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Episode 14 – Mushoku Tensei: Jobless Reincarnation III

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At the end of last season, it truly felt like we had reached the end of the beginning. Rudeus had done all he set out to do—reunited his family, healed his emotional wounds, and found true love. But with this episode, after a cour of tying up loose ends, it feels like we’ve finally hit the beginning of the end.

After 62 episodes and an OVA, we finally understand what’s going on. The Man-God can see the future and knows that Rudeus’ descendants will eventually team up with Orsted and kill him. Numerous times, he’s tried to kill Rudeus and Roxy (and I assume Sylphie and Eris as well).

However, he’s faced two issues. One is that Rudeus is a wild card (probably due to his isekai nature) and can’t be controlled directly. The other is that those with strong fates important to the world are resistant to the Man-God’s meddling. So while he still tried to kill Rudeus and those who would become his family, it was always unlikely to succeed. But there is a loophole to this. When a woman is pregnant—when both her life and the life within her are connected—fate’s strength is greatly diminished.

This leads us into the unspoken threat of this episode. For the next 9 months (assuming that’s how long it takes for Demons), Roxy can be killed. And while he failed with the rat ploy, there’s nothing to stop the Man-God from using any of his agents to attack Rudeus again and again in different ways. The Man-God only needs to succeed once, and he’s won.

However, if the Man-God were to go all out and lose, it would almost certainly cause Rudeus to be his lifelong enemy—ensuring that those fated to kill him would be very much on board with that idea. This is why the Man-God suggests another possibility: have Rudeus kill Orsted. If Orsted is dead, then the threat to the Man-God is ended just as if Roxy or her child were dead. Moreover, no matter how the fight turns out, the Man-God wins. Either Orsted dies or Rudeus does.

Rudeus, of course, agrees to this. He doesn’t particularly like Orsted and would instantly choose the life of his family over the swordsman’s. But beyond that, agreeing to the Man-God’s plan grants Rudeus what he needs most: time. Every day he’s working on hunting down Orsted is another day that Roxy is safe—another day that they can all use to prepare in case things go pear-shaped. Rudeus is basically running out the clock even as he prepares for a likely suicide mission—which brings us to Eris.

While Rudeus had planned on reaching out to Eris regardless—had even written the first page of his letter—he adds the second page to hedge his bets. Rudeus wants as much protection at home as possible—wants everyone possible to be there in case the Man-God tries at Roxy. However, he needs help in his fight against Orsted, and so he cajoles Eris into coming to help him—trusting in his future self’s interpretation of Eris and her desires.

And this scene is actually the best part of the episode. Through both the letter and her friend’s reactions to it, Eris can see three things: 1) that she messed up by leaving as she did; 2) that, while not the ideal she had hoped for, there is still a place for her in his life and in his heart; and 3) that he needs her.

This final part truly motivates her. He recognizes her hard work—that all the time she has spent training has been worth it. She has succeeded in what she set out to do—to be strong enough to stand by Rudeus’ side. And despite the friends and lovers Rudeus has gained in her absence, the person he has chosen to head into danger with is her. The fact that Orsted, the target of her martial obsession, is the man they’re going to fight is just the cherry on top of the whole sundae.

And with that, we end this first half of Mushoku Tensei III with Rudeus and Eris’ rematch with Orsted looming on the horizon. Of course, before we get there, we’ll no doubt have conversations with a loyalty-torn Nanahoshi, Eris meeting the other wives, and numerous unforeseen issues. But to be frank, this is the most excited I’ve ever been for Mushoku Tensei—and the next cour can’t come soon enough.

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Mushoku Tensei: Jobless Reincarnation III is currently streaming on
Crunchyroll.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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Hirayasumi Anime Unveils Teaser, Key Visual, Cast – News

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Viz Media revealed a new teaser trailer, a new key visual, and the cast for the anime of Keigo Shinzō‘s Hirayasumi manga (a co-production with Shogakukan-Shueisha Productions Co., Ltd and Production +h.) on Monday.


