The Hollywood Creative Alliance has named this year’s best in television with the 6th Astra TV Awards.

On Saturday, host Lisa Ann Walter presided over the awards show at the InterContinental in Los Angeles, where HBO’s The Pitt was the big winner of the evening with seven trophies, followed by Netflix’s Beef with five, and HBO Max’s Hacks and Apple TV’s Shrinking with four each.

The Pitt took home the Drama Series award, while Hacks won Comedy Series and Beef took home the Limited Series award. Jean Smart, Jason Segel, Hannah Einbinder and Harrison Ford were recognized in the Comedy Series Acting categories, with Noah Wyle, Keri Russell, Patrick Ball and Sepideh Moafi taking the Drama Series Acting awards.

Matt Weiss, EVP of the Astra Awards, said in a statement, “Tonight’s winners represent the extraordinary range of talent and storytelling that continues to make television such a powerful medium. From established icons to exciting new voices, we’re proud to celebrate the artists and creative teams whose work has entertained, surprised and connected with audiences over the past year.”

See all the winners of the 2026 Astra TV Awards below.

COMEDY SERIES
Hacks (HBO Max) 

BROADCAST NETWORK COMEDY ENSEMBLE
St. Denis Medical (NBC)

CABLE COMEDY ENSEMBLE
Rooster (HBO) 

STREAMING COMEDY ENSEMBLE
Shrinking (Apple TV)

 ACTRESS IN A COMEDY SERIES
Jean Smart – Hacks (HBO Max) 

ACTOR IN A COMEDY SERIES
Jason Segel – Shrinking (Apple TV) 

SUPPORTING ACTOR IN A COMEDY SERIES
Harrison Ford – Shrinking (Apple TV) 

SUPPORTING ACTRESS IN A COMEDY SERIES
Hannah Einbinder – Hacks (HBO Max) 

GUEST ACTRESS IN A COMEDY SERIES
Christina Ricci – Wednesday (Netflix) 

GUEST ACTOR IN A COMEDY SERIES
Michael J. Fox – Shrinking (Apple TV) 

DIRECTING IN A COMEDY SERIES
Hacks (HBO Max) 

WRITING IN A COMEDY SERIES
The Comeback (HBO) 

DRAMA SERIES
The Pitt (HBO Max)

BROADCAST NETWORK DRAMA ENSEMBLE
9-1-1 (ABC) 

CABLE DRAMA ENSEMBLE
It: Welcome to Derry (HBO)

STREAMING DRAMA ENSEMBLE
The Pitt (HBO Max)

ACTOR IN A DRAMA SERIES
Noah Wyle – The Pitt (HBO Max) 

ACTRESS IN A DRAMA SERIES
Keri Russell – The Diplomat (Netflix) 

SUPPORTING ACTOR IN A DRAMA SERIES
Patrick Ball – The Pitt (HBO Max) 

SUPPORTING ACTRESS IN A DRAMA SERIES
Sepideh Moafi – The Pitt (HBO Max)

GUEST ACTOR IN A DRAMA SERIES
Macaulay Culkin – Fallout (Prime Video)

GUEST ACTRESS IN A DRAMA SERIES
Tal Anderson – The Pitt (HBO Max)

DIRECTING IN A DRAMA SERIES
The Pitt – “12:00 P.M.” – Directed by Noah Wyle (HBO Max)

WRITING IN A DRAMA SERIES
Pluribus – “We Is Us” – Written by Vince Gilligan (Apple TV) 

LIMITED SERIES
Beef (Netflix)  

TV MOVIE
Remarkably Bright Creatures (Netflix) 

LIMITED SERIES OR TV MOVIE CAST ENSEMBLE
Beef (Netflix) 

ACTRESS IN A LIMITED SERIES OR TV MOVIE
Sally Field – Remarkably Bright Creatures (Netflix) 

ACTOR IN A LIMITED SERIES OR TV MOVIE
Oscar Isaac – Beef (Netflix) 

SUPPORTING ACTRESS IN A LIMITED SERIES OR TV MOVIE
Linda Cardellini – DTF St. Louis (HBO)

SUPPORTING ACTOR IN A LIMITED SERIES OR TV MOVIE
Charles Melton – Beef (Netflix) 

