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‘Heated Rivalry’ and ‘Hacks’ Win at 2026 Dorian TV Awards

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“Heated Rivalry” and the final season of “Hacks” each took home top awards at the 18th annual Dorian TV Awards from GALECA: The Society of LGBTQ Entertainment Critics.

Both series won four awards each. “Heated Rivalry” was awarded the Best LGBTQ TV Show as well as Best TV Drama and awards for François Arnaud and creator Jacob Tierney.

“Hacks” was awarded as the Best TV Comedy and the Best Written TV Show. Jean Smart and Hannah Einbinder each received honors for their acting performances for the final season.

The critics gave Lisa Kudrow the Galeca TV Icon Award for her final season of “The Comeback.”

“What excites me most about this year’s Dorian winners is the range—the swooning devotion of ‘Heated Rivalry,’ the tender complexity of ‘The Boyfriend,’ the bravery that cuts through ‘Half Man,’ and the community memory being kept alive in ‘Lilith Fair: Building a Mystery,’” said GALECA Vice President Gerrick Kennedy, who served as this year’s TV awards chair.

“To think, queer stories once needed to squeeze into a narrow lens to get made,” he added. “There is always room for progress, but this year’s winners prove our community’s stories are as varied and worth telling as any other.”

“Widow’s Bay,” “Half Man” and “Pluribus” each received honors at the awards show celebrating queer performances this year. HBO Max emerged on top with 10 awards. Apple TV earned five awards with the new release of “Pluribus” and Netflix followed closely behind with four wins.

See the full list of winners below:

Best TV Drama

  • Heated Rivalry (HBO Max)  
  • “Industry” (HBO Max)
  • “The Gilded Age” (HBO Max)
  • “Pluribus” (Apple TV)
  • “The Pitt” (HBO Max)

Best TV Comedy

  • “Abbott Elementary” (ABC)
  • “The Comeback “(HBO Max)
  • Hacks (HBO Max)  
  • “Shrinking” (Apple TV)
  • “Widow’s Bay” (Apple TV)

Best LGBTQ TV Show

  • “The Comeback” (HBO Max)
  • “Hacks” (HBO Max)
  • “Half Man” (HBO Max)
  • Heated Rivalry (HBO Max)
  • “Pluribus” (Apple TV)

Best TV Movie or Limited Series

  • “All Her Fault” (Peacock)
  • “Beef” (Netflix)
  • “DTF St. Louis” (HBO Max)
  • Half Man (HBO Max)  
  • “Love Story: John F. Kennedy Jr. & Carolyn Bessette” (FX/Hulu)

Best Non-English Language TV Show

  • “Blossoms of Shanghai” (Criterion Channel)
  • “Dan Da Dan” (Netflix)
  • “Frieren: Beyond Journey’s End” (Crunchyroll)
  • “Mussolini: Son of the Century” (Mubi
  • Squid Game (Netflix)  
  • “The Summer Hikaru Died” (Netflix)

Best LGBTQ Non-English Language TV Show

  • The Boyfriend (Netflix)  
  • “Chosen Home” (Netflix)
  • “Go for It, Nakamura-kun!” (Crunchyroll)
  • “The Summer Hikaru Died” (Netflix)
  • “Tremembé” (Amazon MGM)

Best Written TV Show

  • “The Comeback” (HBO Max)
  • Hacks (HBO Max)  
  • “Heated Rivalry” (HBO Max)
  • “Pluribus” (Apple TV)
  • “The Pitt” (HBO Max)

Best TV Performance — Drama

  • Marisa Abela, “Industry” (HBO Max)
  • Jamie Bell, “Half Man” (HBO Max)
  • Carrie Coon, “The Gilded Age” (HBO Max)
  • Myha’la Herrold, “Industry” (HBO Max)
  • Mark Ruffalo, “Task” (HBO Max)
  • Rhea Seehorn, Pluribus (Apple TV)  
  • Connor Storrie, “Heated Rivalry” (HBO Max)
  • Hudson Williams, “Heated Rivalry” (HBO Max)
  • Noah Wyle, “The Pitt” (HBO Max)
  • Zendaya, “Euphoria” (HBO Max)

