
‘La La Land’ poster comparison
Lionsgate
Ryan Gosling can sleep easier now knowing that the La La Land poster has been fixed from his “La La Hand.”
To celebrate the 10th anniversary of the release of the Oscar-winning film, Lionsgate unveiled a new poster that modified Gosling’s hand position.
Over the years, Gosling has been open about disliking the movie poster, telling The Wall Street Journal in a 2024 interview, “There is a moment that haunts me.”
“We’re dancing, Emma [Stone] and I, and I didn’t know this would become the poster for the movie,” he said at the time. “We were supposed to have our hands up, and I thought it would be cool to put my hand [more flat] even though everyone told me it wasn’t cool. I was sure it was cooler.”
He continued, “Now when I look at it, and I have to see it all the time, you know what would’ve been cooler…[the intended pose]. It just killed the energy that way. I call it La La Hand.”
The rerelease of La La Land is set for Sunday, August 16, when Dolby Cinema at AMC Theatres will play the film that won six Oscars, including Best Director and Best Cinematography.
Damien Chazelle wrote and directed the musical, which starred Gosling and Stone as a struggling jazz pianist and an aspiring actress who fall in love while pursuing their dreams in Los Angeles. The film also starred John Legend, Rosemarie DeWitt, Finn Wittrock and J. K. Simmons.

‘La La Land’ poster comparison
Lionsgate
Watch the trailer for the La La Land re-release in the video below.
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The Sarajevo Film Festival has revealed its full lineup for the 32nd edition of the festival, with a total of 51 films set to screen across its four competition selections – narrative feature film, feature and short documentary film, narrative short film and student short film.
The lineup will screen 21 world premieres, six international premieres, one European premiere and 23 regional premiers. One film screening out of competition will have its Bosnian-Herzegovinian premiere.
This year, the selection team led by Izeta Građević, Creative Director of the Sarajevo Film Festival, has seen 1,215 films: 210 narrative features, 305 documentaries, and 700 narrative short and student short films.
Here’s the full lineup.
Competition Programme – Narrative Feature Film 2026Awards:
HEART OF SARAJEVO FOR BEST NARRATIVE FEATURE FILM
Award in the amount of €16,000
HEART OF SARAJEVO FOR BEST DIRECTOR
Award in the amount of €10,000, sponsored by the United Nations in Bosnia and Herzegovina in cooperation with UNESCO
HEART OF SARAJEVO FOR BEST ACTRESS
Award in the amount of €2,500, sponsored by L’Oréal Paris
HEART OF SARAJEVO FOR BEST ACTOR
Award in the amount of €2,500
Films in the program:
EVERYTHING THAT’S WRONG WITH YOU / VSE, KAR JE NAROBE S TABO, Urša Menart
(Slovenia, Germany, Serbia, 2026, 97 min.) – World Premiere
SMALL THINGS / MALE STVARI, Zvonimir Jurić
(Croatia, Slovenia, Serbia, 2026, 80 min.) – International Premiere
SKATEBOARDING IS NOT FOR GIRLS / SKEJTANJETO NE E ZA DEVOJCHINJA, Dina Duma
