
Abbe Lane with bandleader Xavier Cugat in the 1950s.
Courtesy Everett Collection
Leonardo DiCaprio‘s Re:wild and Jeff Bezos‘ Bezos Earth Fund have launched this week the Phoenix Species Project, a new philanthropic initiative dedicated exclusively to helping protect and resurrect critically endangered species around the world.
The project’s launch coincides with a $200 million commitment shared by DiCaprio’s Re:wild, Bezos’ Earth Find, Age of Union and the Todd Graves Family Foundation. It is the single largest philanthropic initiative dedicated to the recovery of critically endangered species. The $200 million commitment will help those fighting to stop animal and plant life extinction by allowing them to move beyond short-term grant funding and focus on the kind of ambitious, sustained work that is needed to save endangered species.
Working in collaboration with Indigenous Peoples, local communities, scientists and conservationists, the project promises to provide new support to 100 species that are facing imminent extinction, including certain mammals, amphibians, reptiles, fish, invertebrates, birds and plants.
“For decades, scientists, Indigenous Peoples, local communities and conservation leaders have been on the front lines of protecting nature, and what has been made clear through research, is that species on the brink of extinction are often the ones that anchor some of the world’s most important ecosystems,” DiCaprio, founder of Re:wild, said in a statement. “When we protect those species, we also protect the forests, wetlands, grasslands and oceans they depend on.”
“The Phoenix Species Project has the potential to drastically shift how we approach conservation and combat the climate crisis at a global scale,” DiCaprio continued. “By creating the largest philanthropic initiative in history dedicated to the recovery of critically endangered species across continents, made possible by a transformative gift from the Bezos Earth Fund, we have an opportunity to make a lasting impact where it’s needed most. The goal is for the Phoenix Species Project to become a global movement that inspires others to invest in nature and help protect our planet.”
$100 million of the Phoenix Project’s initial funding comes directly from the Bezos Earth Fund. The other $100 million has been provided by Re:wild, with support from DiCaprio, Age of Union and the Todd Graves Family Foundation.
“Kids fall in love with animals before anyone tells them those animals are disappearing. Ask any seven-year-old about their favorite creature. It’s something wild. Something most adults have never heard of. What do we tell them when the night parrot or the golden-crowned sifaka isn’t there anymore to fall in love with? This project is our answer,” Lauren Sánchez Bezos, vice chair of the Bezos Earth Fund, said in her own statement. “One hundred species, thirty countries and a real commitment to bringing them back. Not managing their decline. Recovering them. That’s the whole difference. We know how to do this. We just have to stay committed long enough to see it through.”
Among the endangered species targeted by the fund are the ancient bowmouth guitarfish, the tree-dwelling Hickory Nut Gorge green salamander and the freshwater Charco Azul pupfish. You can find the full list of endangered species highlighted by the Phoenix Species Project on the initiative’s new website.
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The Academy of Motion Picture Arts and Sciences on Thursday continued its string of annual election announcements, this time sharing that casting director Kim Taylor-Coleman was re-elected president of the Academy Foundation Board.
The Academy Foundation oversees all educational, preservation, and cultural activities of the Academy, including the Academy Museum of Motion Pictures, the Academy’s Margaret Herrick Library, the Academy Film Archive, the Academy Collection, and the Academy’s talent development programs.
The Academy Foundation Board comprises 12 trustees who also are members of the Academy Board of Governors. The rest of the newly elected 2026-2027 Academy Foundation Board members and officers include Visual Effects Branch member Brooke Breton and Cinematographers Branch member Paul Cameron, who were both elected vice presidents; Marketing and Public Relations Branch member David Dinerstein, who was elected treasurer; and Animation Branch member Marlon West, who was elected secretary.
The rest of the board members are Patricia Cardoso (Directors Branch), Peter Devlin (Sound Branch), Richard Hicks (Casting Directors Branch), Lynette Howell Taylor (Producers Branch), Larry Karaszewski (Writers Branch), Chris Tashima (Short Films Branch), and Terilyn A. Shropshire (Film Editors Branch).
“The Academy Foundation plays a vital role in expanding our global reach and supporting our film community through the Academy Museum, Academy Collection, educational initiatives and preservation work,” said Academy CEO Bill Kramer via statement. “I am incredibly grateful to our Academy Foundation Board members for dedicating their time, expertise and support to drive forward these impactful and important efforts.”
