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Paul Sparks, Kate Burton & Xander Berkeley Lead ‘A Great Depression’

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EXCLUSIVE: Paul Sparks, Kate Burton, Xander Berkeley and Rhys Coiro lead the cast of Melissa Miller Costanzo’s A Great Depression, which has just wrapped in New Jersey.

The film follows Mark Turner (Sparks), the heir and chairman of his family’s billion-dollar company, as he struggles to reclaim his life after battling depression. As his world begins to fracture, the line between imagination, ambition and self-destruction becomes blurred, in what the filmmakers told Deadline will be an emotionally charged portrait of resilience, identity and recovery.

Costanzo’s previous films include Run, starring Sarah Levy, Phillipa Soo and Adam Pally, and her debut feature All These Small Moments, which premiered at Tribeca. She co-wrote A Great Depression with Jenny Halper.

A Great Depression is one man’s true story about his journey through and beyond depression,” Costanzo said of her new film. “With its injection of magical realism and heightened reality, my hope is that this project will help reduce the stigma surrounding mental illness and treatments like ECT without ever feeling like a lecture.”

Alongside Sparks (The Night Of), Burton (Scandal), Berkeley (24) and Coiro (Entourage), the film will star Annie Parisse, Michael Oberholtzer, Megan Ferguson, Emily Tremaine, Sophia Bunnell, Malachi Weir, Jack Ball, Michael Gaston and Alysia Reiner, who round out the cast.

Curious Gremlin (The Testament Of Ann Lee) in association with MAP Creative Ventures are the production banners on the indie movie. It is produced by Scott Aharoni, Sinan Eczacibasi and Alihan Yalcindag of Curious Gremlin, alongside Matt Jensen, Alex Peace Power, Paul Steiner and Costanzo.

Eric Buttelman is co-producer. Executive producers are Mark Litzsinger, Britt Power and Ryan Asher.

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’13 Going On 30′ Reboot Adds Taylor Zakhar Perez, Owen Thiele, Nasim Pedrad

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EXCLUSIVE: Netflix has assembled more buzzy young supporting cast for its 13 Going on 30 reboot, with Taylor Zakhar Perez (Red, White & Royal Blue), Owen Thiele (Adults), Nasim Pedrad (Aladdin), Supriya Ganesh (The Pitt) and Myra Molloy (Girls Like Girls) coming aboard.

Other newcomers include Charley McCain (Nocturne), Henry Samiri (The Pitt), Audrina Miranda (Jurassic World Rebirth) and Kai Zen (Guardians of the Galaxy Vol. 3). As we first reported, Emily Bader and Logan Lerman lead the cast, which also includes Adeline Rudolph, Jessica Alba, Taylor Ortega, Tim Meadows and Dan Bucatinsky.

While unconfirmed, we’re told the original film’s stars, Jennifer Garner and Judy Greer, will also appear.

No word yet on the sequel’s plot. Production kicked off in L.A. last month.

A 2004 rom-com from Columbia Pictures, 13 Going on 30 centers on a 13-year-old girl who magically wakes up as her 30-year-old self and must navigate adulthood while rediscovering who she really is. Garner played the grown-up version of the character, starring opposite Mark Ruffalo in the film from Gary Winick, with Greer playing her frenemy Lucy Wyman.

13 Going on 30 grossed roughly $96 million in theaters and has endured for decades as a cultural touchstone, making a reboot inevitable. Already, Garner has executive produced a stage musical adaptation that premiered at the Manchester Opera House last fall. Original screenwriters Josh Goldsmith and Cathy Yuspa penned the book for the stage adaptation, which features original songs by Alan Zachary and Michael Weiner.

Brett Haley (Netflix’s People We Meet on Vacation) is directing the feature reboot from a script by Hannah Marks (Mark, Mary, & Some Other People), with revisions by Flora Greeson (The Princess Diaries 3). Joe Roth and Jeff Kirschenbaum are producing for RK Films, with Garner exec producing alongside Donna Roth and Susan Arnold, Scott Hemming for Revolution Studios, Alyssa Altman for RK Films, Marks, Gina Matthews and Ted Gidlow.

Zakhar Perez is repped by WME, Principal Entertainment LA, and Felker McGinnis & Ryan; Thiele by UTA, Entertainment 360, and Hansen, Jacobson, Teller; Pedrad by Entertainment 360; Ganesh by Untitled Entertainment and Granderson Des Rochers; Molloy by Gersh and Luber Roklin Entertainment; McCain by CESD and Maxed Management; Samiri by Coast to Coast and D.R. Entertainment; Miranda by Kit International Talent, McLain Entertainment, and Brecheen Feldman Breimer; and Zen by Innovative and Skrzyniarz & Mallean.

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Inside Kyle University’s Genius Gen Z Film Publicity Stunt (Exclusive)

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School’s officially out for summer at Kyle University.

The 7-foot muscle-head has spent the last four weeks making the rounds on social media, accruing more than 60 million views and 30,000 Instagram followers and becoming the manosphere’s latest “high-value” poster boy. His Tate brothers-esque content — built around seducing women, “looksmaxxing” and collecting “aura points” — swiftly got him banned from TikTok.

But it turns out, Kyle’s entire red-pill brand is actually just some savvy film publicity.

