movies
‘Matrix Resurrections’ Lawsuit Settled: Village Roadshow To Pay Warner Bros $57M
A re-configured multi-million settlement of sorts between Village Roadshow & Warner Bros over The Matrix: Resurrections seems prophetic and very much of the matrix in its own special way.
With the once big league film co-financier paying out $57 million to the likely soon-to-be David Ellison-owned studio, the words of Matrix: Resurrections‘ Smith to Neo of “after all these years, to be going back to where it started,” really nails the legal tussling the past four years between WB and the now bankrupt VR.
Which is to say, you might want to pop that red pill now
Earlier this week, lawyers for Warner Bros Discovery pulled the plug on their own attempt to secure a previously awarded $125 million judgement from Village Roadshow. With that “without prejudice” (which means it could be resurrected) move in LA Superior Court, WBD attorneys revealed they had scored $57 million from the 2025 Chapter 11’d VR. That money was scheduled to be in WBD’s account within days – which has happened, I hear.
Warner Bros had no comment on the resolution, and lawyers for Village Roadshow did not respond to Deadline’s request Friday for comment. However, having all started when WB releasing the fourth film in the Wachowskis‘ franchise simultaneously in both theaters and on subscriber hungry streaming during the last gasps of the Covid-19 pandemic, things aren’t quite as blue pill or red pill as they seem.
For one thing, that $57 million is less a new figure in the dispute that went to court in the 2002 breach of contract lawsuit from Village Roadshow against the then Jason Kilar-run Warners, and more some updated accounting with an appeals court thrown in. For another thing, Village Roadshow now has a zero stake in Matrix: Resurrections – which is a long way from where things appeared to stand just a year ago.
Let’s jump back a bit, shall we?
Moved fairly quickly behind closed doors to arbitration, VR’s February 7, 2002 launched lawsuit seemed to shuffle off with the company actually found on the hook for the nearly $100 million in co-financing it never actually ponied up for the Lana Wachowski-helmed Resurrections. Under appeal, the portion of that $125 million that Village Roadshow would have been paying for 50% of Matrix: Resurrections was deemed an overreach. An appeals panel concluded Village Roadshow North America, who had long hit the skids financially, couldn’t be forced to purchase half of MR in the hopes of half of the waterfalled profits.
So they didn’t and they don’t have to pay for something they aren’t going to own any of ..A.K.A. – WB fully owns 100% of The Matrix: Resurrections now. The remaining sum, that $57 million, was reframed as damages.
Not that The Matrix isn’t still pretty valuable in many people’s eyes and spread sheets.
Despite the less than stellar returns and reviews for the cash-in vibed Matrix: Resurrections, Alcon Media Group was awarded derivative rights in November last year to the Matrix franchise and most of the other titles it snared from Village Roadshow Entertainment Group‘s film library in summer 2025. “Alcon looks forward to working collaboratively with Warner Bros, as we have for over a quarter-century, to partner in the exploitation of the derivative rights to these many great films across multiple platforms,” AMG bosses Andrew Kosove and Broderick Johnson asserted late last year.
All of which means, under a joint Paramount and WBD umbrella or via siloed studios or whatever, Groff’s Agent Smith also had it right in Matrix: Resurrections when he quipped “that’s the thing about stories …they never really end do they?”
Never in the matrix of Hollywood — IP, bottom line, or otherwise.
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movies
‘ESPN Jeopardy!’ Returns For Season 2 On Hulu & Disney+
Civilian sports fans can now apply to play the latest version of Jeopardy! after it was revealed that ESPN Jeopardy! is returning for a second season.
Disney+ and Hulu premiered the first season of the show in July with stars such as Jon Hamm, Hannah Storm, Manti Te’o and Adam Pally.
It will now return with everyday sports fans facing off against each other in order to win a $300,000 prize. In the first season, celebrities and ESPN talent competed in the tournament-style event for a $500,000 prize for the charity of their choice.
Joe Buck, who hosts the show, announced the renewal on Monday Night Football as the Philadelphia Eagles prepare to take on the Chicago Bears at Soldier Field.
The series, which is also available to watch on the ESPN app, is the latest spinoff of the classic gameshow. It comes after Sports Jeopardy!, which ran for three seasons and over 100 episodes on Crackle, Rock & Roll Jeopardy!, which ran for four seasons on VH1, and, more recently, Celebrity Jeopardy! and Pop Culture Jeopardy!, which is hosted by Saturday Night Live’s Colin Jost and moved from Amazon to Netflix for its second season, which debuted in May. There was also a recent YouTube digital edition.
The series is produced by Sony Pictures Television and Michael Davies, who exec produces the main Jeopardy!, serves as executive producer. It is shot on the Alex Trebek Stage, the official name of Stage 10 at Sony Pictures Studios in Culver City.
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movies
Sylvester Stallone on ‘I Play Rocky’ Biopic: ‘I’m Not Dead Yet’
Sylvester Stallone is weighing in on seeing his life’s story retold on the big screen in the upcoming biopic I Play Rocky.
The film, which premiered to much fanfare at the Toronto International Film Festival earlier this month, follows the making of 1976’s Rocky, with Anthony Ippolito playing a young version of Stallone as he develops and pushes the film through a tumultuous production.
During a chat at 92NY on Monday promoting his new memoir The Steps, Stallone reacted to the project, admitting he was initially “kind of mixed because I’m going, ‘I’m not dead yet. Aren’t we jumping the gun a little bit?’ And then I saw this video of this kid [Ippolito]. I actually thought it was me the first moment; there were a couple of angles. I go to my daughter and say, ‘That’s unbelievable.’”
