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‘The Dog Stars’ Book Differences: Changes Made In The Film

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SPOILER ALERT: This post contains spoilers for The Dog Stars now out in theaters.

Ridley Scott’s newest film, The Dog Stars, is based on Peter Heller’s 2012 novel of the same name.

Mark L. Smith’s screenplay made several noticeable changes to the story, some of which provide more action in the plot and propel the film forward. The Dog Stars centers Jacob Elordi’s mechanic-turned-pilot Hig, who is one of the lone survivors of a flu pandemic and follow-up blood disease, as he navigates post-apocalyptic Colorado and neighboring states.

He only has ex-military misanthrope, Bruce Bangley (Josh Brolin) and his German shepherd dog Jasper to keep him company, and when Hig needs space from Bangley, he flies out in his yellow Cessna plane to visit Mennonite families, whose leader is played by Benedict Wong, and provide them with medical supplies from a hospital in Denver. Hig risks contagion by the children and their parents to help them out.

For differences — big and small — in the book, which generated a surge in the library app Libby demand by 268.5% the week of release, versus The Dog Stars film, read on.

The Plane

The 1956 Cessna 182 is described as cream and blue in the book. Hig nicknames her The Beast, which seems more of an inner monologue moniker. He uses it to fly the perimeter of his and Bangley’s little haven where they’ve survived trespassers and other threats mostly because Bangley picks them off with his long-range rifle.

In the film, the plane is yellow.

Jasper’s Death

L-R: Jasper and Jacob Elordi as Hig in 20th Century Studios' THE DOG STARS

L-R: Jasper and Jacob Elordi as Hig in 20th Century Studios’ THE DOG STARS

Fabio Lovino/ 20th Century Studios

In Heller’s book, Jasper passes somewhat peacefully in his sleep when Hig takes him up to the mountains to camp and fish. The dog had gone mostly deaf, and he was getting old, so Hig’s decision to camp out under some frost ended up being too much for the canine.

In the film, Jasper dies after Bangley waits until the last minute to pick off some invaders that target Hig and his dog. Bangley does this because Hig wasn’t thorough with his air surveillance and missed the people that came at him and Bangley. One of their errant gunshots found the canine’s heart.

In both the book and the film, this is what ultimately galvanizes Hig to go fly beyond their shelter and search for more. He had received a signal from Grand Junction airport years ago, so he wanted to see if anything could be found behind that transmission.

How Hig Meets Cima & Pops

When Hig touches down in the book near Cima’s (Margaret Qualley) and Pops’ (Guy Pearce) farm, tucked away like his shelter with Bangley, he meets an aggressive Pops right away who shoots at him a couple of times. Hig doesn’t help by provoking him with scrawled messages on paper, but eventually they get past it and he stays with them.

In the film, Sarah the donkey leads Hig to their ranch of sorts, and he sees Cima first, but Pops is behind him in the shadows with a rifle and quickly descends on Hig, telling him to unload his weapons and stand slowly. Pops does not want Hig anywhere on their property, but Cima engages in some conversation with the pilot.

(L-R) Jacob Elordi as Hig and Margaret Qualley as Cima in 20th Century Studios' THE DOG STARS

(L-R) Jacob Elordi as Hig and Margaret Qualley as Cima in 20th Century Studios’ THE DOG STARS

Fabio Lovino/20th Century Studios

How Cima & Pops Leave With Hig

In the book, Pops and Hig slowly come to the conclusion that they can leave the farm all together in the plane. After working through the equations to balance cargo, fuel and the plane’s weight, it’s concluded that Pops will drive out onto the highway and then join his daughter and Hig in the Cessna after they’ve taken off to burn some of the fuel.

The film sees them hastily get in the plane when a large group of hostile people find their farm and attack them. Both Pops and Cima get in the plane after they’ve helped Hig clear a path for takeoff by chopping down trees and throwing rocks out of the way.

