Anime
Makerspace – This Week in Anime
Who says you can’t learn anything from anime? Coop and Sylvia run down a list of DIY and creative series that can inspire you to get creating.
The views and opinions expressed by the participants in this chatlog are not the views of Anime News Network.
Spoiler Warning for discussion of the series ahead.
Crunchyroll streams Eizouken, Zenshu, Journal with Witch, Do It Yourself!!, Gundam Build Fighters, and Draw This, and Then Die.
Netflix streams Blue Period, Blue Giant.
HIDIVE streams Shirobako.
YouTube streams Don’t Hug me I’m Scared.
Hey Sylvia, have you ever read or watched something that changes the creative trajectory of your life? A work that pushes you to take up a new hobby, develop a new skill, or dump a bunch of money into a set of tools you’ve got no clue how to use?
© IMAGO/avex pictures, DIY!! Partners
Or one that makes you uncontrollably sob as you recall decades-old trauma that’s tied up in a discipline you once loved but swore off?
That is what we in the business call a “big mood,” Coop. And yes, it’s safe to say that anime and manga have changed the trajectory of my life several times over. I have no idea what my life would look like without that part of it. Who is the Sylvia who doesn’t buy How to Draw Manga at the Scholastic Book Fair? Who is the Sylvia who doesn’t take up blogging again after years of hiatus thanks to The Flowers of Evil? I could go on—and we will go on, because it’s the subject of today’s column—but I’ve been through many a creative fire kindled by the power of anime and manga.
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
As adults, it feels like we’re often chasing after that experience (“chasing the nostalgic dragon” as I like to call it) in an attempt to recapture even a little of the joy we felt back when we were children. That chase can lead us to amazing opportunities, our ruin, and perhaps both. Yasumi’s a teen now, but she’s still a kid and still has that wonder in her heart. She wants so bad to read manga and maybe even try her hand at making it. After all, it’s changed her life for the better, making her a more outgoing and considerate person. That was really all thanks to the book she found in that dingy shop all those years ago.
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
Dear god. I got so emotional while watching these opening episodes; it felt like someone had just opened up the intense feelings valve.
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
Although not quite to the extent that I created my own talking tanuki tulpa.
© Kate Green/Getty Images
That’s him!
Oh wait, I think that’s the wrong bespectacled guy with a beret…
No, I’m pretty sure that’s right. Trust me, I’ve been to the Tezuka Museum in Takarazuka.
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
Legends aside, the “almost sobbing” became “real sobbing” when we start getting to know Yasumi’s teacher, Ms. Teshima. She’s introduced as the stick-up-her-behind kind of educator who doesn’t see manga as real literature. But by the last third of the first episode, it’s revealed that she authored the title that made Yasumi fall in love with the medium. Ms. Teshima is brusque as she is for a reason: the industry seemingly chewed her up and spit her out. When you’re filled with so much spite and conflicted emotions over something you used to love, it can be hard to be anything but repulsed when you feel that someone else is about to fall into the same trap. It doesn’t matter if the joy’s there either.
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
Additionally, I’m beyond impressed with how well the series juggles its tones. As we see Teshima’s struggles through her own retrospective, she litters these scenes with a bit of wry, self-deprecating humor. The drama of it all. The urge to detonate your editor. That’s real.
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© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project |
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project |
At the same time, though, Teshima does not pull her punches. The feelings of shame that eat away at you. The frustration of falling short of others’ expectations. The frustration of falling short of your own expectations. Choosing to make anything as an artist is an inherently vulnerable act, and when it inevitably goes wrong, that shit hurts. It hurts in ways you hold onto for the rest of your life.
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© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project |
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project |
For example, I have a theatre degree, and I haven’t used it once in the almost-decade since I got it. Needless to say, I’ve got some pretty tender feelings about that era in my life, and it’s only been within the past couple of years that I’ve been able to let go a little. Or at least, not see red when I think back to those days.
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
And that’s a part of why so many of Teshima’s lines feel like nails driven into my ribs.
Award-Winning Translator, Jan Mitsuko Cash, Calls on American Manga Industry to Double Their Rates!
— Anime News Network (@animenewsnetwork.com) August 22, 2026 at 12:22 AM
The technical part of it’s hard to begin with, but the “making a living” part often makes the work way more difficult.
Like, I was tickled to see Teshima bring up Stephen King, because On Writing is full of advice and anecdotes I’ve carried with me ever since reading it. But King’s memoirs also detail a fragment of a long-gone world. I don’t know if the industry as it currently exists has the ability to foster another Stephen King. And certainly that feels analogous to the world of anime and manga.
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
© Blink Industries
It’s hard not to go full Don’t Hug me I’m Scared when thinking about the realities of living as a working creative, however, but creativity isn’t always tied in with commerce and the HORRORS. Sometimes you can build yourself a nice little bookshelf just for the hell of it!
