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Episode 7 – KAIJU GIRL CARAMELISE

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Visibility continues to be an important theme running through Kaiju Girl Caramelise‘s oversized backbone. This week, Minami finds himself at the center of the public’s attention, and while it is not necessarily malicious, it speaks to the way the media, at best, enjoys rubbernecking queer existence.

Every subsequent episode further convinces me that this series is richest when viewed through a transgender lens. Kuroe’s transformation into Harugon is an especially potent metaphor for how the uptick in trans visibility over the past decade has been coupled with a reactionary political backlash framing us, quite frankly as monsters. The kaiju angle works on other levels too; there are days when I feel like I stick out like a sore thumb, and there are days when I don’t notice any extra attention. I know I can control my mindset and my appearance to some extent, but like Kuroe, there are externalities I simply have to deal with.

Because the ruling political class wants to legislate trans people into nonexistence (or worse), they police not only us, but also those adjacent to and associated with us. This was Kuroe’s fear a couple weeks back, and now it has happened to Minami, as the photo of him smooching Harugon sweeps the airwaves and stir up a gaggle of paparazzi stalking his every move. After all, if we want to dissuade the existence of these “kaiju” girls, then we certainly cannot accept the existence of those who love us. That is almost as perverse, so it must be put on display and made an example of.

This is a romcom, though, so the series itself covers this subtext with light brushstrokes. The paparazzi do not do much more than annoy Minami, and he and Kuroe find ways to be intimate outside their purview. It’s a sign of how healthy their relationship is, although Kuroe cannot stop herself from feeling guilty and reflexively apologizing to him (another transfem quality I am unfortunately very familiar with). And naturally, Minami still does not know that she’s a kaiju, which is a gargantuan component of this metaphor. While that knowledge gap drives a decent portion of the romcom shenanigans, it is also a Sword of Damocles portending a future dramatic confrontation. I know that I, personally, would not want to date somebody who did not know and accept my transness, and I would hope Kuroe comes to a similar conclusion eventually.

On a crasser note, I also love that much of Kuroe’s romantic distress revolves around her ill-timed erections while in Minami’s company. Her horns, spikes, and tail are all blatantly phallic symbols of her kaijuhood, and they reflect the fraught relationship many trans women have with their body. Plus, I’m immature and find boner jokes funny. More seriously, though, it’s nice to see Kuroe grow a bit more comfortable appearing in her casual getup on the video call with Minami. Last time, I touted the power of makeup, and I stand by that, but intimate relationships are opportunities to be comfortable around another person as your more unvarnished self. That too is important to have.

Many of these themes carry through into the festival in the episode’s second half. Again, Kuroe’s cataloguing of bathrooms along her route feels extremely trans-coded to me; she is identifying safe areas she can retreat to should she need to “fix” her appearance. It’s a safety measure. Her inability to tie her yukata also echoes how many of us trans women miss out on the usual hallmarks of growing up as a girl, so it’s extra sweet to see Rinko step in and help her like a supportive mom. Elsewhere, Minami’s plan to blend in with the crowd speaks to my personal experience. For the most part, if I’m in a large enough crowd, I rarely feel like I’m the center of anybody’s attention, good or bad, and that usually helps assuage my anxiety. That being said, I’m also far less likely to go to such places on my own anymore, because it’s important I have someone like Minami I can fall back on should things take a turn for the worse.

Here, when the crowd separates Kuroe from Minami, her overwhelmed emotional state prompts another full transformation into Harugon. I believe this is a first, as it is not her crush on Minami that triggers it, but rather her despair at being alone and missing out on the fireworks. And this is interesting, because it reframes her kaiju mode as a kind of defensive measure. She retreats to the “safety” of being a monster, which causes the rest of the crowd to leave her alone. This, in turn, allows her to enjoy the festival’s climax alongside Minami, just like they originally wanted (well, maybe not just like). Being a kaiju girl cannot be all bad if it gives you and your date a front-row seat to the fireworks show.

Manatsu, meanwhile, spends the entire episode slinking around in the background, and I suspect she may be more than a bit jealous that Minami stole a kiss from her precious Harugon. And given her appearance in the post-credits scene, I doubt she is going to let him off easy next week.

Rating:





KAIJU GIRL CARAMELISE is currently streaming on
Crunchyroll.

Sylvia is on Bluesky for all of your posting needs. She is a girl who likes kaiju. You can also catch her chatting about trash and treasure alike on This Week in Anime.


Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. One or more of the companies mentioned in this article are part of the Kadokawa Group of Companies.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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Episode 19 – Daemons of the Shadow Realm

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On it’s most basic level, this episode is about how our sibling heroes think. Despite their lives of being lied to, hunted, and coveted by those who want to use them for selfish ends, the pair still retain a strict moral compass.