Academy Foundation Board members and officers serve one-year terms. As representatives of the Foundation Board, Dinerstein, Howell Taylor, and Taylor-Coleman will also serve on the Academy Museum Board of Trustees for one-year terms.
The Academy Foundation election announcement comes one week after the Academy of Motion Picture Arts and Sciences announced the result of its Board of Governors election, where producer Howell Taylor was re-elected president, Music Branch member Lesley Barber as Vice President (chair, Membership Committee), Producers Branch member Jennifer Fox as Vice President (chair, Awards Committee), Actors Branch member Lou Diamond Phillips as Vice President (chair, Equity and Inclusion Committee), and Writers Branch member Howard A. Rodman as Vice President/Secretary (chair, Governance Committee).
Marketing and Public Relations Branch member Dinerstein was also elected to his first officer role as Vice President/Treasurer (chair, Finance Committee).
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EXCLUSIVE: VIZ Media, a leading global producer of anime, manga and original graphic novels, has teamed with The Gotham Group to develop film and television adaptations based on titles from its original intellectual property. The deal includes the company’s acclaimed VIZ Originals graphic novel line and its landmark animated RWBY franchise.
VIZ is behind some of the most prestigious anime brands in the industry, including One Piece, Demon Slayer, Naruto, and Jujutsu Kaisen.
Under the agreement, The Gotham Group—whose credits include Percy Jackson and the Olympians, The Search for WondLa, Washington Black, the Maze Runner franchise and biopic Springsteen: Deliver Me From Nowhere—will identify and package projects drawn from VIZ Media’s library of original IP.
At the heart of the collaboration is RWBY, created by the late Monty Oum. Since its debut in 2013, RWBY has amassed more than 350 million views globally while expanding into publishing, video games, consumer products and multiple spinoffs, including RWBY: Ice Queendom and two Justice League x RWBY animated crossover films.
Widely recognized as the first anime series produced in the United States—and the first Western-produced anime to be dubbed and distributed in Japan—RWBY helped pave the way for a new generation of globally developed anime-inspired storytelling.
RWBY, set in a world filled with horrific monsters bent on death and destruction, humanity’s hope lies with powerful Huntsmen and Huntresses. Ruby Rose, Weiss Schnee, Blake Belladonna and Yang Xiao Long are four Huntresses in training whose journeys will take them far beyond the halls of Beacon Academy. Together, they must overcome powerful enemies and protect the world of Remnant.
“From the beginning, our vision for RWBY has been to build a global franchise that connects with fans across every medium,” said Brad Woods, President and CEO VIZ Media. “With Volume 10 officially underway, we’re excited to take the next step by partnering with The Gotham Group to develop RWBY, alongside our growing portfolio of original graphic novels, for film and television. Together, we look forward to bringing these stories to new audiences around the world.”
The deal also includes VIZ Originals, VIZ Media’s original manga imprint. Featuring works from acclaimed creators Rem & Bikkuri (Devil’s Candy), author Rainbow Rowell (Fangirl), Eisner nominee Sam Sattin (Lynx), and renowned artist Acky Bright (Galaxic Baseball League) among many others.
“We are thrilled to be working with the iconic VIZ on RWBY and beyond,” said The Gotham Group’s Founder & CEO Ellen Goldsmith-Vein. Its titles have captivated audiences for decades and VIZ has been instrumental in bringing the global phenomena of manga and anime to the US. The RWBY franchise is one of the most prolific out there and we’re excited to be a part of bringing new stories to life.”
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Abbe Lane, the glamorous entertainer who starred in movies with Glenn Ford and Cornel Wilde and built a thriving singing career alongside her onetime husband, famed bandleader Xavier Cugat, has died. She was 93.
Lane died April 25 of natural causes in Los Angeles, her son Steven Leff told The Hollywood Reporter.
Lane starred in nearly two dozen Italian movies, working with the likes of Vittorio De Sica and Totó, and with Tony Randall toplined the 1958 Broadway musical comedy Oh Captain! (1958), directed by José Ferrer.