Best Supporting TV Performance — Drama

  • François Arnaud, Heated Rivalry (HBO Max)  
  • Patrick Ball, “The Pitt” (HBO Max)
  • Isa Briones, “The Pitt” (HBO Max)
  • Richard Gadd, “Half Man” (HBO Max)
  • Katherine LaNasa, “The Pitt” (HBO Max)
  • Ken Leung, “Industry” (HBO Max)
  • Charles Melton, “Beef” (Netflix)
  • Sepideh Moafi, “The Pitt” (HBO Max)
  • Colman Domingo, “Euphoria” (HBO Max)
  • Karolina Wydra, “Pluribus” (Apple TV)

Best TV Performance — Comedy

  • Yahya Abdul-Mateen II, “Wonder Man” (Disney+)
  • Quinta Brunson, “Abbott Elementary” (ABC)
  • Ayo Edebiri, “The Bear” (FX/Hulu)
  • Elle Fanning, “Margo’s Got Money Troubles” (Apple TV)
  • Ethan Hawke, “The Lowdown” (FX/Hulu)
  • Lisa Kudrow, “The Comeback” (HBO Max)
  • Dan Levy, “Big Mistakes” (Netflix)
  • Matthew Rhys, “Widow’s Bay” (Apple TV)
  • Tim Robinson, “The Chair Company” (HBO Max)
  • Jean Smart, Hacks (HBO Max)  

Best Supporting TV Performance — Comedy

  • Leslie Bibb, “Hacks” (HBO Max)
  • Colman Domingo, “The Four Seasons” (Netflix)
  • Paul W. Downs, “Hacks” (HBO Max)
  • Hannah Einbinder, “Hacks” (HBO Max)
  • Harrison Ford, “Shrinking” (Apple TV)
  • Janelle James, “Abbott Elementary” (ABC)
  • Kate O’Flynn, Widow’s Bay (Apple TV)  
  • Ashley Padilla, “Saturday Night Live” (NBC)
  • Michelle Pfeiffer, “Margo’s Got Money Troubles” (Apple TV)
  • Meg Stalter, “Hacks” (HBO Max)

Best TV Musical Performance

  • Audra McDonald, “Rose’s Turn,” The 78th Tony Awards
  • Bad Bunny, The Apple Music Super Bowl LX Halftime Show  
  • Miles Caton, Raphael Saadiq, Misty Copeland, Eric Gales, Buddy Guy, Brittany Howard, Christone “Kingfish” Ingram, Jayme Lawson, Li Jun Li, Bobby Rush, Shaboozey and Alice Smith, “I Lied to You,” The 98th Academy Awards
  • Sabrina Carpenter and The Muppets, “Manchild,” The Muppet Show
  • Sabrina Carpenter, Kermit the Frog and Miss Piggy, “Islands in the Stream,” The Muppet Show

Best Unsung TV Show

  • Boots (Netflix) 
  • “English Teacher” (FX/Hulu)
  • “The Four Seasons” (Netflix)
  • “From” (MGM+)
  • “Murderbot” (Apple TV)

Best Current Affairs Show

  • “The Daily Show” (Comedy Central)
  • “Hot Ones” (YouTube)
  • “Last Week Tonight With John Oliver” (HBO Max)
  • “Late Night With Seth Meyers” (NBC)
  • The Late Show With Stephen Colbert (CBS) 

Best TV Performance — Comedy

  • “Kylie” (Netflix)
  • Mr. Scorsese (Apple TV)  
  • “Seen & Heard: The History of Black Television” (HBO Max)
  • “Selena y Los Dinos” (Netflix)
  • “The Yogurt Shop Murders” (HBO Max)

Best LGBTQ TV Documentary or Documentary Series

  • “Club Cumming” (WOW Presents Plus)
  • “Enigma” (HBO Max)
  • “It’s Dorothy!” (Peacock)
  • Lilith Fair: Building a Mystery (Hulu)  
  • “Murder in Glitterball City” (HBO Max)

Best Genre TV Show

  • “Alien: Earth” (FX/Hulu)
  • “The Boys” (Amazon Prime Video)
  • “It: Welcome to Derry” (Max)
  • “Pluribus” (Apple TV)
  • Widow’s Bay (Apple TV)  

