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Jordan Peele’s Monkeypaw Productions Cuts Down Development Team

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Jordan Peele’s Monkeypaw Productions is slimming down.

The genre-skewing banner, which has a first-look deal at Universal, has quietly let go of three members its development team, The Hollywood Reporter has learned.

It is unclear who was let go, but insiders say that the development department will maintain a staff of four and is still receiving new material. The move has been described as a “refocusing” by those in the know. Sources also say Peele wants to be take a more hands-on involvement in the development of projects.

The layoffs may be an acknowledgement of business realities for the banner that became a Hollywood name thanks to Peele’s success in the wake of Get Out and Us. In 2019, Peele signed a rich, five-year deal with Universal, with Monkeypaw becoming one of the bigger-staffed companies of its type in town.

Peele reupped in 2024, but his deal was scaled back, according to sources. It didn’t help that the banner’s output wasn’t prolific. Apart from 2022’s Nope, which Peele wrote and directed, the only movie the company produced was Him, the troubled football horror movie that failed at the box office. (Candyman, released in 2021, was already in production when the original five-year deal was made.) The company was also involved in several shows, Lovecraft Country and Hunters, among them.

Adding to the mire is Peele’s directorial follow-up to Nope, which has been stuck in script development limbo for years. A release for December 2024 was originally scheduled, then it was pushed to 2026, then taken off the calendar entirely.

In the end, the company was described as too bloated for its current output.

The slimming down is described as similar to the situation recently faced by Bad Robot, the production banner run by J.J. Abrams. That company scaled down its operations as Abrams worked on fewer movies and TV shows while planning a movie to New York.

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Tokyo Film Festival to Honor Mohammad Rasoulof and Mipo O

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The Tokyo International Film Festival will honor filmmakers Mohammad Rasoulof and Mipo O with its Kurosawa Akira Award at the event’s 39th edition next month.

Named for the Japanese master, the award recognizes directors whose work has made an impact on cinema and who are expected to help shape its future. It was revived in 2022 after a 14-year hiatus with support from Capcom. Last year’s recipients were Chloé Zhao and Lee Sang-il.

This year’s honorees were selected by a committee comprising filmmakers Yoji Yamada and Lee Sang-il, cinematographer Akiko Ashizawa and TIFF programming director Shozo Ichiyama.

Rasoulof, one of Iran’s leading dissident directors now living in exile in Europe, won Berlin’s Golden Bear for There Is No Evil (2020), while The Seed of the Sacred Fig (2024) received a special prize at Cannes before earning an international feature Oscar nomination as Germany’s submission.

The committee singled out the two films for “their humanist perspective, which portrays even those who perpetrate oppression as ordinary citizens.” It also praised Rasoulof’s “unwavering commitment to creative expression despite relentless pressure.”

“Receiving the Kurosawa Award is a great honor for me. His films are profound explorations of the human condition and the moral choices we make in moments of crisis. Kurosawa was a dynamic and inquisitive visual storyteller whose unique perspective on humanity, nature, and the world has made his work an enduring source of inspiration in cinema,” Rasoulof said.

O, a Japanese-born filmmaker of Korean descent, made her feature debut with The Sakais’ Happiness in 2006. Her credits include The Light Shines Only There (2014), Japan’s Oscar submission that year, and Being Good (2015), an ensemble drama exploring child abuse, bullying and the possibility of breaking those cycles through human connection.

After a nine-year break from feature filmmaking, she returned with Living in Two Worlds (2024), a family drama starring Ryo Yoshizawa as the hearing son of deaf parents, whose desire for independence complicates his relationship with his mother. Her latest, How Dare You? (2025), takes a more comic approach to childhood, following three elementary school students whose budding environmental activism — mixed with a classroom crush — leads to unintended consequences.

The selection committee praised her “multifaceted perspective on individuals living on the margins of society” and her avoidance of “a simple lens of good vs. evil,” while highlighting her work with child performers.

“To receive such an extraordinary honor on the 20th anniversary of my directorial debut fills me with immense gratitude and deep humility,” O said. “Winning the Shindo Kaneto Award in 2010 provided me with the vital support to keep making films. Though my progress has been slow, reaching the Kurosawa Akira Award is a stroke of fortune that makes me truly savor what a happy cinematic journey I have had. This recognition is by no means mine alone. My heartfelt thanks go to all the cast and crew members I have met along the way, the audience who stepped into the theaters, and the selection committee—led by director Yamada Yoji—who discovered my films.”

Tokyo will also screen 4K restorations of Kurosawa’s Sanshiro Sugata (1943) and Ikiru (1952), alongside Charles Chaplin’s The Circus (1928) and Abbas Kiarostami’s Where Is the Friend’s House? (1987).

