Nina Gold will be honored with the inaugural Deadline Disruptor Achievement in Casting Award at the Hamptons International Film Festival this weekend.

The new award, presented in partnership with Deadline, recognizes casting professionals whose work has fundamentally reshaped how audiences see performance and storytelling on screen.

Gold has cast over 100 projects in her career, but she’s been especially busy lately, handling one of the most discussed castings in years: the new Bond. Not only that, but she has three projects showing at the 34^th annual Hamptons International Film Festival this year – Mike Leigh’s Tender Loving Care, Anton Corbijn’s A Talent For Murder and Arie Esiri and Chuko Esiri’s Clarissa. Gold has also recently cast Sam Mendes’ quadrant of upcoming Beatles biopics, Slow Horses, Greta Gerwig’s Narnia movie and J.J. Abrams The Great Beyond, to name just a few from the laundry list of her credits this year.

Gold, who was nominated for an Oscar last year for her work on Hamnet, and who won six Emmys for her work on Baby Reindeer, John Adams, Game of Thrones, and The Crown, is being celebrated for casting Tender Loving Care, her ninth collaboration with Leigh. The film stars Widow’s Bay Emmy-winning actress Kate O’Flynn, Alice Bailey Johnson, Marion Bailey and Paul Jesson. It premiered at the Telluride Film Festival and will be released by Bleecker Street on December 4.

A Talent For Murder stars the inimitable Helen Mirren as novelist Patricia Highsmith, alongside Alden Ehrenreich and Olivia Cooke, and Arie Esiri and Chuko Esiri’s Clarissa is based on the Virginia Woolf novel Mrs. Dalloway and stars Sophie Okonedo, David Oyelowo, Ayo Edebiri and Toheeb Jimoh.

“I‘m very grateful to the Hamptons Film Festival for this honor,” Gold said. “I am very happy and lucky to have been able to work on so many wonderful films throughout my career, and it means a great deal to be coming to the festival with Tender Loving Care. I have the greatest pride in the work I have done with Mike Leigh and our collaborations over the last thirty years.”

“Nina Gold is one of the most storied and iconic casting directors working today, and we couldn’t think of a more fitting recipient for the inaugural Deadline Disruptor Achievement in Casting Award,” said David Nugent, chief creative officer of HamptonsFilm. “Her instinct for finding the actor who can bring a character to life has shaped some of the most defining films and television of our time, and her influence on the craft of casting is impossible to overstate. We’re honored to celebrate her extraordinary body of work at this year’s festival.”

Ellie Duque, president of Deadline said, “As the voice of the industry, Deadline is thrilled to honor one of its pillars, Nina Gold, who has shaped and elevated the art of bringing a character to life on screen.”

The 34th edition marks a landmark year for HIFF. The festival will present the U.S. IMAX Premiere of Everest: The Other Side, the first time in HIFF’s history that the festival has presented an IMAX screening. This year’s edition will screen more than 140 films, including 7 feature World Premieres and 8 short film World Premieres. HIFF will also host the U.S. Premiere of Bunker, one of 10 U.S. premieres overall at this year’s edition, and, fresh off Telluride and Venice, will present 15 East Coast Premieres, including Elsinore, Wild Horse Nine and The Liberation. The festival has also announced additional Spotlight selections, including Behemoth!, Josephine, Paper Tiger, Tenzing, Sara Bareilles: Good Grief, The Lightkeeper and more.

EXCLUSIVE: The cast of Prime Video‘s The Challenger has grown by six with the addition of Pat Healy (Killers of the Flower Moon, Better Call Saul), Chinaza Uche (Silo, A Good Person), Dave Davis (True Detective, The Walking Dead), Jordan Bridges (Palm Royale), Kevin Isola (Billions, The Marvelous Mrs. Maisel), and Adam Aalderks (Fire Country, The Menu).

Created by Maggie Cohn and inspired by Meredith E. Bagby’s book The New Guys, the series chronicles the events leading up to the 1986 Challenger disaster, the investigation that followed, and Sally Ride’s (Kristen Stewart) groundbreaking journey as the first American woman in space.

