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Cindy Holland Exits Paramount, Casey Bloys Could Lead Streaming

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Cindy Holland, the chair of Paramount‘s direct-to-consumer division overseeing the company’s streaming plans, announced in a memo to staff that she’s exiting the company, according to reports in Variety and Deadline. The move most likely paves the way for Casey Bloys, who leads HBO and HBO Max at Warner Bros. Discovery, to lead streaming, something Holland hinted at in her exit memo. Today, September 29, is her last day at Paramount.

Holland’s exit provides some clarity for Paramount’s streaming vision. While Holland’s memo didn’t mention Bloys by name, it hints that “David is optimizing for HBO stability as we move into this next chapter, and I fully support that.” Bloys became president of HBO programming in 2016 and his role has only expanded since then to encompass HBO Max and other aspects of Warner Bros. Discovery.

Holland joined Paramount in January 2025 and described in her memo that she was tasked with reviving Pluto TV as well as integrating Paramount+ and advising on the WBD merger, and she helped grow Paramount+ to 79.6 million subscribers. She also was a pivotal force in the early days of Netflix’s expansion into original streaming programming with shows like “House of Cards” and “Stranger Things,” and she ultimately spent 18 years at Netflix.

While Bloys coming aboard isn’t official, nor has the merger itself closed just yet, it could be solidified in a matter of days. And what happens to HBO and HBO Max, how it’s integrated into Paramount+ or whether it stands alone, are big questions that remain. Bloys, though, has as good a track record as anyone in town. Consider HBO’s continued dominance at the Emmys and how the brand has sustained over the years even as Paramount’s own premium cable brand Showtime has dwindled, ultimately becoming integrated into Paramount+.

Unanswered still is what will be the fate of Warner Bros. Pictures executives Mike DeLuca and Pam Abdy and what their role would be in a combined WarnerMount. Paramount still needs to deliver on an aggressive slate of 30 movies per year across the two studios, so there’s plenty of opportunity to go around.

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‘Dancing With The Stars’ Season 35, Week 3 Recap: Who Goes Home?

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SPOILER ALERT! This post contains details from Tuesday night’s episode of Dancing with the Stars.

It’s another exciting night in the ballroom as 13 contestants are still eyeing the Len Goodman Mirrorball Trophy during Week 3 of Dancing with the Stars.

Last week, the judges reinforced just how tough they are going to be this season, once again declining to score anyone above a 7. Still, three couples — Jenna and Val, Ezra and Daniella, and Amber and Pasha — walked away tied for the top of the leaderboard with 21 points. We also said goodbye to Alan Bersten and chef Giada De Laurentiis.

Week 3 is Yacht Rock night, so the remaining couples are performing to hits from artists including Fleetwood Mac, The Doobie Brothers, and Luther Vandross.

Here is how the night went.

Olympian Amber Glenn with Pasha Pashkov danced a Foxtrot to “Hold the Line” by Toto. SCORE: 24

Actress Julia Stiles with Ezra Sosa danced a salsa to “I Can’t Go for That (No Can Do)” by Daryl Hall & John Oates. SCORE: 19

Late-night sidekick Guillermo Rodriguez with Whitney Carson danced a Foxtrot to “Escape (The Piña Colada Song)” by Rupert Holmes. SCORE: 15

Actress Tatyana Ali with Jan Ravnik performed a Quickstep to “Maneater” by Daryl Hall & John Oates. SCORE: 21

Actor Harry Shum Jr. with Jenna Johnson performed a jive to “You Make My Dreams Come True” by Daryl Hall & John Oates. SCORE: 24

Musician Taylor Hanson with Britt Stewart danced a Foxtrot to “What a Fool Believes” by The Doobie Brothers. SCORE: 18

Reality star Maura Higgins with Mark Ballas danced a Quickstep to “Turn Your Love Around” by George Benson. SCORE: 22

Reality star Ciara Miller with Brandon Armstrong performed a Cha Cha to “Never Too Much” by Luther Vandross. SCORE: 18

Savannah Bananas midfielder Jackson Olson with Emma Slater performed a paso doble to “Easy Lover” by Philip Bailey and Phil Collins. SCORE: 18

Comedian and podcaster Connor Wood with Rylee Arnold danced a Foxtrot to “Everywhere” by Fleetwood Mac. SCORE: 20

Actress Jenna Dewan with Val Chmerkovskiy danced a samba to “Africa” by Toto. SCORE: 21

Reality star Tyler Cameron with Sharna Burgess danced a jive to “Still the One” by Orleans. SCORE: 17

Paralympian Ezra Frech with Daniella Karagach danced a Foxtrot to “Just the Two of Us” by Grover Washington Jr. featuring Bill Withers. SCORE: 21

Who goes home?

