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Zoe Saldaña Says Taylor Sheridan Knows “How To Write Women” On ‘Lioness’

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As Lioness reunites with her pride for a third season, Zoe Saldaña is grateful to get to reprise a well-written character.

The Oscar-winning actress, who stars as CIA agent Joe McNamara, praised series creator Taylor Sheridan for knowing “how to write women” and characters that “defy gender and race” on the Paramount+ series, which returns Aug. 2 to the streamer.

“I do believe that Joe could’ve been a man. We’ve seen various stories of men like Joe,” she told People. “And Kaitlyn [played by Nicole Kidman] could’ve been a man, the same way Westfield [played by Michael Kelly] could’ve been a woman, Kyle [played by Thad Luckinbill] could’ve been a woman. These are incredible complex individuals [and] any actor who challenges themselves can rise to that occasion.”

Saldaña added that Sheridan’s skill for crafting characters of any experience “is what makes a really good writer.”

“When you write something so incredible that it kind of defies gender and race, and it’s just about the merit of that human being, I feel like you give yourself the opportunity of a wider range of actors that can come in and sort of vie for that part,” she continued. “I have a great deal of respect for men that really know how to write women and I think that Taylor gives himself enough credit.

Zoe Saldaña as Joe and Nicole Kidman as Kaitlyn in ‘Lioness’ (Ryan Green/Paramount+)

“I’m happy to say that, after playing one of his female characters for three seasons, I’m incredibly honored that he wrote Joe as a woman,” added Saldañ

Jill Wagner, who plays Bobby, noted that Sheridan “puts a little bit of himself in each one of these characters. Like, I see Taylor in almost every single character. That’s something he does naturally.”

Saldaña joked, “Oh great, so he writes himself? Here I am thinking he writes great women!”

Starring and executive produced by Saldaña and Kidman, Season 3 of Lioness sees hidden networks, foreign operatives and personal betrayals collide. Joe (Saldaña) walks the line between duty and home as unseen forces circle her world. Patterns appear where they shouldn’t, names vanish, and paths rearrange. Guided by Kaitlyn (Kidman) and Westfield (Kelly), Joe confronts enemies operating in the shadows, leaving her to reckon with a war that now reaches into every part of her life.

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Michael Jackson Boosts Sony Music Sales Amid Quiet Quarter For Studio

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The box office success of Michael appears to have put some thriller into Sony’s earnings.

Sony Music Entertainment’s sales bounced 22% to 557.9 billion yen ($3.5B) in the three months to the end of June, according to the company’s Q1 earnings.

Sony Music revealed that Jackson’s “Thriller” and “Bad” were among its top 10 best-selling recorded music projects during the quarter, coinciding with the release of Lionsgate biopic Michael.

Over at Sony Pictures Entertainment, the earnings reflected a quiet quarter of theatrical releases in North America, with the unit only debuting Nate Bargatze comedy The Breadwinner.

Sony Pictures’ revenue fell 13% to $1.98B year-on-year, though the division’s operating income grew 21% to $156M over the three months to the end of June.

Theatrical sales stood at $30 million in Sony’s Q1, which was down around $100M on the same period in 2025, when the studio released 28 Years Later and Karate Kid: Legends.

Sony Pictures’ television sales also declined from $841M in 2025 to $571M this year, despite the release of the final season of The Boys on Amazon. The 32% drop was due to decreased deliveries of series during the period.

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Singapore’s Wave Films Taps Dave Ulmer To Drive U.S. Expansion 

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EXCLUSIVE: Singapore-based production services outfit Wave Films has brought on board Dave Ulmer, former CEO of Cambodian Broadcasting Service (CBS), as an Executive Producer based in Los Angeles. 

Ulmer will help the company bridge the North American content industries with Southeast Asia’s production infrastructure. He will focus on bringing U.S. and international projects into Southeast Asia, leveraging Wave Films’ production infrastructure across the region to facilitate cross-border production. 

Headquartered in Singapore, Wave Films operates production and post-production capabilities across Malaysia, Philippines and Cambodia. The company is currently line producing Pierre Morel’s The Good Samaritan in Malaysia and has recently produced or line produced projects including Dark Red, filmed in India earlier this year; Chihiro Amano’s Magical Secret Tour, filmed last year in Singapore; Korean drama Kidnapping Day, and reality shows including Bachelorette and Asia Express.

