Anime
Under Night In-Birth II Sys:Celes Fighting Game’s DLC Character Zohar The ‘Doppelganger’ Debuts in Summer 2026 – News
Arc System Works America announced on Friday it will release the new DLC character Zohar The “Doppelganger” for Under Night In-Birth II Sys:Celes, the newest installment in French Bread’s original Under Night In-Birth 2D fighting game series, in summer 2026. The company revealed images of the character.
Arc System Works also announced a major update is coming to the game that will include: game balance adjustments, revisions to system mechanics such as “Steer Ender” and “Throw Escape,” a dedicated rating system, rankings for high-ranked players, frame data display improvements, and a new feature in Mission Mode to allow players to review their previous play.

Arc System Works released the game on PlayStation 5, PlayStation 4, Nintendo Switch, and PC via Steam in January 2024. The game’s season pass includes Uzuki, which released in July 2024, as well as an early unlock code for Kuon. Ogre joined the game in February 2025 as part of the season pass. Izumi (voiced by Reina Kondo) joined the game on August 19.
ucio performs the theme song “Rinne no Owari e” (Toward the End of Reincarnation).
The game features the final chapter in the “Hollow Night” storyline that began with the original series. There were 21 returning characters as well as three new characters at launch. The new characters are Kaguya, Tsurugi, and Kuon.
French Bread (Melty Blood) developed the original Under Night In-Birth game, which launched in Japan as an arcade game in 2012. It was followed by an updated arcade game titled Under Night In-Birth Exe:Late in 2013. Arc System Works released a PS3 port of Under Night In-Birth Exe:Late in Japan in 2014. Aksys Games released the game for PS3 in North America in February 2015. The original Under Night In-Birth was never released outside of arcades.
The follow-up version is titled Under Night In-Birth Exe:Late[st]. The arcade version of the game launched in July 2015 in Japan, and Arc System Works released the game on the PS3 and PS4 in Japan in July 2017. Aksys Games released the game for the PS4 and PS Vita in North America in February 2018, and PQube Games released the game on the same platforms in Europe on the same date. Arc System Works released the game on PC via Steam in August 2018. The follow-up to that version was Under Night In-Birth EXE:Late[cl-r]. The game debuted on PS4 and Switch in Feburary 2020, and debuted on PC via Steam in March 2020.
The Under Night In-Birth game series is notable for its unique GRD mechanic. Aside from life and super move gauge, players fight over a secondary resource known as GRD, which can be gained or lost from the results of certain offensive and defensive exchanges. Every 16 seconds, the player with the most GRD is awarded a buff that increases their damage, and access to a cancel that also converts their existing GRD to an amount in the super gauge. In this way, players are just as often fighting for a lead on the GRD in addition to the life lead.
French Bread developed the Melty Blood: Type Lumina 2D fighting game, based on characters from Type-Moon‘s Tsukihime -A piece of blue glass moon- remake visual novel. The game launched for Nintendo Switch, PlayStation 4, Xbox One, and PC via Steam in September 2021. A new version of the game titled Melty Blood: Twi-Lumina will debut in early 2027 for the PlayStation 5, PlayStation 4, Nintendo Switch 2, Nintendo Switch, Xbox One, and PC via Steam.
Source: Press release
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Anime
Hirayasumi Anime Unveils Teaser, Key Visual, Cast – News
Viz Media revealed a new teaser trailer, a new key visual, and the cast for the anime of Keigo Shinzō‘s Hirayasumi manga (a co-production with Shogakukan-Shueisha Productions Co., Ltd and Production +h.) on Monday.

© Keigo Shinzo/Shogakukan/Hirayasumi Project
Yūma Uchida stars as Hiroto Ikuta, Mayu Takahashi as Natsumi Kobayashi and Rikako Aikawa as Hanae Wada.

© Keigo Shinzo/Shogakukan/Hirayasumi Project
Viz describes the human drama story:
At 29 years old, carefree Hiroto Ikuta doesn’t have a girlfriend, a full-time job, or a plan for the future—and he couldn’t be happier. Hiroto’s breezy attitude isn’t easy for everyone to understand, though. In a world filled with anxiety, confusion, and grief, Hiroto and the people around him are all just doing their best to figure out this thing called life.
Kei Suezawa (Fate/Grand Order The Movie Divine Realm of the Round Table: Camelot – Wandering: Agateram, FLCL Progressive) is directing the anime at Production +h. Naoyuki Asano (Urusei Yatsura, Keep Your Hands Off Eizouken!, Mr. Osomatsu) is designing the characters. Mika Nishimura (Dead Dead Demon’s Dededede Destruction, Typhoon Noruda) is the art director. Kaori Sawada (What Did You Eat Yesterday?, When Spring Comes) is composing the music.
The anime will premiere in January 2027 in Japan on the NHK General channel. Viz Media also announced in English a 2027 release.
Viz Media and Japan Society are also hosting the world premiere screening of the first episode at Japan Society’s location in New York City on October 7 at 7:00 p.m. EDT. Composer Kaori Sawada and producer Junichi Katsutani will be in attendance with Viz Media‘s Community Manager Godswill Ugwa as panel host.
Shinzō launched the manga in Shogakukan‘s Weekly Big Comic Spirits magazine in April 2021. Shogakukan published the manga’s ninth compiled book volume on July 30, and the series has over 1.1 million copies in circulation worldwide. The manga was nominated for the 15th Manga Taisho awards in January 2022, ranked #18 in the 2023 edition of Takarajimasha‘s Kono Manga ga Sugoi! (This Manga Is Amazing!) guidebook in December 2022, nominated for the 27th Annual Tezuka Osamu Cultural Prize in February 2023, and nominated for Best Continuing Manga Series in the 2nd American Manga Awards.
The series also inspired a live-action series, which premiered on NHK in November 2025.
Denpa has licensed Shinzō’s Holiday Junction collection of short manga. The book contains seven one-shot
manga. Shogakukan shipped the book in Japan in July 2016.
Source: press release
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Anime
Hirayasumi Reveals Main Cast, Teaser Promo, Main Visual
The official website for the television anime adaptation of Keigo Shinzou‘s Hirayasumi manga revealed the main cast, a main visual (pictured) and a teaser promotional video on Tuesday. The anime is scheduled to premiere on NHK in January 2027.
Cast
Hiroto Ikuta: Yuuma Uchida (Fruits Basket 1st Season)
Natsumi Kobayashi: Mayu Takahashi (Long Zu II: Daowangzhe Zhi Tong)
Hanae Wada: Rikako Aikawa (Pokemon Sun & Moon)
Kei Suezawa (Fate/Grand Order: Shinsei Entaku Ryuoiki Camelot – Wandering; Agateram) is directing the anime at Production +h and handling the series composition and script with character design by Naoyuki Asano (Eizouken ni wa Te wo Dasu na!) and Mika Nishimura (Dead Dead Demons Dededede Destruction) serving as the art director. Kaori Sawada (Gakkougurashi! ending theme performance) is composing the music.
Shinzou began drawing the manga in Big Comic Spirits in April 2021. Shogakukan published the ninth volume in July 2025, with the tenth volume going on sale on April 30.
VIZ Media licensed the manga in English in October 2023, with the latest ninth volume released on May 19.
Teaser PV
Source: Animate Times
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Anime
Episode 12 – You and I Are Polar Opposites Season 2