Best Reality Show

  • “The Boyfriend” (Netflix)
  • “Love on the Spectrum” (Netflix)
  • “RuPaul’s Drag Race” (MTV/Paramount+)
  • “Top Chef” (Bravo)
  • The Traitors (Peacock)  

Best Animated Show

  • “Bob’s Burgers” (Fox)
  • “Invincible” (Amazon Prime Video)
  • “Hazbin Hotel” (Amazon Prime Video)
  • “Long Story Short” (Netflix)
  • South Park (Paramount+)  

Most Visually Striking TV Show

  • Alien: Earth (FX/Hulu) (tie)  
  • “Euphoria” (HBO Max)
  • “The Gilded Age” (HBO Max)
  • “Heated Rivalry” (HBO Max)
  • Pluribus (Apple TV) (tie)  

Campiest TV Show

  • “All’s Fair” (Hulu)
  • “The Comeback” (HBO Max)
  • The Hunting Wives (Netflix)  
  • “Palm Royale” (Apple TV)
  • “The Traitors” (Peacock)

Wilde Wit Award

  • Hannah Einbinder 
  • Stephen Colbert
  • Cole Escola
  • Alan Cumming
  • Richard Gadd

Galeca TV Icon Award Lisa Kudrow  

Galeca LGBTQIA+ TV Trailblazer — Jacob Tierney  

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When Dudley Moore Intoxicated Audiences in ‘Arthur’

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A toast is in order for Arthur, which became a comedy classic despite a quiet release 45 years ago. After penning Carl Reiner’s 1978 comedy The One and Only starring Henry Winkler, Steve Gordon was hired to direct his own Arthur script for Orion. Gordon initially considered George Segal and John Belushi for the title role before casting Dudley Moore off the success of 10, in which the actor starred opposite Bo Derek.

Arthur centers on alcoholic playboy Arthur Bach, who will be cut off from his family fortune unless he marries a woman he doesn’t love, which becomes complicated when he falls for working-class Linda, played by Liza Minnelli. At the time, Moore praised the script for its barrage of jokes: “Ten laughs a page, instead of one laugh every 10 pages.” Actress Anne DeSalvo, who played sex worker Gloria, tells THR that Moore, a classically trained pianist, would warmly greet her on set. “Dudley would be playing the piano, and he’d say, ‘Good morning, Anne,’ ” she recalls. “He was such a gentleman.”

The lead character was written as American, but Moore convinced Gordon to let him keep his British accent: “Steve kept phoning me up and saying, ‘Are you sure you can’t do an American accent?’ I told him if I tried, it would be the most distorted performance.”

Arthur hit theaters on July 17, 1981, with THR‘s review extolling the “hilarious comedy” and Moore’s “impeccable timing.” The film got off to a slow box office start amid marketing challenges, but word of mouth drew crowds for weeks to come, as Arthur became the year’s fourth-highest-grossing title. The film earned four Oscar nominations, winning for best supporting actor for John Gielgud as butler Hobson, plus Christopher Cross’ main theme song, “Best That You Can Do,” co-written by Burt Bacharach and Carole Bayer Sager.

Gordon died suddenly of a heart attack a year later at age 44, making Arthur his only feature. Moore and Minnelli returned for a 1988 sequel, while a 2011 remake starred Russell Brand, Jennifer Garner, Greta Gerwig and Helen Mirren, but neither matched the success of the original, which was named one of AFI’s top 100 comedies.

Moore, who died in 2002 at age 66 after battling progressive supranuclear palsy, once called Arthur his favorite role: “I love the character.”

This story appeared in the Aug. 12 issue of The Hollywood Reporter magazine. Click here to subscribe.

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Kristen Kish Wants ‘Top Chef’ To Cook Up More Prize Money

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As the cost of groceries continues to rise, cooking in restaurants and at home has become more expensive. Kristen Kish, host of Top Chef, is well aware of this squeeze and wants the winners of the Bravo reality cooking show to be awarded more prize money for triumphing in the kitchen.

“I was just talking with some folks from Bravo, and I was like, ‘We need to increase the prize money.’ On my season, Season 10, it was $125,000. Now it’s $250,000, but with inflation, we should be creeping up near a million,” she said during a conversation at Deadline’s Contenders Television: The Nominees Studio. “Eggs are expensive these days. We need to like up the ante a little bit, but I do understand that it’s far more complicated than just saying give us a million bucks.”

