
Callum Turner and Monica Barbaro at the One Night Only premiere on Monday.
Roy Rochlin/Getty Images for Universal Pictures
EXCLUSIVE: Jeff Gaspin, who oversees unscripted programming at Netflix, is exiting the streamer, two years after he made the surprising move.
Deadline understands Gaspin, who is VP, Unscripted Series, just told colleagues of his move moments ago.
It is major news in the unscripted business given the size and scale of Netflix’s unscripted operation and the fact that it has become one of the key buyers of programming across many major genres including competition series, dating formats and reality shows.
The hiring of Gaspin in February 2024 surprised many given that he was previously Chairman of NBCUniversal Television Entertainment before running his own shop, but Gaspin was heavily in business with the streamer on some of its biggest unscripted shows including The Tinder Swindler and Rhythm + Flow.
Sources told Deadline that it was a joint decision between Gaspin and his boss Brandon Riegg, who is VP, Nonfiction Series and Sports. It’s believed the pair decided it was the right time for him to move from his executive role into working with the team in a producer capacity.
There have been rumors of Gaspin’s exit over the last few weeks but the timing is somewhat surprising given that a number of his bigger bets including The Golden Ticket, the Willy Wonka-themed reality series, are not set to premiere until later this year, and other major buys including Monopoly and Clue have not even started production.
We hear that he will produce some of these titles including Monopoly and Physical 100: USA, the competition series based on the Korean hit, as well as shepherd series such as Age of Attraction and The Actor Awards.
Deadline understands that he won’t be directly replaced and he will officially wrap his exec role on July 1.
Gaspin has been behind a number of unscripted hits for Netflix including Age of Attraction, the dating series from Velvet Hammer Media that was quickly renewed for a second season, Skyscraper Live, which saw Alex Honnold climb one of the world’s tallest skyscrapers in Taipei, Taiwan, and BTS: The Comeback Live, featuring the hugely successful Kpop band.
He has also had a few poor performers including the reboot of Star Search, which failed to break through.
Gaspin has overseen a big push for Netflix in terms of competition series and big IP titles such as the aforementioned The Golden Ticket, Monopoly and Clue. A few months after taking the job, Gaspin, who developed series such as The Apprentice, The Biggest Loser and Deal or No Deal during his time as NBC’s head of alternative entertainment, told Deadline that it wanted to rival the broadcast networks with unscripted formats.
“The difference from the past is we want to focus on bigger formats, more of what you would call broadcast-style shows versus the cable style shows. I’ve done both in my career from running NBC to running Bravo, so I’m familiar with both and I really do understand the difference,” he said in May 2024.
In May, Gaspin told the Deadline Reality TV Summit that the unscripted business at Netflix was “still very healthy”. “It really hasn’t changed much for us. We started about ten years ago, and we really haven’t stopped. Understanding what’s gone on in the marketplace, really, that that cable buying spree has really slowed down and Bravo is one of the few channels that has really kept a robust marketplace but in terms of Netflix, we’re certainly buying and as healthy as we’ve ever been,” he said.
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Ever since the official trailer dropped for the Callum Turner–Monica Barbaro rom-com One Night Only, quickly racking up millions of views on its way to its nearly 40 million total, internet commentators have had a lot of questions about the film’s central premise in which premarital sex is illegal apart from one 12-hour period a year.
How is this law enforced? Are people breaking the law? How did this legislation pass? What counts as “sex” under this new mandate? Are marriage (and divorce) rates skyrocketing? What about affairs?
Rest assured: Some of those questions are answered in the movie, and explanations are starting to trickle out online for those unconcerned about spoilers. Beyond that, One Night Only writer, Travis Braun, who saw his screenplay top the 2024 Black List, has answers, but they’re not all in the Will Gluck-directed Universal movie now in theaters.
“I set out to write a movie about the circus that is modern dating, and I thought how fun if we could set that all in one night, and I have answers to those questions, and some of them are in the movie,” Braun told The Hollywood Reporter at the One Night Only premiere earlier this week in New York.
Braun said he definitely thought about the specific rules of the film’s alternate reality, framed as three years on from the no-sex act being passed, but didn’t want to get too deep into the politics of the world of the movie.
“There’s a big mythology that I’ve built out and then as you develop a movie you start to pare down and you go: What does an audience really care about, and what are they showing up to see? For me the answer is always a love story, romance,” he told THR. “I hope they can come in and we’ll show them how this world functions, and then they can just enjoy the movie and have fun. The whole focus of this was love story and romance first, and the world-building obviously has to make sense and has to be there, but ultimately we weren’t interested in getting into the politics of it. We wanted to tell a story about these two incredible people trying to find love on this crazy night.”
Producer Jacqueline Monetta, who brought Braun’s script to Gluck, said they didn’t want moviegoers to have all of the answers.
“I had a million questions. I was like, ‘What does this mean? What does this world look like? How do people communicate? What’s different?’ And that’s I think what’s so smart about it,” she said of One Night Only‘s “big idea, high-concept” premise. “We don’t answer every question in the movie, purposefully, because we want those questions to be had on the car ride home. We want people to keep talking about it and really think about what would this mean for our world, what does it mean for our world now. But I think Will and I were really specific on what questions we wanted to answer.”
In a recent Reddit AMA, Gluck also detailed how he and his team approached the world building of the movie while not wanting it to be all about the mandate and offered prospective moviegoers hints for where to find the answers to their questions.
“We spent a lot of time talking about the rules of the world, and if you’ve seen the movie, or when you see the movie, you’ll see that the rules of the world and the world building are all in the background,” he said. “It’s on TVs, signage, in thrown-away lines, because we didn’t want to give the world short shrift, but we didn’t want the movie to be about that. It’s another way I want people to see this. If they see it more than once, they’ll pick up so many more rules of the world in the background. A lot of the questions that I’ve been getting after people have seen the movie are actually answered in the movie, which is by design because I want people maybe not to know them. So, yes, it was a tricky tightrope to have them there, but not for the movie to be about it.”
Turner meanwhile echoes Braun’s advice for curious prospective moviegoers: “Go see the film!”
“You’ll realize pretty quickly what the realm is that you’re working within and it’s a comedy,” Turner says of what inquisitive filmgoers will find. “There are no great political undertones, I don’t think. This is just a place where you can escape for an hour and a half, two hours and enjoy and laugh your head off.”
One Night Only is now in theaters.

