Entertainment
Just in Time Broadway Review: Jeremy Jordan Recast Makes Show Better Than Ever
Comparisons are unavoidable.
Portraying Bobby Darin in “Just in Time,” Jonathan Groff played the singer-actor as a nice guy. Jeremy Jordan replaces Groff and plays Darrin as a bad boy, which is much closer to the real man.
Indeed, the musical’s book, by Warren Leight and Isaac Oliver, keeps telling us that Darin is full of the devil. Not only was he difficult to work with, the parents of girlfriend Connie Francis and wife Sandra Dee didn’t want anything to do with this singing satyr. As they saw him, Darin was a stud who wanted just one thing from their respective daughters.
“Just in Time” is based on an “original concept” by Ted Chapin and Jonathan Groff, and one of their worst ideas – or did it come from Leight and Oliver? – is a bit at the top of the show that had Groff, and now Jordan, telling us about his own childhood.
Jordan tells us from the Circle in the Square stage that, as a kid, he was “shy and nerdy” — unlike the real Darin. Who knew? Groff, on the other hand, told us that he used to wear his mother’s “pumps” — unlike the real Darin. Obviously.
When I first reviewed “Just in Time” in April 2025, I wrote about being “gobsmacked” by Groff’s sartorial remark. It was an admission that his range as an actor had its limits: He couldn’t give us anything resembling a real playboy. Years ago, I saw Ruth Negga deliver a riveting Hamlet at St. Ann’s Warehouse, and I don’t recall her having to tell us she wasn’t a natural Danish blond.
What Groff had going for him with “Just in Time” was a surprise career move. Heretofore, his roles on Broadway had been pretty serious as far as musicals go. He starred in the original production of “Spring Awakening,” played King George in “Hamilton” and won a Tony for his turn in the first Broadway revival of “Merrily We Roll Along.” He could definitely act and sing, but none of those shows required him to be a dazzling song-and-dance man. “Just in Time” did, and his performance was both unexpected and a revelation.
Watching him, I kept wishing he’d chuck “Just in Time” and, instead, present himself in an old-fashioned musical revue where he could just sing and dance, backed up by a bunch of gorgeous showgirls. But Bobby Darin he was not. He was just too nice.
Jordan’s Broadway career is different. His first big hit was Disney’s “Newsies” in 2012, and it was nothing but razzle-dazzle. Even in his more recent performance in Lincoln Center Theater’s revival of “Floyd Collins,” he brought showbiz glitz to one of musical theater’s most depressing, claustrophobic stories. Trapped in a cave, Jordan’s doomed character kept himself alive through sheer force of will, which the actor made palpable with his tremendous vocals. Jordan’s performance was one of the best in musical theater that I’ve ever seen.
What he does in “Just in Time” is not surprising, but again, he’s simply superb.
Alex Timbers continues to direct, and has assembled a cast that is superior to the original, especially Olivia Holt’s Connie Francis, Carrie St. Louis’ Sandra Dee and Debbie Gravitte, who brings real wit and spunk to the role of Darin’s very determined “mother.”
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movies
BBC Considers Locking iPlayer For Viewers Who Opt Out Of Licence Fee
EXCLUSIVE: The BBC has said it is open-minded about closing off iPlayer to British viewers who decline to pay the licence fee.
In an all-staff call on Monday, the BBC’s chief customer officer Kerris Bright said locking down iPlayer could be an “opportunity” in the future as the corporation looks to stem the tide of people opting out of the licence fee.
Bright told colleagues that blocking iPlayer does not currently make sense because it could cause unwelcome friction for viewers who do pay the licence fee, but she said the BBC will keep the idea under review as streaming technology improves.
“iPlayer is the only service really that’s licensable where you could actually decide to put a gate in front of it, but the data today says that actually [there’s] not really the return on investment for doing that,” Bright told employees, per audio obtained by Deadline.
“The vast majority of evasion is not on iPlayer. The vast majority of people that are watching iPlayer are people that are paying their TV licence, and so to put a gate in front of iPlayer, the data today says that you actually would make it a very difficult experience for people that are paying for the licence.”
iPlayer viewers do have to sign into the BBC to watch the streamer. The service also occasionally asks users if they have a licence fee, though it does not require proof. “It’s quite a difficult experience if you have to ask them to find their TV licence to put it into iPlayer,” Bright said.
She continued: “As we go into the future, more of an IPTV world, audiences changing behavior, new ways of creating experiences that maybe aren’t so full of friction for audiences … that might absolutely be an opportunity for us, depending on the funding model.
“The data says today [that] absolutely [it] is not the silver bullet to generating more revenue. There’s probably more cost in it than revenue, but it is something we should absolutely keep looking at because it might be something that you actually would want to do in the future.”
