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Episode 6 – Ascendance of a Bookworm Part 3: Adopted Daughter of an Archduke

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Ascendance of a Bookworm is not a show that’s one to bury its ledes or worry about setting up seriously dramatic shocks. There are exceptions, of course, like Sylverster’s true identity from the last season. But generally, the show is strongly procedural, keeping the audience up on each step of the processes of Rosemyne’s projects and many, many side-hustles. So I shouldn’t be too surprised that, after I spent some time theorizing about it last week, the boss bookworm just drops in this episode that the plan with having Zack and Johann construct “competing” waxing machines was simply to use both of them (and more!) for the multiple workshops she’s going to be operating. It’s straightforward, and that’s the way of the show, so I’ll just acknowledge that I’m a plot-perceptive genius, as always, and continue on.

This is very much the way in a Bookworm episode that’s as straightforward as ever. It’s mostly about delivering on several plot points (and finishing up what passes for “arcs” in this series), and there’s not even much to get in the way of major moments like the episode-titular harspiel concert. The first point of order is rounding back to the creation of Rosemyne’s highbeast, as started, and seemingly forgotten, a couple of episodes ago.

The section in this episode similarly comes and goes in such a way as to feel obligatory. There are also some places I could snark about the world-building behind this. See, the people of this world aren’t enslaving creatures into magic summons purely for convenient transport! They’re creating new life whole-cloth that only exists for their servitude! That’s much better! Again, I’m cracking wise, but the real fact is that the perfunctory vibe of this scene and its underexplored world-building questions don’t leave me nearly as cold as the version from a couple of episodes ago because…well, put simply, it’s really cute.

I’d already been considering that Rosemyne’s unique conception of her highbeast was intended to be inspired by the Catbus from My Neighbor Totoro, and while there’s no direct namedrop here, she does acknowledge that she’s taking inspiration from “anime and stuff.” Once again, I am always right. The clash between her odd sense of style and the rest of the setting (embodied in Ferdinand’s exasperated reactions) makes for some charming, funny interplay. It’s cute to watch her snuggle and defend the goofy crime-against-nature car from his criticisms. As long as I’m throwing out comparisons to less-impressive story takes, this isn’t too dissimilar from other isekai plots where the hero simply magics themselves up something cool with little fanfare. But the simple rascally irrelevance of it makes it work, even if it’s all swept aside afterwards to show off the concert plot.

The concert mostly goes off without a hitch. Some of the technical details are intermittently interesting and dissonant to see. Like using magic for speaker systems is a cute idea, but I don’t know how to feel about Rosemyne talking into a tablet effectively shaped like a smartphone to work the magic microphone. She properly demonstrates her deep understanding of working this kind of fundraiser, selling not just thirst-trap program pics of Ferdinand to his adoring fanladies, but also using them to show off the very printing technology said ladies are funding.

The episode doesn’t quite overplay the harspiel-concert-as-idol-show thing, either. Yeah, there’s a built-up punchline of these ladies fainting from getting so hot and bothered that they need to be carried out by knights. And they do a thing at the end where they raise their magic wands like phones at the slow song in an arena show. But it’s all pretty reasonable. Even the major hiccup in the proceedings, Sylvester catching wind of the arguably uncouth way Rosemyne is making money off Ferdinand’s sex appeal, is countered quickly by her letting Sylvester himself join the action.

Like I said, plenty of cute moments, but nothing that could really be called “climactic” after this concert was built up so much. Bookworm just isn’t that kind of show, not in this phase. There isn’t even much fancy movement on the animation (not a lot of singing and dancing in a harspiel show), so there’s nothing to show off there save for a few extra-handsome drawings of Ferdinand surrounded by shoujo sparkles. It’s cute to see Rosemyne acknowledge to herself that even she thinks he’s got it goin’ on in these moments, though that once again makes me beg the show to keep things measured and platonic between these two, regardless of how one chooses to measure Rosemyne’s “true” age. But otherwise it’s perfectly satisfactory, and means Bookworm will likely get back to focusing on its bread and butter: highly technically detailed explanations of printing technology development. Only now they’ll occasionally be delivered from the back of an adorable raccoon-car-thing.

Rating:




Ascendance of a Bookworm Part 3: Adopted Daughter of an Archduke is currently streaming on
Crunchyroll.

