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‘South Park’ Vs. POTUS: Why It’s Always Funny In 1600 Pennsylvania Ave

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It’s hard to believe that South Park turns 30 next year, having run through 28 seasons — with a 29th incoming — since Comedy Central debuted “Cartman Gets an Anal Probe” 30 years ago this week in 1997. Everyone knows the show’s core characters — 10-year-old best friends Stan Marsh, Kyle Broflovski, Eric Cartman, and Kenny McCormick — but key to the show’s success is its seemingly endless capacity to satirize the zeitgeist.

Since it began, South Park has been a regular fixture at the Emmys, racking up 20 nominations and including five wins. This year, when one might expect its creators to be running out of ideas, the show received a record three Emmy nominations, one in the traditional Outstanding Animated Program slot, one for Outstanding Character Voice-Over Performance, and one for Outstanding Original Music and Lyrics (the jaw-dropping “Christian Woman,” a white-trash holiday anthem whose singer gives a special shout-out to “my big fake tits and my Botox lips”).

South Park has always been famous for its willingness to provoke — as evidenced by the episode titled “Osama Bin Laden Has Farty Pants”, which aired just over two months after 9/11 — but 2025’s Seasons 27 and 28 were arguably their most inflammatory yet. As Paramount changed ownership, costing Stephen Colbert his job and almost doing the same to Jimmy Kimmel, South Park creators Trey Parker and Matt Stone threw caution to the wind with a sustained assault on Donald Trump’s presidency.

Though largely acclaimed, this new direction brought criticism from long-term fans, who didn’t care much for this new “political” direction. This confused Parker in particular — “It’s not that we got all political,” he said in an interview, “it’s that politics became pop culture.” Indeed, it’s clear that politics has always been a feature of South Park; indeed, the show has seen four presidents come and go in its lifetime, and one that came back again and is now refusing to leave.

Nevertheless, they downplay any suggestion that their new MAGA-baiting direction in any way favors the left. “We’re just very down-the-middle guys,” Parker told The New York Times. “Any extremists of any kind we make fun of. We did it for years with the woke thing. That was hilarious to us. And this is hilarious to us.”

Here’s how South Park has reflected the changing landscape of America…

South Park looks kindly on William Jefferson Clinton, the 42nd president of the United States, but through a prism that doesn’t reflect well on his legacy. The Bill Clinton that appears in the show is a kindly but somewhat seedy uncle figure, who made his first appearance in Episode 2 of Season 2: “Cartman’s Mom is Still a Dirty Sl*t”. As the mystery of Eric Cartman’s father deepens, his mother Liane lures Clinton to bed in a bid to persuade the President to legalize abortion at 40 trimesters (i.e., ten years).

This is pretty dark even by South Park standards, but Clinton is relieved to hear that Liane is confusing abortion with adoption. Clinton popped up a few times more, notably in “The Red Badge of Gayness” (1999), which saw Cartman join a historical re-enactment group and accidentally trigger events that lead to Clinton almost reversing the results of the Civil War. After his presidency, “Sexual Healing” (2010) found Stan, Kenny and their naïve friend Butters Stotch being labelled sex addicts after accidental exposure to pornography. Triggering the CDC, who are baffled by a recent wave of rich men who want to have sex with lots of women that aren’t their wives, they boys are sent to re-education lessons alongside Clinton, Tiger Woods, David Letterman, Charlie Sheen and David Duchovny.

Clinton’s last appearance came after his wife Hillary’s shock defeat in 2016; in the episode “Oh Jeez” literally a day after the election, Clinton appears at South Park Elementary, doing a duet with Bill Cosby — two years before he was imprisoned for aggravated indecent assault — and advertising a mysterious “Gentlemen’s Club”.

Clinton’s star turn, however, came in the 1999 feature South Park: Bigger, Longer & Uncut, in which the flatulent Canadian comedians Terrance and Phillip outrage the parents of South Park with their foul-mouthed hit comedy Asses of Fire. Clinton retaliates by abducting Terrance and Phillip and threatening to execute them, signaling his intent to invade Canada. In response, Canada bombs the Baldwin brothers, who all live in the same Hollywood mansion, and Stan leads a rescue mission to free Terrance and Phillip as the world teeters on the brink of destruction by Saddam Hussein, who orchestrates his master plan from the bowels of hell.

