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‘The Dog Stars’ Review: Jacob Elordi in Ridley Scott’s Apocalypse Tale

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The lovable dog in Ridley Scott‘s The Dog Stars isn’t actually the star of film, despite the title. Sadly, Jasper is only a supporting player in the first half hour of the movie. The real star here is Jacob Elordi, who is continuing to show genuine chops as a leading man. He does it again here as a guy who has lost just about everything except his humanity and belief that in a world decimated by a killer virus there can still be hope for us, maybe just beyond the mountain ridges he flies around in his yellow Cessna plane, ruling the empty skies in his devastated corner of the planet.

It is 2035, the last vaccines were gone years ago, and most people have been wiped out. There are exceptions and one is Hig (Elordi), who before the virus hit was a mechanic living a good life with his pregnant wife and new puppy. The baby didn’t make it, and neither did the wife, who died a year later, a victim of the horrendous pandemic that swept the planet clean. Now his base is on a deserted airstrip in Eerie, CO, where he banters with good friend and military survivalist Bangley (Josh Brolin), the complete opposite of optimistic Hig. Bangley doesn’t trust what is left of “humanity,” his powerful weapons pointed into the vast wilderness at bands of roving Reapers, bald tattooed gangs out for a pound of flesh wherever they may find it. No, they are not zombies but they might as well be, living examples of the human race gone very dark and very violent.

Bangley, sharpshooter that he is, doesn’t miss an opportunity to gun them down, or cut their throats with the precision of Rambo. He is a crotchety but likable man who knows there are no good people left beyond the mountain range despite Hig’s belief that there are. “The world as it was just doesn’t exist,” he tells Hig. But in fact Hig is convinced that if he can just get enough gas in his plane to make it to Grand Junction, it just might be the “lost horizon” he thinks still exists; the voice on his radio indicates life as it used to be is still out there. Meanwhile, he has used his plane to drop supplies to the nearby Mennonite community of young children, most born after the pandemic and seemingly immune. They love his visits with Jasper in the co-pilot seat.

RELATED: Josh Brolin Almost Quit Ridley Scott’s ‘The Dog Stars’ After First Day: “I’ve Got To Get The F*ck Out Of Here”

On one trip Hig runs out of gas and lands in a desolate area where he comes upon a donkey leading him to a farmhouse. where another protective survivor, Pops (Guy Pearce), and his daughter Cima (Margaret Qualley) now live, also wary of intruders. At first skeptical of Hig, Pop and Cima start to form a bond with him, especially Cima who welcomes the strapping young man to warm up to at night. As Bangley encounters a virtual invasion he must fight on his own, Hig and his new friends have their own battles to contend with. This leads to Scott’s most impressive action sequence in which the three of them attempt to take off in the now-repaired Cessna as the baddies, out for blood, attempt to keep them from lifting off.

Their destination? Grand Junction. What they find there is mind-boggling and the source of The Dog Stars’ weirdest destination.

Based on Peter Heller’s 2012 bestseller, screenwriter Mark L. Smith, who seems to specialize in desolate locations via movies like The Revenant and The Midnight Sky, has created a stunning backdrop for the end of it all (Italy doubles for Colorado on the shoot). But first and foremost despite a pair of crackerjack action sequences, this is a movie where character development takes the front seat. Elordi is terrific as Hig, a man whose personal tragedies and grief do not erase his belief there is still something out there worth saving despite all the evidence that good no longer exists. Brolin is cranky, colorful and memorable as a survivor who didn’t get that way by accident. He and Elordi are the perfect pairing. Pearce also has some fine moments, particularly one where he convinces the Grand Junction control tower he is a longtime local who fondly remembers Sandy’s Pancake House. Qualley, who keeps getting better with each role, makes for an engaging companion for Hig, both not ready to give up on life. Allison Janney, queen bee of Grand Junction, gets a juicy extended cameo that she plays to the hilt.

Erik Messerschmidt’s gorgeous cinematography, using Scott’s usual multi-camera setups, is a star unto itself, as is the work of the three dogs used to play Jasper. Harry Gregson-Williams contributes another solid musical score that fits the mood perfectly.

For the remarkable 88-year-old Scott, The Dog Stars represents a change of pace, a more deliberate one than recent epics like Napoleon and Gladiator II. He is slowing it down here, particularly in the film’s more leisurely first half, letting the characters and story breathe before a strong payoff for the kind of movie Hollywood used to make a lot more often than they do now. Hopefully, audiences find it.

Producers are Scott, Michael Pruss, Smith and Cliff Roberts.

