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House Lawmakers Target NFL’s Antitrust Exemption

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House lawmakers on Wednesday seized on the migration of NFL games from free TV to subscription platforms, in a hearing lopsided in criticism that frustrated fans are shelling out more to see their favorite teams.

A hearing to examine the Sports Broadcasting Act — and more specifically an antitrust exemption the NFL has enjoyed for 65 years — saw Republicans and Democrats expressing complaints about costs and concerns that the law is outdated.

“When beneficiaries of an exemption begin using it to restrict access, increase prices and strengthen their own market power beyond what Congress intended, lawmakers, Congress, have an obligation to reconsider whether that exemption remains justified,” said Rep. Scott Fitzgerald (R-WI), who chairs the House Judiciary antitrust subcommittee.

The House Judiciary Committee released a report earlier this week that examines the NFL’s conduct, claiming that the league’s “entire television rights structure and the revenues that come from it is a house of cards built on an overstretched antitrust exemption.” The report was particularly critical of Sunday Ticket, priced at $20 a month for new users on YouTube, and cited a survey that more than 70% of respondents subscribed to watch their favorite, yet out-of-market, team.

The Sports Broadcasting Act, which passed in Congress in 1961, gave limited immunity for the NFL and other leagues to collectively negotiate the sale of broadcast rights, intended in part to help teams in smaller markets. But cost of NFL rights have soared even in recent years, to a reported $110 billion in a 2022, 11-year deal with Fox, Paramount, Disney, NBCUniversal and Amazon 

Democrats echoed the criticism. Rep. Jerry Nadler (D-NY), the ranking member on the subcommittee, said that the law “absolutely deserves a serious reexamination.” “American sports fans are paying more, getting less and navigating a fragmented streaming environment that the 1961 Congress could not possibly have anticipated,” he said.

But Nadler also tied the rising prices to media concentration, and blasted the Trump administration for “one of the most aggressive waves of media consolidation in modern history.”

Nadler cited the approval of Skydance’s merger with Paramount last year, and the expected approval of Paramounts proposed acquisition of Warner Bros. Discovery, a transaction that would give them “one of the largest collections of sportscasting rights in the country.” And he also warned of sweeping changes if Paramount acquires CNN, calling it a “First Amendment crisis dressed up as an innocuous business deal.” He said that CBS News’ firing of 60 Minutes correspondent Scott Pelley last week was a “preview of the censorship regime these mergers are enabling.”

CBS News has pushed back on Pelley and other correspondents’ claims of corporate influence, and Paramount CEO David Ellison told correspondent Lesley Stahl, who is remaining on the show, that the top-rated newsmagazine would have editorial independence.

Nadler also pointed to a Wall Street Journal report that Rupert Murdoch lobbied Trump at a dinner in February over the NFL streaming deals and the impact that they have on broadcasters.

“Within weeks of that dinner, the Justice Department opened the investigation that is a stated reason for today’s hearing,” Nadler said. “Yes, we should reform the Sports Broadcasting Act. Fans are being asked to pay too much across too many platforms just to watch their favorite teams. But we cannot pretend we are doing the work of consumer protection when we examine the SBA in isolation.”

In response to the hearing, an NFL spokesperson said, “The NFL’s media distribution model is the most fan and broadcaster-friendly in the entire sports and entertainment industry. With over 87% of our games on free, broadcast television, including 100% of games in the markets of the competing teams, the NFL has for decades put our fans front and center in how we distribute our content. The 2025 season was our most viewed since 1989 and reflects the strength of the NFL distribution model and its wide availability to all fans.” When it was just three three major broadcast networks buying sports rights, none offered the full slate of out-of-market games to viewers.

NFL Commissioner Roger Goodell was invited to testify, but declined due to ongoing litigation, per the AP.

“The NFL’s decision to license a few more games to widely adopted streaming services is simply a reflection that those platforms now offer significantly more reach than the current pay TV ecosystem and that broadcast television remains the foundation of our media distribution,” Ted Ullyot, the league general counsel, wrote in the letter.