The Challenger disaster was the 1986 explosion of NASA’s eponymous space shuttle shortly after launch, which left all seven crew members dead.

Healy will play Arnie Aldrich. Uche will play Ron McNair. Davis will play Bob Crippen. Bridges will play Jesse Moore. Isola will play Al McDonald. Aalderks will play Robert ‘Hoot’ Gibson.

Will Arnett, who was previously announced, will portray George Abbey, Director of Flight Crew Operations for NASA’s Space Shuttle, who assigned Ride to the crew of 1983’s STS-7. Danny Huston will play William Rogers, who led the investigation into the Challenger explosion; Sofia Black D’Elia as Judy Resnik, the fourth woman to fly in space, who died aboard the Challenger; Paul Sparks as Larry Mulloy, NASA SRB project manager; Boris McGiver as William ‘Bill’ Lucas, NASA official blamed for the Challenger disaster; and Shea Whigham as Roger Boisjoly, a mechanical engineer who strongly opposed the launch of the Challenger.

Most recently, we revealed the addition of William Fichtner as Nobel physicist Richard Feynman, with Kevin Carroll as his fellow physicist, Professor Arthur Walker. Eric Lange portrays Gen. Donald Kutyna (of the Presidential Commission on the Space Shuttle Challenger Accident), with Adelaide Clemens as NASA astronaut Rhea Seddon, Louisa Jacobson as Tam O’Shaughnessy (partner of Kristen Stewart’s astronaut and physicist Sally Ride), and Hunter Burke as astronaut Steve Hawley.

The Challenger is from Big Swing Productions, Amblin Television, and Nevermind Pictures. James Hawes (Slow Horses, Black Mirror) directs and executive produces. Cohn is writer, executive producer, and showrunner. Also executive producing are Kyra Sedgwick and Valerie Stadler for Big Swing Productions; Bagby; Stewart, Dylan Meyer, and Maggie McLean for Nevermind Pictures; and Darryl Frank and Justin Falvey for Amblin Television.

Healy is repped by Gersh & Luber Roklin. Uche is repped by Authentic Talent and Literary Management, Independent Talent Group, and Peikoff/Mahan. Davis is repped by Linden Entertainment, Artium Talent, and Formation Talent. Bridges is repped by Buchwald and MJ Management. Isola is repped by TalentWorks. Aalderks is repped by Alexander White Agency and CESD.

One of the most sought after jobs in TV corporate communications over the past year has been filled. Naomi Bulochnikov-Paul is joining Netflix as VP of Communications, Series. She starts on October 18.

The appointment comes a day after Bulochnikov-Paul announced her departure from Disney after an eight-year tenure, most recently as EVP of Communications for Disney Entertainment Television.

It marks a return to Netflix for Bulochnikov-Paul who left Disney’s Freeform for a brief, nine-month stint at the global streamer in 2018 before coming back.

In her new role, Bulochnikov-Paul will oversee communications for Netflix’s television portfolio, including scripted and unscripted series, documentary series, consumer products and experiences (including Netflix House), and emerging content, including live, sports, games, and creators, including podcasts.

She will report to Dani Dudeck, Netflix Chief Communications Officer, who led the closely watched job search. Bulochnikov-Paul joins another accomplished legacy media corporate comms executive, Warner Bros.’ Katie Martin Kelly, who was recently brought in as VP of Communications, Film, to oversee film, animation, kids and family, licensing and anime.

At Disney, Bulochnikov-Paul most recently led comms across Disney’s portfolio of TV and streaming brands — including ABC Entertainment, ABC News, Disney Kids & Family, Disney Television Studios, FX, Hulu Originals, and National Geographic Content. In her previous role as EVP, Publicity, and Head of Communications for Disney General Entertainment in 2023, she alaso led executive communications for Dana Walden throughout her tenure as co-chairman of Disney Entertainment.

“Naomi brings 20 years of experience at the intersection of media and culture, and a sharp instinct for storytelling that captures the fandom and zeitgeist of the world’s most valuable entertainment brands,” Dudeck said. “I’m proud to have her lead our Series communications as we elevate our storytelling around our growing business and incredible slate – from scripted and unscripted series to live events, sports, comedy specials and so much more.”