Bush Jr. made his entrance to South Park with a walk-on part in what’s still the show’s most controversial episode, “Super Best Friends” (July 2001), which has since disappeared from most streaming services. The episode involves illusionist David Blaine descending on South Park and dazzling the boys with his street magic. Blaine, however, is the head of a sinister cult, and when President Bush refuses to grant his followers (“Blainetologists”) tax-exempt status, Blaine tells them to drown themselves in the Reflecting Pool in Washington DC. Luckily, his evil plan is thwarted by the Super Best Friends, a coalition including Jesus Christ, Krishna, Laozi, Budda and — in case you were wondering why it’s so hard to find online — the prophet Muhammad.

In a similar vein, Bush has a slightly larger role in “Mystery of the Urinal Deuce”, which documents the aftermath of an errant number two in the boys’ toilets. As the identity of the culprit becomes the talk of the school, Cartman immerses himself in 9/11 conspiracy theories, believing that the terrorist attack was actually an inside job staged by the Bush administration. Bush and his cabinet emerge at the end, however, to reveal that this conspiracy theory is itself a conspiracy, one perpetuated by the government.  “People need to think we’re all-powerful, that we control the world,” explains Bush. “If they knew we weren’t in charge of 9/11, then we appear to control nothing.”

Compared to Clinton, Bush seems to get off fairly lightly during his tenure, undergoing a makeover from the Queer Eye for the Straight Guy team in “South Park is Gay!” (2003), which sees the whole town turning metrosexual. But Parker and Stone had other plans for him, namely the eight-episode meta-sitcom That’s My Bush!, which brilliantly parodied traditional American sitcoms like Benson and The Jeffersons with contrived plots, laugh tracks from a supposedly “live studio audience” and a catchy theme tune (“He’s the president in residence/He’s kind of in charge…”). Timothy Bottoms starred as Bush, who gets into scrapes such as mistakenly taking ecstasy instead of aspirin, hosting a pro-choice dinner at the same time as an anti-abortion event, and accidentally firing a space laser at Austria. It was first aired in April 2001 and canceled four months later.

L-R: John McCain and Barack Obama on ‘South Park’ in 2008

Comedy Central / Everett Collection

The Barack Obama Years (2009-2017)

Parker and Stone are known for leaving everything until the last minute, as documented in the 2011 film 6 Days to Air, which pulls back the curtain on the pair’s seemingly chaotic creative process. These instincts came in handy in 2008 when Parker noticed that the schedule for the 12th season of South Park meant that the 12th show would premiere on the day after the election. As a result, “About Last Night…” borrows heavily on real-life events, including verbatim swathes of Barack Obama’s victory speech.

The episode is, in some senses, one of South Park’s most political, since it accurately reflects the pair’s ambiguous relationship with the subject. Half of South Park is ecstatic (“Here comes the change everybody! Everything is going to be awesome now!”) while the other half is horrified (“It’s all over. The country as we know it is about to change. We’re all dead”). Needless to say, Parker and Stone quickly got bored with the subject, adding a subplot that saw Obama teaming up with his apparent nemesis John McCain to dig a tunnel from the Oval Office to the Smithsonian and steal the Hope Diamond.

Lightning struck twice when Obama was re-elected in 2012, and in an episode shown the day after his win, Obama’s victory is shown to have been orchestrated by Cartman. Eerily foreshadowing Donald Trump’s obsession with vote-harvesting, “Obama Wins!” begins with Cartman posing as a small child on a whirlwind tour of swing states, stealing all the votes for the opposition. Over dinner at Red Lobster, Morgan Freeman drops in to narrate what’s been going on: Cartman has been hired to rig the election by the Chinese government, who demand the rights to the Star Wars franchise in return. Unluckily for Cartman, Mickey Mouse turns up in Boba Fett’s spaceship to thwart Cartman’s plan to blackmail the Chinese into letting him play Luke Skywalker’s son.

Garrison in as Season 20 episode of ‘South Park’

Comedy Central / Everett Collection

The Donald Trump Years Part One (2017-2021)

Parker and Stone have been accused of cynicism, but the fact that they seemed blind-sided by Donald Trump’s first term in office suggests otherwise: The November 2016 episode “Oh Jeez” — which, again, aired the night after the election — was originally predicated on the idea of Bill Clinton becoming “First Gentleman” as his wife took the world stage. It was quickly scrapped, with Stan’s liberal father Randy ruefully noting, “We’ve learned that women can be anything, except for president.”