Chris is back to hit the books. You can see him posting about anime, transforming robots, and other quality reading material over on his BlueSky.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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Live-Action Blue Lock Film Confirms 3 More Cast Members – News

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The staff for the live-action film based on Muneyuki Kaneshiro and Yūsuke Nomura‘s BLUE LOCK soccer manga confirmed three more cast members on Monday. The film’s staff also announced that the film will screen in MX4D, 4DX, and Dolby Cinema starting on August 21. Additionally, cheering screenings (in which audiences are allowed to shout at and interact with the film) will be held at five participating theaters in Hokkaido, Tokyo, Aichi, Osaka, and Fukuoka. 

The newly announced cast members are:

FANTASTICS member Yūsei Yagi as Rin Itoshi

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Image via BLUE LOCK live-action film’s X/Twitter account

Keisuke Watanabe as Jyubei Aryu

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Image via BLUE LOCK live-action film’s X/Twitter account

Omi Natsuki as Aoshi Tokimitsu

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Image via BLUE LOCK live-action film’s X/Twitter account
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Image via BLUE LOCK live-action film’s X/Twitter account

The cast includes:

Yūsuke Taki is directing the film, and Tetsuo Kamata is writing the screenplay. Shinzō Matsuhashi is serving as a producer. CREDEUS (live-action Golden Kamuy film) is producing the film, and TOHO is distributing.

The film opened in Japan on August 7.

Kaneshiro and Nomura launched the manga in Kodansha‘s Weekly Shōnen Magazine in August 2018. Kodansha will publish the manga’s 40th compiled book volume on August 17. The manga won the Best Shōnen Manga award in Kodansha‘s 45th annual Manga Awards in 2021. Kodansha USA Publishing is releasing the manga in English digitally and is also releasing it in print.

The original manga inspired a television anime series that premiered in Japan in October 2022 on TV Asahi and its affiliates in the NUMAnimation programming block. The anime ran for 24 episodes. Crunchyroll streamed the series as it aired, and is also streaming an English dub.

BLUE LOCK vs. U-20 JAPAN, the second television anime season, debuted in October 2024, and aired for 14 episodes. Crunchyroll streamed the anime as it aired in North America, Central America, South America, Europe, Africa, Oceania, the Middle East, and CIS.

The anime is getting a third season, adapting the “Shin Eiyū Taisen” (New Hero Wars) story.

Kōta Sannomiya‘s BLUELOCK -Episode Nagi- manga spinoff focuses on Seishirō Nagi before he enters the titular BLUE LOCK facility. The manga launched in June 2022 in Kodansha‘s Bessatsu Shōnen Magazine and ended in July 2025. Kodansha USA Publishing is releasing the spinoff manga in print.

The spinoff inspired an anime film that premiered in Japan in April 2024. The film sold 337,000 tickets to earn 463 million yen (about US$2.99 million) in its first three days, and ranked at #2 in the Japanese box office in its opening weekend. The film opened in North America in June 2024. Crunchyroll is streaming the film with subtitles and with several dubs.

Sources: Live-action BLUE LOCK film’s website, Comic Natalie

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Shiori Teshirogi Launches Manga Miniseries in September – News

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Shiori Teshirogi draws art for Fushigiri Muichi manga, with story by younger brother Shōtarō Teshirogi


The September issue of Akita Shoten‘s Mystery Bonita magazine announced on August 6 that manga creator Shiori Teshirogi and her younger brother and novelist Shōtarō Teshirogi will launch a four-chapter manga miniseries titled Fushigiri Muichi (Muichi the Slayer of Immortals) in the magazine’s next issue on September 4. Shiori Teshirogi is drawing the art, and Shōtarō Teshirogi is writing the story.

The manga is set during the early Meiji Period, and centers on the titular Tamahashi Muichi, once a secret lawman of the late Shogunate government, and who has now traded his sword for a painter’s brush. That is, until he receives word of the activities of the Restoration agitator Sakamoto Ryōma, who is supposed to be dead.

The Teshirogi siblings previously published a two-chapter manga with the same title and story in Akita Shoten‘s Weekly Shōnen Champion magazine in October 2021.

Shiori Teshirogi launched the Batman and the Justice League manga in Akita Shoten‘s Champion RED magazine in June 2017, and ended it in May 2019. Akita Shoten published four compiled book volumes for the manga. Teshirogi also published the “Justice League Origin: Wonder Woman” one-shot manga in July 2017.

Teshirogi’s Saint Seiya: The Lost Canvas – Meiō Shinwa manga ran from 2006 to 2011, and inspired two OVA series that totaled 26 episodes. Crunchyroll streamed the series, and Discotek released the series on DVD in November 2015. Teshirogi launched the Saint Seiya: The Lost Canvas – Meiō Shinwa Gaiden manga in 2011, and ended it in April 2016.