(North Macedonia, Belgium, Slovenia, Croatia, 2026, 82 min.) – European Premiere
17, Kosara Mitić
(North Macedonia, Serbia, Slovenia, 2026, 105 min.) – Regional Premiere
DUA, Blerta Basholli
(Kosovo*, Switzerland, France, 2026, 101 min.) – Regional Premiere
EVERYTIME, Sandra Wollner
(Austria, Germany, 2026, 121 min.) – Regional Premiere
SHAME AND MONEY, Visar Morina
(Germany, Kosovo*, Slovenia, Albania, North Macedonia, Belgium, 2026, 129 min.) – Regional Premiere
SUPPORTING ROLE / MEOREKHARISKHOVANI ROLI, Ana Urushadze
(Georgia, Estonia, Türkiye, 2026, 139 min.) – Regional Premiere
YOU DON’T BELONG HERE / NU E LOCUL TĂU AICI, Florin Șerban
(Romania, 2026, 154 min.) – Regional Premiere
Competition Programme – Documentary Film 2026
Awards:
HEART OF SARAJEVO FOR BEST DOCUMENTARY FEATURE FILM – AN OSCAR® QUALIFYING FILM
Award in the amount of €4,000, sponsored by the Government of Switzerland
HEART OF SARAJEVO FOR BEST SHORT DOCUMENTARY FILM
Award in the amount of €2,000
SPECIAL JURY PRIZE
Award in the amount of €2,500
Films in program:
BEAR WITH ME, Martin Genovski
(Bulgaria, 2026, 84 min.) – World Premiere
GOOD PEOPLE / DOBRI LUGJE, Milcho Manchevski
(North Macedonia, 2026, 86 min.) – World Premiere
THE BALKAN COWBOY, Dragana Jurišić
(Croatia, Ireland, 2026, 93 min.) – World Premiere
THE FORBIDDEN AUNT / ZABRANJENA TETKA, Bojana Novaković
(Serbia, Australia, 2026, 82 min.) – World Premiere
WE SHALL LIVE TOGETHER / ŽIVJEĆEMO ZAJEDNO, Damir Markovina
(Croatia, Bosnia and Herzegovina, 2026, 75 min.) – World Premiere
DON’T ASK ME IF I KILLED, Helena Maksyom
(Romania, Netherlands, Germany, Ukraine, 2026, 103 min.) – International Premiere
FRAGMENTS OF BELONGING / TRAGOVI PRIPADANJA, Tatjana Božić
(Croatia, Netherlands, Germany, 2026, 80 min.) – International Premiere
WHEN I GET OUT / KO PRIDEM VEN, Metod Pevec
(Slovenia, 2026, 106 min.) – International Premiere
32 METERS, Morteza Atabaki
(Türkiye, Iran, Qatar, 2025, 83 min.) – Regional Premiere
BUGBOY, Lucas Paleocrassas
(Greece, France, Denmark, 2026, 87 min.) – Regional Premiere
ELECTING MS SANTA, Raisa Răzmeriță
(Moldova, Romania, 2025, 95 min.) – Regional Premiere
FOR LIFE / ÖMÜR BOYU, Ahmet Seven
(Türkiye, 2026, 89 min.) – Regional Premiere
TO HOLD A MOUNTAIN / PLANINA, Biljana Tutorov, Petar Glomazić
(Serbia, France, Montenegro, Slovenia, Croatia, 2026, 105 min.) – Regional Premiere
Competition Programme – Documentary Shorts:
BRO RAM / RAM BHAI, Branko Schmidt
(Croatia, 2026, 14 min.) – World Premiere
FAHRUDIN, Alen Drljević
(Bosnia and Herzegovina, 2026, 20 min.) – World Premiere
OF LIGHT GHOSTS / VON LICHTERGEISTERN, Isabella Fellinger
(Austria, 2026, 27 min.) – World Premiere
THE CAPTAIN AND THE CASPIAN SEA / KAPITAN VƏ XƏZƏR DƏNİZİ, Turkan Huseyin
(Azerbaijan, 2026, 30 min.) – World Premiere
DEAR ORCHID, Hana Selena Sokolović
(Bosnia and Herzegovina, Croatia, Serbia, Netherlands, 2026, 18 min.) – International Premiere
ASPARAGUS BEAR / MEDO U ŠPAROGAMA, Ivan Grgur
(Croatia, 2025, 18 min.) – Regional Premiere
HOLY DEFIANCE / TIHA MISA, Karla Jelić
