
David Tennant in ‘Doctor Who’
BBC Studios
Don’t blink, Insiders. Jesse Whittock is here with you in the week Skydance took over Warner Bros. Discovery and Doctor Who began planning for the future. Here we go. Ready?

David Tennant in ‘Doctor Who’
BBC Studios
Sonic screwdrivers at the ready: Stories about the Good Doctor with a question mark for a real name always do well on Deadline, and so it proved again with Jake and Max’s top scoop on the latest regeneration of the British sci-fi franchise. After the recent Russell T. Davies seasons were not brilliantly received by fans, Disney exited the show and rights owner BBC Studios (BBCS) put its future out to tender, asking the UK production community for their visions of a reimagined Doctor Who. One eye-catching bid in the “bake-off-style” process saw Line of Duty creator Jed Mercurio and his Hat Trick Mercurio indie throw its hat in the ring. Elsewhere, Line of Duty maker World Productions is down as is Criminal Record‘s STV Studios, along with a pair of unnamed BBCS-owned labels, proving that while the show has become divisive and a difficult beast to tame, there will always be love for The Doc on British shores. Each producer sees a different future, with STV Studios’ plan being to move production north of the English border into Scotland for the first time in the franchise’s history. The deadline for pitches has now passed and our list isn’t exhaustive – another Scottish bid is rumored, for example. A24 UK, Playground, Mammoth Screen, New Pictures, Big Talk Studios, Expectation and Quay Street have, however, counted themselves out. The new series will premiere on BBC screens during the 2028/29 season, with the winner of the pitch selected in March. For the BBC, the news came in the same week that Director General Matt Brittin urged his staff to channel Elvis, i.e. “a little less conversation, a little more action.” Brittin wants the British public broadcaster to move faster, try more things and hone specialisms quicker. How it does that in a world of declining funding and ultra-competition isn’t clear. As some pretty snarky below-the-line comments on Jake’s scoop revealed, some aren’t convinced. “Be more Elvis, you mean, dead?” read one stinging post. Ouch. With Brittin also telling staff he’s been meeting U.S. streamers, it’s been another intriguing week at the BBC.

VALERY HACHE/AFP via Getty Images
Croisetting the scene: As you read this, plenty of creatives, sellers and execs will be jumping on planes to Nice Airport for this year’s MIPCOM Cannes, which officially starts Monday. For me, it will be the 4,253,749th MIP in a row. The French event will be seeking to burnish its reputation as international TV’s biggest annual market and conference, and to do that, it needs the best new shows. This week, we dropped our latest Deadline Dozen run downs of the major titles launching at MIPCOM – and you can read about the unscripted 12 here and the scripted batch here. We’ve been ramping up coverage over the last few weeks and will be out in Cannes in force, scribbling up breaking news stories from keynotes and the Croisette, and on stage at several high-profile events and screenings. You’ll be able to read all the coverage by following this MIPCOM link (plenty of scoops there already), but for now, enjoy an interview with Banijay Deputy CEO Jane Turton, another with the bosses at Heated Rivalry streamer Crave and this chat with the producers of buzzy Princess Diana doc Diana Unheard.

‘Subedaar’, ‘Maa Behen’ and ‘Daldal’ Vikram Malhotra (inset)
Netflix/Prime Video/Abundandia Entertainment
For all the talk of AI use, whether the U.S. studios are secretly using it to cut production costs or if Tilly Norwood will ever win an Oscar, there are surprisingly few legacy players who have opened AI-led studios. Vikram Malhotra from India’s Abundantia Entertainment, is one of those few. In our exclusive interview, he explains how staying ahead of the curve means putting his money where his mouth is on “human-first and AI-empowered” creative arm Abundantia AiOn. In 2027, he reveals, this will become a “fully fledged, fully native” standalone AI studio. What does that mean exactly? Click through to find out, along with insights into how Malhotra tempted Anil Kapoor back into an action movie lead and how the market is changing before our eyes. >>>Read the Interview

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Korea prospects: Liz Shackleton was in Korea for the Busan International Film Festival (the fantastically-acronymed BIFF) this week, where she heard from the likes of Michelle Yeoh, Maggie Gyllenhaal and Alfonso and Jonas Cuaron, along with Chinese director and Busan jury president Zhang Yimou and fest director Jung Hanseok. Everything Everywhere All at Once star Yeoh, in town for the first time in 15 years to receive an Asian Filmmaker of the Year award, told a press conference about her experiences making Prime Video series Blade Runner 2099 and returning to Asian cinema. The likes of Fan Bingbing and Charlotte Gainsbourg hit the red carpet, along with the stars of The Table: Day and Night, the festival’s opening night screening, who you can see above. All your BIFF needs are here.

