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‘Toy Story 5’ Becomes the Third $1 Billion Film of 2026

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For the sixth time in its history, Pixar has crossed the $1 billion mark at the global box office, as “Toy Story 5” has reached the milestone on its sixth weekend in theaters after adding $34 million globally, including $10 million in North America.

It was not a matter of if but when the fifth “Toy Story” film would join its two most recent predecessors — “Toy Story 3” in 2010 and “Toy Story 4” in 2019 — in the $1 billion club after it reached a spectacular global opening weekend of $312 million.

In the weeks that followed, it has proven to be the family film of choice this summer, holding strong against Universal/Illumination’s “Minions & Monsters” and Disney’s own “Moana” remake, which has floundered as it has just passed the $200 million global mark after three weekends in theaters.

The other three non-“Toy Story” films to reach the $1 billion mark are the “Finding Nemo” prequel “Finding Dory” in 2016, the 2018 sequel “Incredibles 2” and the 2024 sequel “Inside Out 2,” which was at one time the highest grossing animated movie ever.

While “Toy Story 5” won’t reach the heights of “Inside Out 2,” it will soon pass the $1.07 billion unadjusted global total of “Toy Story 4” to set a new franchise record 31 years after the original “Toy Story” hit theaters and established Pixar as one of the global titans of feature film animation.

While it seemed like the tale of Woody, Buzz and the gang had been finished with “Toy Story 3,” Pixar has now successfully gone to the well twice more without causing its flagship series to get branded with the “cash grab” reputation among the public that has fallen upon other franchises Hollywood has continued for one film too many.

Tapping into fears of AI and tech taking over childhood at a time when social media bans are being weighed and implemented by world governments, “Toy Story 5” sees Andy’s former toys, now under the leadership of Jessie the Cowgirl, squaring off against Lilypad, a toy tablet given as a gift to their new kid owner, Bonnie.

The film has been a huge success with kids and adults, earning Rotten Tomatoes scores of 92% critics and 94% audience, and has sustained the summer box office as films like “Moana” and “Supergirl” have failed to provide midsummer support. In the process, it has passed the other two billion-dollar hits of 2026, Universal/Illumination’s “The Super Mario Galaxy Movie” and Lionsgate/Universal’s “Michael” to become the highest grossing film of the year.

But it won’t hold on to that title for long. This Friday, Sony/Marvel Studios’ “Spider-Man: Brand New Day” will arrive in theaters with a strong chance of a global opening even larger than “Toy Story 5,” with domestic projections rising well above a $200 million opening weekend.

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The 7 Best Movies Streaming Free on PlutoTV in July

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In the era of streaming, it can be surprisingly hard to find the movies you want to watch. If you aren’t paying for the right platform, you may not have access. That’s why free streamers are extremely helpful right now and, as it turns out, they’ve got pretty deep catalogs.

Pluto TV in particular has several shows and movies that are currently not streaming elsewhere — you’ll find a few of them on this list. But they also have some old favorites that are indeed elsewhere, but free to watch here. So, we went through and picked out some of the most exciting options Pluto TV has this month.

Here are the seven best movies streaming free on Pluto TV in July.

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Who Killed the Electric Car? Documentary Turns 20 – EV History Explored

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Twenty years ago, skyrocketing gas prices linked to a war in the Middle East spurred questions over how to minimize reliance on fossil fuels. (Sound familiar?) The topic rolled into cinemas with filmmaker Chris Paine’s documentary feature Who Killed the Electric Car? 

It was the directorial debut for the environmental activist and proud lessee of the EV1, launched by GM in 1996 as one of the first American mass-produced electric vehicles before being discontinued and recalled by the early 2000s. Friends encouraged Paine to make a film to assess blame; he enlisted Martin Sheen as narrator, with the star donating his salary to charity. Independence Day producer Dean Devlin joined to honor his late dad’s love for the vehicle and connected the team with friend Mel Gibson, who spoke fondly about his own EV1; other voices included Ed Begley Jr., Ralph Nader and Phyllis Diller. 

Sony Pictures Classics acquired the project in November 2005 just before it got into Sundance, and hired Alex Gibney as a consulting producer following his Enron doc’s success. “Sony calls with Alex on the line, and it was a two-hour-long call [where] we all just listened,” recalls producer Jessie Deeter. While the feedback was appreciated, it meant an overhaul to create more of an arc. After its rousing Sundance premiere, the movie’s trailer ran ahead of doc hit An Inconvenient Truth, with its high profile leading GM to issue statements attempting to discredit Electric Car.  

The doc ends optimistically with a brief shot of the Tesla Roadster prototype. Indeed, Elon Musk’s company would help spur today’s EV popularity, which was the focus of a 2011 sequel. Now acknowledging that EVs weren’t killed, just delayed until companies could make them profitable, Paine says, “The film asks the right question, but maybe not the complete one.” 

This story appeared in the July 22 issue of The Hollywood Reporter magazine. Click here to subscribe.

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Chris Evans Says Marvel Sent a ‘Dozen’ Pitches for Captain America Return

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Chris Evans reveals that he was eyeing a potential return to the Marvel Cinematic Universe long before coming aboard for “Avengers: Doomsday.”

In an interview with Entertainment Weekly out of San Diego Comic-Con, the star behind Captain America shares that he invited Marvel Studios to keep pitching him on ways that his character could reappear. After “Avengers: Endgame,” franchise producers Kevin Feige and Lou D’Esposito already had ideas on how to bring Evans back into the fold, including a storyline that would see Steve Rogers take on his alternate moniker, Nomad.

“When we finished ‘Endgame’ in 2018, Lou and Kevin took me to dinner and they were like, ‘We’d love to keep doing movies with Steve Rogers as Nomad.’ And I said, ‘Okay, well, what do you got?’” Evans said. “It was a great pitch. But, for whatever reason, it just didn’t feel right at the time. … I was a little precious. I wanted to preserve it. But I just said, ‘Please keep pitching.’”

“Avengers: Endgame” concluded with Captain America traveling back to his original time to marry Brit spy Peggy Carter (Hayley Atwell) in the years following World War II. It was a fan-favorite curtain call that gave Evans an off-ramp from the Marvel Cinematic Universe, but the actor continued to court a return.

“Over the course of eight years, I probably heard at least a dozen pitches. And they were all wonderful. It just never quite felt right. And you do start thinking… maybe it’s not right because it’s just not right,” Evans shared. Then he said he got a call from his team that Robert Downey Jr. was in talks to rejoin Marvel for “Doomsday.” “I was like, ‘Uh, oh. What does this mean?’ … And all of a sudden it felt right.”

Evans and Downey both appeared at San Diego Comic-Con on Saturday to promote their Marvel returns. While Evans is returning as Rogers, the narrative circumstances behind the character’s reappearance remain a secret. Meanwhile, Downey is not reprising his role as Tony Stark, a.k.a. Iron Man; instead, he’s playing Victor von Doom, the main villain of “Doomsday.”

“Avengers: Doomsday” will open in theaters on Dec. 18.

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