
Ruth Gemmell as Lady Violet Bridgerton, Adjoa Andoh as Lady Danbury, Golda Rosheuvel as Queen Charlotte
Liam Daniel/Netflix
The long-rumored expansion of the Bridgerton universe is a reality: Netflix has greenlighted an untitled spinoff chronicling the early life of a young Lady Violet and her romance with Viscount Edmund Bridgerton. The widowed Bridgerton family matriarch is played on the mothership series by Ruth Gemmell.
Like Queen Charlotte: A Bridgerton Story, the Violet prequel will be a limited series from franchise producer Shondaland. It has Shonda Rhimes writing, executive producing and co-showrunning with her Queen Charlotte collaborator Nicholas Nardini. This is the first time the Grey’s Anatomy creator has written a show since she created and executive produce Queen Charlotte.
Rhimes wrote all episodes of the 2023 limited series except one, which was penned by Nardini who also co-wrote another with Rhimes.
While Queen Charlotte was an original creation based on characters from the Bridgerton novels by Julia Quinn, there is a source material for the Young Violet series in the form of Violet In Bloom, a short novella by Quinn which tells the love story of Violet and Edmund.
Queen Charlotte director/executive producer Tom Verica is back in the same capacity for the new limited series. Shondaland’s Betsy Beers also executive produces.
Talk about another Bridgerton prequel limited series started shortly after the successful May 2023 launch of Queen Charlotte, which briefly cracked Netflix’s Most Popular English series list. Queen Charlotte featured the older versions of Charlotte (Golda Rosheuvel), Lady Danbury (Adjoa Andoh) and Violet (Gemmell) from Bridgerton, making the other two prime suspects to headline their own prequel.

Ruth Gemmell as Lady Violet Bridgerton, Adjoa Andoh as Lady Danbury, Golda Rosheuvel as Queen Charlotte
Liam Daniel/Netflix
Verica told Deadline in January that existing Bridgerton characters are getting the Queen Charlotte treatment with more spinoffs in development.
Since Queen Charlotte followed Lady Danbury’s romances alongside Charlotte’s marriage as the Queen’s confidante proved to be unlucky in love, Violet emerged as the most likely character to get her own spinoff.
After lengthy development, the project started picking up momentum several months ago, with speculation growing that it would be the first series greenlighted under the new long-term overall deal Rhimes signed with Netflix in August.
Expanding the Bridgerton universe is a key part of Netflix’s Shondaland relationship as it has become a lucrative enterprise generating a lot of revenue from areas beyond streaming, including consumer products and live experiences. On Netflix, Seasons 1 and 3 remain on the Most Popular list, ranking #7 and #10, with Season 5, which shifts the spotlight to the introverted Francesca Bridgerton (Hannah Dodd) and Michaela Stirling (Masali Baduza), currently in production in London.
Underscoring Netflix’s commitment to the franchise, the streamer built a special studio for Shondland to film it in the UK.
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Jessica Chastain is back in Scream Queen territory, playing dual roles in the much buzzed-about horror Other Mommy.
The film, based on Josh Malerman‘s 2024 novel Incidents Around the House, follows a family whose house is haunted by a sinister entity that looks and sounds identical to the mother, with both versions played by the star.
Chastain, whose resumé includes horror films It Chapter Two, Mama and Crimson Peak, has a deep love of the genre, recalling at the new movie’s Los Angeles premiere on Thursday that “when I was a kid going to the movies, it was very rare to see a female character that I looked up to. And then I realized that the horror genre had a lot of incredibly strong women that I could recognize as the women around me in my life. Usually the women defeat the monsters in the genre, they’re the heroes, and the other genres that I grew up with I didn’t see that.”
In the months leading up to its release, Other Mommy has gotten lots of attention online for its campy title and premise, as well as its major jump scares — which were first on display when the trailer debuted in theaters in front of The Odyssey, spooking plenty of moviegoers who were not prepared for the horror moment.
“I got really funny texts from my friends and family who went to go see The Odyssey, because I have a lot of friends who love to go to the cinema, so it was really funny,” Chastain noted of the trailer’s viral impact.
Director Rob Savage also weighed in on that unexpected tie-in, revealing, “The thing that was so insane about launching in front of The Odyssey was the movie was far from finished. My phone was blowing up and we were there in the color grade, in the mix, approving VFX shots, being like, ‘Are we going to make release?’ Working for 18 hours a day to get it done. So it was a nice shot in the arm but it was also like, ‘We better have a movie at the end of it.’”
