Anime
Episode 10 – MARRIAGETOXIN – Anime News Network
How would you rate episode 10 of
MARRIAGETOXIN ?
Community score: 3.8

© Joumyaku・Mizuki Yoda/SHUEISHA, MARRIAGETOXIN Project
Considering that last week’s episode featured some of the most entertaining this show has had on offer, it’s a bit of a shame that this week’s is kind of a downgrade. It’s not exactly boring, and looks functional enough for the purposes of Gero mowing down a bunch of fodder assassins, but coming off the highs of a baseball themed assassin with an army of birds, a few assassins with pet koalas and kangaroos at their disposal feels quaint in comparison, and a lot lower in spectacle. That wouldn’t be too much of an issue if the episode were making up for it by building up more of a rapport between Gero and Kimie, but while we certainly get more romance than we did last week, it’s not quite as substantial as I was hoping for, and left this one feeling a little scattered in its priorities.
The weakest link in this episode is Dogo, who still feels a bit too over the top as a villain for my liking, and doesn’t have much going for him beyond being a total heel. It is kind of funny seeing him scream directly in Gero’s face to try getting a rise out of him, but his antics otherwise just come off as kind of annoying, and even more so when he threatens to kill Kimie in front of him and later kidnaps her do he can have the chance to steal more of Gero’s blood. It really leaves Kimie edging a bit too close to merely being a damsel in distress for Gero to save, and with how good the last two arcs were about having their heroines be proactive, it’s a little disappointing to see Kimie continuing to get the short end of the stick despite being such a fun character. On top of all that we also have the return of the Water Master, who was secretly hired by Kinosaki in order to help Gero out, and joins him dealing with the assassins Dogo throws their way. It was kind of nice to see her come back into the show so soon, and even have a few bits of romantic tension with Gero as she denies any interest in having him praise her skills, but the timing of this comeback was a bit awkward. Since the romantic lead of this arc is meant to be Kimie, throwing another girl into the mix just gives less opportunities to build up her and Gero’s relationship, which this arc has already been struggling a little with as is, so as much fun as it was seeing some of Gero’s banter with the Water Master, I’m not sure this was the best way to bring her back into the fold.
For all my griping, though, it’d be a lie to say Kimie has absolutely nothing to do this week. I did really like the moment between her and Gero at the beginning where she uses her hamsters to help whip him up a meal, which in addition to being funny also works as a great bit of character growth for him. All of his training has imprinted into him the idea that he should never eat someone else’s cooking because of the risk he could get poisoned, and despite his best efforts he hasn’t quite been able to unlearn that. Seeing him show enough trust in Kimie to give into her feeding him is a real moment of vulnerability for Gero that shows he’s willing to take the risk of opening up more, and watching Kimie manage to get through some of his walls in a way no one else has, does a lot to help with their dynamic and it easier to root for the two of them, even if I wish we had more scenes in the arc like it. We also discover later on that Kimie has known Gero for longer than he thinks and has been his biggest stan ever since he saved her on a botched job when they were kids. It’s cute, though given how poorly childhood friends tend to fare in anime rom-coms, I can’t help but wonder if this connection might actually end up ruining her chances rather than helping them, so hopefully this doesn’t end up taking her out of the running before she barely reaches the starting line. Possible anti-meta aside, with how little Kimie and Gero have gotten to do on screen together otherwise, I’ll happily take anything that helps push their romance along so for the purposes of the episode, I’m glad it at least gives them more to work with. I still wish these two weren’t spending so much of this arc separated, but there’s just enough here to keep me optimistic that whatever they end up doing in the climax will more than make up for it.
Rating:
MARRIAGETOXIN is currently streaming on
Crunchyroll.
The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
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Anime
Novel ‘Akazukin, Tabi no Tochuu de Shitai to Deau.’ Gets TV Anime in 2027
Production company Pony Canyon opened an official website for a television anime adaptation of Aito Aoyagi‘s Akazukin, Tabi no Tochuu de Shitai to Deau. (Little Red Riding Hood…) novel on Monday, revealing the main cast, staff, a teaser visual (pictured), and teaser promotional video. The anime series will premiere in 2027.
Voice actresses Yume Miyamoto (Kanojo ga Koushaku-tei ni Itta Riyuu) and Akira Sekine (Tsue to Tsurugi no Wistoria) are starring as Akazukin (Little Red Riding Hood) and Pinocchio, respectively.
Staff
Director, Screenplay: Itsurou Kawasaki (Oroka na Tenshi wa Akuma to Odoru)
Character Design: Manami Minakata (Babanbabanban Vampire sub-character design), Yuuko Yahiro (Aharen-san wa Hakarenai)
Art Director: Izumi Hoki (Net-juu no Susume), Hiroshi Katou (Shinseiki Evangelion)
Color Design: Chie Yoshimura (Reincarnation no Kaben)
Director of Photography: Rieko Koike (Chanto Suenai Kyuuketsuki-chan)
Editing: Daisuke Hiraki (Sono Bisque Doll wa Koi wo Suru)
Studio: BENTEN Film
Aoyagi published the comedy mystery novel through Futabasha in August 2020. The fourth volume went on sale in July 2025.
Kanoka Tana drew a manga adaptation from January 2023 to May 2025. It was first serialized in Monthly Action magazine before being transferred to Web Action. The fourth and final volume was published by Futabasha in June 2025. The series has a cumulative 600,000 copies of its volumes in circulation.
Synopsis
The fairytale of Little Red Riding Hood is as classic as they come, a familiar delivery of cookies and wine. But on this particular journey, Little Red Riding Hood…encounters a dead body?! As the mystery begins to unfold, familiar faces from other fairytales such as “Cinderella”, “Hansel and Gretel”, and “Sleeping Beauty” bring their own countless twists and tricks. Will she be able to solve the larger puzzle at the center of it all? A new detective is born!
Teaser PV
Official site: https://akazukin-anime.com/
Official X: @akazukin_anime
Source: PR Times
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Anime
Live-Action Blue Lock Film Confirms 3 More Cast Members – News
The staff for the live-action film based on Muneyuki Kaneshiro and Yūsuke Nomura‘s BLUE LOCK soccer manga confirmed three more cast members on Monday. The film’s staff also announced that the film will screen in MX4D, 4DX, and Dolby Cinema starting on August 21. Additionally, cheering screenings (in which audiences are allowed to shout at and interact with the film) will be held at five participating theaters in Hokkaido, Tokyo, Aichi, Osaka, and Fukuoka.
The newly announced cast members are:
FANTASTICS member Yūsei Yagi as Rin Itoshi