Prior to that, Trump had appeared briefly in 2001’s “The Entity” as a Dragon’s Den-style businessman, but only as a nod to his success in The Apprentice. Nowadays, he seems the perfect butt for the South Park team’s jokes, but, at the time he was a reality TV personality, which were fast becoming ten a penny. Thinking that Trump would be a flash in the pan that would date the series, they created a proxy instead: Mr. Garrison, a teacher at South Park Elementary, who has appeared in the show since the beginning. Mr. Garrison has been through a lot in the years since; his puppet teaching aid, Mr. Hat, turned out to be a member of the Ku Klux Klan, and in Season 9 he became Janet for a while before de-transitioning and finally coming to terms with the fact that he is gay.

In the September 2015 episode “Where My Country Gone?”, however, Mr. Garrison began spouting populist barroom politics, demanding a wall be built to keep out illegal Canadians with their “dirty families and stupid music”. Mr. Garrison’s policies strike a chord with the American public, who elect him and his running mate (Caitlyn Jenner) in a surprise upset. Unlike Trump, however, Mr. Garrison is uneasy with fame and actively self-sabotages his success. Holding rallies, however, is addictive, and during a spring break at Myrtle Beach with his partner, Rick, Mr. Garrison passes a MAGA merchandise store and falls back on old habits, sneaking out to rally while Rick is asleep.

The Joe Biden Years (2021-2025)

Curiously, Joseph Robinette Biden — 47th President of the United States — has never appeared in a significant role in South Park, having had his animated cameo cut from “About Last Night…”. Instead, the only president that actually looks and sounds like a real-life South Park character has been glimpsed only once, and in a one-off special at that — in “South ParQ Vaccination Special” (2021), Biden’s photograph can be seen on a deranged QAnon anti-vax conspiracy theorist’s notice board, defaced with a pair of devil horns and a tail.

Donald Trump on 'South Park'

Donald Trump on ‘South Park’

Comedy Central

The Donald Trump Years Part Two (2025-Present)

When Donald Trump came back to the White House last year, Parker and Stone were ready for him. The 27th and 28th series, five episodes apiece, went after Trump with a vengeance, possibly emboldened by the show’s freshly signed $1.5 billion deal with Paramount+. In a callback to the show’s portrayal of Iraqi tyrant Saddam Hussein in the late ’90s, and in contrast to its usual rough, cut-out aesthetic, Trump was presented as a photo-realistic montage of the real Trump, with a slit for a mouth and a squeaky high-pitched voice that didn’t even try to sound like an impression.

The first episode of the Series 27, “Sermon on the ’Mount” addressed the President’s litigious tendencies by making a whole show out of them, starting with the closure of NPR. Trump’s attempts to make schools more Christian doesn’t go down well with the citizens of South Park, but Trump countersues them for $3.5 million, with a clause that the town must produce pro-Trump commercials. The first, a deepfake horror show, depicts a morbidly obese, sweaty Trump lumbering through an arid desert, ripping off his trademark suit and tie until he is naked except for his shoes and sock-suspenders. “His penis is teeny-tiny,” says the voiceover, “but his love for us is large.”

South Park was back with a bang, taking frequent trips to the White House and Mar-a-Lago, depicted as a Fantasy Island-style resort where a tiny J.D. Vance plays Trump’s Herve Villechaize-like sidekick, excitedly shouting “Baass! Baasss!” whenever a plane lands. All of Trump’s inner circle are in for a roasting as Trump conducts a brazen affair with Satan, somehow getting him pregnant. Meanwhile, Melania haunts the West Wing like a Japanese wraith, Peter Thiel sings self-aggrandizing songs about his deep knowledge of the Antichrist, Pam Bondi finds her nose covered in a strange brown ooze, and Kristi Noem, notorious for shooting her puppy dog Cricket, goes gun crazy in a Pets Galore store.

The reaction from the White House was strangely toothless — “This show hasn’t been relevant for over 20 years,” said a statement, “and is hanging on by a thread with uninspired ideas in a desperate attempt for attention” — but sources claimed Trump was seething. With Season 29 scheduled to start just two days after the Emmys on 16 September, all eyes while be on Parker and Stone to see what they’ll do for an encore.