Title: The Dog Stars
Distributor: 20th Century Studios
Release date: August 28, 2026
Director: Ridley Scott
Screenwriter: Mark L. Smith
Cast: Jacob Elordi, Josh Brolin, Margaret Qualley, Allison Janney, Benedict Wong, Guy Pearce
Rating: R
Running time: 1 hr 58 mins

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Paramount Antitrust Suit Should Go To Supreme Court, Iowa AG Insists

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With friends like Iowa Attorney General  Brenna Bird, does Paramount and David Ellison really need enemies?

In an op-ed penned for the conservative Daily Wire Tuesday, the Hawkeye State ally of Donald Trump is threatening to take California to the Supreme Court. Declaring that “California is once again trying to be the country’s regulator,” Bird wants to stop the antitrust lawsuit from the Golden State, New York and 10 other states against Paramount’s $111 billion purchase of Warner Brothers Discovery.

“Just like California should keep its hands off America’s bacon, California needs to understand that it doesn’t get to decide what Americans can choose to watch or stream,” the reelection seeking Bird states of the state and its AG Rob Bonta.

“If California believes a transaction that 68 regulators approved is nevertheless illegal, it is free to make that argument,” she notes, lamenting the $7 million a day ticking fee and more Paramount will have to start paying WBD shareholders starting October 1. “But it should make it in the one court with the authority to bind all of us, and it should make it now, before the bill for the delay comes due,” Bird claps, leaving out any reference to the Empire State’s Letitia James and other AG.

Yet, for all her rallying to the ParaBros cause, as well as some variations on what Bonta and gang are actually alleging in the March 2, 2027 trial starting case before a federal judge in Oakland, Bird doesn’t seem to have actually filed anything with SCOTUS.

It also seems hard to see how even if Iowa did take California to the conservative majority Supreme Court, how they could get a hearing before next spring or even October, with the John Roberts-led high court not back in session until October 5.

However, let’s sidestep Bird getting a perch on SCOTUS’ fast tracked interim relief docket (AKA the emergency docket or shadow docket) for a second, and look at a possible route under the provisions of Article III, Section 2 of the Constitution. Even if the case fell within the “original jurisdiction” criteria and passed muster with the Justices, any ruling would likely still be drawn out — likely beyond the March 2027 trial already on the calendar. In the rare case SCOTUS picks up such a state to state battle, it would generally appoint a “special master’ to review the matter before getting directly on it.

All of which, like Paramount CEO Ellison accused Bonta in an August 4 NYT op-ed, makes Bird’s flag planter reek of politics.

Bird, who filed a brief in 2024 support of the former Apprentice host’s ultimately successful bid to gain significant immunity from prosecution for acts taken while POTUS, sidesteps most of the meat of the actual antitrust suit the 12 states and the WGA are pursuing. A suit that Bonta, in an August 10 guest column for Deadline, paints as “a straight up antitrust enforcement case. One that is very cut and dry.” Instead, Bird, while giving the DOJ the benefit of the doubt, moves to blast Bonta and colleagues as “more hostile to this pro-competition merger than Europe and China.”

The ‘To Save American Movies, I’m Taking California To The Supreme Court’ entitled piece in the Ben Shapiro-founded outlet insists a ParaBros combo is good for high streaming subscription paying Iowans, competition and the movie and TV businesses. “The merger could create a company to compete: an estimated $6 billion in savings to reinvest, and a public commitment to release at least 30 movies in theaters every year. More movies mean more entertainment — and more competition means lower prices,” Bird says.

There is no mention by Bird of the $80 billion debt load a ParaBros will carry, the ongoing blame game settlement talks (or lack thereof) skirmish, nor the $1.88 billion bond Paramount desires to offset the “extraordinary losses” the court challenge poses.

Bird also makes no mention of possible layoffs or other cuts from a Paramount and WBD melding. Cuts that every such M&A deal has seen. Cuts that the likes of the WGA SAG-AFTRA and theTeamsters warn of. Cut that reports in both late June and last week to the LA County Board of Supervisors warned could see thousands pink slipped, and cost the region billions in wage and hundreds of millions in tax revenue.

Rob Bonta, David Ellison

L-R: Rob Bonta and David Ellison

Getty Images

Touting a Hollywood that few who live here may recognize, the Iowa AG chooses echoes the findings of earlier this year from Trump’s DOJ approving the merger. To that, right now, she says “more movies are being made, and more workers are being hired.”

While seemingly concurrently stressing that a joint “Paramount+ and HBO Max together are smaller than Netflix, smaller than Disney and smaller than Amazon,” Bird also throws out there that “a successful Paramount-Warner Bros. merger would change that.” Later in the op-ed, the long time pol says: “That is the opposite of a monopoly problem.”