DIRECTING IN A LIMITED SERIES OR TV MOVIE
Beef (Netflix) 

WRITING IN LIMITED SERIES OR TV MOVIE
Bait (Prime Video) 

ANIMATED SERIES
Hazbin Hotel (Prime Video) 

ANIME SERIES
Witch Hat Atelier (Crunchyroll)

LEAD VOICE-OVER PERFORMANCE
Seth MacFarlane – Ted (Peacock)

SUPPORTING VOICE-OVER PERFORMANCE
Stephanie Beatriz – Hazbin Hotel (Prime Video)

BOOK TO SCREEN
The Summer I Turned Pretty (Prime Video) 

GAME SHOW
Pop Culture Jeopardy (Netflix) 

REALITY SERIES
Baylen Out Loud (TLC)

REALITY COMPETITION SERIES
Dancing with the Stars (ABC)

DOCUSERIES OR NONFICTION SERIES
Lost Women of Alaska (ID) 

DOCUMENTARY TV MOVIE
John Candy: I Like Me (Prime Video) 

STANDUP OR VARIETY SPECIAL
The Muppet Show (ABC) 

TALK OR VARIETY SERIES
The Late Show with Stephen Colbert (CBS)

Disneyland’s Tomorrowland is getting a long overdue update.

The announcement was made at D23 in Anaheim during the Disney Parks presentation. And while no concrete details are available yet (they insist that planning has just begun), the idea is to continue what Walt had envisioned and dreamed about – a vista into wondrous worlds. The team at Walt Disney Imagineering is using this as their starting point, imagining new attractions, new open spaces (think the patches of greenery in the recently re-opened Toon Town across the park) and places where guests can dream about the future with the hope and optimism that Walt saw as the fundamental core of Tomorrowland.

There will be more opportunities for open spaces a play, so that guests can discover for themselves the great big beautiful tomorrow, shining at the end of every day.

According to the team they are already starting to think about the ways in which Disneyland will transformed as the park nears its 75th anniversary and beyond, with its centennial just around the corner. But no timetable has been given to the Tomorrowland redo.

One update coming to Tomorrowland even sooner are the new electrical vehicles that will soon be utilized by Autopia, an opening day attraction at Tomorrowland that has been a mainstay of the park since 1955.

There have been attempts to revitalize Tomorrowland in the past decade or so, usually attached to a film property. First there was Brad Bird’s “Tomorrowland,” which actually did juice up the space for a period, with a presentation in the Tomorrowland Theater and a walkthrough exhibit on the ground floor of the former Starcade. But had the movie been a bigger hit, the entire area would have been transformed by the look and feel of the movie. (The premiere for “Tomorrowland” happened at the former AMC at Downtown Disney and the afterparty was held in Tomorrowland, with guests riding the monorail to the party. It was very cool.)

Other updates were proposed but not implemented, inspired by Pixar’s “Lightyear,” which also disappointed financially, and later by last year’s “The Fantastic Four: First Steps,” which gave the area an elaborate character meet-and-greet with Marvel’s first family and a cool, animatronic version of the family’s robot H.E.R.B.I.E.

The problem with Tomorrowland, of course, has been keeping up with tomorrow. Since the park opened in 1955, it has almost always been playing a game of catch-up. 1967 introduced New Tomorrowland, with Adventures Thru Inner Space, Carousel of Progress and the PeopleMover giving it the “World on the Move” theme. In 1975 Space Mountain opened and in the 1980’s the Tomorrowland stage was enclosed to become a 3D theater, where “Magic Journeys” and “Captain EO” played. Star Tours also opened in the 1980’s, giving the area some additional adrenaline.

But an elaborate redo of the area, planned for the 1990’s, was cut short due to financial woes following the opening of Disneyland Paris and were largely shuttered. (In Florida, a new Tomorrowland was approximated in the mid-1990’s but not really followed through on, adopting some of the timelessness of the Jules Verne-inspired Discoveryland from Paris.)

