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‘Alien: Earth’ Composer Jeff Russo Used Aztec Death Whistle For Theme

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The xenomorph from the Alien franchise is one of the most legendary creatures in cinema history. Now it’s the star of FX’s series Alien: Earth too.

Many filmmakers have put xenomorphs on screen and many composers have written music for them. Alien: Earth’s Jeff Russo may be the first to use the Aztec death whistle, as he explained at Deadline’s Sound & Screen Television awards-season event.

“The Aztec death whistle was just something that my engineer, Michael Perfitt, brought into the studio one day,’” Emmy winner Russo said. “I went behind the glass and played it a couple times. It became very evocative of the stress and tension one might be under when faced with a xenomorph.”

The Aztec death whistle may have the best name, but it’s not the only exotic instrument Russo uses. “There’s this bassdesmophon made by a company in Switzerland I had built for this particular purpose,” he told the crowd at UCLA’s Royce Hall. “It’s a very evocative, guttural sound.”

Alien: Earth stars Sydney Chandler as Wendy, a dying child transferred to a synthetic body. When her brother (Alex Lawther) discovers her new form, Russo was challenged to craft a sibling love theme.

“That’s a delicate fine line to play because it’s emotional but there’s no romance,” Russo said. “It’s not romantic. it needed to walk that line.”

L-R: Deadline’s Anthony D’Alessandro and Jeff Russo

JC Olivera

Alien: Earth creator Noah Hawley follows in the footsteps of Ridley Scott, James Cameron, David Fincher, Jean-Pierre Jeunet and Fede Álvarez in the movie series. Similarly, Russo doesn’t forget the scores by Jerry Goldsmith in Alien and James Horner in Aliens.

“There are little things I wanted to call back to,” Russo said. “There’s a delay with the horns that happens in a lot of places. The way [they] built tension with high strings, give a little bit of that to the score but also trying to create something that is unique for us since this is the first time the story’s ever been told on Earth.”

Russo has read seven of the eight scripts for the upcoming Season 2.

“Noah knows that once he sends me those scripts I’m going to start thinking about it and writing and formulating a plan for the next chapter,” Russo said. “I’m now trying to formulate what that is. I sit down in my studio and bang stuff out on the piano before I try to write.”

He is hopeful for more creature themes, including the eye monster that is original to the series.

“I didn’t get a chance to write a theme for our Eye Midge,” Russo said. “I haven’t gotten to write one for that particular character, but I’m hoping in Season 2. I’m sure the Aztec death whistle will end up in Season 2.”

Check back Monday for the panel video.

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BBC Tech Teams Hit With Fresh Round Of Cuts, 110 Layoffs

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EXCLUSIVE: The cuts keep coming at the BBC.

BBC Media Tech, the division that powers the UK broadcaster’s online services like iPlayer, has today announced a fresh £37 million ($50M) round of savings after delivering £42M of cuts earlier this year.

Around 110 staff in the unit will face compulsory redundancy, while 35 vacancies will be closed. The BBC expects to make a further 180 Media Tech layoffs through voluntary redundancy, which includes the 150 Deadline reported on last week.

This will not be the last of the cuts, either. Kelly Kowal, the BBC chief operations and portfolio officer, told staff in an email that Media Tech will need to find an additional £23M of savings in early 2027.

The BBC Media Tech cuts follow similar savings announcements in BBC Sport and local radio. Deadline also revealed last week that channel closures are imminent, with insiders expecting BBC Three to be moved online for a second time in a decade.

BBC Media Tech will contribute £102M of savings to the corporation’s overall target of £500M, which the BBC must deliver because of the growing number of Brits who are refusing to pay for the licence fee.

The BBC tech division will embrace AI to reduce costs, according to Kowal. The unit is also expected to focus on fewer products and push more resource into boosting iPlayer. Matt Brittin, the BBC director general, has been candid about the need to improve iPlayer recommendations and user experience.

Kowal told employees: “I want to recognise the uncertainty and worry this news will create, particularly those potentially affected by redundancy or worried about their role. There is no easy way to make these choices, but we will be caring, respectful and considered in how we help people work through their options.”

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‘Wildwood’ Studio Laika To Receive 2026 Gotham Film Awards Tribute

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EXCLUSIVE: Laika, the animation studio that has scored six Oscar nominations for its stop-motion films including Coraline, ParaNorman, The Boxtrolls and Kubo and Two Strings since its founding in 2005, will be honored with the Gotham Anniversary Tribute at this year’s Gotham Film Awards.

The tribute commemorates Laika’s 20 years of storytelling and the release of Wildwood, its newest film, which hits theaters October 23 via Fathom Entertainment. The pic will have its world premiere at the London Film Festival October 11 and 10 days later serve as the opening-night film at AFI Fest.