Callum Turner and Monica Barbaro at the One Night Only premiere on Monday.
Roy Rochlin/Getty Images for Universal Pictures
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Although the live-action remake of Moana hasn’t quite been able to catch a wave at the box office, Dwayne Johnson is proud of what they made.
The Golden Globe nominee said the Disney movie’s negative reviews, which currently sit at 32% on Rotten Tomatoes, are “just the way it goes” in the entertainment industry, and what “really mattered” was that “the culture really stood up” in the Polynesian-inspired tale.
“Our first two reviews came out. I’ll never forget it… They were amazing. I was like, wow,” he told People, noting the reviews then “went another way, as sometimes happens.”
“That’s just the way it goes because we’re in this business,” added Johnson.
A decade after he voiced the demigod Maui in Disney’s animated film Moana, Johnson reprised the role in the Thomas Kail-helmed live-action adaptation.

“The challenge was, okay, let’s remember, though, what’s going to be beyond this opening weekend. Let’s remember what’s happening right now and the noise that’s happening right now,” said Johnson. “If you love it, great. If you don’t, no problem.”
Following Moana‘s July 10 premiere, the movie has gone on to make $266M at the global box office. Disney CEO Josh D’Amaro addressed the low turnout in a letter to shareholders.
“Even when our franchise films don’t meet our box office expectations, as with The Mandalorian and Grogu and the live-action Moana, our investments in these core properties fuel other parts of our company,” said D’Amaro, noting that Moana is “expected to be a strong title on Disney+, building on the success of the original film, which is one of the most streamed movies of all time.”
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While One Night Only is intended as a romantic-comedy, there are some obvious dystopian undertones that audiences can’t ignore.
Director Will Gluck recently addressed online comparisons between the Purge franchise and his new Universal rom-com, which is now in theaters, about two New Yorkers (Monica Barbaro and Callum Turner) who meet on the one night a year premarital sex is legal.
“I am very aware of the online discourse about this world and this movie being the ‘sex Purge,’ and rightfully so,” he told SlashFilm. “But I don’t want this movie to be about that. And I know I get some blowback going, ‘How could you make a movie about this not being about that?’ Because I love exploring characters and situations.
Gluck added, “Whenever us humans get put in situations, no matter how or why the situation happens, we still have to be humans and get through the day. And that’s what interests me. So we didn’t want it to overwhelm. We wanted to explain it. We didn’t want to take a side. We wanted to show both sides, but we wanted it to be about these two people going through this crazy night.”
With five movies and a TV series expanding on the universe since The Purge premiered in 2013, the Blumhouse franchise is set in an alternate reality where all crime, including murder, is legal one night a year for 12 hours.

In a similarly dystopian fascist universe, albeit with a much lighter mood, One Night Only follows recently dumped pizzeria owner Owen (Turner) and singer Allie (Barbaro) meet on the one night of the year premarital sex is legal under the United States’ “chastity mandate.”
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