Shōtarō Teshirogi wrote the Kou-Tetsujo Iron Castle novel, the second part an original manga and novel project in collaboration with Anima, with designs by Yasuo Ohtagaki (Mobile Suit Gundam Thunderbolt, Moonlight Mile).  The novel shipped in March 2021.

Sources: Mystery Bonita September issue, Shiori Teshirogi‘s X/Twitter account, Shōtarō Teshirogi’s X/Twitter account


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The Seven Knights of the Marronnier Kingdom Anime’s Video Unveils Cast, October 3 Debut – News

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The official website for the television anime of Nao Iwamoto‘s Marronnier Ōkoku no Shichinin no Kishi (The Seven Knights of the Marronnier Kingdom) manga unveiled on Monday the anime’s first promotional video, main visual, cast members, and October 3 premiere. 


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Image via The Seven Knights of the Marronnier Kingdom anime’s website

The anime will star:

Kengo Takanashi as Nemukunai (Insomniac), the eldest of the seven brothers

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Image via The Seven Knights of the Marronnier Kingdom anime’s website

Makoto Tanikawa as Hakuai (Fraternity), the second of the seven brothers

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Image via The Seven Knights of the Marronnier Kingdom anime’s website

Haruki Ishiya as Atsugariya (Feverish), the third of the seven brothers

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Image via The Seven Knights of the Marronnier Kingdom anime’s website

Satoshi Inomata as Samugariya (Chilly), the fourth of the seven brothers

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Image via The Seven Knights of the Marronnier Kingdom anime’s website

Kiyoto Mizuno as Kemono Tsukai (Beast-Tamer), the fifth of the seven brothers and one of the triplets

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Image via The Seven Knights of the Marronnier Kingdom anime’s website

Taishi Murata as Tsurugi Jiman (Swordsman), the sixth of the seven brothers and one of the triplets

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Image via The Seven Knights of the Marronnier Kingdom anime’s website

Reiji Kawashima as Harapeko (Hungry), the seventh of the brothers and one of the triplets

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Image via The Seven Knights of the Marronnier Kingdom anime’s website

Akeno Watanabe as Baribara, the tenth general of the Marronnier kingdom and mother of the seven brothers

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Image via The Seven Knights of the Marronnier Kingdom anime’s website

Show Hayami as Narrator

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Image via The Seven Knights of the Marronnier Kingdom anime’s website

The anime will premeire on October 3 on the NHK Educational channel at 6:25 p.m. JST (5:25 a.m. EDT). 

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Image via The Seven Knights of the Marronnier Kingdom anime’s website

The fantasy romance manga centers on seven brothers who are knights of the Marronnier Kingdom. The kingdom lies in the center of a group of eight kingdoms, and each brother is dispatched to a different kingdom as ambassadors, to go on an adventure to find their fated partner. The brothers are named: Nemukunai (Not Sleepy), Hakuai (Benevolent), Atsugariya (Sensitive to Heat), Samugariya (Sensitive to Cold), Kemono Tsukai (Beast Tamer), Tsurugi Jiman (Sword Pride), and Harapeko (Hungry).

Kiyoko Sayama (Skip Beat!, Vampire Knight, To Your Eternity seasons 2-3) is directing the anime at J.C. Staff. Shinzō Fujita (To Your Eternity seasons 1-3, The World Is Still Beautiful) is both writing and overseeing the series scripts. Yuriko Maeda (chief animation director for Requiem of the Rose King, One Punch Man TV 2) is designing the characters, Yoshiaki Fujisawa (Apocalypse Hotel, Land of the Lustrous, Love Live! School idol project) is composing the music, and Jin Aketagawa (Dr. Stone, Fire Force) is the sound director.

The manga launched in Shogakukan‘s Flowers magazine in 2016. Shogakukan shipped the 11th volume on June 10. The manga topped the list of manga for female readers in the 2018 edition of Takarajimasha‘s Kono Manga ga Sugoi! (This Manga Is Amazing!) guidebook.

Iwamoto’s Kingdom of Gold, Kingdom of Water manga inspired the Gold Kingdom and Water Kingdom anime film that opened in January 2023. Seven Seas Entertainment released the original manga in English.

Sources: The Seven Knights of the Marronnier Kingdom anime’s website, Comic Natalie

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