Singing the tunes of the growing MAGA chorus that seeks to turn Bonta into the new Nancy Pelosi punching bag, Bird asserts “California is just dreaming up something radical” to go to war with Trump and his admitted “good friends” David Ellison and his Oracle founding father Larry Ellison.

“California argues that the Department of Justice waved this through as a political favor to Paramount’s owners,” Bird wrote Tuesday in a smudging of what is actually in the July 13 filing by the colalition of blue states. Then someone should explain how the Department managed to get approval in China, Europe, Canada, and the other 60-plus jurisdictions. When regulators in 68 jurisdictions with different laws, different politics, and no stake whatsoever in American elections all reach the same conclusion, the outlier is not the consensus.”

Again, no filing seems to have occurred today so far at the Supreme Court from Iowa or Bird. Rob Bonta and Brenna Bird’s office do share the fact that neither of them responded to Deadline’s request for comment on the Iowa AG’s threat.

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Taylor Swift Praises Dolly Parton’s Life & Legacy; Mourns Star’s Death

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“A world without Dolly doesn’t feel possible, real, or right,” Taylor Swift said tonight of her friend Dolly Parton.

“But because of the eternally generous way she spent her time on this earth and the countless lives she changed for the better, her legacy will be an everlasting one,” the Life of a Showgirl superstar said of multi-Grammy winner, Oscar nominee and Dollywood founder.

The beloved country music legend died Tuesday at the age of 80, following a “brief battle with cancer,” according to her reps. As recently as earlier July, Parton put out a video thank you to Swift and then soon-to-be hubby Travis Kelce for including a $2 million donation to the Dolly Parton’s Imagination Library. On the eve of their MSG wedding, which Parton was invited to but did not attend, Swift and the NFL vet gave millions to 20 charities across the nation.

Today, as America and the world lamented the death of the ‘Jolene’ performer,  9 To 5 actor, producer, playwright, philanthropist, and author, Swift offered personal words of grief and joy.

The ‘Cruel Summer’ singer said of Tennessee native Parton: “She was truly the gift that kept on giving. Dolly gave us someone to look up to while encouraging us to be who we are as individuals. Somehow she was able to give us her lessons about the world gently and honestly, simultaneously, and oftentimes hilariously. She managed to give the world the ultimate mystery and fantasy in some corners of her life, but to give full transparency in the ways that counted. Somehow she was true grace and true grit, all in one dazzling person. She possessed the softest heart when it came to the struggles of others, and a backbone of steel to defend her own self worth as an artist.

Along with her other fans, I am so grateful for all of it. For the melodies and lyrics she wrote that thawed even the coldest hearts. For the millions of books she provided children all over the world so that they might fall in love with stories the way she did. For the tightropes she walked so that young girls like me could grow up dreaming of joining the circus too.

Dolly, I’ll think of you each step of the way.”

Amen.

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‘Heroes’ Cast Reunites To “Celebrate The Life” Of Hayden Panettiere: “Was Deeply Emotional”

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Hayden Panettiere died on August 16, and her former Heroes co-stars reunited to celebrate her life.

Jimmy Jean-Louis, who played The Haitian in the superhero series, shared photos of the reunion to remember the late actress.

“A Heroes reunion to celebrate the life of HAYDEN was deeply emotional,” Jean-Louis captioned the post on X, the microblogging platform formerly known as Twitter, as shown below.

He continued, “There was sadness in our hearts, but also so much love, gratitude, and warmth as we remembered the beautiful moments shared and the lasting impact of a life that touched so many. Au revoir, Hayden.”

Panettiere’s Heroes co-stars had expressed their thoughts on social media when news broke of her death.

Jack Coleman, who played Panettiere’s father in the NBC drama, said, “I love you, Hayden. I’ll miss you. I’m so sorry you suffered. I’ll remember how happy you were on set and on the European press tour; how you championed Tess when she was being bullied; your commitment to animal welfare and the courage to put yourself in harm’s way to protect them. I only wish you had been given that same protection.”

Masi Oka, who played Hiro Nakamura, an office worker who can manipulate space-time, shared his reaction on social media after learning about Panettiere’s death.

“Absolutely heartbroken to hear about Hayden. I had the privilege of working closely with her, and I’ll always remember her for her beautiful spirit, immense talent, and the joyful energy she brought to everything she did and the people around her,” Oka shared on X, the microblogging platform formerly known as Twitter. “She was way wiser beyond her years and now gone too soon… My heart goes out to her family and everyone who loved her. Rest in peace, Hayden.”

Read more of the tributes dedicated to Hayden Panettiere here.

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