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Mariska Hargitay’s ‘My Mom Jayne’ Competes For 3 Primetime Emmys

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As Mariska Hargitay reflects on the past year in her life – a momentous one for the actress and filmmaker – a word comes to her mind to describe it: “cathartic.”

She completed her 27th season starring as Capt. Olivia Benson on Law & Order: SVU and in May made her Broadway debut in the drama Every Brilliant Thing – both exceptional achievements. But the catharsis emerged through an even more personal endeavor: her nonfiction directorial debut My Mom Jayne. The HBO documentary, an intimate exploration of Hargitay’s mother, the late actress Jayne Mansfield, and of a mystery surrounding the identity of Hargitay’s father, has earned three Primetime Emmy nominations, including Outstanding Documentary or Nonfiction Special and Outstanding Directing for a Nonfiction Program.

“The film has been, for me, the gift that just keeps on giving,” she tells Deadline. “It was an archeological dig of me not knowing what I was going to find, hoping that I had the internal architecture to support myself… Going into the unknown and not knowing what the other side was going to look like, it’s been so extraordinary to come out the other side with the results beyond my even dreams or comprehension, not knowing that the film would resonate with so many people the way it has.”

Hargitay was just three years old when her mother was tragically killed in an auto accident outside New Orleans in 1967. Mariska and her two older brothers, Zoltán and Miklos (Mickey Jr.), were in the back seat of the vehicle but survived. Mariska and her older siblings were raised by Mickey Hargitay Sr., the man she grew up believing to be her biological father.

Jayne Mansfield in 1957.

Jayne Mansfield in 1957.

Everett Collection

Jayne Mansfield possessed great beauty and talent. She was multilingual and played classical piano and violin, but her exceptional good looks and curvaceous figure limited how the men who ran Hollywood perceived her. Mansfield accommodated herself to the sex symbol persona. In the film, Hargitay recalls growing up without her mom and becoming uncomfortable with how Mansfield had presented on screen.

“I didn’t really appreciate the sort of bombshell image and didn’t like some of the [acting] choices she made,” Hargitay told us at the Cannes Film Festival, where My Mom Jayne premiered. “I felt myself being embarrassed by her and just wanting a normal mom and a regular mom and ‘pick me up from school’ and like that… I just felt like I dissociated myself and said, yeah, I don’t want to be part of that, and I want to do it differently.”

Executive producer Lauran Bromley, director Mariska Hargitay, and producer and Trish Adlesic pose during the 'My Mom Jayne: A Film By Mariska Hargitay' photocall at the 78th annual Cannes Film Festival on May 18, 2025.

Executive producer Lauran Bromley, director Mariska Hargitay, and producer and Trish Adlesic pose during the ‘My Mom Jayne: A Film By Mariska Hargitay’ photocall at the 78th annual Cannes Film Festival on May 18, 2025.

Pascal Le Segretain/Getty Images

In the course of the film, Hargitay reevaluates her mom, forming a fuller picture of how Mansfield’s career choices were circumscribed by the egregious sexism of the 1950s and ‘60s. She also explores her mother’s complicated love life, and the blended family Jayne raised that included Mickey Hargitay’s daughter by his first wife. The honesty of the portrayal, coupled with the reality that many people experience blended families or complicated family dynamics has allowed viewers to connect with the film.

A young Mariska Hargitay with her mom, Jayne Mansfield.

A young Mariska Hargitay with her mom, Jayne Mansfield.

HBO Documentary Films

“You could say, ‘Oh, [this story is] about Jayne Mansfield, a movie star in the ’50s and her TV star daughter’; that’s not what the movie is about. It’s a family film. It’s a story about generational trauma, and it’s a story about identity and recovery and reclamation and forgiveness and so many things,” Hargitay says, expressing pride in “the way the film has been received and the way that people have said, ‘That’s my story,’ and the spark that has led people to investigate their own families to uncover their family secrets or just deal with them or just look at them closer.”

Hargitay captures on screen her reaction to learning as an adult that Mickey Hargitay in fact wasn’t her biological father. Her dad was Nelson Sardelli, a Brazilian singer with whom Jayne Mansfield became romantically involved during a break from her marriage to Hargitay. That revelation triggered conflicting emotions in Mariska, who felt intensely loyal to Mickey Hargitay as her loving father and didn’t want it to seem as if, somehow, she were turning her back on him.