Atwood Films, Sky Films
🌶️ Hot One: Turkish star Hande Erçel has been unveiled as the lead actress in Iranian director and screenwriter Nadar Saeivar’s upcoming Germany-set drama Diaspora.
🌶️ Another: Niamh Algar and French cinema legend Fanny Ardant are leading a thriller series set in an AI-controlled, high-end luxury resort, a rare example of a UK-Greece co-production.
🌶️ Cheeky triple: World War Z and Quantum of Solace director Marc Forster is turning his hand to TV by directing an adaptation of Jamie Scallion’s buzzy upcoming thriller Nines.
🦌 ‘Reindeer’ row reignites: After legal proceedings were dormant for more than a year, Netflix has suffered a blow in its efforts to get Fiona Harvey‘s lawsuit over Baby Reindeer thrown out of court.
💼 New job: David Brindley has been confirmed as the new Director of Programmes at the UK’s Channel 4.
🕴️ Agents: Joe Sugg and Caspar Lee’s agency MVE Management has hired agents from CAA and WME in the U.S., bringing in Carter Broussard, Cara Best and Ben Greenberger.
🛥️ Setting sail: Australian bestseller The Titanic Story of Evelyn is charting a course to TV with newly minted banner The Set Up collaborating with author Lisa Wilkinson for the adaptation.
⛺ Fest latest: Qatar’s Doha Film Festival has unveiled the International Feature Film Competition lineup for its second edition, which is due to take place this November.
🤝 Done deal: Anora maker FilmNation has partnered with nascent British indie High Road Entertainment to develop co-productions.

