movies
‘Butterfly Jam’ Review: Barry Keoghan Heads Up Kantemir Balagov’s Diaspora Drama
The machine has yet to be invented that can tie up all the loose ends in Kantemir Balagov’s third feature, a puzzling family drama set in the small, tight-knit community of Circassians in New Jersey. Such is the intimate nature of Balagov’s film that there’s no real indication of how large this diaspora is, or where these people come from and why; instead, Butterfly Jam zooms in on a fragile father-son relationship that touches on familiar issues of masculinity in crisis but never seems to take them anywhere new.
The most surprising aspect is the casting of Barry Keoghan, 33, as Azik, the father of a stocky 16-year-old, having recently played dad to a younger child in Andrea Arnold’s Bird (2024). Mathematically, it’s certainly within the realm of possibility — especially given Azik’s immaturity and recklessness — and it gets things off to a good start. Indeed, it all begins with the death of a father, as one of the film’s core characters, face unseen, arrives at the home of a professional mourner.
We then cartwheel back in time to a card game being hosted at the diner where Azik works. A mysterious gun-wielding stranger interrupts, announcing a robbery, but it’s a false start — this no gangster, just the return of Azik’s goofy, prodigal friend Marat (Harry Melling), who is promptly wrestled to the ground in a play fight with Azik’s heavy-set teenage son Temir (Talha Akdogan). The next morning, Azik’s sister Zalya (Riley Keough) arrives to find the place a mess, castigating Azik for bringing his “low life” friends around and giving him an hour to make the diner look respectable again.
The dark lighting and hand-held camera suggest a genre film, but, although guns figure prominently, there’s not really much evidence of a neighborhood criminal underworld, like the kinds glimpsed in Mean Streets or even John Cassavetes’ Shadows, two films Butterfly Jam would seem to draw on quite heavily. But Azik and his brother don’t seem to have those kinds of aspirations; Azik wants to be a famous chef, known for his delens (a potato and cheese pie), while Marat just wants to make money, which is what prompts him to buy a secondhand candyfloss machine (of all things).
Azik’s opportunity seems to come with the return of Aslan, an old friend who is dabbling in the restaurant business in Newark. Aslan becomes obsessed with Azik’s delens to the point of dreaming about them, and the opportunity arises to become Aslan’s star chef. Azik is torn, however; though he doesn’t actually show it to her, Azik is loyal to his heavily pregnant sister, whose partner we never actually see. Temir, just on the cusp of adulthood himself, watches his father’s timorousness play out with a mixture of disappointment and disgust. “You’re weak,” he tells Azik, who, after all, is the kind of father that takes his son to see a hooker as a special treat for winning a wrestling match.
Butterfly Jam is packed with detail, mostly about Circassian cuisine. We also learn a see a lot of wrestling, where Temir becomes friends with a young girl whose secret shame is that she has acne on her back and neck. But this freewheeling approach hits a rock just after the hour-mark, where the rule of Chekhov’s gun is put to use, but so obliquely that it leaves the film floundering in its last half-hour stretch. Add to this a stray pelican, which Azik has somehow kidnapped from the beach as a treat for his sister, and a film that began promisingly and precisely ends in an explosion of baffling non-sequiturs.
Keoghan tries his best with the material, but there’s not really much he can do with it. True, there’s a melancholy air of under-achievement in his performance that explains Azik’s obsession with giving a name to his sister’s unborn baby and his vicarious pride in Temir’s sporting achievements. But, like every other character — certainly not Riley Keough’s wafer-thin Zalya — Azik never really comes alive. The title is a clue to the bewilderness about to follow; Azik has a talent for jam-making (“I can make a jam out of anything,” he boasts) and has whipped up a tasty preserve from butterflies. What does this mean? Who knows. Answers on a postcard, please, only one entry per household.
Title: Butterfly Jam
Festival: Cannes (Directors’ Fortnight)
Director/Screenwriter: Kantemir Balagov
Cast: Barry Keoghan, Talha Akdogan, Riley Keough, Harry Melling, Jaliyah Richards
Sales: Goodfellas
Running time: 1 hr 42 mins
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movies
‘Final Payment’, ‘Congo Boy’ Win Top Awards At Pingyao Film Festival
Chinese director Niu Niu’s Final Payment scooped the Best Film Award in the Fei Mu Awards of this year’s Pingyao International Film Festival (PYIFF), while Rafiki Fariala’s Congo Boy won Best Film in the festival’s Roberto Rossellini Awards.
Final Payment, which also won Best Actor for Niu Jianrong’s performance, revolves around a homeowner clashing with a contractor over the final payment following a set of renovations on his home. PYIFF’s competition jury stated: “Tearing through a very small rip, the film leads us into a reality and emotional landscape so expansive, where we sigh, lament, and reflect. The director’s approach is concise, unpretentious, and masterful, earning the wholehearted recognition of the entire jury.”
The Best Film award came with a cash prize of $150,000 (RMB1m) with half given to the director for the development of their next film, and half given to the distributor in China. Niu Niu previously directed Mr Junjun, which was awarded with the Jury Award and Youth Jury Award at PYIFF in 2023.
Also in the Fei Mu Awards, Xu Zao won Best Director for Light Pillar, while Best Actress went to Sun Yi for Wang Xiaozhen’s A Joke. The Jury Award was presented to Dong Jie’s Zoom In, Zoom Out, which had its world premiere in Venice Critics Week, while a special mention went to Cai Chengjie’s Suzhou Quartet.