Last episode, when we left Yuru, he was stuck facing a dilemma. While he had originally walked willingly into the trap to save both Fake Asa and the village girl, that was only his immediate goal. His overall goal is—and long has been—finding his parents. By teasing that he knew what happened to them, Ivan forced Yuru to make a choice: Does he save the hostages (and whoever sent the smoke signal) or chase after his own selfish desires?

With this episode we see that, despite being a hardened killer towards anyone who threatens his life, Yuru will put his life on the line for friends, family, and the innocent—even if he may not particularly like any of them at any given moment. Danji and Fake Asa may have lied to him for years—kept him ignorant about both the outside world and the fate of his family—but it’s clear that part of him knows that there was something real beneath the lies. And it’s something he can’t simply abandon.

On the flip side of the story, we see that Asa, despite having a far worse life than Yuru, still shares the same philosophy. She may have come to rescue her brother, but upon encountering the hostages, she immediately whisks them to safety and checks to make sure she hasn’t missed saving anyone else—even though one of them is near the top of the list for people she hates most in this world.

Of course, let’s not pretend that Asa is being truly altruistic with her actions. Her only real life goal is to revitalize her relationship with her brother—the only true family she has left. Helping him by removing the enemy’s leverage against him isn’t exactly an action that requires deep thought. And while Asa would almost certainly save any innocent given the chance, saving Fake Asa is a far more calculated move.

Asa understands what her brother is going through more than anyone. She knows about the isolation, the fear, and, especially, the lies. The deceptions of first the villagers, and later those who thought to exploit her powers, hurt her—led to her death, even. Because of this, she knows just how important the 100% unfiltered truth is to Yuru. In a world without repercussions, I have no doubt Asa would have killed Fake Asa on the spot. However, what’s more important to her than vengeance is having her brother learn everything first hand about what was done to him and why.

In a world where they can trust no one, Asa wants to prove that she can be trusted—to the point that she’ll put her own desires aside for her brother. And that’s why it’s so heartwarming that Yuru responds so positively towards her—agreeing to meet her after this crisis is all over. Her innocent, earnest feelings are getting through to him because she backs them up with action. And hopefully, when the immediate issue has passed, she’ll get a good taste of the familial love she’s longed for all these years.

Rating:




Daemons of the Shadow Realm is currently streaming on
Crunchyroll.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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Kakao Entertainment to Merge 3 Story Content Subsidiaries – News

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All 3 companies are content providers specializing in webtoons, web novels



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Image via Kakao Entertainment’s website

Kakao Entertainment announced on August 14 that it will merge three of its story content subsidiaries — Samyang C&C, Intime, and Pilyeon Management — as part of efforts to strengthen its intellectual property business.

The three companies, all wholly owned by Kakao Entertainment, approved the merger at board meetings on August 12 and plan to complete the process by the end of the year. The merged company will retain the Samyang C&C name CEO Sung-taek Cha will lead the company.

All three companies are content providers specializing in webtoons and web novels, with expertise spanning genres including romance fantasy and martial arts. Their businesses cover content development and production, discovering new creators, publishing, merchandise, and adaptations into live-action works and animation.

Kakao Entertainment said the merger will combine the companies’ production capabilities and strengthen their expertise in adapting web novels into webtoons. The company also plans to develop and discover IP across multiple genres with the goal of building new major franchises and strengthening its global IP pipeline.

Sources: Kakao Entertainment‘s press release


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Episode 31 – The 100 Girlfriends Who Really, Really, Really, Really, Really Love You Season 3

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You can never let the serial spectacle of acquiring new girlfriends distract from the delights of the previous ones. Rentaro loves all them fully equally, of course, and as more and more friends join the family, that just opens up the avenues of wacky hijinks that can ensue. Granted, some things never change, so even with all the extra polyamorous perspectives, the silly little situation that kicks off this week’s 100 Girlfriends happens at the behest of one of Kusuri’s new drugs. The show, naturally, is self-aware about this consistent contrivance, and will reference it in the B-part of this episode, but at the outset, Kusuri’s drug is a small element of setting up this little problem: Nano is now putting the “Nano” in…her own name.

Look, virtually every character and/or storyline in 100 Girlfriends naturally embodies something that could be considered a fetish to some degree. It’s not like it’s ticking off some tremendous Totally Spies-esque checklist, it’s just the nature of the beast when needing to spin up wacky, farcical situations for these characters to find themselves in with the series operating at the outrageous baseline it already does. So sure, mini-Nano. It means a great number of cuts in this segment can be devoted to the lilliputian efficiency expert doing cute tiny-person things, like eating now-giant-sized food, riding around in her boyfriend’s shirt pocket, and, naturally, getting smushed in-between Hahari’s cleavage. If you know anyone into micro/macro material, this is going to be ground obviously well-tread (while watching out for being stepped on). Even apart from those motives, yes, it’s extremely cute to see Rentaro put together a tiny note-taking booklet or construct a cute little box-bed for the negligably sized Nano to sleep in.