More than half a million people opted out of the licence fee in the BBC’s most recent financial year, contributing to a funding crisis for the British broadcaster.
Some 94% of the UK population use the BBC every month, but fewer than 80% pay the £180 annual licence fee. The BBC is attempting to bridge this gap and can no longer dip into its cash reserves to fund operations.
In comments earlier this month, BBC director general Matt Brittin said: “We can and should be doing as much as possible on [enforcing] licence fee collection under the current model, but it’s yesterday’s model, it’s a busted flush, it’s no longer fit for purpose, and that’s why we need to make the case for the BBC and a shift of the licence fee model.”
The BBC is in talks with the government about a new charter, which will likely lead to funding model changes. The BBC is not being prescriptive about what could replace the licence fee, but thinks the government should reconsider a compulsory household levy, which it previously ruled out.
Another idea under consideration is extending the licence fee to include subscribers to streamers like Netflix, Disney+ and Prime Video. The plan has already drawn the ire of the Motion Picture Association, representing U.S. streamers and studios.
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movies
Elon Musk: Grok Imagine Will Make “Historically Accurate” ‘Odyssey’
Elon Musk‘s campaign against Christopher Nolan epic The Odyssey just deepened.
The tech mogul wrote on his social media service X that his AI tool Grok Imagine would create a “full-length” feature version of Homer’s Greek myth.
“Before this year ends, Grok Imagine will make a full-length movie of The Odyssey that is historically accurate and true to the art of Homer,” he wrote, sharing an AI-generated short of the story posted by an X user.
Given that Homer’s story is a work of fiction, its questionable how “historically accurate” any remake can be, but X and Tesla owner Musk has repeatedly questioned the casting of Nolan’s picture over recent months.
Musk has called out Lupita Nyong’o’s casting as Helen of Troy and supported transphobic posts about Elliot Page, who was initially rumored to be playing Achilles only to later cast as Sinon.
Musk also said he was “down” to give Mel Gibson $100 million to film an Odyssey adaptation that would be “delivered in Homeric Greek” in response to a message from an X user.
Despite Musk’s opprobrium, two-time Oscar winner Nolan’s Odyssey has been a huge box office hit globally and looks set to become the British director’s highest-grossing film. A recent global count pegged the take at $263.7M, with a huge $20M projection for Tuesday set to grow that further.
The Odyssey stars the likes of Matt Damon, Tom Holland, Zendaya, Anne Hathaway, Robert Pattinson, Nyong’o, Page, Jon Bernthal, Charlize Theron, Samantha Morton and John Leguizamo. The Universal pic retells Homer’s epic poem, which was written some time in the 7th or 8th Century BC.
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Entertainment
Jen Psaki Mocks Fox News Host’s Bafflement Over Trump Lying About Iran
Jen Psaki took on the Trump administration’s continually fumbled messaging around the Iran War on Monday, highlighting that “Trump’s most loyal pundits seem to be losing the thread” and even teasing Fox News’ Maria Bartiromo for her on-air bafflement over President Trump’s lies.
“Trump said this war was about regime change. He has failed at that. Trump said this war was about Iran’s missile capabilities, then he reversed course. Trump said the war was about knocking out Iran’s nuclear capabilities, but he already said he obliterated those back last year,” Psaki said on Monday’s “The Briefing” on MS NOW. “In reality, U.S. intelligence says we haven’t even set Iran’s nuclear ambitions back a day.”
She lamented that despite Trump claiming that he destroyed all of Iran’s military capabilities in recent months, “here we are again targeting Iranian military targets 142 days into this war.”
Pair that with the three active duty American soldiers killed in the war just since Friday, and Psaki argued that Trump’s messaging and the reality of the war just aren’t adding up.
“The White House’s narrative around this war is all so misleading that even Trump’s most loyal pundits seem to be losing the thread here,” she said. “I mean, even they seem to not understand or be able to explain how this all could possibly add up.”
That’s when “The Briefing” pulled up a clip from Bartiromo’s Sunday broadcast on Fox News, showing the conservative host report on the continued “outsized action” in the Iran war despite the president saying there’s no military threat to fight anymore.
“You know, CENTCOM says that there will be outsized action in retaliation, but I don’t understand how it’s possible that Iran has the capabilities to fight this way and continue to try to lash out at Gulf countries and U.S. military bases because the U.S. has obliterated Iran’s military,” Bartiromo said. “And the president continues to reiterate that.”
“It’s almost — almost, not quite — like she gets it,” Psaki said back in her MS NOW studio. “It’s almost like she is starting to realize that the White House is lying about this war, that these things can’t all be true at the same time.
“And as offensive as it is for the president to be lying about this war to the American public, it is even more offensive to the families of the Americans actually fighting it,” Psaki emphasized.
Watch the full “The Briefing With Jen Psaki” segment in the video below.
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