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‘Rehearsals for a Revolution,’Selected as U.K.’s Oscar Entry

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Pegah Ahangarani’s “Rehearsals for a Revolution” has been selected as the United Kingdom’s entry for Best International Feature Film Entry for upcoming Oscars.

It’s welcome news for the filmmaker and for Sony Pictures Classics, which had positioned “Rehearsals for a Revolution” as a major contender in the Best Documentary race. It now has a chance to nab nominations in both categories. That’s something a handful of films, such as Romania’s “Collective,” North Macedonia’s “Honeyland,” and Denmark’s “Flee” have pulled off. In fact, “Flee” also earned a nomination in the Best Animated Feature category.

“Rehearsals for a Revolution” will face fierce competition in the Best International Feature race because there are a wider pool of contenders. Earlier this year, the Academy of Motion Picture Arts & Sciences changed its rules and no longer requires nominees to be submitted by a country. They still will make submissions for the category, but other foreign films can be considered if they win a qualifying award at an international film festival.

“Rehearsals for a Revolution” emerged from Ahangarani’s experience of living in exile from Iran, as well as her efforts to reestablish herself in London. To tell her story and that of her native country, she relies on personal archives, home videos, street protests footage, newspapers, and recorded voices, while retracing 40 years of Iran’s history.

“Rehearsals for a Revolution” was released in the U.K. in September. It will have qualifying runs in New York and L.A. in December, before opening exclusively at the Landmark’s Nuart Theatre in L.A. and the Film Forum in New York on January 8, 2027, before rolling out across the country over the following weeks. Sony Pictures Classics is fielding several contenders this season, including “The Only Living Pickpocket in New York,” which is generating Oscar heat for John Turturro’s lead performance.

“Rehearsals for a Revolution” was one of the breakouts at Cannes where it won the prestigious L’Oeil d’Or. It also screened at the Telluride Film Festival and Toronto International Film Festival. It was recently honored with an Albie Award from the Maysles Documentary Center.

“How extraordinary to see Pegah’s remarkable film recognized in this category,” stated Sony Pictures Classics. “From winning the L’Oeil d’Or at Cannes to the standing ovations at TIFF and now this recognition, ‘Rehearsals for a Revolution’ is building incredible momentum and marking a significant moment for a formidable female filmmaker creating in exile from her home country. This selection in the Best International Feature category has the potential to be truly transformative for the film, opening doors to audiences around the world while shining a spotlight on Pegah’s extraordinary talent and her vital voice. It’s a recognition that will have a lasting impact not only on the life of this film, but on Pegah’s future career as a filmmaker.”

The film was chosen as the U.K.’s official entry by a selection committee made up of members of BAFTA’s film committee.

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Joseph Gordon-Levitt Says AI Model Are ‘Being Trained to Hijack Your Intimacy’

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Joseph Gordon-Levitt Says AI Model Are ‘Being Trained to Hijack Your Intimacy’







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‘Other Mommy’ Box Office Wins Opening Weekend; ‘Social Reckoning’ Soft

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Other Mommy is the head of the household at the box office in its opening weekend, while The Social Reckoning faces a tough status report.

Universal Pictures released Other Mommy in 3,200 North American theaters, and the horror title grossed $12.6 million Friday, including Thursday previews, as it heads to around $28 million for the weekend. Director Rob Savage’s film looks to end up above the studio’s projected $20 million opening for the $19 million-budgeted film, which stars Jessica Chastain as a sinister entity that appears in a young girl’s closet.

Word of mouth is unlikely to be in the movie’s favor, as it earned a woeful D+ CinemaScore from audiences, the lowest grade for a film since Francis Ford Coppola’s Megalopolis in September 2024. Critical response has been similarly dismal, with Other Mommy holding a 19 percent approval rating from reviewers on Rotten Tomatoes, along with a 46 percent audience score. In his review for The Hollywood Reporter, critic Richard Lawson deemed the movie “an attractive but mostly vacuous collection of jumpy bits and half-baked mythology.”

The launch for Sony Pictures’ The Social Reckoning is even softer than expected, as director Aaron Sorkin‘s Facebook-focused feature notched $2.1 million Friday, including Thursday previews, for a start of roughly $6 million. This is slightly below the $7 million the studio expected for the fact-based thriller starring Mikey Madison, Jeremy Allen White and Jeremy Strong, which follows a Facebook staffer (Madison) working with a journalist (White) to expose concerning truths about the company. The $30 million-budgeted movie launched in 2,606 North American locations.

Jeremy Allen White and Mikey Madison in The Social Reckoning.

Sony Pictures

After winning an Academy Award for penning the screenplay for 2010’s The Social Network, Sorkin replaces David Fincher in the director’s chair for the companion piece. Starring Jesse Eisenberg as Mark Zuckerberg in the story of Facebook’s early days, that film was a bona fide hit, opening at No. 1 with $22.4 million in October 2010 before an impressive run took it to $224 million globally. Strong portrays an older Zuckerberg in the new movie.

While The Social Network boasts a 96 Rotten Tomatoes score, critics have been mixed on the follow-up, as The Social Reckoning holds a 54 percent approval from reviewers and a 71 percent audience rating. In his review for THR, chief film critic David Rooney praised it as an “engrossing whistleblower thriller.”

Debuting in limited release from A24 was Chris Rock’s Misty Green, which nabbed $27,000 on Friday from six locations in New York and Los Angeles. Rosalind Eleazar, Adam Driver and Daniel Kaluuya star in the film that Rooney described as “the work of a mature director who knows what he wants to say.”

Rosalind Eleazar in Misty Green.

A24

Another specialty release hitting theaters was Alex Gibney’s Elon Musk-focused documentary Musk, with the Bleecker Street title collecting $28,000 on Friday from four screens.

Also launching theatrically was the documentary NAZA, earning $85,000 Friday from 72 North American locations. The Israeli-American Council organized a protest on Friday outside of the Laemmle NoHo 7 in North Hollywood, timed to the screening of the feature that examines Israel’s military operations in Gaza.

Looking to claim second place is Verity, Amazon MGM Studios’ Colleen Hoover adaptation that was last weekend’s winner. It is expected to gross around $12.5 million for a domestic cume of $54.8 million, marking a decline of roughly 61 percent in its sophomore frame. Anne Hathaway, Dakota Johnson and Josh Hartnett star in filmmaker Michael Showalter’s thriller about a woman getting in over her head after landing a ghostwriting gig.

Sony’s Resident Evil eyes $8.2 million in its fourth frame to bring its total domestic take to roughly $138.3 million. Austin Abrams stars in Zach Cregger’s reboot of the franchise that adapts the video game property.

Paramount’s Heart of the Beast looks to add $6.7 million to bring its domestic total to $49.3 million in its third weekend. David Ayer’s thriller stars Brad Pitt as a Special Forces officer navigating the wilderness with his combat dog.

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‘Other Mommy,’ ‘Social Reckoning’ Struggle as Box Office Slows Down

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‘Other Mommy,’ ‘Social Reckoning’ Struggle as Box Office Slows Down – TheWrap







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