Among the witnesses was Clay Travis, who recently departed OutKick and is a Fox News contributor, who said that “I feel pretty good that the NFL is not going to start losing money anytime soon, and I think everybody understands that the NFL’s power today is drastically different than it was in 1961.”

Jim Hallers, founder of Tailgators Pub & Grill, talked of the increased costs that small businesses like his have in converting their screens to streaming. Curtis LeGeyt, the CEO of the National Association of Broadcasters, said that lawmakers make clear that the Sports Broadcasting Act was “about free over-the-air broadcasting, not paywalls.”

Anna Gomez, the sole Democrat on the FCC, raised concerns as well about the migration of sports to pay platforms, but said that any “meaningful update” to the Sports Broadcasting Act requires legislative action, not the agency. The FCC opened a proceeding on the issue earlier this year.

“According to reports, the scrutiny now being applied to sports leagues through government agencies like the FCC and DOJ appears to be driven less by a genuine interest in protecting fans and more by the influence of powerful media companies with close ties to this administration that stand to benefit financially from the outcome of that scrutiny,” she said.

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One Night Only Writer, Producer Talk Movie’s No Premarital Sex Rules

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Ever since the official trailer dropped for the Callum TurnerMonica Barbaro rom-com One Night Only, quickly racking up millions of views on its way to its nearly 40 million total, internet commentators have had a lot of questions about the film’s central premise in which premarital sex is illegal apart from one 12-hour period a year.

How is this law enforced? Are people breaking the law? How did this legislation pass? What counts as “sex” under this new mandate? Are marriage (and divorce) rates skyrocketing? What about affairs?

Rest assured: Some of those questions are answered in the movie, and explanations are starting to trickle out online for those unconcerned about spoilers. Beyond that, One Night Only writer, Travis Braun, who saw his screenplay top the 2024 Black List, has answers, but they’re not all in the Will Gluck-directed Universal movie now in theaters.

“I set out to write a movie about the circus that is modern dating, and I thought how fun if we could set that all in one night, and I have answers to those questions, and some of them are in the movie,” Braun told The Hollywood Reporter at the One Night Only premiere earlier this week in New York.

Braun said he definitely thought about the specific rules of the film’s alternate reality, framed as three years on from the no-sex act being passed, but didn’t want to get too deep into the politics of the world of the movie.

“There’s a big mythology that I’ve built out and then as you develop a movie you start to pare down and you go: What does an audience really care about, and what are they showing up to see? For me the answer is always a love story, romance,” he told THR. “I hope they can come in and we’ll show them how this world functions, and then they can just enjoy the movie and have fun. The whole focus of this was love story and romance first, and the world-building obviously has to make sense and has to be there, but ultimately we weren’t interested in getting into the politics of it. We wanted to tell a story about these two incredible people trying to find love on this crazy night.”

Producer Jacqueline Monetta, who brought Braun’s script to Gluck, said they didn’t want moviegoers to have all of the answers.

“I had a million questions. I was like, ‘What does this mean? What does this world look like? How do people communicate? What’s different?’ And that’s I think what’s so smart about it,” she said of One Night Only‘s “big idea, high-concept” premise. “We don’t answer every question in the movie, purposefully, because we want those questions to be had on the car ride home. We want people to keep talking about it and really think about what would this mean for our world, what does it mean for our world now. But I think Will and I were really specific on what questions we wanted to answer.”

In a recent Reddit AMA, Gluck also detailed how he and his team approached the world building of the movie while not wanting it to be all about the mandate and offered prospective moviegoers hints for where to find the answers to their questions.

“We spent a lot of time talking about the rules of the world, and if you’ve seen the movie, or when you see the movie, you’ll see that the rules of the world and the world building are all in the background,” he said. “It’s on TVs, signage, in thrown-away lines, because we didn’t want to give the world short shrift, but we didn’t want the movie to be about that. It’s another way I want people to see this. If they see it more than once, they’ll pick up so many more rules of the world in the background. A lot of the questions that I’ve been getting after people have seen the movie are actually answered in the movie, which is by design because I want people maybe not to know them. So, yes, it was a tricky tightrope to have them there, but not for the movie to be about it.”