The star emphasized he has “nothing to do” with the movie, which was directed by Peter Farrelly. “I said, ‘I’ll just sit back and watch.’ I talked to the kid. I said, ‘If you want any questions, here I am,’ and that was it. But they did it all on their own,” as Stallone joked that in seeing Ippolito’s portrayal, “I go, ‘Do I talk like that?’ Now I get it. Now I get it.”
Elsewhere in the conversation, Stallone spoke about what it’s like for him to watch the Rocky movies now (“It’s like you look at a photo of yourself, everyone else likes it, but you go [growl]”) and revealed he’s trying to get Amazon to let him recut 1990’s Rocky V, calling the movie “a thorn in my side.”
“It bothers me to death because I know I took my foot off the gas,” he said, noting that he should have directed it himself and “I should have been more aware of not trying to be cool to the audience.” He joked that if he’s able to do a recut, “It’s not going to be great. It’ll be acceptable.”
Stallone was also asked by the moderator, CBS Sunday Morning’s Tracy Smith, if he thinks he could make it to the top of Hollywood if he was just starting out today.
“It’s a whole different ideology out there… I don’t think so. It’s a whole different mindset,” he replied. “The actors look different. They act different — not the mentality, but the subject matter isn’t something that I could relate to. Like action right now is kind of anachronistic.”
He continued, “For example, if you were going to make The Godfather today, try casting it. Impossible. The whole premise — it just came at a certain time, and that’s why it makes it so unique. So quite often when they do remakes, they’re fundamentally forgetting that that film was based on the social climate, the thing, the look, the ethnicity, everything that there was going on at that time. Today, you couldn’t cast the film.”
The Steps hits bookshelves on Tuesday.
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movies
Broadcast To Hit A Double, Peacock Goes Deep In NBC Coverage Of MLB Wild Card Playoffs
Sports fans of a certain age can readily recall NBC‘s coverage of the Major League Baseball playoffs regularly pre-empting the network’s “Must-See TV” primetime lineup in the 1990s.
While today’s ratings and programming landscape has changed dramatically in the intervening decades, this year’s playoffs (starting Tuesday) are shaping up as a back-to-the-future milestone for NBC Sports. Its exclusive coverage of the wild card round (which aired on ESPN and ABC from 2022 to ’25) will deliver boosts to the broadcast network and streaming flagship Peacock.
Four games a day, starting at 2 p.m., 5 p.m., 8 p.m. and 10 p.m. ET, will be carried on Tuesday and Wednesday. Depending on the status of each best-of-three series, Thursday will see between one and four games before later playoff rounds shift to Turner and Fox. Viewership of MLB has been on the rise, with all rights holders seeing improvement over 2025 levels through the second half of the season. Last year’s World Series comeback by the L.A. Dodgers against the Toronto Blue Jays benefited from going the maximum seven games, but its average of 15.71 million viewers a game was the best for any Series since 2017, demonstrating the sport’s recent momentum.
Two of the Tuesday and Wednesday games (at 2 and 8) will air on NBC, with the other two airing on cable TV’s NBC Sports Network. If series move to a deciding third game on Thursday, NBC will air between one and three games, depending on where things stand. It’s a step up for broadcast TV compared with recent years, when only one game per day aired on ABC and extends a pendulum swing back to broadcast for the sport, whose entire pre-World series playoffs in 2019 aired on cable TV except for one game.
Peacock will stream every inning of the wild card round, between eight and 12 games. It will be the latest injection of live sports in a year that has already seen the Winter Olympics, the Super Bowl, NBA and NHL playoff games, and Spanish-language World Cup coverage. The streaming service ended June with 48 million subscribers after adding 2 million in the second quarter, which included Love Island USA and the start of the World Cup. It also increased prices in August during the runup to college football and NFL season, with MLB playoffs and the NBA not much farther down the line.
Six years after launch, Peacock finally turned a profit in the second quarter. NBCU Media Chairman Matt Strauss said live sports has been a key part of the company “playing to our strengths” in streaming.
NBCU reached a 3-year rights deal with MLB worth a reported $600 million in November 2025. “We are excited to reignite NBC Sports’ storied Major League Baseball history through this comprehensive and innovative partnership that will honor the past and create new traditions,” NBC Sports President Rick Cordella said at the time.
All wild card series have used the best-of-three format since 2022, replacing the prior set-up that pitted select lower-seeded teams against each other in a single-elimination game.
NBCU not only has more wild card games to work with; it also got lucky this year with the markets and teams represented in the kickoff to the postseason. Two longtime rivalries will be renewed, with the Boston Red Sox taking on the New York Yankees and the Philadelphia Phillies playing the Atlanta Braves. The other series also feature major markets and marquee teams, as the Chicago White Sox face the Houston Astros and the Chicago Cubs battle the San Diego Padres.
The presence of both the Cubs and the White Sox is just the fourth time that both Chicago teams have made the playoffs in the same year. The last time was in the Covid-altered 2020 season. Before that, the teams both made it in 2008 and when they dueled in the 1906 World Series (which was won by the White Sox).
The Astros are also the first team in MLB history to finish a full 162-game regular season without a winning record and still make the playoffs. Houston had 81 wins and 81 losses.
During a media conference call on Monday, play-by-play announcer Jason Benetti, analysts Anthony Rizzo and Joey Votto, and senior producer Matt Borzello talked about their approach to the wild card games. One feature similar to those incorporated into NBA and NHL telecasts is “Inside the Pitch,” in which players and former players positioned next to the field break down the action.
The combination of physical proximity and playing experience allows the broadcasters to “pick up on things like the conversations players are having that don’t reach the broadcast booth,” Rizzo said. Vatto said he and Rizzo pick up on the “little nuances” and the “tendencies and mannerisms” in a way they hope can benefit the viewer.
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