and final episode of the first season aired on Monday (effectively, Tuesday).

© Kaitani Shinobu Products/Shueisha, LIAR GAME Committee
The anime premiered in Japan on TV Tokyo and its affiliates on April 6. The anime ran for six months without breaks. The second part of the anime began on July 7. Crunchyroll is streaming the anime worldwide (excluding Japan and China) and hosted the world premiere screening of the anime’s first two episodes at this year’s Sakura-Con event in Seattle on April 5. PDT. AMEDIATEKA is distributing the anime in the Russian Federation.
REMOW introduces the series’ story:
A Mysterious Invitation. One Hundred Million Yen. The Game Begins.
College student Nao Kanzaki suddenly receives a strange letter and a suitcase containing 100 million yen. She’s been chosen to participate in the LIAR GAME—a high-stakes psychological battle where lies, deception, and betrayal reign supreme. Naïve and painfully honest, Nao quickly finds herself cornered. To survive, she turns to Shinichi Akiyama, a brilliant former con artist with unmatched intellect. As they dive deeper into the twisted game, the two must outwit opponents in a world where trusting others could be fatal. In a game built on lies, can honesty prevail?
Yūzō Satō (Kaiji -Ultimate Survivor-, Akagi, Trillion Game, The Gene of AI) was the chief director of the anime at Madhouse, and Asami Kawano (assistant director for The Vampire Dies in No Time both seasons, episode director for Orb: On the Movements of the Earth) directed the anime. Tatsuhiko Urahata (Baki, Baki Hanma, Monster, Muv-Luv Alternative) wrote and oversaw the series scripts, Kei Tsuchiya (Laidbackers, Trillion Game, The Gene of AI) was the character designer, and Kisuke Koizumi (The Gene of AI, My Happy Marriage, Ghost in the Shell Arise) was the sound director.
The manga ran from 2005 to January 2015 in Shueisha‘s Weekly Young Jump magazine. Shueisha published the manga’s 19th and final compiled book volume in May 2015. Kaitani launched a new short serialization for the manga titled Liar Game: The Last Game in Shueisha‘s Grand Jump Mucha magazine on February 25.
The manga previously inspired two live-action films, two live-action television series, and two live-action online series. The manga also inspired a stage play in 2023.
Kaitani’s ONE OUTS manga inspired a television anime in 2008.
Sources: Liar Game anime’s website, Comic Natalie
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Anime
Episode 13 – Sparks of Tomorrow

© Hiro Yuki, Kyoto Animation/Sparks of Tomorrow Production Committee
It’s done; my time with one of the most frustrating, anachronistic, ill-conceived pieces of media I’ve ever experienced in its entirety is over. Earning the number four spot in ANN’s Worst of the Summer 2026 season list, this finale further reaffirms that Sparks of Tomorrow deserves this albatross. It brings me no joy to say this is likely going down as the worst anime ever produced by Kyoto Animation, and I hope this otherwise illustrious studio never sinks this low again.
This episode begins with Yosuke trying to sacrifice Kihachi (who’s drugged and in a wedding gown because Yosuke can’t be framed as a predacious gay more than a single goddamn second) to improve his Robo-Seiroku. When Inako arrives on the scene, she manages to stop Yosuke and his plan by…just kind of stopping Yosuke and his plan. She pulls on some wires and drags Kihachi out of what would have been his glass coffin before the walking plot device that is Kengo shows up and effortlessly drags them out of that situation. In this scene, it really feels like Yosuke never had a plan for what to do if anyone ever tried to stop him from doing crimes in order to revive Seiroku, and that makes him feel even weaker as a villain.
The failing of the electric nishiki creates a massive sinkhole in the middle of the city, though, and Kihachi and Inako use the electric plane invented a few episodes before to save Yosuke. Why they do this is anyone’s guess, as he literally tried to kill Kihachi twenty minutes ago, but whatever. The animation during this flight scene is pretty impressive, as is a sequence where a massive updraft essentially creates a zero-gravity sequence. The episode ends with much of the main cast having a meal together and Saki pointing out that Inako’s first brew is amazing, as Yosuke (who should be in jail) travels, and Kihachi and Inako tentatively express their romantic feelings to each other. In this finale there is not follow up on Kate and Suzu’s babyqueer romance, if Inako’s family’s business is saved from insolvency, or an indication that electrical technology is being more broadly adopted.
While I could profess endlessly about the sophomoric writing in Sparks of Tomorrow and how it misunderstands the era and innovative spirit at the heart of this work, this episode actually contains a perfect crystallization of these problems! While on their way to Inako’s home, in both the sub and the dub, Kihachi remarks that he found it odd that the lush Saki told him about the first batch of Inako’s brew being made into an offering for Inako’s late mother, as he is “not able to drink yet.” The problem with this statement, though, is that there was no legally enforced drinking age in Japan until 1922, and that this story explicitly takes place after the Russo-Japanese War and before the end of the Meiji era, so between 1905 and 1912. This is to say that Kihachi CAN drink and that Sparks of Tomorrow would so casually elevate an anachronism that I could disprove with five minutes of research demonstrates how little it cares about the culture and history at the center of its premise.
Sparks of Tomorrow routinely failed to spark any kind of joy or inspiration within me, and I am so glad to be done with this lazy, ahistorical piece of animation.
Rating:
Lucas DeRuyter finds sparks of inspiration in all parts of his life, which would explain why his portfolio features such a broad array of interests and writing formats! To read what he’s ruminating on more regularly, you can keep up with his regular contributions to ANN’s This Week in Anime column.
Sparks of Tomorrow is currently streaming on
Netflix.
The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
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Anime
S. Korean Gov’t Report: Domestic Piracy Webtoon Sites Repeatedly Reopen Under New Addresses – News
Authorities issued 24,297 access-blocking corrective-action requests for copyright-infringing content from 2023 – August 2026

Webtoon piracy sites in South Korea are repeatedly returning under new addresses after being blocked, with more than 16,000 review and corrective-action requests involving replacement sites recorded since 2023.
According to data submitted by the Korea Communications Standards Commission to Democratic Party lawmaker Jung-ah Hwang on September 27, authorities issued 24,297 access-blocking corrective-action requests for copyright-infringing content from 2023 through August 2026. Of these, 16,390 (or 67.5%) involved sites that changed their addresses or created replacement sites after being blocked.
The number of requests involving replacement sites totaled 6,236 in 2023; 5,771 in 2024; 1,877 in 2025; and 2,506 through August 2026.
Despite the repeated blocking, authorities have not referred any copyright infringement cases for investigation or provided related materials to investigative agencies, according to the data.
In May, the Ministry of Culture, Sports and Tourism introduced a new blocking system targeting piracy sites and said it is designed to “significantly improve response speed” as the most effective administrative measure currently available. While Newtoki, one of the biggest webtoon and web novel piracy sites, shut down prior to the new system rollout, a site branded as Newtoki resurfaced shortly after.
Source: YNA (Hyung-bin Park)
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