The Reapers

In Heller’s novel, the looming new threat were referred to as “The A-rabs” who had somehow gotten to the country and were causing trouble. The film describes them as Reapers. Hig captured their graffiti in the beginning of the film, and a hoard of them — covered in facepaint — attack both Cima and Pops’ camp as well as Bangley, who is left alone when Hig goes out to find Cima and Pops.

In the book, readers don’t get to fully see the attack on Bangley because it’s told from Hig’s perspective and he’s gone, but the film expands to show the scene, parts in night vision radar. Bangley’s relieving survival is part of both the book and film.

Grand Junction

Cima, Pops and Hig explore Grand Junction both in the book and in the movie, but what goes down there is wildly different in the movie. They both involve prompting by a transmission from an older woman’s voice.

In the book, when Hig tries to land there, a trip wire almost snags the Cessna and pulls them down to their deaths in a crash. They then land still and discover an old couple, who they kill, living in the radio tower with way too many cats.

The film took this part up a notch with a surprise appearance from Allison Janney as Darlene, voice heard on the radio and leader of a strange cult-like group who have been living at the airport for a while. Darlene used to be a flight attendant, and she still dresses the part. She only deems Cima fit to “keep” in their strange compound because she has doctorial skills.

RELATED: Jacob Elordi & Josh Brolin Navigate “Kill Or Be Killed” Post-Apocalyptic World In Final Trailer For ‘The Dog Stars’

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Inside ‘The Great British Bake Off’ Legal Fight Involving Sky & Love

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EXCLUSIVE: In an op-ed during the Edinburgh TV Festival this week, Sky’s content chief Cecile Frot-Coutaz extolled the virtues of UK public service broadcasting as the Comcast-owned company finalizes its takeover of ITV. “Our ambition is to keep investing in brilliant British storytelling for generations to come,” she intoned in Broadcast.

But away from the polished words, Sky has been accused of imperilling one of the UK’s biggest public service broadcasting success stories: The Great British Bake Off. In a battle at odds with Bake Off’s wholesome charm, Sky and Frot-Coutaz find themselves defending furious complaints from producers central to the success of Channel 4’s cooking series. Producers who dedicated much of their careers to Love Productions, the respected company wholly acquired by Sky in 2020.

To say this situation is unusual is an understatement. In the polite world of British television, it is vanishingly rare for producers to go on record with their grievances against powerful networks and their executives, let alone sue them. But such is the strength of feeling, former Love managing director Letty Kavanagh has launched twin lawsuits against Sky for wrongful dismissal and unpaid severance, as revealed by Deadline this month. Two others have complained to Sky citing similar concerns: Kieran Smith, Bake Off’s former executive producer, and a third unnamed individual, who remains employed by Love. 

Paul Hollywood has judged every season of ‘Bake Off’

Deadline has reviewed Kavanagh’s legal filings and spoken to people familiar with the dispute to understand how relations curdled. After an 18-year career at Love, Kavanagh claims she was fired for complaining that Sky’s bid to poach Bake Off from Channel 4 in 2025 was improper, mismanaged, and damaged relations with a key customer. She believes her experience shows that Sky does not have the best interests of public service broadcasting in its DNA. In other words, it serves as an unhappy harbinger for ITV ahead of its £1.6 billion ($2.2B) sale. 

Sky strongly rejects allegations of impropriety and mismanagement, and has said it will robustly defend its position during the legal proceedings. Sky insiders attribute the Bake Off battle to differences of opinion about the show’s future, which led to a breakdown in professional relations that has nothing to do with its proposed ITV takeover. Gibson Dunn, an external law firm, investigated and dismissed Love’s complaints. Sky can also point to the irrefutable outcome of the Bake Off disagreement: That the show stayed free-to-air on Channel 4 and remains in rude health.

Project Rise

Love Productions founders Richard McKerrow and Anna Beattie built a culture that valued creative independence, meaning relations with Sky were not always straightforward. There has long been a feeling in Osterley that Love bosses struggled to come to terms with surrendering their ownership to Sky in 2020. Low-level disquiet erupted into open hostilities in early 2025, when Frot-Coutaz launched Project Rise, the codename for Sky’s efforts to snaffle Bake Off from Channel 4. 