Ulmer left CBS, a subsidiary of Cambodia’s The Royal Group of Companies, in June 2026. During his tenure, he oversaw national channels including CTN, MyTV and CNC, and built production infrastructure across the country. 

Beyond Cambodia, he also spent years developing partnerships in Indonesia, Philippines, South Korea, Thailand, Singapore and Indonesia. He has also been building co-production frameworks that link international capital with regionally produced slates. 

“Dave is not just a regional operator; he is a genuine bridge between Hollywood production companies or studios and Southeast Asian execution,” said Wave Films founder and head of production Jerry Koedding.

“He has walked the markets in Indonesia, Philippines and Singapore, he knows how to get an international production cleared and crewed in Cambodia, and he can speak to a showrunner or producer in Los Angeles in the same language. Add our cross-border production model, and the fact that we can park a project in the right country for the right tax break, locations or stage access, and you have a very compelling package for any North American producer looking east.”

Ulmer said: “North American producers are leaving money on the table if they are not looking at Southeast Asia. The region has the crews, the stages, the locations, the expertise, and the incentives. What it needs is a single point of contact in Los Angeles who can guarantee delivery. That is what I intend to be for Wave Films. 

“Whether you need to shoot a feature in Malaysia, post in the Philippines, or access government-level clearances in Cambodia, we can move your project across the region without the usual friction.”

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ITV Reveals First Results Since Sky Deal Along With Share Buyback

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ITV has a gift for shareholders this morning to the tune of £100M ($140M) as it releases its first financial results since the Sky deal was confirmed, which slightly improved on the prior year.

The broadcaster is today revealing a £100M share buyback, which CEO Carolyn McCall described as an “early return of part of the previously announced £950 million net cash return expected on completion of the sale” of its network biz to Sky.

The news will be welcome by shareholders who may have to wait patiently until at least mid-2027 to see larger returns on the £1.6B deal. The ITV share price has been a constant source of consternation for several years now and many had been pushing for a sale for a long time. McCall said the separate move to continue with an interim dividend of 1.7p totalling £60M “reflects our commitment to attractive shareholder returns.”

ITV said again today that it expects the Sky deal to complete midway through next year and it expects the Culture Secretary, Lisa Nandy, to issue a Public Intervention Notice to examine one of the biggest deals in the history of British broadcasting. That deal, which will see a crown jewel of British TV become part of the NBCUniversal entertainment empire, is still subject to this rigorous regulatory approval process, coming as Nandy says she is “minded to intervene” in the mega-bucks WarnerMount deal.

Today’s results were the first to be published since ITV closed the deal to sell its network biz – called its Media & Entertainment (M&E) arm – to Sky, although its ITV Studios division will not be sold and is going independent.

ITV’s half-year results for the first six months of 2026 were middling, with total revenue rising 2% to £1.9B, the same percentage figure as ITV Studios revenue, which moved to £912M, and M&E revenue, which increased to £975M. This disrupted the recent pattern of ITV Studios tending to grow by larger proportions than M&E. In fact, adjusted EBITDA in the M&E division rose an impressive 37% to 48M while ITV Studios’ EBITDA was down 9%, although the period did take in the soccer World Cup, a lucrative time for the ITV network.

ITV Studios will soon be unleashed onto the market at a time when rivals Banijay and All3Media have merged, creating a production super-giant. Banijay’s CEO earlier this week played down reports that Banijay is interested in swooping for ITV Studios.

Notably, ITV Studios’ revenue in the UK was up 17% during the period but down 17% in the U.S. and 24% internationally, again reflecting a reversal of previous fortunes. ITV Studios has made inroads with the American streamers one of its pillars of growth for several years.

McCall said: “The recently announced sale of M&E to Sky represents a substantial milestone for ITV. This transaction will unlock significant value for shareholders, with a net cash return of around £950 million, excluding any contingent consideration, and continued ownership of an attractive, growing global content business in ITV Studios. Underpinned by its world class talent, global scale and unique IP library, ITV Studios is well positioned to deliver above-market profitable organic revenue growth at industry leading margins, strong cash generation, attractive returns to shareholders and an investment grade balance sheet.”

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