©金城宗幸・ノ村優介/講談社, CK WORKS
Keisuke Watanabe as Jyubei Aryu

©金城宗幸・ノ村優介/講談社, CK WORKS
Omi Natsuki as Aoshi Tokimitsu

©金城宗幸・ノ村優介/講談社, CK WORKS

© 金城宗幸・ノ村優介/講談社, CK WORKS
The cast includes:
Yūsuke Taki is directing the film, and Tetsuo Kamata is writing the screenplay. Shinzō Matsuhashi is serving as a producer. CREDEUS (live-action Golden Kamuy film) is producing the film, and TOHO is distributing.
The film opened in Japan on August 7.
Kaneshiro and Nomura launched the manga in Kodansha‘s Weekly Shōnen Magazine in August 2018. Kodansha will publish the manga’s 40th compiled book volume on August 17. The manga won the Best Shōnen Manga award in Kodansha‘s 45th annual Manga Awards in 2021. Kodansha USA Publishing is releasing the manga in English digitally and is also releasing it in print.
The original manga inspired a television anime series that premiered in Japan in October 2022 on TV Asahi and its affiliates in the NUMAnimation programming block. The anime ran for 24 episodes. Crunchyroll streamed the series as it aired, and is also streaming an English dub.
BLUE LOCK vs. U-20 JAPAN, the second television anime season, debuted in October 2024, and aired for 14 episodes. Crunchyroll streamed the anime as it aired in North America, Central America, South America, Europe, Africa, Oceania, the Middle East, and CIS.
The anime is getting a third season, adapting the “Shin Eiyū Taisen” (New Hero Wars) story.
Kōta Sannomiya‘s BLUELOCK -Episode Nagi- manga spinoff focuses on Seishirō Nagi before he enters the titular BLUE LOCK facility. The manga launched in June 2022 in Kodansha‘s Bessatsu Shōnen Magazine and ended in July 2025. Kodansha USA Publishing is releasing the spinoff manga in print.
The spinoff inspired an anime film that premiered in Japan in April 2024. The film sold 337,000 tickets to earn 463 million yen (about US$2.99 million) in its first three days, and ranked at #2 in the Japanese box office in its opening weekend. The film opened in North America in June 2024. Crunchyroll is streaming the film with subtitles and with several dubs.
Sources: Live-action BLUE LOCK film’s website, Comic Natalie
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Anime
Shiori Teshirogi Launches Manga Miniseries in September – News
The September issue of Akita Shoten‘s Mystery Bonita magazine announced on August 6 that manga creator Shiori Teshirogi and her younger brother and novelist Shōtarō Teshirogi will launch a four-chapter manga miniseries titled Fushigiri Muichi (Muichi the Slayer of Immortals) in the magazine’s next issue on September 4. Shiori Teshirogi is drawing the art, and Shōtarō Teshirogi is writing the story.
お久しぶりです! やっと告知することが出来ます! 9月4日発売のミステリーボニータにて、久しぶりに『不死斬り夢一』を4話短期連載で描かせて頂く事になりました!原作は弟の手代木正太郎(@syoutarou1981 )になります。 良かったら見て頂けたら嬉しいです。 pic.twitter.com/E9XQg58GSO
— 手代木 史織 (@teshi_kuro413) August 9, 2026
The manga is set during the early Meiji Period, and centers on the titular Tamahashi Muichi, once a secret lawman of the late Shogunate government, and who has now traded his sword for a painter’s brush. That is, until he receives word of the activities of the Restoration agitator Sakamoto Ryōma, who is supposed to be dead.
The Teshirogi siblings previously published a two-chapter manga with the same title and story in Akita Shoten‘s Weekly Shōnen Champion magazine in October 2021.
Shiori Teshirogi launched the Batman and the Justice League manga in Akita Shoten‘s Champion RED magazine in June 2017, and ended it in May 2019. Akita Shoten published four compiled book volumes for the manga. Teshirogi also published the “Justice League Origin: Wonder Woman” one-shot manga in July 2017.
Teshirogi’s Saint Seiya: The Lost Canvas – Meiō Shinwa manga ran from 2006 to 2011, and inspired two OVA series that totaled 26 episodes. Crunchyroll streamed the series, and Discotek released the series on DVD in November 2015. Teshirogi launched the Saint Seiya: The Lost Canvas – Meiō Shinwa Gaiden manga in 2011, and ended it in April 2016.
Shōtarō Teshirogi wrote the Kou-Tetsujo Iron Castle novel, the second part an original manga and novel project in collaboration with Anima, with designs by Yasuo Ohtagaki (Mobile Suit Gundam Thunderbolt, Moonlight Mile). The novel shipped in March 2021.
Sources: Mystery Bonita September issue, Shiori Teshirogi‘s X/Twitter account, Shōtarō Teshirogi’s X/Twitter account
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