Key art for Hirayasumi anime
Image courtesy of Viz Media

Yūma Uchida stars as Hiroto Ikuta, Mayu Takahashi as Natsumi Kobayashi and Rikako Aikawa as Hanae Wada.

Key art for Hirayasumi anime
Image courtesy of Viz Media

Viz describes the human drama story:

At 29 years old, carefree Hiroto Ikuta doesn’t have a girlfriend, a full-time job, or a plan for the future—and he couldn’t be happier. Hiroto’s breezy attitude isn’t easy for everyone to understand, though. In a world filled with anxiety, confusion, and grief, Hiroto and the people around him are all just doing their best to figure out this thing called life.

Kei Suezawa (Fate/Grand Order The Movie Divine Realm of the Round Table: Camelot – Wandering: Agateram, FLCL Progressive) is directing the anime at Production +h. Naoyuki Asano (Urusei Yatsura, Keep Your Hands Off Eizouken!, Mr. Osomatsu) is designing the characters. Mika Nishimura (Dead Dead Demon’s Dededede Destruction, Typhoon Noruda) is the art director. Kaori Sawada (What Did You Eat Yesterday?, When Spring Comes) is composing the music.

The anime will premiere in January 2027 in Japan on the NHK General channel. Viz Media also announced in English a 2027 release.

Viz Media and Japan Society are also hosting the world premiere screening of the first episode at Japan Society’s location in New York City on October 7 at 7:00 p.m. EDT. Composer Kaori Sawada and producer Junichi Katsutani will be in attendance with Viz Media‘s Community Manager Godswill Ugwa as panel host.

Shinzō launched the manga in Shogakukan‘s Weekly Big Comic Spirits magazine in April 2021. Shogakukan published the manga’s ninth compiled book volume on July 30, and the series has over 1.1 million copies in circulation worldwide. The manga was nominated for the 15th Manga Taisho awards in January 2022, ranked #18 in the 2023 edition of Takarajimasha‘s Kono Manga ga Sugoi! (This Manga Is Amazing!) guidebook in December 2022, nominated for the 27th Annual Tezuka Osamu Cultural Prize in February 2023, and nominated for Best Continuing Manga Series in the 2nd American Manga Awards.

The series also inspired a live-action series, which premiered on NHK in November 2025.

Denpa has licensed Shinzō’s Holiday Junction collection of short manga. The book contains seven one-shot
manga. Shogakukan shipped the book in Japan in July 2016.

Source: press release


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Hirayasumi Reveals Main Cast, Teaser Promo, Main Visual

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The official website for the television anime adaptation of Keigo Shinzou‘s Hirayasumi manga revealed the main cast, a main visual (pictured) and a teaser promotional video on Tuesday. The anime is scheduled to premiere on NHK in January 2027.

Cast

Hiroto Ikuta: Yuuma Uchida (Fruits Basket 1st Season)

Natsumi Kobayashi: Mayu Takahashi (Long Zu II: Daowangzhe Zhi Tong)

Hanae Wada: Rikako Aikawa (Pokemon Sun & Moon)

Kei Suezawa (Fate/Grand Order: Shinsei Entaku Ryuoiki Camelot – Wandering; Agateram) is directing the anime at Production +h and handling the series composition and script with character design by Naoyuki Asano (Eizouken ni wa Te wo Dasu na!) and Mika Nishimura (Dead Dead Demons Dededede Destruction) serving as the art director. Kaori Sawada (Gakkougurashi! ending theme performance) is composing the music.

Shinzou began drawing the manga in Big Comic Spirits in April 2021. Shogakukan published the ninth volume in July 2025, with the tenth volume going on sale on April 30.

VIZ Media licensed the manga in English in October 2023, with the latest ninth volume released on May 19.