The competition is now down to 12 as Taylor Hanson and Britt Stewart were sent home. Next week is all about Mariah Carey, so the couples will perform a variety of the pop superstar’s biggest hits.

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Wolf Blitzer Makes a Rallying Call to Protect Free Press During Speech

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Wolf Blitzer Makes a Rallying Call to Protect Free Press During Speech







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Creators: AI Is the Future. We Need to Be Transparent About Using It

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Artificial intelligence is here and can’t be ignored, which one creator summed up neatly with a matter-of-fact comment.

“I do voice acting as well, and so I’m already preparing for my job to not exist,” said Vincent Marcus, a creator and comedian who does impersonations, about why he’s gone all-in on AI.

Marcus was speaking on Tuesday at TheWrap’s inaugural AI Creator Day, a part of our annual Grill business conference. The subject of the panel was about voicing AI-generated bot characters for AI social platform Cantina, which offers the potential for him to monetize his creativity.

Being able to better monetize creator ideas and imagination was a key theme to the all-day conference. But an undercurrent was the inevitability of AI, and the perils of ignoring the technology that’s disrupting every industry. For creators, it’s a fine line to walk, with even the hint of using AI eliciting fan backlash.

But for those at the panel, the upside of AI is too attractive to ignore.

“This is where the future is heading,” said Rebecca Zamolo, a YouTube and founder of MOLO Fertility. “I think it’s important that we acknowledge that. I think it’s about being transparent with your audience.”

Moderator Chris Detert with Rebecca Zamolo and Matt Slays, a husband-and-wife creator team. (Credit: Photo by Randy Shropshire for TheWrap)

As AI has become more prevalent, more creators have been using the technology in their workflows. Some creators use this tech through third-party companies like Cantina; some use popular AI platforms like ChatGPT and Claude directly, and some use AI tools that have been directly added to the biggest social media platforms.

For example, YouTube’s AI tools let creators A/B test headlines and thumbnails, and Ask Studio — the platform’s AI-powered Q&A offering — acts as a specialized AI agent that’s fluent in a creator’s channel, a feature that’s helpful for data analytics. TikTok has its Symphony Creative Studio, a generative suite that lets creators use AI to create text-to-video, image-to-animation and digital avatars. As for Instagram, the Meta-owned platform has Muse, a personal AI agent designed to help Instagram creators manage workflows, analyze account activity and plan content

Zamolo and husband Matt Slays talked about how AI dubbing of its content has extended the reach of their YouTube channel. Slays noted that its channel went from having 65% of its audience being in the U.S. to 35% in short time (he didn’t specify), noting the wider international audience it now gets

“We were able to exponentially grow our markets without doing as much,” Slays said.

Don’t hate the game

Shira Lazar acknowledged the stigma of the “AI creator” and polled several participants about what they should do it about it.

“We don’t get to decide,” said Destorm Power, an entrepreneur and creator.  “If they want to call me an AI creator, that’s fine.”  

“The game is changing, we’re just in the game,” said Bernie Su, head of creative for Pickford and an Emmy-winning web series creator. “We’ll do our thing. Audiences will react to us, and we’ll see what happens.”

Zamolo acknowledged that they’re still testing the boundaries with what is and isn’t okay with AI.

“If it gets crazy, they usually will call us out in the comments,” she said. “But I think that’s just part of learning how to use it correctly anyway.”

But one of the key ideas several participants stressed was dispelling the notion that AI was killing creativity. Instead, that’s something that’s in greater need as the technology allows people to bring to life their wildest ideas.

“Everyone’s creative. Get those ideas out there. Write them down,” said Katherine Rundell, senior director of partnerships at Cantina. “Keep those ideas flowing. Creativity is more important than ever in the age of AI. Lean into that.”

Q: I guess do you get any pushback from my past provision from other creators? You know, even being here, I think that you saw some creators that are like instead coming here to talk about this, and others that are scared because they get a lot of pushback from the audience. Are you ever worried about it, guys.

A (Rebecca Zomolo speaking):

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