Kish landed an Emmy nomination in the Outstanding Host for a Reality or Reality Competition Program category for a third year in a row, one for each year she has been hosting the long-running series, having replaced Padma Lakshmi in Season 21.

She is, once again, up against The Traitors’ Alan Cumming in the category, ironic given that she brought her kitchen star power to the Peacock mystery competition series this year too.

Check out the Contenders conversation with Kish below and scroll down for photos from the event.

Kish said that every year she is nominated it feels “surreal” and “exciting.” “I feel really proud for myself, but there is no show if there are no chefs. I am so proud for everyone involved in making the show. It changes so many people’s lives in our industry,” she said.

This season, set in the Carolinas, it changed the life of Rhoda Magbitang, who grew up in the Philippines and worked in kitchens including Michelin-starred Mélisse, Suzanne Goin’s A.O.C., République and Bazaar by José Andrés before winning Season 23.

Much like Kish, when she was a contestant (and winner) on Season 10 of Top Chef, Magbitang had to go through Last Chance Kitchen to win.

“Coming out of Last Chance Kitchen, a lot of the chefs will say if you’ve been through it, you are reignited. You have a little extra. There is some kind of mental load reset. The worst thing has happened, which is [they] got already got kicked off. So, you relieve yourself of that pressure,” Kish said.

Anthony Avellano for Deadline

Anthony Avellano for Deadline

Anthony Avellano for Deadline

Kish has a more comforting style than many reality TV hosts. This season it showed when she comforted a distraught chef, Nana Araba Wilmot, who didn’t have time to plate her dish, and also dealt with an injured contestant.

“I feel like an older sister or a peer that maybe has been in that particular restaurant for a little bit of extra time where… I can make people feel a little bit more calm and hopefully more confident, while also still giving feedback that holds them accountable,” she said.

Top Chef, produced by Magical Elves, has already been renewed for Season 24. Kish wouldn’t give much away as to where it will be set. “I have heard rumblings. I have a general idea of where we’re going, and all I can say is I’m very, very excited for the entire plan,” she said.

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Kristen Stewart Recalls ‘Twilight’s’ ‘Titanic’ Moment in Brazil Storm

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Kristen Stewart recalled a less than desirable experience she had while filming one of the “Twilight” movies, comparing it to the sinking of the RMS Titanic.

The actress, who was promoting her new movie “The Wrong Girls” alongside co-star Alia Shawkat, was tasked with guessing the iconic filming locations from her past. At the start of the video, Stewart was presented with a photo of a beach locale, correctly guessing it was Brazil, where Stewart’s character Bella Swan went on her honeymoon with Edward Cullen (Robert Pattinson) in 2011’s “The Twilight Saga: Breaking Dawn – Part 1.”

While the filming location looked picturesque, Stewart revealed production became a bit of a nightmare due to a massive storm that trapped the cast and crew.

“Everyone got stuck in this house actually and couldn’t leave,” she recalled. “Yes, the whole crew was truly, like rubbing two peanuts together and like being really infuriated and pissed that like production couldn’t get them out of there.”

Stewart shared that she was offered a way out, much like how women and children were given preference on lifeboats aboard the Titanic.

“And there was like, one little boat and they were like, ‘We can get the cast out just for the night,’” Stewart went on. “And I was like, ‘This is the Titanic.’”

She added: “I’m like, ‘I’m not gonna get on that, right?’ …  They’re like playing violins and I’m like, ‘I love you guys so much. I consider myself like a blue-collar actress. So, I’m like, super with you, but I’m out of here.’”

Watch Stewart’s comments below.

Stewart is not the first member of the cast to reflect on that chaotic filming experience. Back in 2011, Pattinson discussed filming in the town of Paraty, telling MTV at the time: “[Brazil] was really amazing the day we got there, and really beautiful and warm and everything you’d expect … Then it suddenly, for the remainder of the shoot, was not only raining but like hurricane storms.”

He added: “It was kind of like having a honeymoon in England. We were playing board games instead of, like, making love on the beach.”

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