Connect with us

movies

‘Rehearsals for a Revolution’ Review: Doc Chronicles Iranian Struggle

Published

on

“The future remains uncertain” is the closing title card in Iranian actress turned director Pegah Ahangarani’s Rehearsals for a Revolution, a powerful autobiographical account of the political turmoil that has wracked her homeland from 1979 until now.

“Uncertain” is indeed the right word for what’s been happening in Iran over just the past few months, with a war — or conflict or intervention, depending on which world leader is speaking — that was undertaken with no clear objective and seems to have no workable solution.

Rehearsals for a Revolution

The Bottom Line

A scorching historical autobiography.

Venue: Cannes Film Festival (Special Screenings)
Director, screenwriter: Pegah Ahangarani

1 hour 35 minutes

Someday there will be a good documentary about this ongoing quagmire. For now, it’s worth taking a look at Ahangarani’s gripping first-person chronicle of Iran’s recent history of resistance and repression, which began nearly five decades ago with a revolution that brought the Ayatollah Khomeini to power and tore the director’s own world apart.

Composed almost entirely of archive footage, some of it shot by Ahangarani and her relatives, Rehearsals is divided into five chapters that situate her story within the greater historical events she and her family lived through.

The memorable first section focuses on the director’s father, Jamshid, who was a budding filmmaker prior to 1979, making short movies highlighting the inequities of the Shah’s regime. When that regime fell — a “most beautiful day” is how he described it — Jamshid become a fervent supporter of the Ayatollah’s new government, then a hero on the battlefield during the eight years Iran warred with Iraq.

But he grew disillusioned with the powers-that-be when learning that his best friend, Davoud, who starred in his early movies, had been sent to the infamous Evin Prison in Tehran for voicing criticism of the Islamic Republic. Despite Jamshid’s efforts, including letters sent to the Ayatollah, Davoud was executed along withother political prisoners. Any hope in the revolution died right there.   

Ahangarani follows her father’s story up with four more chapters, each of them highlighting another figure in her life who suffered under Iran’s authoritarian leadership. These include a teacher who had a major impact on the director in primary school but was forced into exile after she threw a party without wearing the mandatory hijab. There was also an uncle, Rashid, who grew up as a child of the revolution but began protesting against the Ayatollah while in college. He found himself caught up in the violent 1999 raid of a Tehran dormitory that left several dead, hundreds injured and thousands detained.

Grainy video footage from those protests reveal the brutality of the Revolutionary Guard Corps, who drag students into the street, viciously beat them and then leave them wounded on the ground. With few international news outlets able to freely cover events in Iran and local internet blackouts whenever upheaveals occur, we see images in Rehearsals for a Revolution we’ve rarely seen elsewhere.

During this tumultuous period, Ahangarani decided to follow in her father’s filmmaking footsteps — as well as those of her mother, the director, producer and screenwriter Manijeh Hekmat (Women’s Prison) — by becoming a child actor, then a professional who went on to star in nearly 40 features. Like her parents, she also picked up a camera and began shooting whenever she could, capturing family highlights but also documenting the waves of protests that broke out as she grew into an adult.

These culminate in the film’s riveting fourth chapter, set during a 2009 uprising after the contested re-election of despotic president Mahmoud Ahmadinejad. Hundreds of thousands took to the streets, including Ahangarani, who searches in vain for a friend in Tehran’s Revolution Square as police crack violently down on protestors. In one nearly uninterrupted take, we follow a group seeking refuge in a private home as cops storm the building, revealing what it’s like to experience bloody state repression firsthand.

It’s not hard to see a pattern here: protest after protest is met with jackboots, billy clubs and live ammunition, in an unbroken cycle that continues all the way through the massacres of this past January, which left thousands more dead in the streets. These were quickly followed by U.S. and Israeli bombings that began a month later, resulting in many more innocent victims.

