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LA Mayor Candidate Adam Miller Calls for ‘Complete Overhaul’ of Film Production to Bring ‘Bread and Butter’ Jobs Back

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Los Angeles mayoral candidate and businessman Adam Miller unveiled his plan to bring film and television production back to the city, which includes a Deputy Mayor of Entertainment, a singular film office and plans to eliminate permitting requirements.

The founder and CEO of Cornerstone OnDemand, a global leader in workforce development, told TheWrap that his experience in business makes him uniquely suited to lead L.A. through its production crisis and revive the city’s economy.

“It was because of a lack of leadership and a lack of this operational excellence that caused us to be in this circumstance, and the only way we’re going to turn it around is when somebody that knows how to manage people and processes and budgets and get things done,” he said. “I’m the only candidate that has that experience. Period.”

The entertainment industry criticized Mayor Karen Bass for not appointing a film liaison until three years into her four-year term. She appointed president of the L.A. board of public works, Steve Kang, last fall.

Miller said he would appoint a Deputy Mayor for Entertainment & the Creative Economy and create a new “Made in LA” entertainment office on his first day in office if elected.

The proposed film office would streamline approvals and coordinate directly with FilmLA, LADOT, Recreation & Parks, LAPD, DWP, Public Works and other city departments involved in the production process. 

His three-pronged plan to bring production back is to make it faster, cheaper, and easier to shoot. He believes if the city can do that business can return to Los Angeles.

The businessman also stated that his plan to revive production in L.A. would be to bring back indie film and commercial production. He stated that in aggregate the small to mid-range productions generate more revenue, local business and job stability than a handful of mainstream productions.

“The small and medium productions are the bread and butter of the city and the entertainment business, and it’s what keeps people employed all throughout the year,” he said. “But we have focused almost exclusively on the big productions, and we’ve let all these problems persist for all the smaller up and coming producers.”

As for the city’s permitting system that has been knocked for its red tape and difficult bureaucratic hurdles, Miller told TheWrap he would overhaul the system and start from scratch. He specifically said he would eliminate fees on city owned property and provide concierge service that the big studios are getting for smaller production companies.

Miller also supports an uncapped tax credit program and sees it as an investment in production, generating more money in return for the city and preventing an exodus of top talent both above and below-the-line.

“At the end of the day, entertainment, while a creative endeavor, is also a business,” he said. “You need somebody that understands business to understand what incentives matter and what things work. We have to be competitive at all levels, and only a business person understands that fundamentally.”

The co-founder and CEO of nonprofit Better Angels also has plans for the live event side of the entertainment industry. He told TheWrap that he met with the organizers of LA28 recently, and that the city is far behind from a planning perspective to support the international sporting spectacle.

“We don’t just have the Olympics, we have the World Cup and the Super Bowl also. We are not ready for it, and we have to get our act together,” he said. “There’s a thousand things that need to be planned out and operationalized.”

“We have these global events that everybody’s going to be watching and have a huge impact on the future of the city, on tourism, on people caring about L.A., and so we have one chance to get it right,” he added. “Right now we’re not on our way to do that.”

Read his full proposed plan here.

The primary election for the Los Angeles mayoral election will take place Tuesday June 2. Miller will run against incumbent Mayor Bass, Councilwoman Nithya Raman, former reality TV star Spencer Pratt and Rev. Rae Huang, among others.

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One Night Only Writer, Producer Talk Movie’s No Premarital Sex Rules

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Ever since the official trailer dropped for the Callum TurnerMonica Barbaro rom-com One Night Only, quickly racking up millions of views on its way to its nearly 40 million total, internet commentators have had a lot of questions about the film’s central premise in which premarital sex is illegal apart from one 12-hour period a year.

How is this law enforced? Are people breaking the law? How did this legislation pass? What counts as “sex” under this new mandate? Are marriage (and divorce) rates skyrocketing? What about affairs?

Rest assured: Some of those questions are answered in the movie, and explanations are starting to trickle out online for those unconcerned about spoilers. Beyond that, One Night Only writer, Travis Braun, who saw his screenplay top the 2024 Black List, has answers, but they’re not all in the Will Gluck-directed Universal movie now in theaters.

“I set out to write a movie about the circus that is modern dating, and I thought how fun if we could set that all in one night, and I have answers to those questions, and some of them are in the movie,” Braun told The Hollywood Reporter at the One Night Only premiere earlier this week in New York.

Braun said he definitely thought about the specific rules of the film’s alternate reality, framed as three years on from the no-sex act being passed, but didn’t want to get too deep into the politics of the world of the movie.

“There’s a big mythology that I’ve built out and then as you develop a movie you start to pare down and you go: What does an audience really care about, and what are they showing up to see? For me the answer is always a love story, romance,” he told THR. “I hope they can come in and we’ll show them how this world functions, and then they can just enjoy the movie and have fun. The whole focus of this was love story and romance first, and the world-building obviously has to make sense and has to be there, but ultimately we weren’t interested in getting into the politics of it. We wanted to tell a story about these two incredible people trying to find love on this crazy night.”

