Entertainment
‘Toy Story 5’ Becomes the Third $1 Billion Film of 2026
For the sixth time in its history, Pixar has crossed the $1 billion mark at the global box office, as “Toy Story 5” has reached the milestone on its sixth weekend in theaters after adding $34 million globally, including $10 million in North America.
It was not a matter of if but when the fifth “Toy Story” film would join its two most recent predecessors — “Toy Story 3” in 2010 and “Toy Story 4” in 2019 — in the $1 billion club after it reached a spectacular global opening weekend of $312 million.
In the weeks that followed, it has proven to be the family film of choice this summer, holding strong against Universal/Illumination’s “Minions & Monsters” and Disney’s own “Moana” remake, which has floundered as it has just passed the $200 million global mark after three weekends in theaters.
The other three non-“Toy Story” films to reach the $1 billion mark are the “Finding Nemo” prequel “Finding Dory” in 2016, the 2018 sequel “Incredibles 2” and the 2024 sequel “Inside Out 2,” which was at one time the highest grossing animated movie ever.
While “Toy Story 5” won’t reach the heights of “Inside Out 2,” it will soon pass the $1.07 billion unadjusted global total of “Toy Story 4” to set a new franchise record 31 years after the original “Toy Story” hit theaters and established Pixar as one of the global titans of feature film animation.
While it seemed like the tale of Woody, Buzz and the gang had been finished with “Toy Story 3,” Pixar has now successfully gone to the well twice more without causing its flagship series to get branded with the “cash grab” reputation among the public that has fallen upon other franchises Hollywood has continued for one film too many.
Tapping into fears of AI and tech taking over childhood at a time when social media bans are being weighed and implemented by world governments, “Toy Story 5” sees Andy’s former toys, now under the leadership of Jessie the Cowgirl, squaring off against Lilypad, a toy tablet given as a gift to their new kid owner, Bonnie.
The film has been a huge success with kids and adults, earning Rotten Tomatoes scores of 92% critics and 94% audience, and has sustained the summer box office as films like “Moana” and “Supergirl” have failed to provide midsummer support. In the process, it has passed the other two billion-dollar hits of 2026, Universal/Illumination’s “The Super Mario Galaxy Movie” and Lionsgate/Universal’s “Michael” to become the highest grossing film of the year.
But it won’t hold on to that title for long. This Friday, Sony/Marvel Studios’ “Spider-Man: Brand New Day” will arrive in theaters with a strong chance of a global opening even larger than “Toy Story 5,” with domestic projections rising well above a $200 million opening weekend.
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Entertainment
The 7 Best Movies Streaming Free on PlutoTV in July
In the era of streaming, it can be surprisingly hard to find the movies you want to watch. If you aren’t paying for the right platform, you may not have access. That’s why free streamers are extremely helpful right now and, as it turns out, they’ve got pretty deep catalogs.
Pluto TV in particular has several shows and movies that are currently not streaming elsewhere — you’ll find a few of them on this list. But they also have some old favorites that are indeed elsewhere, but free to watch here. So, we went through and picked out some of the most exciting options Pluto TV has this month.
Here are the seven best movies streaming free on Pluto TV in July.

The Matrix
For a while there, it was impossible to find “The Matrix” streaming anywhere. If you didn’t own a physical copy of it, you were simply out of luck. Now, it’s streaming on Pluto TV, and I’d recommend you take advantage of it.
That’s partly because nothing streams forever, and certainly not in one spot, so if you’re dead set against physical media (to each their own, but why would you be?). But it’s also because it’s an important piece of pop culture to see if you somehow haven’t. If you’ve ever used the phrase “red-pilled” without knowing where it came from, well, it’s this.
Keanu Reeves stars as Neo, a computer hacker who learns that humanity is unknowingly trapped inside the Matrix, a simulated reality created by intelligent machines. Once he learns the truth, he’s recruited into a rebellion against the machines.
It’s a pivotal film in the sci-fi genre, thanks to its effects and action scenes, and is just very good.