It marks the first tribute award revealed for the 36th annual Gothams, put on by the Gotham Film & Media Institute, which take place this year November 20 at Cipriani Wall Street in New York City.

“After 20 years of pushing the boundaries of modern cinema and animation, this moment feels like both a celebration and an evolution for Laika,” said Jeffrey Sharp, executive director of the institute, which earlier this year teamed with the animation studio to launch Laika x Gotham Animation Accelerator for creators working on animated short films. “With Wildwood, Laika’s most ambitious film to date, and the launch of Laika Live Action opening up new creative territory, the studio continues to expand the possibilities of what handcrafted storytelling can be. We can think of no more fitting honoree for this year’s Anniversary Tribute, and we’re thrilled to welcome the Laika team to celebrate with us.”

Travis Knight, Laika’s president and CEO, directs Wildwood, which was written by Chris Butler based on Colin Meloy’s novel. It centers on headstrong teenager Prue McKeel (Peyton Elizabeth Lee), who after her baby brother is abducted by a murder of crows launches with her hapless but loyal classmate Curtis Mehlberg (Jacob Tremblay) a rescue mission into the Impassable Wilderness — an enchanted forest hidden just beyond Portland, OR.

It voice cast also includes Carey Mulligan, Mahershala Ali, Angela Bassett, Awkwafina, Jake Johnson, Charlie Day, Amandla Stenberg, Jemaine Clement, Maya Erskine, Tantoo Cardinal, Tom Waits and Richard E. Grant.

“We’re deeply honored that The Gotham is recognizing Laika at a moment when we’re celebrating two decades of filmmaking and bringing Wildwood to audiences,” said David Burke, Laika’s Chief Marketing & Operations Officer. “Our partnership on the Laika x Gotham Animation Accelerator reflects something we care deeply about: creating meaningful opportunities for bold new voices to push animation forward. We’re grateful to The Gotham for this recognition and for a partnership grounded in a shared belief in original, ambitious storytelling.”

More Gotham tributes will be rolled out throughout the fall, with nominations in the 10 competition Gotham Awards categories to be revealed October 27.

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Shawn Levy Moves To Disney’s 20th Television With Overall Deal After Long Tenure At Netflix

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With Stranger Things coming to an end, both series’ creators/executive producers The Duffer Brothers and director/executive producer Shawn Levy are moving on by setting up shop elsewhere.

Following the Duffer Brothers’ massive film and TV overall deal at Paramount, Levy and his 21 Laps Entertainment have signed a big multi-year overall deal with 20th Television, a part of Disney Television Studios, where he will develop and produce series across Disney Entertainment’s portfolio of platforms and brands.

“Shawn has a rare ability to tell stories that are wildly entertaining and deeply human, something he’s brought to Disney across two decades,” said Dana Walden, President and Chief Creative Officer, The Walt Disney Company. “He moves effortlessly across genres and franchises with a remarkable sense of what captures audiences and inspires passionate fandom. He’s an incredible storyteller and a true creative partner of the highest caliber, and we are thrilled to be building this next chapter together.”

Disney and Levy have an existing relationship on the film side. He directed and co-wrote Marvel Studios’ blockbuster Deadpool & Wolverine and is directing Lucasfilm’s upcoming Star Wars: Starfighter, starring Ryan Gosling. He is also reteaming with Gosling on Marvel Studios’ Ghost Rider movie.

Early in his career, Levy directed the Disney Channel series The Famous Jett Jackson and later produced Alexander and the Terrible, Horrible, No Good, Very Bad Day for Walt Disney Pictures.

“Years before I directed movies, I started my career directing and producing television episodes for Disney Channel, and I’ve always felt a kindred spirit in Disney and their storytelling ethos,” Levy said. “Having worked with Dana Walden over the years when we were both at Fox, I know her to be a formidable, smart and authentic person, not to mention a force of nature as an executive. Coupled with the amazing Debra OConnell, Disney Television has such an exciting era ahead, and I’m enthusiastic and inspired to produce the next wave of 21 Laps television series with the entire Disney team. I know from experience the passionate creative DNA of this place, and it honestly just feels like home.”

Levy also acknowledged the leadership at Netflix where he spent more than a decade.

“I will forever cherish the incredible ride 21 Laps has had with Netflix,” he said. “I am deeply grateful to Ted, Bela, Jinny and the many talented Netflix execs with whom we have worked over the years and, of course, look forward to continuing our collaboration on the Stranger Things universe from the Duffer Brothers.”

The animated Stranger Things: Tales From ’85 just returned for a second season with at least one other offshoot series waiting for a green light at Netflix.

Previously, Levy directed 20th Century Studios’ Free Guy, the multi-film franchise The Night at the Museum and Cheaper by the Dozen. He is repped by WME, Wendy Kirk of Johnson Shapiro Slewett & Kole.

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