© IMAGO/avex pictures, DIY!! Partners
© IMAGO/avex pictures, DIY!! Partners
As someone who had a table saw accident that was the least bad it could’ve been… For the love of god, wear your PPE and be careful!
© IMAGO/avex pictures, DIY!! Partners
© IMAGO/avex pictures, DIY!! Partners
© IMAGO/avex pictures, DIY!! Partners
© IMAGO/avex pictures, DIY!! Partners
© IMAGO/avex pictures, DIY!! Partners
© SOTSU・SUNRISE
© SOTSU・SUNRISE
Like for real.
I will also say, while the results are not quite so tangible, I am perennially susceptible to series that address the craft of writing. It’s the creative outlet I’m most familiar with, after all. Journal with Witch, for example, inspired some of my best work on this site (if I do say so myself), and I believe that was in part due to Makio’s often poignant observations on writing itself. She got me fired up and motivated to challenge myself.
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© Tomoko Yamashita, SHODENSHA Publishing Co.,Ltd. / “Journal with witch” Committee |
© Tomoko Yamashita, SHODENSHA Publishing Co.,Ltd. / “Journal with witch” Committee |
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© Tomoko Yamashita, SHODENSHA Publishing Co.,Ltd. / “Journal with witch” Committee |
© Tomoko Yamashita, SHODENSHA Publishing Co.,Ltd. / “Journal with witch” Committee |
© Tomoko Yamashita, SHODENSHA Publishing Co.,Ltd. / “Journal with witch” Committee
We talked about this a fair bit a few months ago, but I haven’t seen another series that’s been as brutally honest about how much of a slog writing can be. Most days at the desk for me are just sitting there and trying to pound something out, which is often easier said than done. And just like me, Makio’s sitting at that desk almost all the time. Despite my chosen profession, writing is something I’ve had to really work at over the years. While it’s been akin to pulling teeth at times, that’s nothing compared to actually finishing the damn thing and feeling the sense of accomplishment that comes with it.
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© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project |
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project |
I mean, you have to be at least a little unhinged to do this willingly. Might as well embrace it.
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© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project |
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project |
That moment when DO you go full Don’t Hug me I’m Scared.
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© 山口つばさ・講談社/ブルーピリオド製作委員会 |
© 山口つばさ・講談社/ブルーピリオド製作委員会 |
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© 山口つばさ・講談社/ブルーピリオド製作委員会 |
© 山口つばさ・講談社/ブルーピリオド製作委員会 |
© 山口つばさ・講談社/ブルーピリオド製作委員会
Especially when you’re feeling crushed by societal expectations to take the same path in life that everyone else seemingly has. It’s like opening a door to a world you’d never even considered before.
© 山口つばさ・講談社/ブルーピリオド製作委員会
Or just drawing boobs because they’re cool, and it worked out for Gō Nagai. Side note, I kind of love that the teacher of this class is like “Hell yeah, man! Paint those boobs!”
Also, a semi-tangent: I honestly do not remember how well Blue Period handles this aspect overall, but I do find it interesting that, via Yuka, there is a trans element running through the story. Speaking for myself, I know art was an incredibly important facet for realizing and accepting my own transition. And that’s hardly surprising. Art is a means of communication. It’s a way in which we understand others better, and in doing so, we come to understand ourselves better too.
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© 山口つばさ・講談社/ブルーピリオド製作委員会 |
© 山口つばさ・講談社/ブルーピリオド製作委員会 |
Of course, Draw This, Then Die! also recognizes that power.
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© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project |
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project |
Shifting over to another “blue” title, Blue Giant‘s been a pleasant surprise I find myself coming back to every so often. I think I’m a little too far gone to pick up the sax these days, but the electricity you feel in the room while listening to a talented group of Jazz musicians just go for it is like nothing else. It also calls back to the reflective aspect of art you just mentioned, Sylvia. Art doesn’t always have to have a meaning. It could be as simple as folks goofing around with a voice modulator and fart noises, but regardless of what that art specifically is, people will find their own meaning in it.
Also, it bears mentioning that even if a piece of art is seemingly devoid of meaning, it doesn’t mean that it wasn’t an ordeal to create. Art is all about friction, and nothing’s getting made without it.
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© 「SHIROBAKO」製作委員会 |
© 「SHIROBAKO」製作委員会 |
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© 2020 大童澄瞳・小学館/「映像研」製作委員会 |
© ZENSHU/MAPPA |
I’d add Draw This, Then Die! to the manga-specific pantheon of this genre, too. It’s got heartwrenching truths about the brutality of the industry next to step-by-step instructions for adding screentone.
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
Draw This, Then Die! really did a number on both of us, didn’t it?
Several numbers, I’d say.
© BEAT & MOTION © 2023 by Naoki Fujita/SHUEISHA Inc.
© Kazuto Mihara/KODANSHA LTD.
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
© Minoru Toyoda/Shogakukan/“Draw This, Then Die” Project
When in doubt, reference JoJo’s Bizarre Adventure.
Truly, any day can be a JoJo’s Friday.
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