Love Lies Bleeding
If there’s one actor right now who really deserves to be in more and appreciated more, it’s Katy O’Brian. She’s just reliably great, and here, she stars alongside Kristen Stewart.
O’Brian plays a bodybuilder in town for a competition, while Stewart plays the manager of the gym she’s training at. The two quickly fall in love, and their relationship is intense. Things take a dark turn when a man is murdered, though, and the two women have to figure out how to avoid any trouble, and messy family members (there’s a lot of spoiler territory here to avoid, so pardon the vagueness).
What you need to know that this is a dark thriller, and a good watch.

Marie Antoinette
Earlier this month, it was revealed that Mubi is releasing “Making Marie Antoinette,” a behind-the-scenes documentary about the making of Sofia Coppola’s (eventually) seminal film “Marie Antoinette.” The footage was first recorded back in 2005, by Coppola’s mother Eleanor. So, why not visit the movie that inspired this?
“Marie Antoinette” moved over to stream on Pluto TV this month, and stars Kirsten Dunst as the titular Queen Consort. It was originally released in 2006, and marked Coppola’s follow-up to “Lost in Translation.” It’s not your typical historical film, though. This was a pop take on the young Antoinette, taking a modern approach to the story.
At the time of its release, the film was met with split reviews and disappointing box office returns, but has since become a bit of a cult classic. So, which camp do you land in? There’s really only one way to find out for sure.

You’ve Got Mail
We’re still a little ways out from the proper Fall season, which is when “You’ve Got Mail” tends to hit the hardest, but that doesn’t mean it won’t work a little early. Especially as we’re in an age where meeting someone online looks very different, this works as a fun throwback to when things were simpler.
The rom-com stars Tom Hanks and Meg Ryan, who are professional rivals and hate each other quite strongly. What they don’t know is that they’ve also been chatting online and slowly falling for each other. When they finally realize what’s happened, they must figure out if they can put aside their professional differences to make a relationship work.
Nora Ephron proved long ago that she’s an expert in this genre, thanks in large part to this very movie. It’s a feel-good watch, and those are always needed.

Hook
“Hook” may not be high on our ranking of Steven Spielberg’s films — it’s not even high on the director’s own ranking of his work, as he’s openly criticized this film — but honestly, I’d still recommend it any day, especially to lovers of Robin Williams and/or Peter Pan.
Here, Williams plays Peter Banning, a very grown-up workaholic, who’s turned into a pretty bad dad. But, when his children are kidnapped by Captain Hook (yes, the Captain Hook, played here delightfully by a committed Dustin Hoffman), Peter must save his kids and remember that he is actually Peter Pan.
It’s an imaginative take on the story, taking place in a world that Spielberg built well. You can tell just how much of the sets are practical, and it does make you wish that more movies still did this. Is it the peak of Spielberg’s abilities? No. Is “Hook” mired in horror stories? Yes.
Even so, it’s kind of bangarang.

Good Will Hunting
You could say this is in here because of “The Odyssey,” but really, it’s just a generally good movie at any time. But yes, thanks to “The Odyssey,” we did get Matt Damon reflecting on “Good Will Hunting” recently, so now’s a more prime moment for a rewatch.
The film follows Will Hunting (Damon), a self-taught genius who’s working as a janitor at MIT. When Will and his friends get in a fight with his childhood bully and their friends, he agrees to avoid jail time by studying under an MIT professor who’s figured him out, and go therapy with psychologist Sean Maguire (Williams). The two develop a deep respect for one another, turning into an unexpected friendship.
“Good Will Hunting” is a pivotal film in Damon and Ben Affleck’s careers, winning them several Oscars, and it’s easy to spot why when you watch it.

