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Episode 5 – Always a Catch!

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Mimi is no damsel* in distress – she’s a damsel in a dress, which is very different. For one thing, it’s remarkably misleading, because no one expects her to be the ass-kicking dynamo based on what she’s wearing. While that’s been a regular theme in Always a Catch!, it gets its best showing in this episode, which has Mimi facing off against two different armed groups: some actual bandits, and a few who are putting on a not-great show of being bandits. Neither group expects Mimi to be as, if not more, formidable as her guards.

That’s most pertinent to the real bandits, because their fool of a leader thinks that, even though Mimi walloped him over the head and then easily dragged him through the woods, she’ll be easy to take captive. It’s like all he sees is the full-skirted ankle-length dress with its big sleeves. All of those things are shorthand for “weak noblewoman,” and he’s not smart enough to realize that on Mimi, they are in essence a clever trap. It’s the in-world equivalent of a cat rolling over and showing you their enticingly fluffy belly: it looks safe, but for many kitties, it’s just lulling you into a false sense of security before they bite. To be fair, Mimi’s guards do help to play up this angle, telling her to stay in the carriage or to stay hidden while they deal with the importunate men, but that’s either because she’ll always be a little girl in their eyes or because they’re protecting the reputation of the future crown princess. They know what she’s capable of. (So maybe they’re actually trying to protect the bandits from her?)

Because of the nature of where Mimi’s been – the royal capital of another country – we haven’t really gotten to see her fully cut loose before. Yes, she’s taken out assassins and rescued kittens from trees, to say nothing of telling off a prince to his face, but it’s not until you see her literally blow some guys away with the power of her fist that you realize how much she’s been holding back. It’s one thing to be informed of her prowess and another entirely to see it with your own eyes. And it’s still another to realize that Mimi holding back hasn’t been a whole lot of fun for her. While she clearly does like Renato, she always looks like she’s having the best time when she’s doing something physical: climbing trees, practicing her martial arts, or even just walking around a market. Having the possibility of fighting off bad guys taken away from her is more of a disappointment than anything. The mildly terrifying look on her face when she realizes that she’s going to get to throw down says it all. This girl has been positively spoiling for a fight in the only positive use of the expression I’ve ever seen.

It is a little too bad that we don’t get to see much of her in action. Mimi’s opponents simply aren’t strong enough for rip-roaring fight scenes, and I really would love to see her truly cut loose. The animation also seems to go out of its way to not have to animate too much of the fight scenes, which I do understand – I can’t imagine that animating her heavy skirts would be easy. But we don’t really get to see her guards fight, either, and they don’t have that excuse. Still, the scene of the false bandits groveling their way towards Mimi is fun in its way, and at least some attempt was made to have the CG horses not just stand in their traces looking like unholy monstrosities.

We’ve heard a lot about Mimi’s family, and it looks like next week we’ll finally truly meet them. I’m most curious about her dad, because he (and she) both seem at least a little conflicted about what Teo’s birth changed. But I suspect the real entertainment may come from Raimondo and Renato being presented with Mimi’s stained handkerchief by a group of scruffy villagers. Bets that at least one of them thinks the grape stains are blood?

*The word “damsel” just means “unmarried young lady.” Or a projection from a millstone or an iron bedwarmer, but I think you know I don’t mean either of those.

Rating:





Always a Catch! is currently streaming on
Crunchyroll.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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Universal Studios Japan Offers 1st Sailor Moon Theme Park Ride in 2027 – Interest

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Universal Cool Japan 2027 also brings back “Moon Place Chapter Deluxe” short, themed food, merchandise


The Universal Studios Japan theme park announced on Wednesday that it is collaborating with the Sailor Moon franchise for its Universal Cool Japan campaign next year. Universal Cool Japan is the park’s annual series of limited-time attractions and other promotions themed around anime, manga, games, and similar pop culture icons. The Sailor Moon collaboration is the first one announced for the 2027 incarnation.

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Image via Universal Studios Japan website

The collaboration will introduce a new “Bishōjo Senshi Sailor Moon x Story Ride” attraction with more details to be announced at a later date. The collaboration will also bring back the “Pretty Guardian Sailor Moon the Miracle: Moon Place Chapter Deluxe” original manga/CG anime short, which debuted during Universal Cool Japan 2019. An updated “Deluxe” edition of the short played at the park in 2022, and the short then played at Universal Studios Hollywood in California during the Fan Fest Night event from April 25 to May 16 earlier this year.

The Universal Cool Japan 2027’s Sailor Moon collaboration will also include themed food and merchandise.

The Sailor Moon franchise has previously collaborated with Universal Studios Japan in 2018, 2019, and 2022.

Sources: Universal Studios Japan, Comic Natalie


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Mai Kuraki Breaks Own World Record for Most Theme Songs for Detective Conan Anime – Interest

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Japanese pop and R&B singer Mai Kuraki and the long-running Detective Conan anime series announced on Sunday that Kuraki has broken her own Guinness World Record for Most Theme Songs in a Single Anime Series. She achieved the milestone with her latest song “Ai de Zenbu Dakishimete Aishite” (Hold and Love Me with Your Love), the 76th Detective Conan ending song which debuted in the latest episode on Saturday. The singer added that she has completed her career’s “30 YEARS × 30 SONGS” with the theme song.

