
John Malkovich and Sam Rockwell in ‘Wild Horse Nine’
Courtesy of Searchlight Pictures/Diego Araya Corvalán
Isabella Rossellini is working on a new series of animal-related short films, the star and filmmaker told the 79th edition of the Locarno Film Festival on Thursday.
First, there was Green Porno, her series of shorts that launched in 2008 on the Sundance Channel and explored some of the more bizarre mating behaviors in nature. She followed that up with Seduce Me in 2010, which expanded on that theme. Then came Mammas in 2013, which shone a spotlight on animal motherhood. Now, Rossellini is diving into a different animal-centric topic: pets.
“It’s about the history of pets, domestic animals called The Survival of the Friendliest,” Rossellini said, according to a simultaneous interpretation of her Italian comments provided by the festival. “I play all the roles,” she shared.
Rossellini recalled how Robert Redford “loved silent and short films because back then there were a lot of shorts” and felt that for the new Apple iPhone’s small screens, shorts would make sense. So he encouraged her to make Green Porno for the Sundance Channel. The icon concluded that “I owe” Redford for the opportunity to become a director.
Discussing her well-known fascination with animals further, she shared: “I have always loved animals.” Because at the time, there was no animal-related degree to study for, she said she decided to go after her other big passion, namely fashion.
About her modeling work, Rossellini shared how it helped her overcome struggles after harshly bad reviews for her first major film role as Eugenia in The Meadow from directors Paolo and Vittorio Taviani, for which she won the Silver Ribbon award for best new actress in Venice. “The critics killed me, so for five years, I quit” and focused on modeling, she shared. “When you are young, you are really mortified.” And she explained that her modeling work “reassured me.”
While the icon is staying busy, fans should not hold their breath for a Rossellini-directed feature film, she signaled. Asked why she hasn’t made a feature so far, she explianed: “Partly because I have no time. I have a farm, and I play some roles.”
What’s the biggest factor for the star in choosing her roles? “The most important thing is the director,” she said. “If the script is great but the director is not, he may ruin it.”
During her appearance, Rossellini, the daughter of Swedish actress Ingrid Bergman and Italian director Roberto Rossellini, discussed her collaborations with such legendary filmmakers as the late David Lynch, Robert Zemeckis, Guy Maddin and James Gray, who will also be honored at Locarno in the coming days.
Among other things, Rossellini reminisced about how controversial Lynch’s Blue Velvet was when it came out and shared insights into her singing in the movie. “There was a lot of voice editing,” she said with a laugh. “Otherwise, I would be a singer. We needed a lot of takes because I couldn’t hold a note. That’s the magic of the movies.”
About Maddin, she said she saw his film The Heart of the World and had to meet him. “I was mesmerized,” Rossellini recalled, so she visited him in Winnipeg. They ended up making five films together. “His movies look like old movies with scratches, because he loves cinema,” she said. “So to me, they look like my dad’s films, which haven’t been restored yet.”
The late British director John Schlesinger was another one of her favorite collaborators, even though their film The Innocent “was not a success,” the star recalled. She also shared that, “a few years ago, I dreamed that my dad and John had become fiancées in heaven. They had [become] a couple in heaven.”
Rossellini’s Thursday appearance drew a big crowd, with some fans already in place an hour before it started despite the scorching heat.
On Wednesday evening, the Italian-American actress, model and filmmaker had helped kick off Locarno 2026 with star power, receiving the Swiss fest’s Excellence Award.
Her Thursday conversation was moderated by Olivier Père, the former artistic director of the Locarno festival and now executive director of ARTE France Cinéma and head of its cinema unit since 2012. He is also part of the jury for the international competition of Locarno79.
After the session, Rossellini patiently signed autographs for fans, with many a mobile phone used to snap pictures. Some audience members even brought gifts, giving her, for example, a book and a letter.
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The Zurich Film Festival will honor director Martin McDonagh with its A Tribute To … Award in recognition of his outstanding contribution to cinema.
The filmmaker behind In Bruges, Three Billboards Outside Ebbing, Missouri and The Banshees of Inisherin, will receive the award in Zurich at a gala screening of his new film, Wild Horse Nine. The dark comedy, starring John Malkovich and Sam Rockwell as a pair of CIA officers sent to Easter Island ahead of the 1973 coup in Chile, will have its world premiere in competition at the Venice Film Festival next month.

John Malkovich and Sam Rockwell in ‘Wild Horse Nine’
Courtesy of Searchlight Pictures/Diego Araya Corvalán
McDonagh’s last two features: The Banshees of Inisherin (2022) and Three Billboards Outside Ebbing, Missouri (2017) were multiple-Academy Award nominees and both were nominated for Best Picture. Three Billboards won acting Oscars for Frances McDormand and Sam Rockwell.
