Connect with us

movies

Hollywood to Pentagon: Your UFO Movies Really Suck

Published

on

On Friday, we covered the Pentagon’s UFO file drop because a filmmaker first showed the world a spaceship in 1902 (Georges Méliès’ A Trip to the Moon) and, ever since, Hollywood has created thousands of movies and TV shows depicting an endless array of UFOs and aliens. The entertainment industry helped invent this genre; we made it huge, we f–king own it. 

Now, suddenly, the U.S. government wants in. The Pentagon has gone from denying UFOs are a thing to dumping documents, photos and video concerning “anomalous” phenomena. The Department of Defense has promised more files to come on a “rolling” basis. This follows Donald Trump teasing “very interesting” UFO revelations, and members of Congress suggesting proof of alien life is right around the corner if only they can convince nefarious deep state bureaucrats to let them release it. 

But if the Pentagon expects to play on Hollywood’s turf, it needs to raise its game. Last week’s UFO series premiere was a major disappointment; a vague, grainy, redacted mess. There wasn’t a coherent plot, there weren’t any characters to root for and the effects were dreadful. This release would get an even lower Rotten Tomatoes score than Prime Video’s notorious, pandemic-shot War of the Worlds remake, where Ice Cube spent 90 minutes reacting to an alien invasion while on Zoom calls.

At best, those 162 files provide enough material for a season of Ancient Aliens. For the less gullible among us, we’re not impressed by watching a single pixel, looking like an escapee from an Atari 2600, float across the screen (and this was described as one of the best clips). 

Such videos were often recorded by U.S. Navy fighter jets using an AN/ASQ-228 Advanced Targeting Forward-Looking Infrared (ATFLIR) pod. This is impressively described as “a multi-sensor electro-optical device” that includes a “high-powered (thermal/infrared) camera, a low-light television camera and a laser rangefinder.” 

But another way to describe this device — which surely cost taxpayers a fortune — is a camera that utterly sucks at being a camera. Every video looks like a 1940s TV broadcast that somebody recorded with a Super 8 camera and then left in their attic for 70 years. We’ve grown accustomed to new Jurassic Park and Star Wars movies somehow magically looking worse than they were decades ago, but even NASA footage from the first moon walk in 1969 is somehow clearer than the government UFO videos today. So let’s get Christopher Nolan to mount some Imax cameras on those F/A 18 Super Hornets and then maybe we’ll get out of bed to look at these zig-zagging blobs. 

If the government really is hiding quality video of visitors from another world, let me reassure on this point. There’s something that nobody seems to get about so-called disclosure: Our entire concept of what might happen next if the government were to confirm alien life is based on an era of government trust that no longer exists. If Trump announces aliens are real, who is going to believe him? Not Democrats. Not half of Republicans, at this point. Everything Trump has said about tariffs is wrong — nobody is believing him about aliens. The Pentagon could put out a 4K video of a massive Close Encounters-style mothership hovering over a Chick-fil-A and Americans would go, “Pfft, fake news, AI slop, distraction.”

One wonders if all this age of disclosure hype might end up actually hurting Steven Spielberg’s Disclosure Day more than helping. The real-life disclosure buzz out there, combined with Universal’s “we’re hiding a bunch of this movie from trailers” campaign, is getting to the point where UFO buffs are starting to think the movie is going to end with Spielberg and Barack Obama walking into Area 51 and revealing a cryogenically frozen E.T. or something.

In the meantime, documentarian Jeremy Corbell has a new documentary out this week, Sleeping Dog, touting new previously unreleased UFO videos (Blurry orbs? You bet!). And front-line disclosure advocate Rep. Tim Burchett (whose comforting aw-shucks Tennessee drawl could be used for a sleep aid app) promises last week’s file drop is “just a drop in the bucket” and that something is coming soon that will be a true “holy crap” moment.

Maybe, just maybe … it will be an orb in color. 

>

Continue Reading

movies

‘Final Payment’, ‘Congo Boy’ Win Top Awards At Pingyao Film Festival

Published

on

Chinese director Niu Niu’s Final Payment scooped the Best Film Award in the Fei Mu Awards of this year’s Pingyao International Film Festival (PYIFF), while Rafiki Fariala’s Congo Boy won Best Film in the festival’s Roberto Rossellini Awards.

Final Payment, which also won Best Actor for Niu Jianrong’s performance, revolves around a homeowner clashing with a contractor over the final payment following a set of renovations on his home. PYIFF’s competition jury stated: “Tearing through a very small rip, the film leads us into a reality and emotional landscape so expansive, where we sigh, lament, and reflect. The director’s approach is concise, unpretentious, and masterful, earning the wholehearted recognition of the entire jury.”

