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Machibari’s ‘Aishiteru, Ore to Issho ni Shinde Kure’ Novel Gets Manga Adaptation – News

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Manga adaptation by Samoichi launches on May 15



The June issue of Ichijinsha‘s Monthly Comic Zero-Sum magazine announced on Tuesday that Machibari‘s Aishiteru, Ore to Issho ni Shinde Kure ~Zense de Watashi o Koroshita Otto ga Naze ka Guigui Sematte Kimasu~ (I love you, Die With Me ~My husband, Who Killed Me in My Past Life, Is Now Aggressively Pursuing Me for Some Reason~) novel is getting a manga adaptation, which will launch on Ichijinsha‘s Zero-Sum Online website on May 15. Samoichi is drawing the manga.

machibari
Image via Comic Zero-Sum’s X/Twitter account

Machibari launched the story on the Shōsetsuka ni Narō in December, where it is currently ongoing. 

The story centers on Bianca, a reincarnated woman who has memories of her being murdered by her husband from a political marriage, in her past life. This time, she is determined to have a normal married life. But she encounters the prince of a neighboring country named Nero, who is the reincarnation of her husband. She tries to escape from the trauma of her past life, but for some reason, Nero passionately pursues her. 

Machibari‘s Yomei Wazuka Dakara to Tsuihō Sareta Seijo Desu ga, Junrei no Tabi ni Detara Chō Kenkō ni Narimashita (The Banished Saint’s Pilgrimage: From Dying to Thriving) and Kenka Bakaridatta Konyakusha ga Ikinari Dekiai Shite Kimasu (All My Fiancé and I Did Was Fight, But Now He’s All Over Me?) novels also received manga adaptations. Square Enix‘s Manga UP! Global service publishes Komugi Awaya‘s adaptation of The Banished Saint’s Pilgrimage: From Dying to Thriving, and Shusuisha publishes Makoto Ayase‘s manga adaptation of All My Fiancé and I Did Was Fight, But Now He’s All Over Me? in English digitally.

Source: Monthly Comic Zero-Sum June issue


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Hirayasumi Reveals Main Cast, Teaser Promo, Main Visual

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The official website for the television anime adaptation of Keigo Shinzou‘s Hirayasumi manga revealed the main cast, a main visual (pictured) and a teaser promotional video on Tuesday. The anime is scheduled to premiere on NHK in January 2027.

Cast

Hiroto Ikuta: Yuuma Uchida (Fruits Basket 1st Season)

Natsumi Kobayashi: Mayu Takahashi (Long Zu II: Daowangzhe Zhi Tong)

Hanae Wada: Rikako Aikawa (Pokemon Sun & Moon)

Kei Suezawa (Fate/Grand Order: Shinsei Entaku Ryuoiki Camelot – Wandering; Agateram) is directing the anime at Production +h and handling the series composition and script with character design by Naoyuki Asano (Eizouken ni wa Te wo Dasu na!) and Mika Nishimura (Dead Dead Demons Dededede Destruction) serving as the art director. Kaori Sawada (Gakkougurashi! ending theme performance) is composing the music.

Shinzou began drawing the manga in Big Comic Spirits in April 2021. Shogakukan published the ninth volume in July 2025, with the tenth volume going on sale on April 30.

VIZ Media licensed the manga in English in October 2023, with the latest ninth volume released on May 19.

Teaser PV

Source: Animate Times

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Episode 12 – You and I Are Polar Opposites Season 2

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polar.png

The show’s actual finale might be next week, but you sure could have fooled me into thinking otherwise. For all intents and purposes, a lot of this episode feels like it’s barreling straight towards an ending, and while only two out of the three couples get any focus, what we get with them feels conclusive enough that the show probably could have stopped here if it wanted. I’m certainly not gonna say no to more, though, because while this episode does put these pairs in a much healthier spot than they were before, the path to getting there is nothing short of an emotional rollercoaster.

