Entertainment
American Pavilion Announces California Day at Cannes 2026
During the Cannes Film Festival, the American Pavilion is the premiere destination for networking and programming related to the American film industry. Fittingly, AmPav and IndieWire are once again devoting a day to one of the most crucial topics in the world of American entertainment: production in California.
California Day, which launched at the 2025 Cannes Film Festival, is returning to the American Pavilion this year with programming highlighting California’s status as a premiere destination for production. Many conversations will specifically focus on the passage of AB 1138 legislation that expands tax incentives for films and TV shows in the state.
“California Day brings together the people, places, and policies that make our state the most dynamic production ecosystem in the world. With the expansion of our Film and Television Tax Credit Program, we’re seeing large-scale productions return to the state that built this industry beginning over 100 years ago,” Colleen Bell, director of the California Film Commission, said in a statement. “From our world-class crews to the communities that welcome productions into their neighborhoods, California Day at Cannes is our opportunity to tell that story directly to the global filmmaking community and reinforce our belief that no one does it better than California.”
In addition to the California Film Commission, partners include Marina del Rey Tourism Board and Film Santa Monica (Official Permitting Office for the City of Santa Monica). Joining California day in 2026 are Chula Vista Entertainment Company (CVEC), Film Liaisons in California Statewide (FLICS) and NewFilmmakers Los Angeles (NFMLA).
“Last year’s inaugural California Day made clear how much appetite there is in the international community for an honest conversation about filming in the state. California has always been at the heart of what The American Pavilion celebrates,” Lynne Howard, SVP of Future of Filmmaking and The American Pavilion, added. “Partnering with the state’s leading film offices and tourism organizations to expand the program this year is a natural extension of our mission to connect creators with the resources and communities that bring their work to life, and Cannes is the right stage to tell that story.”
Anyone attending Cannes who is interested in American Pavilion membership can register here.
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movies
Dwayne Johnson Reacts To Live-Action ‘Moana’ Negative Reviews
Although the live-action remake of Moana hasn’t quite been able to catch a wave at the box office, Dwayne Johnson is proud of what they made.
The Golden Globe nominee said the Disney movie’s negative reviews, which currently sit at 32% on Rotten Tomatoes, are “just the way it goes” in the entertainment industry, and what “really mattered” was that “the culture really stood up” in the Polynesian-inspired tale.
“Our first two reviews came out. I’ll never forget it… They were amazing. I was like, wow,” he told People, noting the reviews then “went another way, as sometimes happens.”
“That’s just the way it goes because we’re in this business,” added Johnson.
A decade after he voiced the demigod Maui in Disney’s animated film Moana, Johnson reprised the role in the Thomas Kail-helmed live-action adaptation.

“The challenge was, okay, let’s remember, though, what’s going to be beyond this opening weekend. Let’s remember what’s happening right now and the noise that’s happening right now,” said Johnson. “If you love it, great. If you don’t, no problem.”
Following Moana‘s July 10 premiere, the movie has gone on to make $266M at the global box office. Disney CEO Josh D’Amaro addressed the low turnout in a letter to shareholders.
“Even when our franchise films don’t meet our box office expectations, as with The Mandalorian and Grogu and the live-action Moana, our investments in these core properties fuel other parts of our company,” said D’Amaro, noting that Moana is “expected to be a strong title on Disney+, building on the success of the original film, which is one of the most streamed movies of all time.”
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Entertainment
Hunter Biden Calls Trump the ‘Singular Existential Threat’ to Planet Earth
Hunter Biden doesn’t have plans of running for office himself, but he still has some strong opinions when it comes to the presidency. In fact, President Joe Biden’s son just called President Donald Trump “the singular existential threat” to planet Earth.
During his wide-ranging interview with BBC Newsnight’s Paddy O’Connell on Friday, the 56-year-old artist opened up about receiving a pardon from his father during his last weeks in office back in December 2024 — and how Trump’s behavior may have impacted the decision.
“I am the most privileged person, as it relates to that, that there could possibly be. I was one of one, and I am eternally grateful for it,” Hunter shared. “I am eternally grateful for it because I think that Donald Trump has proven to be exactly who my dad thought he was going to be, as it relates to the revenge and retribution that he would seek on his political enemies.”
“Was it good for our Constitution? Was it good for the American people? Was it good for my dad’s legacy? No, on all counts,” he further admitted.
President Biden pardoned his son just weeks ahead of his sentencing on tax evasion and federal gun charges. At the time, Trump called the act “an abuse and miscarriage of justice.” A year and half later, Hunter remains equally unimpressed by his father’s successor (who was also, notably, his predecessor).
“I’m not going to stop talking about Donald Trump,” he concluded. “Donald Trump is the singular existential threat to this globe. Donald Trump is, literally, a greater threat than we have faced in any of our lifetimes.”
Elsewhere in his interview, Hunter fought tears while sharing a painful update on his father’s prostate cancer metastasizing to his bones: “My dad is, to this day, remains the center of our family. Not just because of who he is as the the public person, but completely because of who he is to each one of us. It’s really, really hard and it’s really sad to watch.”
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movies
‘One Night Only’ Director Understands “Sex Purge” Comparisons
While One Night Only is intended as a romantic-comedy, there are some obvious dystopian undertones that audiences can’t ignore.
Director Will Gluck recently addressed online comparisons between the Purge franchise and his new Universal rom-com, which is now in theaters, about two New Yorkers (Monica Barbaro and Callum Turner) who meet on the one night a year premarital sex is legal.
“I am very aware of the online discourse about this world and this movie being the ‘sex Purge,’ and rightfully so,” he told SlashFilm. “But I don’t want this movie to be about that. And I know I get some blowback going, ‘How could you make a movie about this not being about that?’ Because I love exploring characters and situations.
Gluck added, “Whenever us humans get put in situations, no matter how or why the situation happens, we still have to be humans and get through the day. And that’s what interests me. So we didn’t want it to overwhelm. We wanted to explain it. We didn’t want to take a side. We wanted to show both sides, but we wanted it to be about these two people going through this crazy night.”
With five movies and a TV series expanding on the universe since The Purge premiered in 2013, the Blumhouse franchise is set in an alternate reality where all crime, including murder, is legal one night a year for 12 hours.

In a similarly dystopian fascist universe, albeit with a much lighter mood, One Night Only follows recently dumped pizzeria owner Owen (Turner) and singer Allie (Barbaro) meet on the one night of the year premarital sex is legal under the United States’ “chastity mandate.”
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