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Episode 6 – Dorohedoro Season 2

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For as chaotic as this episode gets, it begins in a down-to-earth fashion. Caiman makes himself hungry by counting gyoza when he can’t sleep. The Cross-Eyes scavenge loose change from a vending machine. These are people who possess all of the standard desires and needs of a human existence, regardless of whether they use magic or possess a reptilian noggin. It’s the little moments that keep Dorohedoro grounded and relatable.

The remainder of the runtime is a fever dream. I think one of Dorohedoro‘s defining qualities is the nightmare logic that often connects cause and effect or one scene to another. That’s part of what gives the series its psychedelic unpredictability; you truly never know where the story will go next. At the same time, though, this aspect can be frustrating when you want to follow the narrative in real time from chapter to chapter. Hayashida can usually be trusted to make the big picture work out in the end, but the pacing and momentum can vary wildly. And it’s a thin line that separates a good trip from a bad trip.

For example, Caiman’s apparent transformation into Aikawa seems to come out of basically nowhere. Granted, if you’ve been paying attention to the story, there has been no shortage of clues linking the two figures, and those clues have been appearing more frequently. It makes sense, then, for Dorohedoro to progress to this next step. However, it’s not immediately clear why En’s mushroom magic reverses this curse. It also feels a little dramatically cheap to then separate him from Nikaido (again) to postpone any further resolution or answers to lingering questions. While this is hardly new for the series and not a point that bothers me, I can understand it being the source of some frustration.

Personally, I find it difficult to be too disappointed when Dorohedoro keeps throwing trippy and off-the-wall imagery at its audience, all of which the anime continues to adapt well. En’s smoke-powered flying motorcycle is the definition of badass. The shroom-saturated backgrounds inject plenty of character and color into his confrontation with Caiman and Nikaido. There’s gore aplenty between the chestburster fungus, Ebisu’s exposed brains, and Aikawa’s horrific memory palace. I’m just very happy the anime has not sanded down any of the manga’s grisly edges.

Risu’s excruciating transformation into Curse wins the award for most Dorohedoro thing to happen in this week’s Dorohedoro. The Risu-shaped smoke leaving Aikawa’s body is in itself a cool image, but the real pièce de résistance is how it infects Risu. Speaking as a big fan of body horror, I squirmed delightfully at the sight and sounds of a second set of hands, teeth, and eyes forcing their way through Risu. We don’t need to understand everything going on to understand that this is excellent horror.

Nevertheless, the second half of the episode takes time to delve back into the heart of the narrative. The flashback to the Cross-Eyes’ rescue highlights the inequality and persecution at the center of Sorcerer society, in which magical aptitude sorts people into haves and have-nots. The Cross-Eyes, for all of their shadiness, exist as a response to this prejudice. They’re a reaction to a systemic problem, exemplified in the extreme through En’s power and influence. This class critique feels no less potent today than when the manga was being written.

The contrast between murder and sacrifice also keeps popping up. Asu, acting selflessly, appears to use the last of his powers to rescue Aikawa. Inside Aikawa’s head, however, visions of killing a friend haunt him incessantly. Beheaded figures squish and squelch through the halls of his memory. Nikaido and Risu both seem to trip Aikawa’s sense of guilt. And finally, confronted with this confusing collage of images, Aikawa begs for the release of death. It feels like we’re getting tantalizingly close to having the full picture and answering the questions we’ve had since Caiman first shoved a Sorcerer down his gullet. But there’s no telling with Dorohedoro.

Rating:





Dorohedoro is currently streaming on
Crunchyroll and Netflilx.

Sylvia is on Bluesky for all of your posting needs. She loves Hole. You can also catch her chatting about trash and treasure alike on This Week in Anime.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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Mazenchu Anime Posts Opening Video Narrated by Actress First Summer Uika – News

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The staff for the television anime of TORCH‘s Mazenchu character brand announced on Wednesday that actress First Summer Uika is providing the anime’s opening narration. The staff also began streaming the anime’s opening video with Uika’s narration:  

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Image via Mazenchu anime’s X/Twitter account

Mazenchu is set in a school where all kinds of food can live out their youth and form friendships, rivalries, and bittersweet romances.

The cast includes:

Ebi created the Mazenchu characters. Yūsuke Takase (CG on Berserk: The Golden Age Arc I – The Egg of the King, Halo Legends, Detroit Metal City) is directing the anime at Studio Nanahoshi. The studio dugout is producing the sound, and Aiin is producing the music. BONJIN is the offline editor. Liberty Animation Studio produced the opening animation. Sayo Kawase is the executive producer, and TORCH is planning and producing the project.