The Best Film award came with a cash prize of $150,000 (RMB1m) with half given to the director for the development of their next film, and half given to the distributor in China. Niu Niu previously directed Mr Junjun, which was awarded with the Jury Award and Youth Jury Award at PYIFF in 2023.

Also in the Fei Mu Awards, Xu Zao won Best Director for Light Pillar, while Best Actress went to Sun Yi for Wang Xiaozhen’s A Joke. The Jury Award was presented to Dong Jie’s Zoom In, Zoom Out, which had its world premiere in Venice Critics Week, while a special mention went to Cai Chengjie’s Suzhou Quartet.

The Fei Mu awards are focused on the festival’s Hidden Dragons section, which selects first, second and third films from emerging directors making Chinese-language films, while the Roberto Rossellini Awards focus on the Crouching Tigers section for emerging international directors.

Congo Boy, which took Best Film in the Roberto Rossellini Awards, also won Best Actor when it premiered in Un Certain Regard at this year’s Cannes film festival. The PYIFF award came with a cash prize of $20,000, with half given to the director for the development of their next film, and half given to the distributor in China.

The PYIFF jury stated: “The Jury unanimously has been moved by this autobiographical story, told in a simple style that echoes the great tradition of neorealism. For a film focusing on a character that confronts his world with optimism despite dark times and takes on his shoulders the destiny of his entire family.”

Also in this section, the Philippines’ Rafael Manuel won Best Director for Filipiñana, while the Jury Award went to Ben’imana, directed by Marie-Clémentine Dusabejambo, which won the Camera d’Or at this year’s Cannes. The jury also awarded Rakan Mayasi’s Yesterday The Eye Didn’t Sleep a Special Mention.

Hong Kong filmmaker Ann Hui received the Crouching Tiger Hidden Dragon East-West Award, shortly before she receives the Camellia Award at Busan International Film Festival next week.

Pingyao’s International Contribution To Chinese Cinema Award went to Marco Müller, who founded the festival with Chinese auteur Jia Zhangke and currently serves as Artistic Director of the Film Art Research Centre at Shanghai University, and veteran producer, director and former chairman of China Film Group Han Sanping. Hello Group chairman Tang Yan was presented with a 10th Anniversary Award.

This year’s PYIFF opened on September 24 with a screening of the 4K restoration of Fei Mu’s Spring In A Small Town; closed with Good Trip, co-directed by Hong Kong filmmakers Norris Wong and Hoi Wong, and also screened Jia’s short film Torino Shadow, which premiered at this year’s Cannes.

PINGYAO INTERNATIONAL FILM FESTIVAL 2026 AWARDS:

FEI MU AWARDS:

Best Film: Final Payment, dir: Niu Niu

Best Director: Xu Zao, Light Pillar

Best Actress: Sun Yi, A Joke, dir: Wang Xiaozhen

Best Actor: Niu Jianrong, Final Payment, dir: Niu Niu

Jury Award: Zoom In, Zoom Out, dir: Dong Jie

Special Mention: Suzhou Quartet, dir: Cai Chengjie

ROBERTO ROSSELLINI AWARDS:

Best Film: Congo Boy, dir: Rafiki Fariala

Best Director: Filipiñana, dir: Rafael Manuel

Jury Award: Ben’imana, dir: Marie-Clémentine Dusabejambo

Special Mention: Yesterday The Eye Didn’t Sleep, dir: Rakan Mayasi

>

Continue Reading

movies

‘Dancing With The Stars’ Season 35, Week 3 Recap: Who Goes Home?

Published

on

SPOILER ALERT! This post contains details from Tuesday night’s episode of Dancing with the Stars.

It’s another exciting night in the ballroom as 13 contestants are still eyeing the Len Goodman Mirrorball Trophy during Week 3 of Dancing with the Stars.

Last week, the judges reinforced just how tough they are going to be this season, once again declining to score anyone above a 7. Still, three couples — Jenna and Val, Ezra and Daniella, and Amber and Pasha — walked away tied for the top of the leaderboard with 21 points. We also said goodbye to Alan Bersten and chef Giada De Laurentiis.

Week 3 is Yacht Rock night, so the remaining couples are performing to hits from artists including Fleetwood Mac, The Doobie Brothers, and Luther Vandross.

Here is how the night went.