Once called the “Swingingest Sexpot in Show Business,” the redhead made a 3D splash in Wings of the Hawk (1953), starring Van Heflin and Julie Adams. She also appeared with Audie Murphy and Dan Duryea in Ride Clear of Diablo (1954), with Ford in The Americano (1955), with Dennis O’Keefe in Chicago Syndicate (1955) and with Wilde, who also directed, in Maracaibo (1958).
The Brooklyn native had married the Spanish-born, Cuba-raised Cugat in Miami in 1952 after he had spotted her singing in a Broadway show when she was nearing 16 and he was approaching 49. She fronted his Latin music orchestra and toured with him throughout Europe before she initiated their Mexican divorce in June 1964.
She quickly remarried, and two years later Cugat wed another much younger entertainer, Charo, the last of his five wives.
Lane wrote about her marriage to Cugat in the 1993 roman à clef But Where Is Love?, which publisher Warner Books promoted as a “riveting, glitzy, star-splashed tale of passion, obsession and one young woman’s poignant search for happiness. Peopled with Hollywood luminaries both real and imagined, it features tantalizing lore and gossip only a true insider could provide.”
In an interview with the Chicago Tribune, Lane said she suffered “constant mental abuse” from Cugat. “He told me when to eat, when to sleep, when things had to be done,” she said. “I never argued with him. There was no point. His will prevailed in all cases.”
Abigail Francine Lassman was born in Brooklyn on Dec. 14, 1932, and raised in Manhattan. She sang on the radio and modeled, attended the High School of Music and Art for a year and then, billed as Abbe Marshall, performed on Broadway in 1947-48 in George Abbott’s Barefoot Boy With Cheek and in Michael Todd’s As the Girls Go.
“That’s when I met Cugie,” she said in 1963. “He was looking for a new vocalist when he saw me doing a calypso number in the stage show one night. The very next day Cugie was a guest with Vincent Lopez [on Lopez’s TV show, where she was a performer], and he saw me again. He liked my style and voice and asked me to audition the next day. I did and he hired me.”

Abbe Lane with bandleader Xavier Cugat in the 1950s.
Courtesy Everett Collection
After being accompanied by her mother on the road for about a year, she and Cugat wed — “I figured, I’ll marry him and travel, I didn’t realize that there would be other things involved,” she explained in a 2005 interview.
The couple toured Italy and performed as themselves in cha-cha-cha nightclub acts seen in Lo Scapolo (1955) and Donatella (1956). Soon, she was heading such Italian films as The Lady Doctor (1957), Honor Among Thieves (1957) and Roulotte e roulette (1959).
In 1957, Lane performed backed by her husband on NBC’s The Xavier Cugat Show and on The Ed Sullivan Show, and a year later, she was paired with Tito Puente and his mambo orchestra on the album Be Mine Tonight. A review of the LP notes that she “commands the spotlight from start to finish, galvanizing otherwise innocuous lyrics with wit, sophistication and sheer lust.”
Lane also partnered with bandleader Sid Ramin on a 1959 album of pop tunes as she recorded for RCA Victor and then Mercury Records.
She had become a cultural icon, and in the original 1960-61 Broadway production of Bye Bye Birdie, Chita Rivera‘s character sings “Spanish Rose” with these lyrics: “I’ll eat the tacos and the enchilada; I’ll drink tequila till I feel no pain; The only song I’ll sing will be ‘Granada’; I’ll be more español than Abbe Lane.”
Lane, who spoke four languages, also headlined a Las Vegas act, performed often on The Tonight Show, The Hollywood Palace and The Merv Griffin Show and acted on Naked City, Burke’s Law, F Troop, The Man From U.N.C.L.E., The Flying Nun, The Brady Bunch — as a spoiled perfume heiress — and Hart to Hart.
She said that the dominating Cugat told her “for so many years that, ‘Unless I’m behind you on the bandstand, you will not be able to perform, you will just melt away,’” she said. “It was not true, but I bought into it.”
Six months after divorcing Cugat, she married Perry Leff, a Creative Management Associates agent who represented the likes of Barbra Streisand and Gilligan’s Island creator Sherwood Schwartz, in a ceremony at the Plaza in New York. He died in 2020.
She also is survived by another son, Andrew, a music industry veteran and attorney, and a granddaughter, Kaia.
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