Since the 1990’s, Tomorrowland in Disneyland has become largely defunct or outright abandoned. After a revival of “Captain EO” following Michael Jackson’s death vacated, the theater has been used to promote a series of Disney or Marvel Studios projects (including “Guardians of the Galaxy”) before sitting empty for years at a time. The Carousel theater, which housed the Carousel of Progress, America Sings and later Innoventions, has been similarly been used as a flex space for things like Marvel and Lucasfilm or for special events in the park. The Starcade’s upper floor became extended queue space for Space Mountain; the ground floor remains unused.

Perhaps most crushing of all is the PeopleMover, which would take you on a scenic tour of Tomorrowland, dipping through Space Mountain and other show buildings, including going right behind the Starspeeder in the queue for Star Tours, and generally being the best. In the late 1990’s, Disney tried to use the track for a high-speed attraction called Rocket Rods. The attraction never worked properly and was shuttered after just a few years. Rumor has it that the intensity of the ride vehicles actually weakened the PeopleMover track and removing the track would be time consuming and costly. So since the turn of the millennium, there has just been track above and all around Tomorrowland that sits, untouched.

Wouldn’t it be something if the PeopleMover returned? Talk about a place to relax and think about the future.

The Imagination Pavilion at EPCOT, part of Walt Disney World outside of Orlando, Florida, is finally getting a refresh.

News of the project was announced at D23 in Anaheim, California, just down the street from Disneyland. No concrete details of the project have been revealed, beyond the fact that Figment, the plucky dragon and symbol of your imagination, will be a part of the new version of the attraction.

While the pavilion itself opened with the rest of EPCOT Center on October 1, 1982, the only attraction open at the time was “Magic Journeys,” a 3D film in the adjacent Magic Eye Theater. But the flagship attraction, Journey Into Imagination, which introduced the world to the kindly Dreamfinder and his dragon friend Figment, conjured by the power of imagination, wouldn’t open until the following year, on March 5, 1983.

That initial attraction, overseen by legendary Imagineer Tony Baxter, is one of the masterpieces of Walt Disney Imagineering – a lengthy dark ride, with tons of audio-animatronic figures, detailed show scenes, unforgettable music (including a theme song by the Sherman Brothers) and a unique ride system that was deceptively complex and cutting edge. When the Michael Jackson-led, Francis Ford Coppola-directed “Captain EO” 3D movie debuted at the Magic Eye Theater, the Imagination Pavilion became one of the hippest spots in all of EPCOT – or at least the Future World section of the park.

Towards the end of the 1990’s, though, Disney and the attraction’s corporate sponsor Kodak got itchy for a redo. And that led to the disastrous opening, in 1999, of Journey Into Your Imagination. The track was shortened, show elements eliminated, with scenes that were cheap and uninvolving. The Imagineers had folded in elements from “Honey, I Shrunk the Audience,” the 3D movie that had replaced “Captain EO,” but they had also removed adorable Figment and the grandfatherly Dreamfinder – the flagship characters of the attraction!

At the end of the 1990’s they also closed down ImageWorks, an interactive exhibit on the building’s second floor that included the rainbow tunnel, one of the coolest, most photographed locations in all of Walt Disney World that would have been a social media sensation if it was still around. (Here’s an amazing photo of Jackson in the tunnel. Honestly it might be the greatest single photograph in the history of mankind.)

After the failure of the new version of the attraction, former Disney CEO Michael Eisner demanded a fix. (It was reportedly the least popular Disney attraction on property.) This led to a hasty re-do that debuted in 2002 called Journey Into Imagination with Figment, which returned the cuddly dragon character to the attraction, left the Dreamfinder in the dust and was slightly more palatable. And we’ve been stuck with this version ever since.

Somehow, in the years since the lesser version of the attraction has been in operation, the popularity of Figment, as a character and a mascot for all of EPCOT, has only increased. He’s featured on countless pieces of merchandise, often as the ambassador of EPCOT’s seasonal food festivals and sells an ungodly amount of plush. At one point a feature built around the character, shepherded by Seth Rogen’s Point Grey productions, was in the works. The character is that beloved.

Whatever is next for the Imagination Pavilion, we do hope that they do something with the Magic Eye theater, which has been showing a smattering of very old Pixar shorts for years now, along with the main Imagination attraction. It would be great to see both return to their former glory – a place where you could really dream that anything was possible. With the help of a little dragon, of course.