The Hollywood Reporter can reveal that the costumed “manosphere recruiters” galavanting around the industry’s most renowned studios and offices across Los Angeles and London this week are indeed the finale act of this viral sensation. All along, Kyle University has been an anti-manosphere satirical campaign using social media as an elaborate Trojan horse to draw Hollywood’s attention to Impressionable, the debut film from 22-year-old British director Noah Caplan.

Kyle, the faux character and self-proclaimed “lion in a world of dolphins” (played by U.S. bodybuilder Mike O’Hearn), has captured Instagram, YouTube and Facebook users. He’s fooled a sizable chunk of the manosphere, including several well-known red-pill commentators who hurled abuse at feminist creators Izzy Taffs and Maia Wall.

Since Caplan’s elaborate bit went live, studios and talent reps swept in to express interest — momentum that the young filmmaker wanted to jump on. The bait-and-switch culminated in a stunt outside major entertainment hubs in Los Angeles and London on Tuesday and Wednesday.

Kyles have popped up, enrollment papers in hand, pitching a made-up online course to top executives outside the likes of the BBC, Lionsgate, the British Film Institute, UTA, Working Title, WME, Channel 4, and major streamers. On the L.A. hit list was Margot Robbie’s LuckyChap Entertainment, where a Kyle asked security if he could “talk to the Ken in charge.” The targets are hand-picked by Caplan as his “dream collaborators” on Impressionable — from Warner Bros. Clockwork division to U.K. distributor True Brit — which is currently seeking packaging, financing and distribution.

A slew of young, digital talent coming up through the ranks of social media were enlisted for the stunt. Comedians Rufus Rice, Auden Barnes (“UncleBenMyBrudda”), Tommy Solemn, “Toshua,” “Panchbantz” and Ben McGuinness all appeared as various manosphere characters across the campaign, with some of them even playing the Kyle University recruits this week.

Another Kyle hands out leaflets outside the BBC.

Courtesy of YOOF

Inside the leaflets flung at reception desks and staff was a heartfelt pitch from Caplan about Impressionable, a satirical coming-of-age comedy-drama following a teenage boy’s idolization of a manosphere influencer, which manifests as a fictional mentor. The feature aims to “tackle toxic masculinity while positively spotlighting the real, everyday men who actually shape a young boy’s life.”

Caplan, who founded his own talent management agency YOOF, has no inherited network or contacts in the film industry. At 17, he persuaded British star Danny Dyer to star in his 30-minute mental health awareness drama (later acquired by ITV) by DM’ing hundreds of the actor’s friends on social media. THR caught up with Caplan about talking Dyer into the film last year, where he elaborated on getting his film education through YouTube, Curry Barker and Kane Parsons-style.

He gave up on cold-emailing studios about Impressionable and decided to get more creative. “I was always going to find a way, even if it took another three years,” Caplan tells THR. “What we’ve built with Kyle University though is a stronger pitch than any email I could ever have sent.”

“Kyle is bait, and that’s the whole point. We’ve replicated the manosphere’s entire ecosystem with a character who’s dangerous yet entertaining. You could stumble on a harmless clip of this douchey frat-bro, find it funny, and hit follow. It might not be until a few posts in that his real agenda creeps in: the misogyny, the bigotry, the peddling of self-hatred for profit.”

Caplan, however, is careful not to mock the young men who fall for it.

Kyle (Mike O’Hearn, left) and ‘Impressionable’ director Noah Caplan.

Courtesy of YOOF

“We’re not here to vilify the audience who get pulled in,” he says about his captive audience. “I’ve had mates pulled in, and some of it even skimmed close to me in the most vulnerable moments of my own adolescence. But hopefully Impressionable can expose that mad old monopoly, and show young men there’s a more whimsical way to figure out who you are, without leaning on some parasocial stranger to tell you who that is.”

Caplan admits the stunt was “cheeky.” He continued: “We want our project noticed by the industry we admire so greatly. Coming from Essex, England, there aren’t too many talent scouts or film and TV power-brokers hanging around. Emails get ignored, cold calls are outdated and annoying. We thought this could not just get us in front of the right people, but also generate a bit of fun in such a madly busy town for a couple of days.”

And if nothing else, he hopes it brightened a few people’s Tuesday or Wednesday.

Says Caplan: “For the executives […] coming face-to-face with a 7ft, 300lb man in neon headbands and multi-colored bicep tassels might just be the midweek pick-me-up they needed. I hope it caught people’s interest, or at least intrigued them. And if not, I hope we managed to entertain a few people on their daily commute.”

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Paramount Takeover Of Warner Bros. Wins EU Approval

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Paramount‘s $111 billion deal to acquire Warner Bros. Discovery (WBD) has taken a major step forward after securing approval from the European Union’s antitrust authority.

The European Commission has greenlit the media mega-merger, in what will be welcome news for David Ellison as he contends with legal challenges in the U.S. and regulatory uncertainty in the UK.

As was previously reported, Paramount has agreed to remedies to receive approval from the European Commission, including exiting its international distribution deal with Universal Pictures.

Watch on Deadline

In the U.S. on Monday, a federal judge granted a temporary restraining order that will pause the Paramount-Warner merger for 14 days. The order was in response to a lawsuit filed by California Attorney General Rob Bonta and 11 other states, claiming that the proposed merger violates antitrust laws.

Paramount has a “ticking fee” commitment to WBD shareholders of 25 cents a ​share — roughly $650 million — for every quarter its takeover does not finalize beyond September 30.

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