When will it end? Ahangarani has no answer for this and is eventually forced into exile herself, while most of her family remains stuck back in Iran. She marries, has a daughter and continues to document events from afar, trying to shape them into a narrative on her desktop editing system. But it’s not easy to make sense out of so many ruined lives, even if the presence of a new child offers some hope.

Rehearsals for a Revolution is a cautionary tale about speaking up in a place where rebellion can cost you your livelihood, and quite possibly your life. It’s also a despairing tale of a family that lost several loved ones to a regime they initially supported, and even fought for in a long and brutal war, only to find their affinities betrayed by despotism.

And yet in its final chapter, Ahangarani’s dark historical self-portrait also looks forward to a time, perhaps not too far in the future, when all the rehearsed revolutions she experienced will finally lead to a real one, and things in Iran change for the better.

>

Continue Reading

movies

Chase Infiniti To Star In ‘Portrait Of God’ Horror Movie For Lionsgate

Published

on

Lionsgate has acquired Portrait of God, a horror flick from emerging genre filmmaker Dylan Clark based on his viral short of the same name. With One Battle After Another breakout Chase Infiniti now aboard to star, the project is greenlighted for production.

Portrait comes to Lionsgate after being put in turnaround by Universal, which acquired a spec from Clark in a competitive situation in December 2025, as we first reported. The Lionsgate acquisition is natural, given that they’ve set Clark to make his big studio filmmaking debut with a reimagining of 1999 horror classic The Blair Witch Project, dated for September 24, 202

Portrait of God will mark the first-ever collaboration of producers Sam Raimi and Jordan Peele, two of the biggest names in horror, with Clark directing from a script co-written with Joe Russo (The Inheritance). Involved with the project since it was at Universal, Raimi is presently set to direct an adaptation of the 1978 horror film Magic for Lionsgate as his next project.

While the studio is keeping the plot of the feature take under wraps, Clark’s short revolves around a religious young woman who discovers the disquieting answer to the question, “What does God look like?” Opening with a quote from the Old Testament — “No man shall see Me and live” — it finds Mia sitting in the dark, practicing a slide presentation about a work of art dubbed “Portrait of God.” Some who view the painting perceive it as completely black, she says, while others report seeing a person in the darkness — one who’s been described time and again, in consistent detail.

Minimalistic yet menacing, the short offers a counterpoint to the idea of God as a benevolent entity. It’s accrued over 10 million views on YouTube since its August 2022 debut.

Raimi and Rob Tapert will produce through their Ghost House shingle, as will Jordan Peele and Win Rosenfeld through their Monkeypaw Productions, and Joe Russo (The Inheritance). Romel Adam and Jose Cañas will oversee for Ghost House. On behalf of Monkeypaw, Chris Rosati is exec producing through his first-look deal at shingle NAT20 Films. Scott O’Brien will oversee the project for Lionsgate, which had Dan Freedman negotiated deals on its behalf.

Lionsgate Motion Picture Group chair Adam Fogelson commented, “We’re delighted to deepen our creative partnership with Dylan Clark, whose remarkable talent and distinctive perspective make him one of the most exciting emerging voices in horror. With Sam and Jordan, two of the genre’s most influential producers, the extraordinary Chase Infiniti starring, and Dylan at the helm, this is an exceptional creative team. We believe they have all the ingredients for a film that is haunting, thought-provoking, and scary as hell.”

Like Obsession‘s Curry Barker and Backrooms‘ Kane Parsons, Clark is a young genre filmmaker who came to the industry’s attention after gaining a large following in the YouTube horror space. He stated, “With Blair Witch, I’m experiencing firsthand the trust Lionsgate places in its filmmakers, and I couldn’t be happier that Portrait of God has found a home there as well. I’m also thrilled to welcome Chase Infiniti to our team. She blew me away in One Battle After Another and is one of the most exciting young actors working today.”