And despite the attention it has brought, the original title of the film was actually not Other Mommy, but Incidents Around the House to line up with the book. Savage — while lamenting how the internet was “annoyed it wasn’t Other Mother” — explained of the change that Other Mommy was simply “a better title,” and “if we’re trying to create the next iconic horror villain, that’s gotta be the foot you lead with.”
The film has faced some harsh reviews but is still set for a big weekend at the box office, opening against Aaron Sorkin‘s The Social Reckoning. Chastain starred in Sorkin’s 2017 film Molly’s Game and is also close friends with Social Reckoning star Jeremy Strong (who takes over from Jesse Eisenberg in the Mark Zuckerberg role), so is she feeling any competition as the two movies debut?
“The funny thing is actually Aaron wrote me an email, he’s the one who brought it to my attention. I don’t know if you know this, he’s a bit of a wordsmith, and he sent me a very fun email about it, that we were going head to head. But no competition,” she teased, though is open to a Barbenheimer-style collaboration. “Can we get Zuck in Other Mommy, doing press together?”
Other Mommy is now playing in theaters.
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Universal Pictures release Other Mommy saw a strong $3.6M from previews beginning at 2 p.m. Thursday from 2,850 theaters and opens today on 3,365 screens. The Social Reckoning is reckoning with $650k.
Other Mommy, the Jessica Chastain-toplined horror by Rob Savage from producer James Wan and Blumhouse Atomic Monster sees a young girl (Arabella Olivia Clark) form a relationship with a sinister entity in her home who looks uncannily like her own mother. Oscar winner Chastain and It: Chapter Two star plays dual roles as the real and the other mother.
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The previews were strong for a Blumhouse movie of this size, though early reviews are very far from kind. Horror has been a safe bet in the run-up to Halloween, and while the market is crowded, there are no new tentpoles. The R-rated Other Mommy was eyeing an opening in the mid-$20 million range. We’ll see how the reviews and audience reaction impact the weekend.

Jessica Chastain in ‘Other Mommy’
Universal Pictures/Everett Collection
Sony’s The Social Reckoning from Columbia Pictures and Alcon Entertainment took in a soft $650K for Thursday previews starting at 4 p.m. at 2,368 locations. Aaron Sorkin’s follow-up to 2010’s The Social Network is at 59% fresh with critics on Rotten Tomatoes. Inspired by true events, Facebook whistleblower Frances Haugen (Mikey Madison) enlists the help of Wall Street Journal reporter Jeff Horwitz (Jeremy Allen White) to expose the nefarious doings of the social media giant. Jeremy Strong stepped in as Mark Zuckerberg, who was played by Jesse Eisenberg in Social Network.
The comp for this was Digger, which posted previews of $1.2M last week. The Social Network production cost (after incentives) came in at $30M is significantly cheaper than the Warner. Bros pic, and it is 50% financed by Alcon. Projections are for an opening weekend in the mid-single digit millions.
How the week’s top 5 went:
1. Verity (Amazon MGM) 3,510 theaters, Wk $42.4M
2. Resident Evil (Sony) 3,256 theaters, Wk $17.8M, Total $130.2M/Wk3
3. Heart of the Beast (Paramount) 3,481, Wk $15.1M, Total $42.5M, Wk 2
4. Primetime (A24) 2,894, Wk $10.8M, Total $38.8M, Wk 2
5. Digger (Warner Bros.) 3,321, Wk $11.2M
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EXCLUSIVE: Stolen Kingdom, Joshua Bailey’s documentary about the lucrative black market for stolen props at Walt Disney World, is heading to Mipcom after BayView Entertainment acquired the international rights.
The company behind Skinamarink will shop the film to international broadcasters and streamers at next week’s international TV trade convention. It comes six months after the doc, premiered theatrically six months after following a festival run that saw it premiere at Big Sky and feature at Slamdance, IFF Boston and the Florida Film Festival.
Stolen Kingdom delves into the history of mischief, scandal, and theft at Walt Disney World ultimately leading to the theft of an animatronic valued at nearly half a million dollars. It centers on the infamous 2018 heist of “Buzzy” from Epcot and covers the urban explorers that chase abandoned locations at the theme park.
Directed by Bailey, who wrote it with Matthew Serrano, it is produced by Bailey, Slater Wayne, Brandon Pickering, Colin Alexander and Sam Fraser and exec produced by Jake Williams, Joshua Koopman and Sammie Astaneh. Antenna Releasing is the North American distributor.
Fugazi drummer Brendan Canty composed the original score for the documentary.
“We’re thrilled to include Stolen Kingdom as a part of our growing slate of international releases,” said BayView’s Craig Sussman and Selena Paskalidis. “Director Joshua Bailey did a fantastic job executing this passion project about mischief and misdeeds at Walt Disney World and we can’t wait to release it into the international market.”
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