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Image via Mai Kuraki’s X/Twitter account

The franchise is streaming the clean ending sequence featuring “Ai de Zenbu Dakishimete Aishite”:


Kuraki also announced that the song will launch digitally as a single on October 10. Kuraki will then release the Kuraki Mai x Meitantei Conan Collaboration Best 30 -Kimi ga Itekratakara, Uta ga Aru- (Mai Kuraki x Detective Conan Collaboration Best 30 -Because You Were There, There Are Songs-) album on November 11 in limited and regular editions. The limited and regular editions will sell for 5,940 yen and 4,290 yen, respectively (about US$38 and US$27).

Kuraki joined the Detective Conan family for the series’ ninth ending theme song, “Secret of my heart,” in 2009. The singer has continued to offer her voice to the series ever since, and Kuraki first received the Guinness World Record for Most Theme Songs in a Single Anime Series in 2017 with 21 songs.

The series centers on Conan Edogawa, the alias of detective Shinichi Kudo, whose body shrunk after being poisoned at the beginning of the story. Together with detective Kogoro Mori and his daughter Ran, Conan helps the police solve difficult mysteries.

The Detective Conan television anime premiered on January 8, 1996, and celebrated its 30th anniversary on January 8, 2026. Crunchyroll has been streaming the anime as it airs since the 754th episode in 2014. Netflix and Crunchyroll are also streaming specially curated selections of episodes, including some that were never released in the United States.

Gōshō Aoyama launched the original manga in Shogakukan‘s Weekly Shounen Sunday magazine in 1994. Viz Media publishes the manga under the name Case Closed, Funimation‘s original localized title. The English manga release uses the same English names from the original Funimation dub when applicable, and it uses the original Japanese names otherwise.

Sources: Mai Kuraki‘s X/Twitter account (link 2 and website, link 3), Detective Conan series’ X/Twitter account and YouTube channel, Guiness World Records via Comic Natalie, Mainichi Shimbun’s Mantan Web

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Marvel, Kadokawa Unveil More Art, Story Details for Spider-Man, Spider-Gwen Manga – News

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Manga will launch in KadoComi before end of year


Kadokawa unveiled more details about its partnership with Marvel Comics on Wednesday, including more concept art and some story details for their upcoming Spider-Man and Spider-Gwen manga.

Tokitokoro (Jeff the Land Shark) is working on Spider-Man. News outlet Bleeding Cool reported in July that the work would be titled Spider-Man of Shibuya, although Kadokawa said on Wednesday that the Japanese title is still to be determined. The story centers on Haruto Hachidori, a high schooler in Shibuya who suddenly gains the powers of a spider. Now he swings freely through the skyline of Shibuya, not knowing that a dark presence lurks beneath the city.

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Image courtesy of Kadokawa
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Image courtesy of Kadokawa

Ryūsei Yamada (Revenger manga adaptation, Disney Twisted-Wonderland: The Manga—Anthology) is working on Spider-Gwen (whose manga’s Japanese title is to be determined). The story follows Gwen Stacy, a normal high schooler and drummer in the band “Mary Janes.” One day, she is bitten by a radioactive spider, giving her superhuman powers. She chooses to protect the city using her powers under the alter-ego of Spider-Woman, but tough choices and conflicts await her.

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Image courtesy of Kadokawa
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Image courtesy of Kadokawa

Kadokawa also revealed the below concept art for Daredevil and Punisher.

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Image courtesy of Kadokawa
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Image courtesy of Kadokawa
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Image courtesy of Kadokawa
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Image courtesy of Kadokawa

The works will debut in Kadokawa‘s KadoComi service before the end of the year. Bleeding Cool stated in July that the collaboration will include “five original manga volumes,” and Kadokawa specified on Wednesday that the lineup will have five different titles.

Shueisha announced on July 1 that its contract with Walt Disney Japan to publish manga adaptations of Marvel Comics characters would end on September 30. Shueisha began removing five manga titles — Marvel x Shonen Jump+ Super Collaboration, Secret Reverse, Spider-Man: Octo-Girl, Spider-Man: Kizuna, and Deadpool: Samurai — from digital storefronts gradually from September 28 to 30, and is ceasing the sales of the same manga titles in physical print volumes. All five of these manga have ended their serializations.

Sho-Pro Books’ (Shogakukan-Shueisha Productions) contract to publish Marvel Comics titles in Japanese ended this year on March 31.

Marvel Comics had announced on July 16 that Marvel Editor-in-Chief C.B. Cebulski would move on from the EiC role and become the editor of “Asia Originals” for Marvel. Veteran editor Stephen Wacker is the new Editor-in-Chief.

Source: Press release


Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. One or more of the companies mentioned in this article are part of the Kadokawa Group of Companies.


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