Infiniti earned noms at the Actor Awards, Golden Globes and BAFTA Awards for her breakout role opposite Leonardo DiCaprio in Paul Thomas Anderson’s One Battle After Another. She came to the film after appearing in a major role opposite Jake Gyllenhaal and Ruth Negga in Apple’s hit thriller series Presumed Innocent. Most recently, she’s been seen leading The Testaments, Hulu’s follow-up to hit Margaret Atwood adaptation The Handmaid’s Tale, earning her first Emmy nomination for her work on Season 1. With work on the second season underway, Infiniti will also be seen coming up in The Julia Set, an indie coming-of-age drama from Niki Byrne coming off its premiere at TIFF. She is repped by Gersh and Brillstein Entertainment Partners.

Clark is repped by UTA, 3 Arts Entertainment, and Ginsburg Daniels Kallis; Russo by Fictional Entity, Untitled, and Yorn, Levine, Barnes.

>

Continue Reading

movies

Nina Gold To Receive Deadline Casting Award

Published

on

Nina Gold will be honored with the inaugural Deadline Disruptor Achievement in Casting Award at the Hamptons International Film Festival this weekend.

The new award, presented in partnership with Deadline, recognizes casting professionals whose work has fundamentally reshaped how audiences see performance and storytelling on screen.

Gold has cast over 100 projects in her career, but she’s been especially busy lately, handling one of the most discussed castings in years: the new Bond. Not only that, but she has three projects showing at the 34th annual Hamptons International Film Festival this year – Mike Leigh’s Tender Loving Care, Anton Corbijn’s A Talent For Murder and Arie Esiri and Chuko Esiri’s Clarissa. Gold has also recently cast Sam Mendes’ quadrant of upcoming Beatles biopics, Slow Horses, Greta Gerwig’s Narnia movie and J.J. Abrams The Great Beyond, to name just a few from the laundry list of her credits this year.

Kate O’Flynn, Marion Bailey and Alice Bailey Johnson in ‘Tender Loving Care’

Thin Man Films

Gold, who was nominated for an Oscar last year for her work on Hamnet, and who won six Emmys for her work on Baby Reindeer, John Adams, Game of Thrones, and The Crown, is being celebrated for casting Tender Loving Care, her ninth collaboration with Leigh. The film stars Widow’s Bay Emmy-winning actress Kate O’Flynn, Alice Bailey Johnson, Marion Bailey and Paul Jesson. It premiered at the Telluride Film Festival and will be released by Bleecker Street on December 4.

A Talent For Murder stars the inimitable Helen Mirren as novelist Patricia Highsmith, alongside Alden Ehrenreich and Olivia Cooke, and Arie Esiri and Chuko Esiri’s Clarissa is based on the Virginia Woolf novel Mrs. Dalloway and stars Sophie Okonedo, David Oyelowo, Ayo Edebiri and Toheeb Jimoh.

Alden Ehrenreich and Helen Mirren in ‘A Talent For Murder’

Bleecker Street/LD Entertainment

“I‘m very grateful to the Hamptons Film Festival for this honor,” Gold said. “I am very happy and lucky to have been able to work on so many wonderful films throughout my career, and it means a great deal to be coming to the festival with Tender Loving Care. I have the greatest pride in the work I have done with Mike Leigh and our collaborations over the last thirty years.”

“Nina Gold is one of the most storied and iconic casting directors working today, and we couldn’t think of a more fitting recipient for the inaugural Deadline Disruptor Achievement in Casting Award,” said David Nugent, chief creative officer of HamptonsFilm. “Her instinct for finding the actor who can bring a character to life has shaped some of the most defining films and television of our time, and her influence on the craft of casting is impossible to overstate. We’re honored to celebrate her extraordinary body of work at this year’s festival.”

Sophie Okonedo interview

Sophie Okoneno in ‘Clarissa’

NEON

Ellie Duque, president of Deadline said, “As the voice of the industry, Deadline is thrilled to honor one of its pillars, Nina Gold, who has shaped and elevated the art of bringing a character to life on screen.”