The anime will begin airing on October 7 as the first original anime within Kansai TV‘s morning news and lifestyle program Yoidon!

Sources: Mazenchu anime’s X/Twitter account, Comic Natalie

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Sumikko Gurashi Franchise Gets 5th Anime Film in 2027 – News

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San-X‘s Sumikko Gurashi franchise announced on Wednesday that it will release a fifth anime film in 2027. The announcement did not reveal the film’s title, but presented a visual drawn by creator Yuri Yokomizo and hinted that the film’s story will center on the character Neko as the protagonist.

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Image via Sumikko Gurashi anime films’ X/Twitter account

Sumikko Gurashi debuted in 2012 as slightly negative characters who like to stay in the corner of a room. The characters include “Shirokuma,” a polar bear who is sensitive to cold; “Penguin?” (with a question mark in its name), a penguin who is unsure if it is actually a penguin; “Tonkatsu,” a piece of pork cutlet that was left uneaten; “Neko,” a shy cat; and “Tokage,” who hides his nature as one of the last dinosaurs.

The first anime film, titled Sumikkogurashi – Good to be in the corner, opened in Japan in November 2019. The film eventually sold a total of 1.22 million tickets, and it earned 1.4 billion yen (about US$12.8 million) at the box office in Japan as of February 2020. The film won the award for Best Animation of the Year at the 29th Annual Japan Movie Critics Awards in June 2020. 

Eiga Sumikko Gurashi: Aoi Tsukiyo no Mahō no Ko (The Magical Child of the Blue Moonlit Night), the second film, opened in Japan in November 2021, and sold about 200,000 tickets to earn about 250 million yen (about US$2.22 million at the time) in its first three days.

Eiga Sumikko Gurashi: Tsugihagi Kōjō no Fushigi na Ko (The Mysterious Child of the Makeshift Factory), the franchise‘s third anime film, opened in Japan in November 2023, and sold 192,300 tickets for 242,553,320 yen (about US$1.63 million in current conversion) in its first three days.

Eiga Sumikko Gurashi: Sora no Ōkoku to Futari no Ko (The Sky Kingdom and the Two Children), the fourth anime film of the franchise, opened in Japan in October 2025. The film ranked at #4 in its opening weekend. The film sold 150,000 tickets for 183,974,840 yen (about US$1.19 million) in its first three days. Counting November 3 (which was the Culture Day holiday in Japan), the film sold a total of 208,000 tickets for 253 million yen (about US$1.64 million) in its first four days.

The franchise had its first-ever television anime that premiered its first episode in October 2023. A puppet musical ran in Tokyo in August to September 2024. Sumikko Gurashi: Koko ga Ochitsukun Desu (This Is Where I Relax), a new series of anime shorts for the franchise, premiered on the NTV network in the ZIP! morning variety program’s new “ZIP! 1-Minute Anime” segment in April 2025.

Sources: Sumikko Gurashi film’s website, Comic Natalie

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Universal Studios Japan Offers 1st Sailor Moon Theme Park Ride in 2027 – Interest

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Universal Cool Japan 2027 also brings back “Moon Place Chapter Deluxe” short, themed food, merchandise


The Universal Studios Japan theme park announced on Wednesday that it is collaborating with the Sailor Moon franchise for its Universal Cool Japan campaign next year. Universal Cool Japan is the park’s annual series of limited-time attractions and other promotions themed around anime, manga, games, and similar pop culture icons. The Sailor Moon collaboration is the first one announced for the 2027 incarnation.

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Image via Universal Studios Japan website

The collaboration will introduce a new “Bishōjo Senshi Sailor Moon x Story Ride” attraction with more details to be announced at a later date. The collaboration will also bring back the “Pretty Guardian Sailor Moon the Miracle: Moon Place Chapter Deluxe” original manga/CG anime short, which debuted during Universal Cool Japan 2019. An updated “Deluxe” edition of the short played at the park in 2022, and the short then played at Universal Studios Hollywood in California during the Fan Fest Night event from April 25 to May 16 earlier this year.

The Universal Cool Japan 2027’s Sailor Moon collaboration will also include themed food and merchandise.

The Sailor Moon franchise has previously collaborated with Universal Studios Japan in 2018, 2019, and 2022.

Sources: Universal Studios Japan, Comic Natalie


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