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Cannes Palme d’Or Goes to Renate Reinsve, Sebastian Stan Starrer Fjord

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Cristian Mungiu‘s Fjord, the Romanian director’s English-language debut starring Renate Reinsve and Sebastian Stan as Romanian religious parents who relocate to a small Norwegian village and find themselves accused of child abuse, has won the Palme d’Or at the 79th Cannes Film Festival.

With the win, Mungiu joins Cannes’ elite two-timer club, following his 2007 victory with 4 Months, 3 Weeks and 2 Days, his searing account of illegal abortion in Communist-era Romania.

For those keeping score, this marks the seventh year running that Neon has successfully picked the Palme winner. Tom Quinn’s indie outfit snatched up Fjord for domestic release ahead of this year’s festival.

At the press conference right after the ceremony, South Korean director Park Chan-wook, head of the 2026 competition jury, joked he didn’t want to give the Palme d’Or to anyone, “because it’s an award that I myself have never gotten.” Then, after a long pause, and referencing his last film, he landed the punch line. “But I had No Other Choice.

Andreï Zvyagintsev’s Minotaur, a reworking of Chabrol’s The Unfaithful Wife as an immaculate domestic thriller set against contemporary Russia, took Cannes’ runner-up prize, the Grand Prix. The film follows an executive who is required to sign over his employees to be cannon fodder for the Russian war effort in Ukraine. At the same time, he suspects his wife may be having an affair.

Zvyaginstev used his acceptance speech to call out Russian President Vladimir Putin and his war. “For millions of people, contact with art right now is about only one thing: That finally, the senseless killing of people would stop. And the only person who can stop this meat grinder is you, Mr. President of the Russian Federation. Put an end to this slaughter. The whole world is waiting for this.”

Best directing honors were shared between Javier Calvo and Javier Ambrossi, the co-directors of Spanish musical drama La Bola Negra, a García Lorca-inspired queer epic spanning eras with Penélope Cruz and Glenn Close, and Paweł Pawlikowski for Fatherland, a chilly, grief-laden film set in 1949 following novelist Thomas Mann (Hanns Zischler) and his daughter Erika (Sandra Hüller) returning to a fractured post-war Germany after years in American exile.

The best actor prize went to newcomers Emmanuel Macchia and Valentin Campagne, who play the leads in Lukas Dhont’s Coward, the WWI drama about queer love in the trenches.

Best actress honors were also shared, between French actress Virginie Efira and Japan’s Tao Okamoto, who play the leads in Ryusuke Hamaguchi’s emotional drama All of a Sudden. Both performers began to tear up when they took the stage to accept their acting Palme.

Emmanuel Marre won best screenplay for A Man of His Time, his period drama, based on the life of his own great-grandfather, an author and engineer who chose to work for the fascist Vichy regime.

German director Valeska Grisebach won the Jury Prize for The Dreamed Adventure, a slow-burn thriller set in Bulgaria, that screened on the final day of the festival.

The Camera d’Or for best first film screening in the official selection, went to Ben’Imana from director Clémentine Dusabejambo, the first director from Rwanda to compete in Cannes. The film explores the pursuit of justice and reconciliation for survivors of the country’s genocide.

The ceremony began with a lifetime achievement award, an honorary Palme d’Or, for legend Barbra Streisand. Streisand, who is suffering from a knee injury, could not attend, but at her request, legendary French actress Isabelle Huppert paid tribute to her life and career. Huppert highlighted not only Streisand’s incredible achievements in film, music and on the stage but also her support for the LGBTQ+ community, and religious and ethnic minorities. Huppert’s speech was followed by a highlight reel of Streisand’s five plus decades in film, from Funny Girl (1968) and A Star is Born (1976) to Yentl (1983) and Meet the Fockers (2004).

Appearing via video, Streisand thanked the Cannes film festival “for this magnificent award.” She reminisced about watching her first foreign films at her local cinema, the Astor. “I was mesmerized by those images on the screen. They were so powerful that they are still in my head. I wanted to be an actress and live in those more interesting worlds.”