The 34th edition marks a landmark year for HIFF. The festival will present the U.S. IMAX Premiere of Everest: The Other Side, the first time in HIFF’s history that the festival has presented an IMAX screening. This year’s edition will screen more than 140 films, including 7 feature World Premieres and 8 short film World Premieres. HIFF will also host the U.S. Premiere of Bunker, one of 10 U.S. premieres overall at this year’s edition, and, fresh off Telluride and Venice, will present 15 East Coast Premieres, including Elsinore, Wild Horse Nine and The Liberation. The festival has also announced additional Spotlight selections, including Behemoth!, Josephine, Paper Tiger, Tenzing, Sara Bareilles: Good Grief, The Lightkeeper and more.

>

Continue Reading

movies

Prime Video’s ‘The Challenger’ Limited Series Adds 6 To Recurring Cast

Published

on

EXCLUSIVE: The cast of Prime Video‘s The Challenger has grown by six with the addition of Pat Healy (Killers of the Flower Moon, Better Call Saul), Chinaza Uche (Silo, A Good Person), Dave Davis (True Detective, The Walking Dead), Jordan Bridges (Palm Royale), Kevin Isola (Billions, The Marvelous Mrs. Maisel), and Adam Aalderks (Fire Country, The Menu).

Created by Maggie Cohn and inspired by Meredith E. Bagby’s book The New Guys, the series chronicles the events leading up to the 1986 Challenger disaster, the investigation that followed, and Sally Ride’s (Kristen Stewart) groundbreaking journey as the first American woman in space.

The Challenger disaster was the 1986 explosion of NASA’s eponymous space shuttle shortly after launch, which left all seven crew members dead.

Healy will play Arnie Aldrich. Uche will play Ron McNair. Davis will play Bob Crippen. Bridges will play Jesse Moore. Isola will play Al McDonald. Aalderks will play Robert ‘Hoot’ Gibson.

Will Arnett, who was previously announced, will portray George Abbey, Director of Flight Crew Operations for NASA’s Space Shuttle, who assigned Ride to the crew of 1983’s STS-7. Danny Huston will play William Rogers, who led the investigation into the Challenger explosion; Sofia Black D’Elia as Judy Resnik, the fourth woman to fly in space, who died aboard the Challenger; Paul Sparks as Larry Mulloy, NASA SRB project manager; Boris McGiver as William ‘Bill’ Lucas, NASA official blamed for the Challenger disaster; and Shea Whigham as Roger Boisjoly, a mechanical engineer who strongly opposed the launch of the Challenger.

Most recently, we revealed the addition of William Fichtner as Nobel physicist Richard Feynman, with Kevin Carroll as his fellow physicist, Professor Arthur Walker. Eric Lange portrays Gen. Donald Kutyna (of the Presidential Commission on the Space Shuttle Challenger Accident), with Adelaide Clemens as NASA astronaut Rhea Seddon, Louisa Jacobson as Tam O’Shaughnessy (partner of Kristen Stewart’s astronaut and physicist Sally Ride), and Hunter Burke as astronaut Steve Hawley.

The Challenger is from Big Swing Productions, Amblin Television, and Nevermind Pictures. James Hawes (Slow Horses, Black Mirror) directs and executive produces. Cohn is writer, executive producer, and showrunner. Also executive producing are Kyra Sedgwick and Valerie Stadler for Big Swing Productions; Bagby; Stewart, Dylan Meyer, and Maggie McLean for Nevermind Pictures; and Darryl Frank and Justin Falvey for Amblin Television.

Healy is repped by Gersh & Luber Roklin. Uche is repped by Authentic Talent and Literary Management, Independent Talent Group, and Peikoff/Mahan. Davis is repped by Linden Entertainment, Artium Talent, and Formation Talent. Bridges is repped by Buchwald and MJ Management. Isola is repped by TalentWorks. Aalderks is repped by Alexander White Agency and CESD.

>

Continue Reading

Trending

Copyright © 2017 Zox News Theme. Theme by MVP Themes, powered by WordPress.