Channel 4 has been home to Bake Off (known as The Great British Baking Show on Netflix) since acquiring the series from the BBC in 2016. Love executives wanted to maintain the status quo. Indeed, Kavanagh, with the blessing of Sky, had in 2024 negotiated terms for a new Channel 4 contract, including an output deal that would have enabled Love to create new shows for the network. 

Cecile Frot-Coutaz

So when Sky said it wanted to explore switching Bake Off, it went down like a sunken soufflé at Love, where producers had serious misgivings about the show fading into irrelevance behind Sky’s paywall. These misgivings were compounded by Sky’s alleged approach to Project Rise.

In her employment tribunal lawsuit, Kavanagh claims that Frot-Coutaz “intermeddled” in Bake Off contract talks with Channel 4 between January 2025 and November 2025, “undermining goodwill” at Love’s most important customer. This is denied by Sky sources, who say it was appropriate for Frot-Coutaz to explore options for Bake Off and that relations with Channel 4 remain in fine fettle.

People close to Kavanagh allege that Frot-Coutaz signalled her intention to take Bake Off, then left Channel 4 in limbo for months, sparking alarm among the broadcaster’s most senior executives, who began preparing for life without their biggest franchise. Channel 4 declined to comment. Meanwhile, Sky had a plan for Bake Off that would involve ditching spin-off series, including the professionals and kids’ versions. Love’s leaders were aghast. “Sky was prepared to make hundreds of people unemployed at the drop of a hat,” recalls one person.

Then Frot-Coutaz suddenly abandoned Project Rise. Love was unclear on the reasons for her volte-face, but speculated that Sky had failed to convince Bake Off stars like Paul Hollywood to make the switch. People close to Kavanagh also allege that senior Sky content executives, including unscripted chief Philip Edgar-Jones, were uncertain that Bake Off was a good fit for the network. Sky does not recognize this characterization of Edgar-Jones’ position.

Sky negotiated Bake Off’s renewal directly with Channel 4 in October 2025, meaning Kavanagh was only told about the deal after it was done. In her lawsuit, she alleges that Sky’s renewal was “materially less advantageous” than the one she negotiated in 2024. Some estimate that it wiped millions of pounds off the value of the contract and potential side deals, such as the U.S. licensing agreement with Netflix. Channel 4 insiders are certainly not unhappy with the outcome.

Kavanagh was furious and repeatedly made her concerns clear to her superiors at Sky. Within days, she was fired and marched out of the building in November 2025. Nine months on, she has filed two UK lawsuits — one in an employment court and a second at the High Court — that chronicle at least four grievances. 

Kavanagh’s Lawsuits

Kavanagh alleges that Sky’s pursuit of Bake Off was a conflict of interest because the broadcaster was privy to contractual arrangements with Channel 4. Sources close to the producer allege that “ethical walls” between Love and Sky’s content team were smashed down in 2024, when Frot-Coutaz’s Sky Studios empire was expanded to include unscripted commissioning. In her employment tribunal filing, Kavanagh alleges that Sky commercial chief Helen Northrop “agreed” that “this was an issue.”

Letty Kavanagh

Sky disputes the conflict of interest allegation, arguing that there is no legal basis for the claim because it wholly owned Love and Bake Off. Sky denies that Northrop ever concurred with Kavanagh’s concerns. Senior figures at the pay-TV giant are genuinely perplexed by Kavanagh’s claim, and they argue that taking Bake Off in-house would not have been without precedent. ITV poached The Voice from the BBC soon after ITV Studios acquired Talpa in 2015.

Kavanagh also alleges that Sky imposed changes on Love’s annual accounts to create a flattering financial picture by booking margin on incomplete projects early. Sky refutes the accusation, attributing the changes to updated accounting practices introduced in 2023 at Comcast’s request. Kavanagh further accuses Sky of sex discrimination over the termination of her contract and, in a separate High Court lawsuit, claims she is owed £755,752 ($1 million) in severance payments. Sky denies the accusations and maintains that it has no financial liability to Kavanagh.