Recounting the highlights of her career, Streisand said being a woman and “an actress who wanted to direct” was a major obstacle, noting that it took 15 years to bring her passion project, Yentl, to the screen. “But I had to make the movie,” she said. She ended with a celebration of cinema, saying film “has that magic ability to unite us and open up our hearts and minds. That is what we are celebrating in Cannes. Merci beaucoup pour cet honneur et vive le cinéma!”

Cannes has often proved a strong predictor for awards season. Several of last year’s winners, including Jafar Panahi’s It Was Just an Accident, Joachim Trier’s Sentimental Value, Kleber Mendonça Filho’s The Secret Agent and Oliver Laxe’s Sirat, all received Oscar nominations, with Sentimental Value winning the Academy Award for best international feature.

A full list of the 2026 Cannes award winners follows.

Palme d’Or

Fjord, dir. Cristian Mungiu

Grand Prix

Minotaur, dir. Andreï Zvyagintsev

Jury Prize

The Dreamed Adventure, dir. Valeska Grisebach

Best Director

Javier Calvo, Javier Ambrossi, for La Bola Negra; Paweł Pawlikowski for Fatherland

Best Screenplay

Emmanuel Marre for A Man of His Time

Best Actress

Virginie Efira, Tao Okamoto for All of a Sudden, dir. Ryusuke Hamaguchi

Best Actor

Emmanuel Macchia, Valentin Campagne for Coward, dir. Lukas Dhont

Camera d’Or for Best First Film

Ben’Imana, dir. Clémentine Dusabejambo

Palme d’Or for Best Short Film

Para Los Contincantes (To Opponents), dir. Federico Luis

Un Certain Regard Prize for Best Film

Everytime, Sandra Wollner

Un Certain Regard Jury Prize

Elephants in the Fog, Abinash Bikram Shah (first film)

Un Certain Regard Special Jury Prize

Iron Boy, Louis Clichy

Un Certain Regard Best Actor

Bradley Fiomona Dembeasset, Congo Boy, dir. Rafiki Fariala

Un Certain Regard Best Actress

Marina de Tavira, Daniela Marín Navarro, Mariangel Villegas, Siempre Soy Tu Animal Materno, dir. Valentina Maurel

This story was originally published on May 23 at 11 a.m.

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Spider-Man Stays Top at China Box Office as The Odyssey Storms Previews

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Spider-Man: Brand New Day held its grip atop China‘s box office for a second weekend, pulling in $28.9 million (RMB 196.6 million) over the Aug. 7-9 frame for a local total of $185.4 million (RMB 1.26 billion) in 12 days. 

The Sony tentpole launched in China with a massive $121.3 million five-day haul, of which $19 million came from Imax, a record for the format in the market. The film is now days away from surpassing the $199 million earned by 2019’s Spider-Man: Far From Home, the last U.S. superhero release to clear $100 million in China.

But it was Christopher Nolan’s The Odyssey, which doesn’t officially open in Chinese theaters until Friday, that arguably delivered the weekend’s most surprising number. Playing Saturday and Sunday only, and exclusively on Imax and CINITY screens, Universal’s adaptation of the Greek classic took $6.9 million (RMB 46.8 million) in previews — enough for fifth place and roughly 7 percent of the entire weekend’s business from a tiny sliver of the nation’s screens. Earlier four-city previews on Aug. 1-2 drew a 95.2 percent occupancy rate, which local media reports, citing Dengta, described as an all-time high for the market. 

The 177-minute epic, the first feature shot entirely on Imax film cameras, has scored 8.3 on review site Douban, the summer’s highest rating for a live-action release. The Matt Damon-starring epic crossed $1 billion worldwide last week, and China now appears poised to boost its global sales significantly.

Pearl Studio’s All Wishes Come True held to second in its fourth weekend with $20.4 million (RMB 138.8 million). The animated comic fantasy from director Mu Zhengyang, which reimagines the classic folk tale of the Eight Immortals, has now earned $210.6 million (RMB 1.43 billion), China’s biggest peformance by an animated feature this year. 

