Entertainment
ACLU Seeks FCC Records Behind Early ABC License Renewals
The ACLU is seeking internal Federal Communications Commission records that could shed light on why the agency ordered eight ABC-owned stations to seek early license renewals.
In a Freedom of Information Act request, the civil liberties organization asked the FCC to turn over records and communications related to the decision, including material involving Disney, ABC’s Jimmy Kimmel and Trump administration officials.
The request marks the latest challenge to the FCC’s decision to accelrate the license-renewal process for the ABC stations, whose licenses otherwise would not have come up for renewal until 2027 or 2028.
The ACLU is seeking records that could reveal what prompted the FCC to order the early renewals and whether communications from Trump administration officials or complaints about ABC programming factored into the decision.
The FCC ordered the stations to file early renewal applications in April, a move that put the licenses under agency review years ahead of schedule. The order affected ABC-owned stations in several major markets, including New York, Los Angeles, Chicago and Philadelphia.
The timing also drew attention because the order came one day after President Donald Trump called for ABC to fire Kimmel over a joke about first lady Melania Trump. Carr subsequently denied that the White House pressured him to initiate the early reviews and said the decision was unrelated to Trump’s criticism of Kimmel.
Instead, Carr said the accelerated reviews were connected to the FCC’s examination of diversity, equity and inclusion practices at Disney and ABC.
The move comes amid broader scrutiny of the FCC Chairman and the agency’s use of its regulatory authority over broadcasters. Carr has argued that stations using the public airwaves must meet their public-interest obligations, while critics have accused the commission of wielding its licensing authority to pressure broadcasters over their programming and editorial decisions.
The FCC did not immediately respond to TheWrap’s request for comment.
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movies
‘Mel Brooks’ Documentary Directors Judd Apatow & Michael Bonfiglio
For over 75 years, Mel Brooks has been making people laugh. Hard. He’s brought to the screen Mongo, Lili Von Shtüpp, the grandson of a certain mad scientist (aka Young Frankenstein), Frau Blücher (“A little Ovaltine, perhaps?), Louis XVI (“It’s good to be the king”), Max Bialystock, Leo Bloom, Barf, Dark Helmet, President Skroob, Yogurt, and so many others.
The comedy icon, who turned 100 years old on June 28, is the focus of the two-part HBO documentary Mel Brooks: The 99 Year Old Man! (released as he approached the century mark), directed by Emmy winners Judd Apatow and Michael Bonfiglio. It’s got six Primetime Emmy Awards nominations — tied for the most of any nonfiction project — including Outstanding Documentary or Nonfiction Special and Outstanding Directing for a Documentary/Nonfiction Program.
Apatow and Bonfiglio join the latest edition of Deadline’s Doc Talk podcast to discuss their profile of one of the greatest comedy minds of this or any century (his career really got started in the aughts – the original aughts — two millennia ago as the 2000 Year Old Man). The filmmakers tell us how they got Brooks to drop the veil to allow a glimpse at the man behind the laughs – how Sid Caesar paid Brooks out of his own pocket to write for Your Show of Shows, how he foresaw that his future lay not in TV but in films, his remarkable lifelong friendship with Carl Reiner, and his magnificent love affair with fellow Oscar winner Anne Bancroft.
Apatow explains how he approached interviews with the legend – and why he feared Mel might yell “cut” at any moment. The writer-director, himself one of comedy’s great talents, explores how Brooks worked around Warner Bros executives who wanted him to dump so many of the best parts of Blazing Saddles before the film’s theatrical release (“Lose Mongo punching the horse,” was just one ill-considered imperative from the exec).
Apatow and Bonfiglio also get into how Brooks managed to skewer racism, Nazism and other “isms” without ever losing sight of the key objective – to make it funny. And they opine on who, along with Brooks, belongs on the Mount Rushmore of Comedy – were such a thing to exist.
That’s on the new episode of Doc Talk hosted by Oscar winner John Ridley (12 Years a Slave, Shirley) and Matt Carey, Deadline’s senior documentary editor. The pod is a production of Deadline and Ridley’s Nō Studios.
Listen to the episode above or on major podcast platforms including Spotify, iHeart and Apple.
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movies
National CineMedia To Acquire Ad Platform Captivate For $275 Million
National CineMedia has agreed to buy Captivate Holdings, a leading operator of digital video elevator and lobby advertising in North America, from PE firm Generation Partners for $275 million.
Combining NCM’s cinema advertising with Captivate’s footprint will make it a major player in premium video and digital out-of-home advertising with more than 48,000 screens across theaters, office buildings and residential properties in 185 DMAs, including all of the top 100.
“This acquisition marks an important milestone in NCM’s evolution and represents a key next step in our strategy to build a market-defining premium video and digital out-of-home advertising platform,” said CEO Tom Lesinski.
He called Captivate “an excellent platform that strategically complements and expands our core expertise in connecting advertisers with highly sought-after audiences in premium, high-attention video-enabled environments.”
Captivate operates over 26,000 digital video screens across more than 11,000 office and residential buildings in the U.S. and Canada.
The combination create a larger pool of premium digital out-of-home national, local, and programmatic inventory across cinema, office and residential buildings and will enhance NCM’s data, targeting, and measurement capabilities.
Publicly-traded National CineMedia also reported second quarter earnings Tuesday afternoon. Net losses narrowed to $9.9 million from $10.7 million on revenue up 13% at $58.4 million. The stock is down 16% in late trading at $3.20.
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movies
Crunchyroll Acquires Makoto Shinkai’s Next Feature Film
Crunchyroll has acquired the worldwide distribution rights to Makoto Shinkai‘s next feature film. The distribution will exclude Asia, except for India.
Plot details, along with the title and release date for Shinkai’s next film, are not being disclosed at this time.
Crunchyroll and Sony Pictures previously partnered on the global distribution of Shinkai’s Suzume (2023), which grossed over $300 million worldwide and received critical acclaim, including a Golden Globe nomination.
Shinkai’s other films include Your Name (2016) and Weathering With You (2019). Your Name was a success, becoming one of the highest-grossing anime films of all time, while Weathering With You became Japan’s official submission for the Academy Awards for Best International Feature Film.
The filmmaker was born in Nagano Prefecture in 1973. In 2002, Shinkai’s self-produced short film Voices of a Distant Star won several awards. Two years later, Shinkai’s first full-length movie, The Place Promised in Our Early Days, premiered and went on to win the Best Animated Film at the 59th Mainichi Film Concours.
Shinkai’s other animated films include 5 Centimeters per Second (2007), Children Who Chase Lost Voices (2011), and The Garden of Words (2013).
Suzume is Shinkai’s most recent film, which went on to win Best Film at the 8th Annual Crunchyroll Anime Awards. The film follows Suzume Iwato, a 17-year-old high school girl who meets a mysterious young man, Souta, who closes doors to the Ever-After before disasters can be released upon Japan. Her actions unintentionally turn Souta into a three-legged chair by the mischievous cat Daijin, sending Suzume on a journey to rescue Souta and prevent further disasters.
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