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Megyn Kelly Rips Bari Weiss’ CBS for Protecting Netanyahu With ’60 Minutes’ Edits

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Megyn Kelly sounded the alarm Monday on Bari Weiss and CBS News after a “60 Minutes” interview with Benjamin Netanyahu aired over the weekend with edits she argued were meant to protect the Israeli prime minister in the public eye.

“Why? Why did Bari Weiss and her CBS cut from the interview of Netanyahu all the references by Netanyahu attacking Americans who have questions about Israel as anti-American? Is it possible they believe that might make him look bad and further alienate Americans?” the conservative podcast host and journalist posed.

“I think there’s a level of protection being run now on a foreign leader that’s just obvious. It’s as plain as the nose on your face, and you have to ask yourself why and whether we’re allowing this.”

One specific concern Kelly raised on Monday’s installment of “The Megyn Kelly Show” was in regards to a “60 Minutes” edit around Netanyahu’s argument that there is an organized social media campaign to bolster anti-Israel sentiment.

“The deterioration of support for Israel in the United States I would say correlates almost 100% with the geometric rise of social media,” Netanyahu told “60 Minutes” journalist Major Garrett on Sunday. “And that by itself is not what caused it, and I don’t believe in censoring them or anything. But I’ll tell you what happened: We have several countries that basically manipulated social media with bot farms, with fake addresses, to break the American sympathy to Israel, to break the American-Israeli alliance because they think it’s in their interest.

“And they do it in a clever way,” the prime minister continued. “You hear a text message, ‘I’m a red-blooded Texan, I’ve always supported Israel, but I can’t stand what they’re doing, I’m turning against Israel.’ And then you trace the address to some basement in Pakistan, you know? And that’s something that has hurt us badly.”

Kelly decried the fact that CBS did not air “that whole thing about the bot farms” in their network broadcast (though the full interview is available to view on YouTube).  

“The version that aired on TV included some of what we just played, but it was combined with a section from the very end of the interview, which focused on Israel’s tactics to respond to the sentiment shift, not the shift itself,” Kelly said, arguing that the edit allowed Netanyahu to blindly blame social media for the decline in social support for Israel rather than the actions of Israel itself.

“It’s not Israel’s behavior. It has nothing to do with those tens of thousands dead in Gaza, or Gaza looking like a parking lot now, or what appears to be a thirst for more war by Israel,” Kelly said.

The host concluded that “they’re not interested at CBS in talking about” the “actual shift itself.”

“Why is that? Why does CBS not want to discuss that? Could it be the Ellisons and their handmaiden Bari Weiss, who runs CBS now, who’s huge on Israel? It’s truly her favorite issue. That is true,” Kelly continued. “She’s extremely concerned about Israel, and has been for a long, long time … She’s been on a cancellation crusade for a long time against anybody who she thinks is too critical of Israel, and now she’s in charge of CBS, and honestly, you can see it in the coverage. You can see it.”

Elsewhere in the segment, Kelly pointed to “60 Minutes” edits that worked around statements from Netanyahu that indicated Americans who disapprove of the war in Iran — and therefore disagree with Israel — are themselves “anti-American.”

Watch Kelly’s full analysis of Sunday’s “60 Minutes” interview with Netanyahu in the video below.

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Kimmel Rips Trump’s Push to Rename AI: OpenAI Must Be ‘Very Excited’

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Kimmel Rips Trump’s Push to Rename AI: OpenAI Must Be ‘Very Excited’







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‘Final Payment’, ‘Congo Boy’ Win Top Awards At Pingyao Film Festival

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Chinese director Niu Niu’s Final Payment scooped the Best Film Award in the Fei Mu Awards of this year’s Pingyao International Film Festival (PYIFF), while Rafiki Fariala’s Congo Boy won Best Film in the festival’s Roberto Rossellini Awards.

Final Payment, which also won Best Actor for Niu Jianrong’s performance, revolves around a homeowner clashing with a contractor over the final payment following a set of renovations on his home. PYIFF’s competition jury stated: “Tearing through a very small rip, the film leads us into a reality and emotional landscape so expansive, where we sigh, lament, and reflect. The director’s approach is concise, unpretentious, and masterful, earning the wholehearted recognition of the entire jury.”