Third place came from previews for another yet-to-open tentpole. Once Upon a Time in the Middle East collected $15 million (RMB 101.8 million) across two days of previews ahead of its Tuesday release. Directed by Wen Muye (Dying to Survive) and produced by Ning Hao’s Dirty Monkeys Studio, the Imax-shot war comedy stars Shen Teng, one of China’s most bankable comic actors, as a Chinese cook who travels to the Middle East to work off his debts, opens a restaurant with a local partner — and then finds himself trapped when a military conflict erupts.

To Your Island opened in fourth with $7.9 million (RMB 53.6 million). The animated fantasy romance — adapted from a web novel and directed by Zhou Haoran — is the first film produced in-house by Enlight Animation, the specialty arm of Ne Zha 2 backer Enlight Pictures.

Absent from the top five for the first time since its July 11 release was Stephen Chow’s Kung Fu Soccer, which stood at around $318.5 million after the weekend and remains the summer’s biggest title.

Nationwide grosses totaled $97.3 million for the weekend, down about a quarter from the previous frame. China’s 2026 box office now stands at $3.57 billion, off 31.8 percent from the same point last year — a comparison distorted by Ne Zha 2, which alone took more than $2 billion in the market in the first half of 2025. The gap has narrowed steadily since March, when the market trailed by nearly 56 percent.

The Odyssey opens wide on Friday, in a test of whether Chinese moviegoers’ renewed appetite for Hollywood extends beyond the friendly neighborhood spider.

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John Oliver Eviscerates Trump’s “Bizarro World” DOJ On ‘Last Week Tonight’

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On Sunday’s Last Week Tonight, John Oliver wasted no time jumping right into his main topic: the “bizarro-world version of civil rights” that he says Donald Trump’s Department of Justice is persuing.

“In normal times, the DOJ does some incredibly important work. But sadly under Donald Trump, while political prosecutions have risen, other genuinely important one have either been messed up or just tossed aside,” said Oliver. “For all the headlines about bullsh*t cases like the reflecting pool and the ‘sandwich murderer’ [the man who famously threw a sandwich at ICE officers], the real decay at the department has unfortunately gotten much less attention. Which isn’t good, because after [Pam] Bondi took over, the agency began shutting down more than 23,000 investigations into things like terrorism, white collar crime, drugs and other offenses.”

Oliver went on to point out that the new head of the DOJ’s Civil Rights Division, Harmeet Dhillon, recently said the biggest social justice issues facing Americans in 2026 are the following: “They have to lie every day about pronouns. They have to lie about the person in the cubicle next to them being qualified. They have to laugh at certain kinds of jokes [from] late-night comedians, even when they don’t agree with them.”

Oliver took particular umbrage at that last one, but called all Dhillon’s assertions “a bizarro-world version of civil rights where the only ones that matter are those of conservatives.” He cited as an example the the Civil Rights Division’s investigations into potential voting fraud. “Notably,” said the host, “their record in those cases is 21 straight losses.”

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Halloween Horror Nights Lineup: Full 2026 List Of Offerings

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Universal Studios Hollywood has unveiled the final additions to its fan-favorite Halloween Horror Nights event.

Among them are the return of a haunted house based on the 1988 camp slasher classic Killer Klowns From Outer Space. Other new frights include “KILLceañera: Music by SLASH” and “Dead, Deader, Deadest.” There will also be a fiery stunt show based on The Purge franchise. Additionally, the park’s Halloweenified Terror Tram returns with an all-new host, Art the Clown from the Terrifier movies.

Halloween Horror Nights starts on Thursday, September 3 and continues select nights through Sunday, November 1.

Previously-announced haunted houses include those based on Sinners, Stranger Things, Hellraiser and Evil Dead as well as one that pays homage to Ozzy Osbourne, the Prince of Darkness.

Additionally this year, Universal Studios Hollywood will debut “Unmasking the Horror Tour Add-On,” a behind the scenes, daytime experience for guests who want a closer look at the craftmanship that goes into Halloween Horror Nights.

Ticket options for the main event include General Admission, Universal Express Ticket, R.I.P. Tour, Day/Night Ticket and After 2 p.m. Day/Night Ticket. Plus, Early Access Ticket provides entry to select haunted houses beginning at 5:30 p.m. (subject to change). Also, the popular Frequent Fear Pass and Ultimate Fear Pass allow guests to experience scares again and again throughout the season.

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