Olympian Amber Glenn with Pasha Pashkov danced a Foxtrot to “Hold the Line” by Toto. SCORE: 24

Actress Julia Stiles with Ezra Sosa danced a salsa to “I Can’t Go for That (No Can Do)” by Daryl Hall & John Oates. SCORE: 19

Late-night sidekick Guillermo Rodriguez with Whitney Carson danced a Foxtrot to “Escape (The Piña Colada Song)” by Rupert Holmes. SCORE: 15

Actress Tatyana Ali with Jan Ravnik performed a Quickstep to “Maneater” by Daryl Hall & John Oates. SCORE: 21

Actor Harry Shum Jr. with Jenna Johnson performed a jive to “You Make My Dreams Come True” by Daryl Hall & John Oates. SCORE: 24

Musician Taylor Hanson with Britt Stewart danced a Foxtrot to “What a Fool Believes” by The Doobie Brothers. SCORE: 18

Reality star Maura Higgins with Mark Ballas danced a Quickstep to “Turn Your Love Around” by George Benson. SCORE: 22

Reality star Ciara Miller with Brandon Armstrong performed a Cha Cha to “Never Too Much” by Luther Vandross. SCORE: 18

Savannah Bananas midfielder Jackson Olson with Emma Slater performed a paso doble to “Easy Lover” by Philip Bailey and Phil Collins. SCORE: 18

Comedian and podcaster Connor Wood with Rylee Arnold danced a Foxtrot to “Everywhere” by Fleetwood Mac. SCORE: 20

Actress Jenna Dewan with Val Chmerkovskiy danced a samba to “Africa” by Toto. SCORE: 21

Reality star Tyler Cameron with Sharna Burgess danced a jive to “Still the One” by Orleans. SCORE: 17

Paralympian Ezra Frech with Daniella Karagach danced a Foxtrot to “Just the Two of Us” by Grover Washington Jr. featuring Bill Withers. SCORE: 21

Who goes home?

The competition is now down to 12 as Taylor Hanson and Britt Stewart were sent home. Next week is all about Mariah Carey, so the couples will perform a variety of the pop superstar’s biggest hits.

>

Continue Reading

movies

‘Icebreaker’ TV Show Adaptation News & Updates: Everything We Know

Published

on

Another hockey book adaptation has entered the chat.

Netflix is currently building out its cast for the series adaptation of Hannah Grace’s Icebreaker book that kicks off the Maple Hill series. This in addition to their show The Sticks that is also currently in the works.

For everything we know about Netflix’s Icebreaker book adaptation so far, read on.

When will Netflix’s Icebreaker series adaptation come out?

A release date has not yet been set. The show has begun to assemble its cast.

Who will lead the Icebreaker show at Netflix?

Daisy Jelley (Poser, How To Have Sex) will portray Anastasia “Stassie” Allen, and Connor Simos (Subversion) will portray Nate Hawkins in the college hockey drama series.

Who else is in the cast of Netflix’s Icebreaker adaptation?

Gabriel Tierney (Rivals, Enola Holmes 2), Auliʻi Cravalho (Moana), newcomer and professional athlete Peter Berry, Chaneil Kular (Best of the Best, Sex Education), Devin Craig (Sex Lives of College Girls, Maize) and Aidan Shaw (We Were Liars, Heated Rivalry, Finding Her Edge) have joined the ensemble cast.

Tierney will play Aaron; Cravalho will portray Lola; Berry is Robbie; Kular will play JJ; Craig will portray Henry and Shaw is Russ.

What is Hannah Grace’s Icebreaker book about?

Stassie is a transfer athlete gunning for Olympic gold. Nate is the campus star chasing the NHL. When an accident forces their teams to share one rink, Anastasia Allen and Nate Hawkins collide—and discipline gives way to obsession, because the only thing more dangerous than wanting to win is wanting each other.

Who else is behind Netflix’s Icebreaker series?

Jade Halley Bartlett (Road House, Doctor Strange in the Multiverse of Madness, Miller’s Girl) created and executive produced the series. Amanda Lasher (Gossip Girl, The Bold Type, Togetherness) serves as showrunner, writer and excutive producer. Grace also executive produces along with Alex Cooper, Matt Kaplan and Mina Lefevre for Cooper’s Unwell Productions.

RELATED: ‘The Sticks’: Scott Bakula, Logan Marshall-Green & More Cast Confirmed; First Look At Netflix YA Hockey Drama Starring Michelle Monaghan

>

Continue Reading

Trending

Copyright © 2017 Zox News Theme. Theme by MVP Themes, powered by WordPress.