Producer Jacqueline Monetta, who brought Braun’s script to Gluck, said they didn’t want moviegoers to have all of the answers.

“I had a million questions. I was like, ‘What does this mean? What does this world look like? How do people communicate? What’s different?’ And that’s I think what’s so smart about it,” she said of One Night Only‘s “big idea, high-concept” premise. “We don’t answer every question in the movie, purposefully, because we want those questions to be had on the car ride home. We want people to keep talking about it and really think about what would this mean for our world, what does it mean for our world now. But I think Will and I were really specific on what questions we wanted to answer.”

In a recent Reddit AMA, Gluck also detailed how he and his team approached the world building of the movie while not wanting it to be all about the mandate and offered prospective moviegoers hints for where to find the answers to their questions.

“We spent a lot of time talking about the rules of the world, and if you’ve seen the movie, or when you see the movie, you’ll see that the rules of the world and the world building are all in the background,” he said. “It’s on TVs, signage, in thrown-away lines, because we didn’t want to give the world short shrift, but we didn’t want the movie to be about that. It’s another way I want people to see this. If they see it more than once, they’ll pick up so many more rules of the world in the background. A lot of the questions that I’ve been getting after people have seen the movie are actually answered in the movie, which is by design because I want people maybe not to know them. So, yes, it was a tricky tightrope to have them there, but not for the movie to be about it.”

Turner meanwhile echoes Braun’s advice for curious prospective moviegoers: “Go see the film!”

“You’ll realize pretty quickly what the realm is that you’re working within and it’s a comedy,” Turner says of what inquisitive filmgoers will find. “There are no great political undertones, I don’t think. This is just a place where you can escape for an hour and a half, two hours and enjoy and laugh your head off.”

One Night Only is now in theaters.

Callum Turner and Monica Barbaro at the One Night Only premiere on Monday.

Roy Rochlin/Getty Images for Universal Pictures

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Dwayne Johnson Reacts To Live-Action ‘Moana’ Negative Reviews

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Although the live-action remake of Moana hasn’t quite been able to catch a wave at the box office, Dwayne Johnson is proud of what they made.

The Golden Globe nominee said the Disney movie’s negative reviews, which currently sit at 32% on Rotten Tomatoes, are “just the way it goes” in the entertainment industry, and what “really mattered” was that “the culture really stood up” in the Polynesian-inspired tale.

“Our first two reviews came out. I’ll never forget it… They were amazing. I was like, wow,” he told People, noting the reviews then “went another way, as sometimes happens.”

“That’s just the way it goes because we’re in this business,” added Johnson.

A decade after he voiced the demigod Maui in Disney’s animated film Moana, Johnson reprised the role in the Thomas Kail-helmed live-action adaptation.

'Moana' live-action trailer
Catherina Laga’aia in ‘Moana’

“The challenge was, okay, let’s remember, though, what’s going to be beyond this opening weekend. Let’s remember what’s happening right now and the noise that’s happening right now,” said Johnson. “If you love it, great. If you don’t, no problem.”

Following Moana‘s July 10 premiere, the movie has gone on to make $266M at the global box office. Disney CEO Josh D’Amaro addressed the low turnout in a letter to shareholders.

“Even when our franchise films don’t meet our box office expectations, as with The Mandalorian and Grogu and the live-action Moana, our investments in these core properties fuel other parts of our company,” said D’Amaro, noting that Moana is “expected to be a strong title on Disney+, building on the success of the original film, which is one of the most streamed movies of all time.”

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Hunter Biden Calls Trump the ‘Singular Existential Threat’ to Planet Earth

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Hunter Biden doesn’t have plans of running for office himself, but he still has some strong opinions when it comes to the presidency. In fact, President Joe Biden’s son just called President Donald Trump “the singular existential threat” to planet Earth.

During his wide-ranging interview with BBC Newsnight’s Paddy O’Connell on Friday, the 56-year-old artist opened up about receiving a pardon from his father during his last weeks in office back in December 2024 — and how Trump’s behavior may have impacted the decision.

“I am the most privileged person, as it relates to that, that there could possibly be. I was one of one, and I am eternally grateful for it,” Hunter shared. “I am eternally grateful for it because I think that Donald Trump has proven to be exactly who my dad thought he was going to be, as it relates to the revenge and retribution that he would seek on his political enemies.”

“Was it good for our Constitution? Was it good for the American people? Was it good for my dad’s legacy? No, on all counts,” he further admitted.

President Biden pardoned his son just weeks ahead of his sentencing on tax evasion and federal gun charges. At the time, Trump called the act “an abuse and miscarriage of justice.” A year and half later, Hunter remains equally unimpressed by his father’s successor (who was also, notably, his predecessor).

“I’m not going to stop talking about Donald Trump,” he concluded. “Donald Trump is the singular existential threat to this globe. Donald Trump is, literally, a greater threat than we have faced in any of our lifetimes.”

Elsewhere in his interview, Hunter fought tears while sharing a painful update on his father’s prostate cancer metastasizing to his bones: “My dad is, to this day, remains the center of our family. Not just because of who he is as the the public person, but completely because of who he is to each one of us. It’s really, really hard and it’s really sad to watch.”

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