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Day In Court – Russell Brand attends a pre-hearing trial at Southwark Crown Court before the case kicks off next week in earnest. The former TV presenter denies charges of rape, sexual assault and indecent assault.
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The Pentagon announcement that it plans to livestream the execution of the Fort Hood shooter in December has generated an outcry from public officials and religious figures, including the president of the U.S. Conference of Catholic Bishops.
None of the networks have yet to comment publicly on whether they would air such an event, and there is substantial doubt that they would do so. It undoubtedly would get news coverage surrounding the stream of the execution, which Defense Secretary Pete Hegseth has made clear he wants to be public.
On Friday, FCC Chairman Brendan Carr was asked on CNBC if the execution is “something you would allow on broadcast if they wanted to.”
“Ultimately we’re going to defer to Secretary Hegseth and his decisions on how to move forward with this,” Carr said.
A Pentagon spokesperson said that the Dec. 3 execution of Maj. Nidal Malik Hasan would be live streamed and that “details will follow.” Hasan was convicted of killing 13 people and injuring dozens of others in shooting rampage at the Fort Hood military base in 2009.
A livestream falls outside of the FCC’s regulatory power, but the Pentagon feed is something that, absent restrictions, broadcasters could pick up. The FCC’s obscenity, indecency and profanity guidelines do not directly address executions, but under his tenure, Carr has launched investigations of networks on the grounds that they may not be meeting their public interest obligations. FCC guidance earlier this year emphasized, among other things, that stations must air programming that is “responsive to the needs of their local communities.”
“My understanding is it’s not on broadcast TV, so I don’t think there’s a role for the FCC one way or the other there,” Carr said on CNBC. “But I trust Secretary Hegseth. I mean, he’s implementing the laws and regulations that are relevant to the Department of War, and I think he’s doing a great job, and I trust that he’s making the right call on these issues.”
The execution by firing squad is planned for 1 p.m. on that day and will take place at Fort Hood, Hegseth said.
“It hasn’t been since World War II that we have done that, and I kind of like the mentality that we had in World War II,” Hegseth told Real America’s Voice, a pro-Trump network, in an interview this week.
“We will make sure that people are able to watch it, that it is public, because people need to understand there are serious consequences for these types of things,” Hegseth said.
There has been a tradition of state executions allowing a handful of journalists to witness executions, including in Texas, but with a prohibition on photos and video. It’s possible that Hasan’s legal team will try to block those plans as well.
The announcement was condemned by some lawmakers on both sides of the aisle, as well as Archbishop Paul S. Coakley, president of the U.S. Conference of Catholic Bishops, called the plans for a livestream “a barbaric promotion of a culture of death” and said that it “must be reconsidered.”
“The public execution even of one who has done grave harm will only further undermine the moral fabric of our nation and be a blight on the conscience of its people,” Coakley said.
Networks have been cautious about any airing of a public death, issuing viewer advisories or having general policies against airing the moment of death. YouTube also has a policy prohibiting “violent or gory content intended to shock or disgust viewers,” but has exceptions for educational, documentary, scientific or artistic content, “including content that is in the public interest.” A YouTube spokesperson did not immediately return a request for comment.
Another issue will be in how children will be restricted from a livestream. The U.S. Army Corrections System guidelines on military executions does not allow anyone under 18 to be a witness to such an event.
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During her decades-long career of top network and studio executive, Channing Dungey has used working titles on numerous shows; now the term applies to her. Three days after she assumed a new position at the new Skydance company when Paramount’s $110B acquisition of Warner Bros. Discovery closed on Tuesday, Dungey still does not have an official title; she is temporarily using a version of her old one, Chairman, Warner Bros. Television Group and US Networks.
But her role has been established and, like other top WBD executives invited into the Skydance leadership ranks, Dungey, who had time on her most recent contract, also is believed to have signed a new multi-year deal. Terms have not been revealed but renewals for other WBD execs, including DTC Co-Chairs Casey Bloys and JB Perrette, are said to be for five years.
As Deadline revealed over the weekend, Dungey, formerly Chairman and CEO, Warner Bros. Television Group and US Networks, will now also oversee the Paramount cable networks, including flagships MTV, Comedy Central, Nickelodeon and BET, giving her a portfolio of about 30 cable brands in addition of her responsibilities leading the Warner Bros. TV studio. She reports to George Cheeks, Co-Chair and Chief Content Officer, Skydance TV and JB Perrette, Co-Chair and Chief Business Officer, Skydance TV.
Dungey spoke about what is ahead in a memo to staff on Tuesday.
“As we embark on this next chapter in the company’s storied history, my hope is we can work together to make this transition as smooth and positive as possible for all involved, and to build a future for the studios that’s bigger and better than ever,” she wrote.
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Avatar: Seven Havens has been renewed for two more seasons at Paramount+.
The news was revealed during Friday’s New York Comic-Con panel to coincide with the release of Book 1, confirming that the story of Avatar Pavi and her twin sister Nisha will continue through Books 3 and 4.
Avatar: The Last Airbender co-creators Michael Dante DiMartino and Bryan Konietzko were on hand at the Javits Center to make the announcement, along with fellow Avatar: Seven Havens executive producer Ethan Spaulding and co-executive producer Sehaj Sethi. They were joined by the voices of Pavi, Nisha and Jae: Saheli Khan, Aishu Devan and Major Curda.
The panel, which was moderated by the original voice of Korra, Janet Varney, also gave the audience a peak at the making of the series and a special script-to-screen clip. The latter is embedded below.
Set in the world of Avatar: The Last Airbender, the animated sequel series centers around a young Earthbender who discovers she’s the new Avatar, after Korra from Legends of Korra, in a world shattered by a devastating cataclysm.
Avatar: Seven Havens debuted October 9 with the first three episodes of Book 1. Those will be followed by episodes four through six on Friday, October 16, episodes seven through nine on Friday, October 23, and episodes 10 through 13 on Friday, October 30.
More details on Books 2, 3 and 4 will follow at a later date.
Meanwhile, Avatar Kuruk: Wave of Chaos follows a rebellious teenage Avatar, who bucks thousands of years of tradition by choosing to learn the four elements through globetrotting adventures, staying one step ahead of his angry teacher, rowdy pirates, and chaotic spirits – all while helping the world in his own unique ways.
The series is produced by Avatar Studios and Nickelodeon Animation Studios with co-creator Bryan Konietzko serving as showrunner.
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