“When we keep secrets, I think that occupies a big part of our psyche — knowingly and unconsciously,” Hargitay observes. “Holding this secret and feeling bad about it and knowing that there was a part of me that just wasn’t clear and allowing myself to be my authentic self — but out of duty thinking this is how it had to be to honor my father. And then when I came to the realization like, no, no, no, that secret isn’t honoring anyone. We have to tell the secret.”

She adds, “I wanted to make a love letter for my father, Mickey. That’s what I wanted to do. But in the process, it turned out to really be a love letter to all three of them [Jayne, Nelson, and Mickey] because the film deals with the complexity of the human condition, the real complexities of what it is to be human and how two things can be true at once.”

In My Mom Jayne, Mariska connects with Nelson Sardelli, and the half-sisters she never knew she had.

“It was very cathartic and mind-blowing to hear Nelson’s side of the story and understanding why he made the decisions that he made and how complex the decisions were for all three of them in so many ways,” she shares. “I was freed up; I felt like this giant exhale.”

Mariska Hargitay acknowledges the audience after making her Broadway debut in 'Every Brilliant Thing' at the Hudson Theatre on June 2, 2026.

Mariska Hargitay acknowledges the audience after making her Broadway debut in ‘Every Brilliant Thing’ at the Hudson Theatre on June 2, 2026.

Rob Kim/Getty Images

The freeing of psychic space has allowed Hargitay to pursue new avenues of creativity. She made her Broadway debut 40 years after her late mother had done the same.

“She was 22 [when she made her debut] and I was 62. That was also a deeply extraordinary feeling for me,” Hargitay affirms. “And when I went to Broadway, one of the things that I took with me was a plaque that she got that said ‘Broadway’s Rising Star 1955.’ And so every night I would hold that before I went [on stage].”

Hargitay will continue an extraordinary year by embarking on the 28th season of Law & Order: SVU and taking on another major challenge – hosting the Primetime Emmy Awards on NBC on Monday, Sept. 14.

We’ll have more on Mariska’s plans for hosting the show in a separate piece we’ll publish on Tuesday. She won’t be simultaneously hosting and hearing announcements of winners in the documentary categories – those are presented at the Creative Arts Emmys ceremony in Los Angeles on Sept. 5 and 6.

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Kevin Macdonald On Directing Pep Guardiola Manchester City Documentary

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“Pep playing himself is a bit like having Robert De Niro play a football coach.”

Those are the musings of Oscar-winning director Kevin Macdonald, who has just spent two years charting the exploits of Pep Guardiola and Manchester City for A Beautiful Obsession and yet had barely heard of Guardiola before he was brought on board by Prime Video, Plan B, Workerbee and City Studios.

“He wears his heart on his sleeve,” said Macdonald. “He’s just so compelling to watch.”

Macdonald, whose subjects have included Whitney Houston and Bob Marley, and who won an Oscar for One Day in September, believes his lack of interest in soccer was advantageous when following one of the greatest managers of all time. The docuseries charts Guardiola’s tumultuous final two seasons after winning an English record four Premier League titles in a row and follows in a long line of Amazon sports docs about soccer teams, although this one isn’t part of the streamer’s successful All or Nothing strand.

Asking stupid questions

Kevin MacDonald. Image: Deadline via Getty

“There’s something quite good about asking stupid questions,” Macdonald told Deadline. “I told him I didn’t know much about football and the weird thing was that really engaged him. He was like, ‘Oh my god I’m so fed up with talking about football.’ So we talked about books, films and all sorts of other things.”

Macdonald’s disinterest in the UK’s national sport echoes that of Fisher Stevens, who directed Netflix’s smash hit Beckham documentary several years back and has also said in the past he didn’t know much about soccer when he took up the gig.

It allowed Macdonald to get under Guardiola’s skin, the Scottish director explained. “I asked why he was so interested and why the players cared so much,” added Macdonald, who spent hours observing with the legendary Spanish coach, met him five times and interviewed him three times. “We tried to make a series that was emotional and human, and saw these players go through really dramatic events. I hope the series will be enjoyed by people who aren’t football fans, but are just interested in the human drama.”

That drama came during the first few months of the period being covered in the doc as Guardiola, fresh off the back of his GOAT-like title quadruple, suddenly found results turning for the worst.