Separately, the festival named Alice in Borderland actor Hayato Isomura president of its Ethical Film Award jury. Launched in 2023 with Sumitomo Corporation, the prize recognizes films addressing social issues including the environment, poverty and discrimination. Three members of TIFF’s Student PR team will join Isomura on the jury.

The nominees are Brazil’s Amadeo and the Hypothetical New World, the German-Ukrainian feature I Rarely Wake Up Dreaming and Australia’s Time and Tide. The award ceremony and a talk with Isomura are scheduled for Nov. 2.

“Today, we absorb vast amounts of information in seconds through a small screen. I often feel we fall into the trap of believing we understand something instantly, constantly searching for quick answers. Yet, when it comes to deepening our awareness and understanding of social issues, the process of reaching those answers is what truly matters,” Isomura said. “Cinema possesses the unique power to pause our hurried pace, allowing us to experience that very process through the lives and emotions of others. I am committed to taking the thoughts, hopes, and wishes woven into these films by each filmmaker deeply to heart, and to reflecting on them together with everyone.”

The 39th Tokyo International Film Festival runs Oct. 26-Nov. 4, with the TIFFCOM market taking place Oct. 28-30.

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Dennis Haskins Dies: ‘Saved By The Bell’s Mr. Belding Was 75

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Dennis Haskins, best known for playing Mr. Belding in Saved by the Bell, has died. He was 75.

His agent Jay Schachter confirmed the news to Deadline, saying in a statement, “It’s a tragic loss. Everyone loved Mr. Belding and those of us who got to know Dennis, loved him even more. He was a great person, and he loved, I mean absolutely LOVED his fans.”

“He always had time for them, no matter what. He was my client and dear friend for over 20 years, and I will miss him terribly. I’m heartbroken,” he continued.

Haskins cause of death was not disclosed.

Haskins first played Principal Richard Belding in the Disney Channel series Good Morning, Miss Bliss, opposite Hayley Mills in 1989. After one season, the show was retooled as Saved by the Bell on NBC, where he reprised his role through its four-season run. Haskins returned as Mr. Belding for Saved by the Bell: The New Class in 1993 and played the role for seven more seasons, until the show’s finale in 2000.

Other acting credits for Haskins included Hangin’ with Mr. Cooper, Malibu, CA, The Practice, The West Wing, The Rerun Show, The Stoneman, 7th Heaven, Going Down, Red Water, Tangy Guacamole, An Ordinary Killer, JAG, Dead End Road, It’s Always Sunny in Philadelphia, Men of a Certain Age, The Bold and the Beautiful, Victorious, Mad Men, Emerald Acres, How I Met Your Mother, Destroy the Alpha Gammas, New Girl, Hot In Cleveland, This Isn’t Working, Bill Nye Saves the World, Abstruse, Enigma, A Bennett Song Holiday, among many others.

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Russo Brothers On The Hulk Appearing On ‘Avengers: Doomsday’: “Certainly Involved In The Story That Revolves Around Doom”

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Many questions surround Avengers: Doomsday, and one major one is whether Mark Ruffalo will reprise his role as Bruce Banner.

The actor recently appeared in Spider-Man: Brand New Day as Banner, and the Russo Brothers teased that the Hulk is “certainly involved” in the story around Doctor Doom.

“I think [what] we could say is, [Banner] is certainly involved in the story that revolves around Doom,” Joe Russo told Empire Online. “We will not confirm nor deny his appearance in Doomsday.”

Anthony Russo added, “The farthest we can go is to say, there are characters and actors who have not been announced, who are a part of Doomsday.”

Avengers: Doomsday is set to be released on December 18 as part of Phase 6 of the MCU. The film follows 2019’s Avengers: Endgame, which the Russos also directed.

Avengers: Doomsday will feature different groups of heroes from different universes, including the Avengers, the Wakandans from Black Panther, the Thunderbolts (known as the New Avengers) from Earth-616, the Fantastic Four from Earth-828, and the original X-Men.

RELATED: 15 Movies & Shows To Watch Before ‘Avengers: Doomsday’

In a recent interview, the Russo Brothers said they started filming Avengers: Doomsday without a finished script.

“We’re improvisation-based, rehearsal-based directors,” Joe Russo told AP. “We like to see what the actors bring to the characters, and sometimes you don’t get the actors until a few days or few weeks before you shoot them. And a lot of the time, that’s when the magic happens.”

RELATED: ‘Avengers: Doomsday’ Ticket Pre-Sales Cross $50M Domestically Three Months Out

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