The bulk of that ride goes to Tani and Miyu, who at first seem to be in a pretty good spot in their relationship despite Miyu’s previous threat to split up if Tani didn’t consider all his options for where to go to college. However, while they might be hanging out more, there’s still a bit of tension lingering in the air as they both know they’ll see each other less after high school, and it is becoming increasingly apparent to Miyu just how much Tani is straining himself to make time for her. Only when Miyu talks to her friends about it does she realize that while she wasn’t wrong to tell Tani to prioritize himself over her, doing so has inadvertently put a lot of pressure on him to avoid showing any signs that he’s struggling. Fortunately, it doesn’t take too long for Miyu to correct this mistake, and she reminds Tani that even if she can’t exactly help solve all his problems, she can at least be a shoulder for him to lean on, which gets him to finally admit to feeling exhausted. While the framing here is mostly as good couple advice, even without that angle, it’s still a good reminder that there’s nothing wrong with having someone to lean on when you need it, and we all need to let ourselves be vulnerable every once in a while.

With that whole situation resolved, that just leaves the 2000-pound elephant in the room that is Taira and Azuma, and to be honest, it really wasn’t looking good for these two. For one thing, the second half of the episode flash-forwarded to spring, with still no tangible progress between them, meaning any chance of seeing them as an actual couple on screen before the end of the show was basically nonexistent. Not only that, but it even skipped straight to graduation day, meaning that the only resolution we could really hope for with these two that could still feel a little romantic would be a last-minute love confession where they don’t start dating, but express their feelings clearly enough to have grown from the experience.

Alas, even that was starting to look unrealistic, as even when the two of them manage to be alone and cry over how much they enjoyed their high school experience, Azuma decides to herself that she’d still rather keep her feelings to herself, under the mindset that without having any kind of defined romantic relationship, she still found joy in their time together. It’s a fairly mature way of looking at the experience that would have made sense for these two, and while going that route with them would have only made the constant will-they-won’t-they of their relationship more aggravating, that really looked to be where the show was going, so I was about ready to finally throw in the towel here. That made me just as surprised as Azuma when Taira stopped her from walking off by asking if they could still see each other after high school, and I’m equal parts thrilled and angry at just how effective this rug pull was since the show really did have me on the edge of my seat here the entire time leading up to it. It’s certainly not how I was expecting things to go with these two, but all things considered, it’s a pretty solid resolution.

The Taira of old would have never gotten out of his head long enough to ask Azuma that question, and even without giving a direct confession, going out on that much of a limb still indicates how much she’s come to mean to him. Of course, going this particular route means we’re unlikely to see them ever confessing to each other on screen even in next week’s finale, but leaving their relationship open-ended in such a way makes it easy enough to imagine that they’d likely just casually hook up at some point later in life, and in that sense, it doesn’t feel strictly necessary to show it. At the same time, though, there’s every chance that whatever we get in the final episode could undo that ambiguity for the worse by having their relationship stay unchanged in the future, so in that sense I’m a little worried about what we’ll be getting out of it. Frankly, I’m not entirely sure what another episode could offer beyond seeing what all these characters are like as adults, and while I can’t say I’m not curious, it is hard to imagine that sort of epilogue being worth a full 20 minutes. Still, as I said before, though, I’m not gonna turn my nose at getting to spend a bit more time with this cast, so whatever lies in store for the actual end of this show, I’m certainly down to find out.

Rating:




You and I Are Polar Opposites Season 2 is currently streaming on
Crunchyroll.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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Amata Games’ Shinjuku Anomaly Game Reveals September 30 Launch in Trailer – News

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Horror visual novel features anomaly photography gameplay for PC



Amata Games revealed on Monday that its Shinjuku Anomaly horror visual novel game will launch for PC via Steam on September 30. The company streamed a trailer:


The store’s Steam page describes the game:

You have taken on a part-time job photographing anomalies that lurk in Shinjuku at night. 

You are given four rules for your part-time job:

・If you see an anomaly, take a picture of it.

・When taking a picture, get close enough to capture a clear image of it.

・However, be careful to not get too close.

・Return to the agency once you’ve used up all of the film.

The game features English, Japanese, Traditional Chinese, and Simplified Chinese language support.

Amata Games is developing developing an officially licensed version of CAPCOM‘s Phoenix Wright: Ace Attorney – Dual Destinies game for the Meta Quest virtual realty (VR) headsets and newly announced Meta VR Glasses headwear. The game, titled Phoenix Wright: Ace Attorney – Dual Destinies VR, will debut next year with English, French, German, Japanese, Korean, Traditional Chinese, and Simplified Chinese language support.

Source: Amata Games via Gematsu


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