The Best Film award came with a cash prize of $150,000 (RMB1m) with half given to the director for the development of their next film, and half given to the distributor in China. Niu Niu previously directed Mr Junjun, which was awarded with the Jury Award and Youth Jury Award at PYIFF in 2023.

Also in the Fei Mu Awards, Xu Zao won Best Director for Light Pillar, while Best Actress went to Sun Yi for Wang Xiaozhen’s A Joke. The Jury Award was presented to Dong Jie’s Zoom In, Zoom Out, which had its world premiere in Venice Critics Week, while a special mention went to Cai Chengjie’s Suzhou Quartet.

The Fei Mu awards are focused on the festival’s Hidden Dragons section, which selects first, second and third films from emerging directors making Chinese-language films, while the Roberto Rossellini Awards focus on the Crouching Tigers section for emerging international directors.

Congo Boy, which took Best Film in the Roberto Rossellini Awards, also won Best Actor when it premiered in Un Certain Regard at this year’s Cannes film festival. The PYIFF award came with a cash prize of $20,000, with half given to the director for the development of their next film, and half given to the distributor in China.

The PYIFF jury stated: “The Jury unanimously has been moved by this autobiographical story, told in a simple style that echoes the great tradition of neorealism. For a film focusing on a character that confronts his world with optimism despite dark times and takes on his shoulders the destiny of his entire family.”

Also in this section, the Philippines’ Rafael Manuel won Best Director for Filipiñana, while the Jury Award went to Ben’imana, directed by Marie-Clémentine Dusabejambo, which won the Camera d’Or at this year’s Cannes. The jury also awarded Rakan Mayasi’s Yesterday The Eye Didn’t Sleep a Special Mention.

Hong Kong filmmaker Ann Hui received the Crouching Tiger Hidden Dragon East-West Award, shortly before she receives the Camellia Award at Busan International Film Festival next week.

Pingyao’s International Contribution To Chinese Cinema Award went to Marco Müller, who founded the festival with Chinese auteur Jia Zhangke and currently serves as Artistic Director of the Film Art Research Centre at Shanghai University, and veteran producer, director and former chairman of China Film Group Han Sanping. Hello Group chairman Tang Yan was presented with a 10th Anniversary Award.

This year’s PYIFF opened on September 24 with a screening of the 4K restoration of Fei Mu’s Spring In A Small Town; closed with Good Trip, co-directed by Hong Kong filmmakers Norris Wong and Hoi Wong, and also screened Jia’s short film Torino Shadow, which premiered at this year’s Cannes.

PINGYAO INTERNATIONAL FILM FESTIVAL 2026 AWARDS:

FEI MU AWARDS:

Best Film: Final Payment, dir: Niu Niu

Best Director: Xu Zao, Light Pillar

Best Actress: Sun Yi, A Joke, dir: Wang Xiaozhen

Best Actor: Niu Jianrong, Final Payment, dir: Niu Niu

Jury Award: Zoom In, Zoom Out, dir: Dong Jie

Special Mention: Suzhou Quartet, dir: Cai Chengjie

ROBERTO ROSSELLINI AWARDS:

Best Film: Congo Boy, dir: Rafiki Fariala

Best Director: Filipiñana, dir: Rafael Manuel

Jury Award: Ben’imana, dir: Marie-Clémentine Dusabejambo

Special Mention: Yesterday The Eye Didn’t Sleep, dir: Rakan Mayasi

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Chad Lowe and Kim Painter’s Daughter Fiona Dies at 13

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Actor Chad Lowe and producer Kim Painter’s 13-year-old daughter, Fiona, has died, according to a statement from the teen’s family.

“We are deeply heartbroken by the loss of our beloved Fiona,” the Lowe family said in a statement to media Tuesday evening. As the family went on, they remembered Fiona as “a loving young girl who was smart, creative, and loved to dance.”

“She was adored by her sisters and she was deeply loved by her parents,” the family’s statement added. “In fact, she was the light of our lives.”

While a cause of death was not immediately shared, the Lowes alluded to Fiona’s mental health struggles, writing, “Her passing is devastating for our entire family and we ask for prayers and privacy at this time. If you or someone you know is struggling with mental health, please reach out to the 988 Suicide & Crisis Lifeline by calling or texting 988.”

More to come…

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