What helps the heart of this segment is how it taps into the connection between Rentaro and Nano (as he would have with all of his girlfriends) apart from her usual defining gimmick. Nano’s obsession with efficiency comes up a bit in her dialoging around her situation (hey, at least she’s more energy-efficient now) but it’s more about her deadpan delivery complimenting the inherently cute situation. The real selling point is how Rentaro helps Nano out and covers for things like her fear of heights that are going to be exacerbated. The big (uh, little) climax of the issue is her getting swept away by a parachute-effect plastic bag, necessitating Rentaro risking life and limb to safely retrieve her. It’s ridiculous, but anybody who wholeheartedly puts himself on the line in that kind of ridiculousness is a keeper. It’s not about testing new waters in the relationship, it’s about strengthening what’s already there. And making viewers wish there was a pocked-sized Nano of their own they could pre-order.

Proving Rentaro’s devotion comes back with Kusuri’s aforementioned drugs in the back half of the episode. Given what happened with Hahari, it’s understandable why both Rentaro and the show would want to pace out bringing parents into the picture. Our boy even calls it out and endures a scare with his latest-introduced mother-in-law! But past that, it makes apparent how this many girlfriends means the same exponential number of meet-the-parents plot waiting in the wings, and that is an avenue ripe for exploring in this series.

Granted, the Yakuzen parents also being a couple of constantly drugged-up diminutives who look exactly like their daughter is probably the easiest called shot in terms of character bits in 100 Girlfriends. It’s funny, but appropriate, that this absurdity is the baseline, as with the cute little Kusuri-papa interrogating Rentaro about the possible ethical breaches of his polyamory. Living in a supervillain lab and cooking up almost-certainly illegal drugs all the time, do Kusuri’s parents still count as belonging to that “normal” world which this show has called a bit of attention to this season—those which can’t see the wild situations of Rentaro’s raucous rooftop ring of relationships as anything but the crazy concoctions they are? Probably not, since those aforementioned qualifiers of Kusuri and her family immediately land them in a heated hostage situation with a representative of Big Pharma, but it’s the thought that counts.

What’s really funny is that I type out all those details and still have qualify that this segment isn’t as laugh-out-loud goofy as the preceding tale of tiny Nano. It’s hardly “tense” since I never doubt that one dude with a gun stands a chance against Rentaro’s love and Kusuri’s drive to commit chemical crimes. It’s always a matter of “how” and if it’s not through the conspicuous Chekov’s gun of the “body exploding drug” on the table, it’s through the slightly less-conspicuous antidote behind it and the point that the viewers counting on the fact that they’ll get a look at the “real” forms of Kusuri’s mom and dad at some point. If anything, it makes me think the reveal is too lopsided: Kusuri’s dad being a massive muscle-mass who can block bullets is great, so her mom just looking like some general adult anime woman can’t help but be disappointing. There were a lot of places they could have gone with this.

No, the real star of the serious unseriousness is the “lesson” Rentaro espouses—not simply wanting Kusuri to stay, but not wanting her drugs to be taken away. It honestly marks it as brilliant that this whole episode opens with the “standby” mechanic of Kusuri’s concoctions fueling a plot, because it reminds audiences how neatly that shortcut works, and almost makes sense as something Rentaro (and the others?) sentimentally wouldn’t want to lose. Of course they have to keep Kusuri’s drugs around, how else could they fuel absurd one-off plots that rope in the age-regression or size-difference fetishists? It’s the lifeblood of 100 Girlfriends, especially since branching out into meet-the-parents plots always comes with the danger of Rentaro accidentally seducing someone’s mom. Or grandmother.

Did Rentaro really heart-crack at the sight of Kusuri’s drug-dimorphed grandmama at the end of this episode? I”m inclined to say fake-out, not just for the overt-even-by-the-standards-of-this-show absurdity of the situation (then again with 85 girlfriends to go Rentaro’s gonna have to grab a GMILF or two by the end of it, law of averages), but also because the interface isn’t lining up. The show’s completed opening and closing indicate that some sword-wielding girl is next in line as Rentaro’s destined, and she doesn’t match up with what’s seen of this unseen grandma—

Suddenly I remember that Mei was similarly snuck into the second season of the show in such a way. Aw fu—

Rating:





The 100 Girlfriends Who Really, Really, Really, Really, Really Love You Season 3 is currently streaming on
Crunchyroll.

Chris has watched at least 100 anime, and really really really really really thought most of them were at least okay. You can peruse his thoughts and see which cartoon girlfriends he’s reposting art of over on his BlueSky.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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