Zurich’s Tribute To… award recognizes filmmakers who have made a lasting impact on film history. Announcing this year’s honoree, the festival said McDonagh “has created a distinctive cinematic voice, blending sharp dialogue, dark humor and richly drawn characters.” As part of the tribute, McDonagh will take part in a ZFF Masters discussion on his creative process.
This isn’t McDonagh’s first trip to Zurich. Both Three Billboards Outside Ebbing, Missouri and The Banshees of Inisherin had gala screenings at the festival, which has become a key international stop on the awards season calendar.
“Martin McDonagh is one of the most exciting auteur filmmakers of his generation,” said Zurich Festival CEO Christian Jungen. “Through his personal signature style, he showcases a rare ability to captivate audiences through the interplay of meticulously crafted cinematography, atmospheric settings and clever storytelling, combined with an artistic intuition for striking the perfect balance between the absurd and the familiar. [His] talent for eliciting complex and nuanced performances from his actors is a defining hallmark of his distinctive style. Wild Horse Nine is no exception and, in our view, one of the standout films of the season. We have had the privilege of screening several of Martin McDonagh’s earlier masterpieces, and we are delighted to honor his outstanding contribution to the art of cinema.”
London-born of Irish descent, McDonagh first gained attention with his Oscar-winning short Six Shooter (2006). His international breakthrough came with the In Bruges (2009), a dark crime comedy featuring Colin Farrell and Brendan Gleeson, who would re-team with McDonagh on The Banshees of Inisherin.
Three Billboards Outside Ebbing, Missouri was nominated for a total of seven Oscars, The Banshees of Inisherin) for nine. In addition to the Best Picture noms, McDonagh received Best Original screenplay nominations for both films and a Best Directing nom for The Banshees. He’s won a total of six Baftas, including best film and best British film for Three Billboards and best British film for The Banshees of Inisherin. He won Best Original Screenplay honors at the Golden Globes for both Three Billboards and The Banshees of Inisherin.
McDonagh is also an accomplished playwright. His works, including The Beauty Queen of Leenane, The Lieutenant of Inishmore, The Pillowman and Hangmen have been staged in the West End and on Broadway and performed in more than 40 countries in over 30 languages. He won an Olivier Award for best new comedy for The Lieutenant of Inishmore and two Olivier Awards for best new play for The Pillowman and Hangmen.
Previous receipiants of the Zurich A Tribute To … Award include Noah Baumbach, Edward Berger, Wim Wenders, Claire Denis and Luca Guadagnino.
The 22nd edition of the Zurich International Film Festival runs from Sept. 24 to Oct. 4.
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The broadcast of the FIFA Men’s World Cup drove a 78% jump in advertising sales at Fox as total revenue for the company’s fiscal fourth quarter ended in June jumped 28% to $4.21 billion.
Distribution revenue increased 5%, driven by 7% growth at the cable network programming.
Fox also noted continued digital growth led by AVOD service Tubi. Content and other revenue dipped to $262 million from $269 million due to the timing of sports sub-licensing revenue.
Fox reported net income of $696 million (down from $719 million).
In a transformative move last quarter, the company announced in June a definitive agreement to acquire streaming platform Roku for $22 billion in a cash-and-stock transaction.
“Fiscal 2026 was an exceptional year for FOX, capped by our broadcast of a remarkable FIFA Men’s World Cup. We successfully launched our direct-to-consumer streaming service, FOX One, continued to keep America informed across a dynamic news cycle, enhanced Tubi’s position as a leading streaming service, and announced the acquisition of Roku which will transform the scope and growth profile of our company,” said CEO Lachlan Murdoch.
“Financially, these milestones were underpinned by the delivery of record top-line revenue which converted into record EBITDA. With strong momentum across our portfolio, we enter fiscal 2027 exceptionally well positioned to drive sustained growth and long-term shareholder value.”
Quarterly adjusted ebitda (earnings before interest, taxes, depreciation and amortization) was $1.2 billion, up 27%.
He’ll be hosting a call with analysts shortly.
More to come
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BAFTA has given itself the power to interrogate TV Awards entries that use generative AI.
In a new clause added to BAFTA’s TV Awards rules, the organization has emphasized the importance of human creativity and said entries that include AI could be subject to further investigation.
“The awards are presented annually to recognise, honour and reward individuals for outstanding human achievement in originating, shaping and realising the final artistic outcome of television regardless of the tools used to bring this work to life,” the clause states.
“Where the use of generative AI or other digital tools is relevant to the assessment of the work, BAFTA reserves the right to request additional information regarding the nature of such use and the extent of human creative involvement.”
In other changes, HBO Max will now be considered a “broadcaster” after launching in the UK. To enter the BAFTA TV Awards, shows should have been “initiated and developed in the UK; with creative control residing within the UK and/or a UK broadcaster must have the primary editorial control over the programme.”
The BAFTA TV Awards are open for entries. The ceremony will take place on May 9, 2027. Nominations will be announced on March 22, 2027.
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