Gavin Johnson, Group Media Director at City Football Group, who oversees City Studios, said filming this period was “quite uncomfortable for people internally,” but the team was commited to keeping the cameras rolling.

“There is an acceptance at the top of the business that you have to tell deeper stories around the club and to do that you have to open yourself up,” said Johnson. “We’d had this amazing run and then we couldn’t stop losing for a short number of games and it was really really hard. Sometimes it was uncomfortable to watch but that is what makes good drama.”

Macdonald said this created “authenticity and honesty,” which contrasts with the “first wave” of popular streaming sports docs from a few years back that “were quite constructed and quite limited” in scope. “Fans see that every Saturday,” he added. “They want something more – a kind of observational, vérité documentary that is quite rare in other worlds.”

City Studios’ deep access comes from its unique position as an in-house Manchester City studio, chronicling the team all-year round.

“The team we’ve built at City haven’t shied away from any area but have done a wonderful job to build trust, catch all of the content and work within the parameters we have to work within,” said Johnson. “These are top sports individuals [we are following] who have to try and win games for Man City. But also they’re human beings and that is the essence of what Kevin Macdonald has scratched below the surface of.”

City Studios has a development deal with Sony Pictures Television for soccer content and Sony international boss Wayne Garvie has previously said he wants to find soccer’s Succession. Updating on the pact, Johnson said there are “three or four projects we are really excited about,” which lean on Garvie’s “expertise, contacts passion and knowledge,” but the world of scripted programming can be “frustratingly slow” compared with docs, he added.

“The philosophical underpinning of the series”

Image: City Studios

So what next for Guardiola?

Having won numerous titles at Barcelona, Bayern Munich and Manchester City, the 55-year-old is heading for a rare career break after turning down a job to manage the Italian national team. Macdonald said Guardiola is remarkably philosophical about the future.

“He’s coming to terms with the idea that you cannot be the best forever, but you need to understand and communicate to those around you that you have to enjoy life whether you are winning or losing,” added Macdonald. “In a way that is the philosophical underpinning of the series. This feels very authentic coming from Pep. I kept telling him he was a natural Buddhist.”

The docuseries launches August 19. It is directed by Macdonald alongside City Studios’ John De Caux and produced by Macdonald for Plan B/KM Films and Banijay UK-owned Workerbee, along with Johnson and Ged Doherty for City Studios.

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Hayden Panettiere Death Have Fans Reminiscing About ‘Ice Princess’

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Hayden Panettiere’s most notable roles might have been in Heroes, Nashville and the Scream franchise, but her performance in one small Disney movie also had quite the lasting impact on fans.

Following the news of Panettiere’s death at age 36 on Sunday, fans have flooded TikTok to pay tribute to the actress and her many beloved roles throughout her career. But her 2005 Disney movie Ice Princess, which saw her star opposite Michelle Trachtenberg (who died last year at age 39), appears to have struck a specific chord for many.

Video compilations of Trachtenberg and Panettiere’s characters, Casey Carlyle and Gen Harwood, respectively, have been circulating on social media Monday, with many fans acknowledging the film’s comforting nostalgia amid the tragedy.

“Our ice princesses are together again,” one fan wrote, while another person shared, “RIP to our ice princesses. This is the movie that inspired me to start figure skating and will always hold a special place in my heart.” Another fan also wrote in a video, “Now they will skate together on ice for eternity. RIP queens,” while one person added, “Hayden and Michelle 4ever loved and remembered by the girls who grew up watching Ice Princess.”

Ice Princess followed Casey, a brainy high school student, who gives up her path to Harvard to pursue her newfound dream of being a professional figure skater. Panettiere played Casey’s main rival-turned- supportive ally.

While it underperformed at the box office upon its release in 2005, the recent reactions from fans highlight how the film became a childhood touchstone for many older Gen Zers and younger millennials, especially women. The film’s empowering message about self-discovery and combining academics and athleticism also contributed to its impact on young girls at the time.

Both Panettiere’s and Trachtenberg’s unexpected deaths occurring at a young age and within two years of each other have come as a shock to Ice Princess fans, as they continue to remember both women on social media. “Can’t believe both of our ice princesses are gone,” another person wrote on TikTok.

Kim Cattrall, who played Tina Harwood, the pushy figure skating coach and mom in the film, also took a moment to pay tribute to Panettiere on Instagram, writing on Monday, “Rest in peace sweet Hayden. Gone far too soon.”

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