Memento
Thanks to “The Odyssey,” the current debate among cinephiles right now is the proper ranking of Christopher Nolan’s films. We’ll let you decide on your picks alone, but we’ll also recommend watching “Memento” on Pluto TV this month. Similar to “The Matrix,” this one was a bit hard to track down on streaming for a bit.
It centers on Leonard Shelby (Guy Pearce), a man with anterograde amnesia, which means he can’t form new long-term memories. He’s hellbent on finding the person who’s responsible for giving him this condition, as they also killed his wife, so he uses an elaborate system of photos, notes and actual tattoos on his body to try and find him.
It’s a master class in non-linear storytelling, and one that’s even inspired recent Marvel projects. So if you’re in the mood for a capital M movie, “Memento” will get the job done.
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movies
Who Killed the Electric Car? Documentary Turns 20 – EV History Explored
Twenty years ago, skyrocketing gas prices linked to a war in the Middle East spurred questions over how to minimize reliance on fossil fuels. (Sound familiar?) The topic rolled into cinemas with filmmaker Chris Paine’s documentary feature Who Killed the Electric Car?
It was the directorial debut for the environmental activist and proud lessee of the EV1, launched by GM in 1996 as one of the first American mass-produced electric vehicles before being discontinued and recalled by the early 2000s. Friends encouraged Paine to make a film to assess blame; he enlisted Martin Sheen as narrator, with the star donating his salary to charity. Independence Day producer Dean Devlin joined to honor his late dad’s love for the vehicle and connected the team with friend Mel Gibson, who spoke fondly about his own EV1; other voices included Ed Begley Jr., Ralph Nader and Phyllis Diller.
Sony Pictures Classics acquired the project in November 2005 just before it got into Sundance, and hired Alex Gibney as a consulting producer following his Enron doc’s success. “Sony calls with Alex on the line, and it was a two-hour-long call [where] we all just listened,” recalls producer Jessie Deeter. While the feedback was appreciated, it meant an overhaul to create more of an arc. After its rousing Sundance premiere, the movie’s trailer ran ahead of doc hit An Inconvenient Truth, with its high profile leading GM to issue statements attempting to discredit Electric Car.
The doc ends optimistically with a brief shot of the Tesla Roadster prototype. Indeed, Elon Musk’s company would help spur today’s EV popularity, which was the focus of a 2011 sequel. Now acknowledging that EVs weren’t killed, just delayed until companies could make them profitable, Paine says, “The film asks the right question, but maybe not the complete one.”
This story appeared in the July 22 issue of The Hollywood Reporter magazine. Click here to subscribe.
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Entertainment
Chris Evans Says Marvel Sent a ‘Dozen’ Pitches for Captain America Return
Chris Evans reveals that he was eyeing a potential return to the Marvel Cinematic Universe long before coming aboard for “Avengers: Doomsday.”
In an interview with Entertainment Weekly out of San Diego Comic-Con, the star behind Captain America shares that he invited Marvel Studios to keep pitching him on ways that his character could reappear. After “Avengers: Endgame,” franchise producers Kevin Feige and Lou D’Esposito already had ideas on how to bring Evans back into the fold, including a storyline that would see Steve Rogers take on his alternate moniker, Nomad.
“When we finished ‘Endgame’ in 2018, Lou and Kevin took me to dinner and they were like, ‘We’d love to keep doing movies with Steve Rogers as Nomad.’ And I said, ‘Okay, well, what do you got?’” Evans said. “It was a great pitch. But, for whatever reason, it just didn’t feel right at the time. … I was a little precious. I wanted to preserve it. But I just said, ‘Please keep pitching.’”
“Avengers: Endgame” concluded with Captain America traveling back to his original time to marry Brit spy Peggy Carter (Hayley Atwell) in the years following World War II. It was a fan-favorite curtain call that gave Evans an off-ramp from the Marvel Cinematic Universe, but the actor continued to court a return.
“Over the course of eight years, I probably heard at least a dozen pitches. And they were all wonderful. It just never quite felt right. And you do start thinking… maybe it’s not right because it’s just not right,” Evans shared. Then he said he got a call from his team that Robert Downey Jr. was in talks to rejoin Marvel for “Doomsday.” “I was like, ‘Uh, oh. What does this mean?’ … And all of a sudden it felt right.”
Evans and Downey both appeared at San Diego Comic-Con on Saturday to promote their Marvel returns. While Evans is returning as Rogers, the narrative circumstances behind the character’s reappearance remain a secret. Meanwhile, Downey is not reprising his role as Tony Stark, a.k.a. Iron Man; instead, he’s playing Victor von Doom, the main villain of “Doomsday.”
“Avengers: Doomsday” will open in theaters on Dec. 18.
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