Turner meanwhile echoes Braun’s advice for curious prospective moviegoers: “Go see the film!”

“You’ll realize pretty quickly what the realm is that you’re working within and it’s a comedy,” Turner says of what inquisitive filmgoers will find. “There are no great political undertones, I don’t think. This is just a place where you can escape for an hour and a half, two hours and enjoy and laugh your head off.”

One Night Only is now in theaters.

Callum Turner and Monica Barbaro at the One Night Only premiere on Monday.

Roy Rochlin/Getty Images for Universal Pictures

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Dwayne Johnson Reacts To Live-Action ‘Moana’ Negative Reviews

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Although the live-action remake of Moana hasn’t quite been able to catch a wave at the box office, Dwayne Johnson is proud of what they made.

The Golden Globe nominee said the Disney movie’s negative reviews, which currently sit at 32% on Rotten Tomatoes, are “just the way it goes” in the entertainment industry, and what “really mattered” was that “the culture really stood up” in the Polynesian-inspired tale.

“Our first two reviews came out. I’ll never forget it… They were amazing. I was like, wow,” he told People, noting the reviews then “went another way, as sometimes happens.”

“That’s just the way it goes because we’re in this business,” added Johnson.

A decade after he voiced the demigod Maui in Disney’s animated film Moana, Johnson reprised the role in the Thomas Kail-helmed live-action adaptation.

'Moana' live-action trailer
Catherina Laga’aia in ‘Moana’

“The challenge was, okay, let’s remember, though, what’s going to be beyond this opening weekend. Let’s remember what’s happening right now and the noise that’s happening right now,” said Johnson. “If you love it, great. If you don’t, no problem.”

Following Moana‘s July 10 premiere, the movie has gone on to make $266M at the global box office. Disney CEO Josh D’Amaro addressed the low turnout in a letter to shareholders.

“Even when our franchise films don’t meet our box office expectations, as with The Mandalorian and Grogu and the live-action Moana, our investments in these core properties fuel other parts of our company,” said D’Amaro, noting that Moana is “expected to be a strong title on Disney+, building on the success of the original film, which is one of the most streamed movies of all time.”

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‘One Night Only’ Director Understands “Sex Purge” Comparisons

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While One Night Only is intended as a romantic-comedy, there are some obvious dystopian undertones that audiences can’t ignore.

Director Will Gluck recently addressed online comparisons between the Purge franchise and his new Universal rom-com, which is now in theaters, about two New Yorkers (Monica Barbaro and Callum Turner) who meet on the one night a year premarital sex is legal.

“I am very aware of the online discourse about this world and this movie being the ‘sex Purge,’ and rightfully so,” he told SlashFilm. “But I don’t want this movie to be about that. And I know I get some blowback going, ‘How could you make a movie about this not being about that?’ Because I love exploring characters and situations.

Gluck added, “Whenever us humans get put in situations, no matter how or why the situation happens, we still have to be humans and get through the day. And that’s what interests me. So we didn’t want it to overwhelm. We wanted to explain it. We didn’t want to take a side. We wanted to show both sides, but we wanted it to be about these two people going through this crazy night.”

With five movies and a TV series expanding on the universe since The Purge premiered in 2013, the Blumhouse franchise is set in an alternate reality where all crime, including murder, is legal one night a year for 12 hours.

Callum Turner and Monica Barbaro in a scene from the movie One Night Only
Callum Turner and Monica Barbaro in ‘One Night Only’

In a similarly dystopian fascist universe, albeit with a much lighter mood, One Night Only follows recently dumped pizzeria owner Owen (Turner) and singer Allie (Barbaro) meet on the one night of the year premarital sex is legal under the United States’ “chastity mandate.”

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