Entertainment
NBC’s ‘Line of Fire’ Scores 8.6M Viewers After Premiere
“Line of Fire” is starting strong on NBC. The crime family drama from creator Joshua Safran gathered 8.6 million viewers across platforms and encore broadcasts, TheWrap can reveal exclusively.
That marks a 48% increase for the broadcast network’s 10 p.m. Monday timeslot from last fall, which then housed the second season of medical drama “Brilliant Minds.” The show captured the best three-day DVR lift for any NBC drama premiere since “Quantum Leap” in 2022, per Nielsen data.
“Line of Fire” also earned a 63% retention of the audience of its lead-in “The Voice,” a higher percentage than any other previous drama series in that timeslot. An even more promising sign is that the show gained momentum with Episode 2, posting a 47% viewership increase in the 18-49 demo from the premiere. That could be credited to a big twist revealed at the end of the series premiere, which likely brought new viewers in to see what happened next.

It all looks well for NBC’s Monday lineup, with “The Voice” and “Line of Fire” helping to secure a 10% increase in total viewership year-over-year, and 11% in the 18-49 demo.
“Line of Fire” follows a family of law enforcement officers who juggle complex family dynamics while solving cases for their respective agencies, which include the Secret Service, the FBI, the U.S. Marshals and the Department of Justice. The show stars Peter Krause, Hope Davis, Tommy O’Brien, Kat Cunning, Taylor Bloom and Charlie Barnett.
“Line of Fire” airs Mondays at 10 p.m. PT on NBC.
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movies
Peter Lenkov Launches Website For Out-of-Work Hollywood Pros
Former Hawaii Five-O showrunner Peter Lenkov is rolling out a new website this week that seeks to match out-of-work pros in Hollywood with employers who are in need of skilled craftspeople.
Dubbed Between Gigs, the website is currently onboarding set carpenters, makeup artists, hairstylists, costumers and other below-the-line workers to create a database for “clients who need their expertise for projects, tasks, and services.”
“Our professionals come from entertainment,” the site says. “Our clients are anyone who could use their expertise.”
The website is billed with the line, “extraordinary talent. Every day solutions.”
“We’re just in the early stages,” Lenkov tells Deadline of the website that went live Sept. 28. “I just put it up on Facebook and Instagram. We haven’t really gone wide with it at all. I was sort of testing the market as we’re building out the site to see if there’s proof of concept. We got a ton of people signing up right away. So it seems like it’s a necessity.”
Lenkov said the idea came after watching how the industry contraction impacted so many people.
“A great editor had called me and said, ‘do you know anything? The show that I was working on is moving out of the state,’” says Lenkov. “And I thought, my God, this is world-class talent that’s available, and this person may not get a job for three, four, five months. How do you sustain yourself during that time? I called my sister, who’s a corporate headhunter, and said, ‘do you think there’s a marketplace where we could have these people?’”
Lenkov admits there is nothing particularly unique about below-the-line workers accepting short-term gigs outside of the industry. “It’s been going on forever. I remember on productions I did over the years where a producer would hire somebody on the weekend to come fix something at their house and would pay them extra. It’s a tradition that’s gone on, using people in their free time, but it’s never been organized on a real bonafide platform. These people are really skilled at what they do.”
Lenkov has been working on indie movies and serving on non-profit boards since parting ways with CBS TV Studios in 2020 following an investigation into the work environment he fostered on MacGyver. Lenkov was based at the studio for more than a decade and was its go-to writer-producer for procedural reboots, having successfully brought back Hawaii Five-0, MacGyver and Magnum P.I.
“It really was an implosion of my life and it was terrible, just terrible,” remembers Lenkov. “As soon as that happened, I had a lot of people reach out to me who I never had the time to help with their own projects. So I started doing a lot of that. We made a lot of smaller movies, some big ones. I joined two boards, one is World Housing, the other one’s the National Hispanic Media Coalition. I got to do things that were outside my wheelhouse. I feel like in hindsight, it was life-changing in a very positive way.”
The website is not a way for Lenkov to make extra cash. “It’s not a business. It’s a mission,” he says. “I’m trying to do something that’s tombstone worthy, that adds some value.”
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