Sky says Kavanagh’s concerns about Project Rise and accountancy practices were investigated when she and colleagues made whistleblowing complaints. Gibson Dunn, an external law firm, was engaged to review the allegations. Kavanagh and Kieran Smith were interviewed, and their complaints were not substantiated. They have since questioned the rigour of the investigation, claiming they were not provided with a terms of reference or given access to documents on which they relied. 

Sky stands by the findings. It has since installed new management at Love and then subsequently agreed to sell the company to ITV Studios for £200 million as part of its ITV takeover.

A Sky spokesperson says: “As the sole owner of Love Productions, Sky has every incentive to protect and enhance the value of The Great British Bake Off. We have invested in the show and its long-term future for more than a decade and continue to do so today. 

“As with any long-running programme, when an agreement approaches renewal, it is natural and appropriate to consider the options for its future. The Great British Bake Off continues to be enjoyed by millions of viewers, and Sky agreed a new deal which keeps it on Channel 4 and free-to-air.

“The allegations were subject to a comprehensive investigation by leading external counsel and were not substantiated. We deny the claims against Sky and will vigorously defend our position in the ongoing legal proceedings.”

Where Kavanagh believes she is raising the alarm about a “cutthroat” American culture that’s coming for ITV, Sky sees an effort to embarrass the company into a settlement. Meanwhile, Bake Off returns to Channel 4 for Season 17 next month, welcoming new judge Nigella Lawson to the tent. That this almost did not happen could be a bun fight that goes all the way to court.

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‘Real Time’: Bill Maher Makes Boob Joke About Dolly Parton

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As Dolly Parton leaves behind an untouchable legacy, Bill Maher went for an easy boob joke in his on-air tribute.

On Friday’s episode of Real Time, the comedian mentioned the 11x Grammy-winning Queen of Country’s death at age 80 this week in his opening monologue, before making a quip about her signature busty appearance.

“All this was going on, and all America could really talk about this week was how sad it is we lost Dolly Parton,” began Maher. “Everybody around the country, even around the world—London, they’re doing things, the Santa Monica ferris wheel is lit up with hearts, the Empire State Building was put up in pink. The Sphere in Las Vegas added a nipple.”

Parton’s family announced that she died in Nashville on Tuesday following a brief sickness with cancer. Although she remained busy until her final days, the “I Will Always Love You” artist had dealt with health issues over the past year.

In addition to her legendary country music career and Golden Globe-nominated screen career, Parton was also heavily involved in philanthropy through the Dollywood Foundation, advocating for children’s education and literacy. She also raised money for HIV/AIDS research and helped fund the Moderna COVID-19 vaccine, as well as dedicating herself to disaster relief, animal welfare and LGBTQ causes.

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Judge Jackie Glass Dead: ‘Swift Justice’ Host Was 70

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Judge Jackie Glass, the former Clark County judge who hosted the syndicated court show Swift Justice, has died. She was 70.

Glass died on Friday afternoon in Las Vegas, TMZ reported after Glass’ daughter Rachel Wolfson posted a tribute to her late mother on social media.

“RIP my rock,” wrote Wolfson on Facebook. “I don’t know how I’ll do this life without you, I love you so much mommy Jackie Glass, I’ll see you again someday.”

Judge Glass made headlines in 2008 when she sentenced O.J. Simpson to 33 years in prison for armed robbery in a Las Vegas hotel. Simpson was released on parole in 2017 before dying of cancer in Vegas in 2024.

In 2011, Glass took over for Nancy Grace as host of the small claims court show Swift Justice in Season 2, which moved production from Atlanta to Los Angeles. Glass hosted the syndicated reality series until it ended in April 2012.

Glass is survived by husband, Clark County District Attorney Steve Wolfson, and two daughters.

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