movies
Rod Stewart Cancels Month Worth Of Concert Dates To Recover From Stent Procedure
Some guys have all the luck, even if sometimes it’s bad.
Rod Stewart‘s reps said Tuesday that the singer has canceled his “One Last Time” farewell tour concerts for the next four weeks to recover from a recent “routine coronary stent procedure.” No firm dates were given, but he was booked to play U.S. shows through September 5, including Tuesday night in Cleveland, before heading to Mexico for three more.
Among the shows affected by his hiatus are a half-dozen in his Las Vegas residency at the The Colosseum at Caesars Palace. The news comes Stewart had called off a planned Sunday concert in Cincinnati at the last minute. That cancellation was attributed to “an unforeseen but minor medical procedure that required prompt attention.”
“I’m already feeling better and very much on the mend,” the Rock & Roll Hall of Famer said in a statement. “I want to thank the doctors, nurses and everyone who has taken such wonderful care of me. I’m deeply disappointed to miss these shows and sorry to let my fans down, but I look forward to getting back on stage and having a good time with you all again soon.”
The 81-year-old rock legend already had canceled or postponed a number of tour dates this year. In June, he nearly fainted and needed oxygen midset before finishing a show in suburban Salt Lake City mostly while seated. That came less than two weeks after Stewart played the Hollywood Bowl for a 14th time, in what he called “my last time here.”
Stewart had been singing with The Faces for several years before launching a wildly successful solo career in the early 1970s. He’s had 16 Top 10 hits in the U.S., hitting No. 1 with “Maggie May,” “Tonight’s the Night” and the disco nugget “Da Ya Think I’m Sexy?” He also topped the Billboard Hot 100 with “All for Love” alongside Bryan Adams and Sting and has had four No. 1 albums.
The London native has had ever greater success in the UK, where he has racked up five No. 1 singles among 25 Top 10s and 11 chart-topping albums.
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movies
‘Mel Brooks’ Documentary Directors Judd Apatow & Michael Bonfiglio
For over 75 years, Mel Brooks has been making people laugh. Hard. He’s brought to the screen Mongo, Lili Von Shtüpp, the grandson of a certain mad scientist (aka Young Frankenstein), Frau Blücher (“A little Ovaltine, perhaps?), Louis XVI (“It’s good to be the king”), Max Bialystock, Leo Bloom, Barf, Dark Helmet, President Skroob, Yogurt, and so many others.
The comedy icon, who turned 100 years old on June 28, is the focus of the two-part HBO documentary Mel Brooks: The 99 Year Old Man! (released as he approached the century mark), directed by Emmy winners Judd Apatow and Michael Bonfiglio. It’s got six Primetime Emmy Awards nominations — tied for the most of any nonfiction project — including Outstanding Documentary or Nonfiction Special and Outstanding Directing for a Documentary/Nonfiction Program.
Apatow and Bonfiglio join the latest edition of Deadline’s Doc Talk podcast to discuss their profile of one of the greatest comedy minds of this or any century (his career really got started in the aughts – the original aughts — two millennia ago as the 2000 Year Old Man). The filmmakers tell us how they got Brooks to drop the veil to allow a glimpse at the man behind the laughs – how Sid Caesar paid Brooks out of his own pocket to write for Your Show of Shows, how he foresaw that his future lay not in TV but in films, his remarkable lifelong friendship with Carl Reiner, and his magnificent love affair with fellow Oscar winner Anne Bancroft.
Apatow explains how he approached interviews with the legend – and why he feared Mel might yell “cut” at any moment. The writer-director, himself one of comedy’s great talents, explores how Brooks worked around Warner Bros executives who wanted him to dump so many of the best parts of Blazing Saddles before the film’s theatrical release (“Lose Mongo punching the horse,” was just one ill-considered imperative from the exec).
Apatow and Bonfiglio also get into how Brooks managed to skewer racism, Nazism and other “isms” without ever losing sight of the key objective – to make it funny. And they opine on who, along with Brooks, belongs on the Mount Rushmore of Comedy – were such a thing to exist.
That’s on the new episode of Doc Talk hosted by Oscar winner John Ridley (12 Years a Slave, Shirley) and Matt Carey, Deadline’s senior documentary editor. The pod is a production of Deadline and Ridley’s Nō Studios.
Listen to the episode above or on major podcast platforms including Spotify, iHeart and Apple.
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movies
National CineMedia To Acquire Ad Platform Captivate For $275 Million
National CineMedia has agreed to buy Captivate Holdings, a leading operator of digital video elevator and lobby advertising in North America, from PE firm Generation Partners for $275 million.
Combining NCM’s cinema advertising with Captivate’s footprint will make it a major player in premium video and digital out-of-home advertising with more than 48,000 screens across theaters, office buildings and residential properties in 185 DMAs, including all of the top 100.
“This acquisition marks an important milestone in NCM’s evolution and represents a key next step in our strategy to build a market-defining premium video and digital out-of-home advertising platform,” said CEO Tom Lesinski.
He called Captivate “an excellent platform that strategically complements and expands our core expertise in connecting advertisers with highly sought-after audiences in premium, high-attention video-enabled environments.”
Captivate operates over 26,000 digital video screens across more than 11,000 office and residential buildings in the U.S. and Canada.
The combination create a larger pool of premium digital out-of-home national, local, and programmatic inventory across cinema, office and residential buildings and will enhance NCM’s data, targeting, and measurement capabilities.
Publicly-traded National CineMedia also reported second quarter earnings Tuesday afternoon. Net losses narrowed to $9.9 million from $10.7 million on revenue up 13% at $58.4 million. The stock is down 16% in late trading at $3.20.
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movies
Crunchyroll Acquires Makoto Shinkai’s Next Feature Film
Crunchyroll has acquired the worldwide distribution rights to Makoto Shinkai‘s next feature film. The distribution will exclude Asia, except for India.
Plot details, along with the title and release date for Shinkai’s next film, are not being disclosed at this time.
Crunchyroll and Sony Pictures previously partnered on the global distribution of Shinkai’s Suzume (2023), which grossed over $300 million worldwide and received critical acclaim, including a Golden Globe nomination.
Shinkai’s other films include Your Name (2016) and Weathering With You (2019). Your Name was a success, becoming one of the highest-grossing anime films of all time, while Weathering With You became Japan’s official submission for the Academy Awards for Best International Feature Film.
The filmmaker was born in Nagano Prefecture in 1973. In 2002, Shinkai’s self-produced short film Voices of a Distant Star won several awards. Two years later, Shinkai’s first full-length movie, The Place Promised in Our Early Days, premiered and went on to win the Best Animated Film at the 59th Mainichi Film Concours.
Shinkai’s other animated films include 5 Centimeters per Second (2007), Children Who Chase Lost Voices (2011), and The Garden of Words (2013).
Suzume is Shinkai’s most recent film, which went on to win Best Film at the 8th Annual Crunchyroll Anime Awards. The film follows Suzume Iwato, a 17-year-old high school girl who meets a mysterious young man, Souta, who closes doors to the Ever-After before disasters can be released upon Japan. Her actions unintentionally turn Souta into a three-legged chair by the mischievous cat Daijin, sending Suzume on a journey to rescue Souta and prevent further disasters.
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