(Croatia, 2026, 15 min.) – Regional Premiere
THE FERRY FLOWS / PAROM PLYVE, Zhora Papoian
(Ukraine, United Kingdom, 2026, 18 min.) – Regional Premiere
Out of Competition:
YUGO GOES TO AMERICA / YUGO IDE U AMERIKU, Filip Grujić, Aleksa Borković
(Serbia, Croatia, 2026, 87 min.) – National Premiere
Competition Programme – Narrative Short Film 2026
Awards:
HEART OF SARAJEVO FOR BEST NARRATIVE SHORT FILM – AN OSCAR® QUALIFYING FILM
Award in the amount of €2,500
EUROPEAN FILM ACADEMY NARRATIVE SHORT FILM CANDIDATE
Films in the programme:
DITCH / MIRHÓ, Marianna Vas
(Hungary, 2026, 24 min.) – World Premiere
HIDDEN IN FRAME / DAMALULI, Anna Sarukhanova
(Georgia, United Kingdom, 2026, 16 min.) – World Premiere
MAMAMA, Danica Dakić
(Bosnia and Herzegovina, 2026, 8 min.) – World Premiere
PATCH / ZAKRPA, Luka Galešić
(Croatia, 2026, 13 min.) – World Premiere
PORKATAL, Sis Gürdal
(Türkiye, France, United Kingdom, 2026, 16 min.) – World Premiere
ADGWA-ATA, Zsuzsanna Krief
(Hungary, France, 2026, 15 min.) – Regional Premiere
COSMONAUTS / KOZMONAVTI, Leo Černic
(Slovenia, Italy, 2026, 14 min.) – Regional Premiere
GO OUTSIDE AND HUG A TREE, Irina Alexiu
(Romania, 2026, 14 min.) – Regional Premiere
MOTHERHOOD, Anca Damian
(Romania, Belgium, France, 2026, 18 min.) – Regional Premiere
NOBODY SAID ANYTHING / NIKO NIŠTA NIJE REKAO, Tamara Todorović
(Serbia, France, Slovenia, Croatia, 2026, 15 min.) – Regional Premiere
Competition Programme – Student Short Film 2026
Award:
HEART OF SARAJEVO FOR BEST STUDENT SHORT FILM
Award in the amount of €1,000, sponsored by the Regional Cooperation Council
Films in the programme:
HYENA / HYÄNE, Fanny Rösch
(Austria, 2026, 23 min.) – World Premiere
NEIGHBOUR / KOMŠIJA, Dan Grabnar
(Serbia, 2026, 17 min.) – World Premiere
SISTERS / SESTRE, Sara Ećimović
(Serbia, 2026, 21 min.) – World Premiere
THE GO-BETWEEN / POSREDNIK, Emir Solaković
(Bosnia and Herzegovina, 2026, 7 min.) – World Premiere
UNWELLNESS, Réka Pinczés
(Hungary, 2026, 21 min.) – World Premiere
WATER WALLS / FÜSTFAL, Bianka Szelestey
(Hungary, 2026, 34 min.) – World Premiere
THE FUTURE IS IN YOUR HANDS, BUT WHY NOT LEND IT TO THE SPECIALISTS? / VIITORUL ȚI-L FACI CU MÂNA TA, DAR DE CE SĂ NU Îl LAȘI PE MÂNA UNOR SPECIALIȘTI?, Alexandra Schinteie
(Romania, 2026, 18 min.) – International Premiere
A. WANTS OUT (ON NEUTRALITY) / A. WILL RAUS (ÜBER NEUTRALITÄT), Zorah Berghammer
(Austria, 2026, 18 min.) – Regional Premiere
BONEFUZZ, Márk László
(Hungary, 2026, 10 min.) – Regional Premiere
OVER THE THRESHOLD / PREKO PRAGA, Tara Gajović
(Serbia, 2026, 15 min.) – Regional Premiere
RABBIT DON’T RUN / HASENFUSS, Maximilian Conway, Elisabeth Jakob
(Austria, 2026, 30 min.) – Regional Premiere
The 32nd Sarajevo Film Festival runs August 14-21, 2026.
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The 83rd Venice International Film Festival is unveiling its official lineup today.
Venice artistic director Alberto Barbera and Pietrangelo Buttafuoco, president of the Biennale di Venezia, will confirm the films running in competition and main sidebar sections.