©Kocha Agasawa/SHUEISHA, You and I Are Polar Opposites Committee
The show’s actual finale might be next week, but you sure could have fooled me into thinking otherwise. For all intents and purposes, a lot of this episode feels like it’s barreling straight towards an ending, and while only two out of the three couples get any focus, what we get with them feels conclusive enough that the show probably could have stopped here if it wanted. I’m certainly not gonna say no to more, though, because while this episode does put these pairs in a much healthier spot than they were before, the path to getting there is nothing short of an emotional rollercoaster.
The bulk of that ride goes to Tani and Miyu, who at first seem to be in a pretty good spot in their relationship despite Miyu’s previous threat to split up if Tani didn’t consider all his options for where to go to college. However, while they might be hanging out more, there’s still a bit of tension lingering in the air as they both know they’ll see each other less after high school, and it is becoming increasingly apparent to Miyu just how much Tani is straining himself to make time for her. Only when Miyu talks to her friends about it does she realize that while she wasn’t wrong to tell Tani to prioritize himself over her, doing so has inadvertently put a lot of pressure on him to avoid showing any signs that he’s struggling. Fortunately, it doesn’t take too long for Miyu to correct this mistake, and she reminds Tani that even if she can’t exactly help solve all his problems, she can at least be a shoulder for him to lean on, which gets him to finally admit to feeling exhausted. While the framing here is mostly as good couple advice, even without that angle, it’s still a good reminder that there’s nothing wrong with having someone to lean on when you need it, and we all need to let ourselves be vulnerable every once in a while.
With that whole situation resolved, that just leaves the 2000-pound elephant in the room that is Taira and Azuma, and to be honest, it really wasn’t looking good for these two. For one thing, the second half of the episode flash-forwarded to spring, with still no tangible progress between them, meaning any chance of seeing them as an actual couple on screen before the end of the show was basically nonexistent. Not only that, but it even skipped straight to graduation day, meaning that the only resolution we could really hope for with these two that could still feel a little romantic would be a last-minute love confession where they don’t start dating, but express their feelings clearly enough to have grown from the experience.
Alas, even that was starting to look unrealistic, as even when the two of them manage to be alone and cry over how much they enjoyed their high school experience, Azuma decides to herself that she’d still rather keep her feelings to herself, under the mindset that without having any kind of defined romantic relationship, she still found joy in their time together. It’s a fairly mature way of looking at the experience that would have made sense for these two, and while going that route with them would have only made the constant will-they-won’t-they of their relationship more aggravating, that really looked to be where the show was going, so I was about ready to finally throw in the towel here. That made me just as surprised as Azuma when Taira stopped her from walking off by asking if they could still see each other after high school, and I’m equal parts thrilled and angry at just how effective this rug pull was since the show really did have me on the edge of my seat here the entire time leading up to it. It’s certainly not how I was expecting things to go with these two, but all things considered, it’s a pretty solid resolution.
The Taira of old would have never gotten out of his head long enough to ask Azuma that question, and even without giving a direct confession, going out on that much of a limb still indicates how much she’s come to mean to him. Of course, going this particular route means we’re unlikely to see them ever confessing to each other on screen even in next week’s finale, but leaving their relationship open-ended in such a way makes it easy enough to imagine that they’d likely just casually hook up at some point later in life, and in that sense, it doesn’t feel strictly necessary to show it. At the same time, though, there’s every chance that whatever we get in the final episode could undo that ambiguity for the worse by having their relationship stay unchanged in the future, so in that sense I’m a little worried about what we’ll be getting out of it. Frankly, I’m not entirely sure what another episode could offer beyond seeing what all these characters are like as adults, and while I can’t say I’m not curious, it is hard to imagine that sort of epilogue being worth a full 20 minutes. Still, as I said before, though, I’m not gonna turn my nose at getting to spend a bit more time with this cast, so whatever lies in store for the actual end of this show, I’m certainly down to find out.
Rating:
You and I Are Polar Opposites Season 2 is currently streaming on
Crunchyroll.
The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
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