Teaser PV

Source: Animate Times

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Episode 12 – You and I Are Polar Opposites Season 2

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The show’s actual finale might be next week, but you sure could have fooled me into thinking otherwise. For all intents and purposes, a lot of this episode feels like it’s barreling straight towards an ending, and while only two out of the three couples get any focus, what we get with them feels conclusive enough that the show probably could have stopped here if it wanted. I’m certainly not gonna say no to more, though, because while this episode does put these pairs in a much healthier spot than they were before, the path to getting there is nothing short of an emotional rollercoaster.

The bulk of that ride goes to Tani and Miyu, who at first seem to be in a pretty good spot in their relationship despite Miyu’s previous threat to split up if Tani didn’t consider all his options for where to go to college. However, while they might be hanging out more, there’s still a bit of tension lingering in the air as they both know they’ll see each other less after high school, and it is becoming increasingly apparent to Miyu just how much Tani is straining himself to make time for her. Only when Miyu talks to her friends about it does she realize that while she wasn’t wrong to tell Tani to prioritize himself over her, doing so has inadvertently put a lot of pressure on him to avoid showing any signs that he’s struggling. Fortunately, it doesn’t take too long for Miyu to correct this mistake, and she reminds Tani that even if she can’t exactly help solve all his problems, she can at least be a shoulder for him to lean on, which gets him to finally admit to feeling exhausted. While the framing here is mostly as good couple advice, even without that angle, it’s still a good reminder that there’s nothing wrong with having someone to lean on when you need it, and we all need to let ourselves be vulnerable every once in a while.

With that whole situation resolved, that just leaves the 2000-pound elephant in the room that is Taira and Azuma, and to be honest, it really wasn’t looking good for these two. For one thing, the second half of the episode flash-forwarded to spring, with still no tangible progress between them, meaning any chance of seeing them as an actual couple on screen before the end of the show was basically nonexistent. Not only that, but it even skipped straight to graduation day, meaning that the only resolution we could really hope for with these two that could still feel a little romantic would be a last-minute love confession where they don’t start dating, but express their feelings clearly enough to have grown from the experience.

Alas, even that was starting to look unrealistic, as even when the two of them manage to be alone and cry over how much they enjoyed their high school experience, Azuma decides to herself that she’d still rather keep her feelings to herself, under the mindset that without having any kind of defined romantic relationship, she still found joy in their time together. It’s a fairly mature way of looking at the experience that would have made sense for these two, and while going that route with them would have only made the constant will-they-won’t-they of their relationship more aggravating, that really looked to be where the show was going, so I was about ready to finally throw in the towel here. That made me just as surprised as Azuma when Taira stopped her from walking off by asking if they could still see each other after high school, and I’m equal parts thrilled and angry at just how effective this rug pull was since the show really did have me on the edge of my seat here the entire time leading up to it. It’s certainly not how I was expecting things to go with these two, but all things considered, it’s a pretty solid resolution.

The Taira of old would have never gotten out of his head long enough to ask Azuma that question, and even without giving a direct confession, going out on that much of a limb still indicates how much she’s come to mean to him. Of course, going this particular route means we’re unlikely to see them ever confessing to each other on screen even in next week’s finale, but leaving their relationship open-ended in such a way makes it easy enough to imagine that they’d likely just casually hook up at some point later in life, and in that sense, it doesn’t feel strictly necessary to show it. At the same time, though, there’s every chance that whatever we get in the final episode could undo that ambiguity for the worse by having their relationship stay unchanged in the future, so in that sense I’m a little worried about what we’ll be getting out of it. Frankly, I’m not entirely sure what another episode could offer beyond seeing what all these characters are like as adults, and while I can’t say I’m not curious, it is hard to imagine that sort of epilogue being worth a full 20 minutes. Still, as I said before, though, I’m not gonna turn my nose at getting to spend a bit more time with this cast, so whatever lies in store for the actual end of this show, I’m certainly down to find out.

Rating:




You and I Are Polar Opposites Season 2 is currently streaming on
Crunchyroll.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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