You can follow their presentation, starting from 11 am local time at La Biennale Library of the Historical Archive in Venice, on the festival site or on its social media channels on YouTube, X, TikTok, and Facebook.
Venice, alongside Cannes, is considered the world’s most prestigious film festival and a major awards season prognosticator.
The festival has already confirmed that Danny Boyle’s Ink, a biographical drama starring Jack O’Connell, Guy Pearce and Claire Foy, about Rupert Murdoch and his British tabloid empire, will open this year’s event, on Sept. 2. Dio Ride, an Italian period drama from director Giovanni Veronesi starring Pierfrancesco Favino (Maria, Rush) will close the fest on Sept. 12.
Maggie Gyllenhaal (The Lost Daughter, The Bride!) will head up this year’s Venice competition jury as president, picking the winner of the Golden Lion for best film. George Clooney, a Lido regular, will receive an honorary Golden Lion lifetime achievement award.
Last year’s Biennale included several high-profile premieres, though many — Benny Safdie’s The Smashing Machine, Noah Baumbach’s Jay Kelly, Kathryn Bigelow’s A House of Dynamite — were award season flops.
The only 2025 Venice title to score at the Oscars was Guillermo del Toro’s Frankenstein, which picked up 9 Academy Award nominations, winning three, for Best Costume Design, Best Production Design and Best Achievement in Makeup and Hairstyling. Bugonia, from Yorgos Lanthimos, another Venice world premiere, picked up three Oscar nominations but won none. Kaouther Ben Hania’s The Voice of Hind Rajab, which won Venice’s Silver Lion last year, was nominated for Best International Feature but lost out to Joachim Trier’s Sentimental Value.
Europe’s other big festivals, Cannes and Berlin, struggled this year to attract films from major studios, leading to speculation that the majors are going cold on the festival circuit. Barbera has traditionally proven adept at enticing the studios, and Netflix, to premiere their prestige titles on the Lido. This year’s lineup will see if he still has the touch.
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Netflix has returned to the Parasyte manga universe that began in 2024 with Parasyte: The Grey.
A new live-action series, Parasyte: Tamiya will star Shioli Kutsuna (Sanctuary, Deadpool 2) and will stream in 2027. Parasyte: The Grey creator Yeon Sang-ho is returning, having developed Tamiya and co-written the scripts with Ryu Yong-jae. Wowpoint, the Grey producer, is also back, with Kensaku Kakimoto (Glass Heart) and Kazuhiro Nakagawa (Double, Bullet Train Explosion) directing.
Parasyte: The Grey spent four weeks at the top of Netflix’s Global Top 10 Non-English list in 2024, and reached number one in 34 countries. Tamiya will develop the story further.
In the original manga, Ryoko Tamiya is a parasite who takes over the body of a high school teacher. Initially brutal and indiscriminate, she gradually learns from her human surroundings — and upon witnessing a parasite and human sharing a body, begins to wonder whether coexistence might offer her species a better chance of survival than conflict.
Parasyte: Tamiya will tell Ryoko’s story from the inside: the original human, the parasite who inhabits her and the evolving creature caught between two worlds. Kutsuna plays the character, and said it was “the most challenging role I have ever played in my acting career.”
“Ryoko Tamiya is a truly captivating villain in the original manga,” said Yeon. “Her struggles over the nature of her own existence are what elevate the original ‘Parasyte’ from a simple hero-based manga aimed at kids to something deeper. She’s a fascinating character, which drove me to want to tell the story of Parasyte through her perspective.
“I wanted to convey her perpetual struggle over the need for parasites to coexist with humans and the issue of their survival, and how she suffers setbacks and learns over time. I think the anguish she experiences is the essence of Parasyte.”
Parasyte is a major IP in Japan, having previously been adapted as a film series, an anime and a Korean drama.
“This series, which is currently being edited, brings new things to the table compared to past entries in terms of story, cinematography, action, production, you name it,” said Yeon. “It firmly reflects the vision of both directors and is made with great respect for the original manga.”
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