The Fei Mu awards are focused on the festival’s Hidden Dragons section, which selects first, second and third films from emerging directors making Chinese-language films, while the Roberto Rossellini Awards focus on the Crouching Tigers section for emerging international directors.
Congo Boy, which took Best Film in the Roberto Rossellini Awards, also won Best Actor when it premiered in Un Certain Regard at this year’s Cannes film festival. The PYIFF award came with a cash prize of $20,000, with half given to the director for the development of their next film, and half given to the distributor in China.
The PYIFF jury stated: “The Jury unanimously has been moved by this autobiographical story, told in a simple style that echoes the great tradition of neorealism. For a film focusing on a character that confronts his world with optimism despite dark times and takes on his shoulders the destiny of his entire family.”
Also in this section, the Philippines’ Rafael Manuel won Best Director for Filipiñana, while the Jury Award went to Ben’imana, directed by Marie-Clémentine Dusabejambo, which won the Camera d’Or at this year’s Cannes. The jury also awarded Rakan Mayasi’s Yesterday The Eye Didn’t Sleep a Special Mention.
Hong Kong filmmaker Ann Hui received the Crouching Tiger Hidden Dragon East-West Award, shortly before she receives the Camellia Award at Busan International Film Festival next week.
Pingyao’s International Contribution To Chinese Cinema Award went to Marco Müller, who founded the festival with Chinese auteur Jia Zhangke and currently serves as Artistic Director of the Film Art Research Centre at Shanghai University, and veteran producer, director and former chairman of China Film Group Han Sanping. Hello Group chairman Tang Yan was presented with a 10th Anniversary Award.
This year’s PYIFF opened on September 24 with a screening of the 4K restoration of Fei Mu’s Spring In A Small Town; closed with Good Trip, co-directed by Hong Kong filmmakers Norris Wong and Hoi Wong, and also screened Jia’s short film Torino Shadow, which premiered at this year’s Cannes.
PINGYAO INTERNATIONAL FILM FESTIVAL 2026 AWARDS:
FEI MU AWARDS:
Best Film: Final Payment, dir: Niu Niu
Best Director: Xu Zao, Light Pillar
Best Actress: Sun Yi, A Joke, dir: Wang Xiaozhen
Best Actor: Niu Jianrong, Final Payment, dir: Niu Niu
Jury Award: Zoom In, Zoom Out, dir: Dong Jie
Special Mention: Suzhou Quartet, dir: Cai Chengjie
ROBERTO ROSSELLINI AWARDS:
Best Film: Congo Boy, dir: Rafiki Fariala
Best Director: Filipiñana, dir: Rafael Manuel
Jury Award: Ben’imana, dir: Marie-Clémentine Dusabejambo
Special Mention: Yesterday The Eye Didn’t Sleep, dir: Rakan Mayasi
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movies
‘Dancing With The Stars’ Season 35, Week 3 Recap: Who Goes Home?
SPOILER ALERT! This post contains details from Tuesday night’s episode of Dancing with the Stars.
It’s another exciting night in the ballroom as 13 contestants are still eyeing the Len Goodman Mirrorball Trophy during Week 3 of Dancing with the Stars.
Last week, the judges reinforced just how tough they are going to be this season, once again declining to score anyone above a 7. Still, three couples — Jenna and Val, Ezra and Daniella, and Amber and Pasha — walked away tied for the top of the leaderboard with 21 points. We also said goodbye to Alan Bersten and chef Giada De Laurentiis.
Week 3 is Yacht Rock night, so the remaining couples are performing to hits from artists including Fleetwood Mac, The Doobie Brothers, and Luther Vandross.
Here is how the night went.
Olympian Amber Glenn with Pasha Pashkov danced a Foxtrot to “Hold the Line” by Toto. SCORE: 24
Actress Julia Stiles with Ezra Sosa danced a salsa to “I Can’t Go for That (No Can Do)” by Daryl Hall & John Oates. SCORE: 19
Late-night sidekick Guillermo Rodriguez with Whitney Carson danced a Foxtrot to “Escape (The Piña Colada Song)” by Rupert Holmes. SCORE: 15
Actress Tatyana Ali with Jan Ravnik performed a Quickstep to “Maneater” by Daryl Hall & John Oates. SCORE: 21
Actor Harry Shum Jr. with Jenna Johnson performed a jive to “You Make My Dreams Come True” by Daryl Hall & John Oates. SCORE: 24
Musician Taylor Hanson with Britt Stewart danced a Foxtrot to “What a Fool Believes” by The Doobie Brothers. SCORE: 18
Reality star Maura Higgins with Mark Ballas danced a Quickstep to “Turn Your Love Around” by George Benson. SCORE: 22
Reality star Ciara Miller with Brandon Armstrong performed a Cha Cha to “Never Too Much” by Luther Vandross. SCORE: 18
Savannah Bananas midfielder Jackson Olson with Emma Slater performed a paso doble to “Easy Lover” by Philip Bailey and Phil Collins. SCORE: 18
Comedian and podcaster Connor Wood with Rylee Arnold danced a Foxtrot to “Everywhere” by Fleetwood Mac. SCORE: 20
Actress Jenna Dewan with Val Chmerkovskiy danced a samba to “Africa” by Toto. SCORE: 21
Reality star Tyler Cameron with Sharna Burgess danced a jive to “Still the One” by Orleans. SCORE: 17
Paralympian Ezra Frech with Daniella Karagach danced a Foxtrot to “Just the Two of Us” by Grover Washington Jr. featuring Bill Withers. SCORE: 21
Who goes home?
The competition is now down to 12 as Taylor Hanson and Britt Stewart were sent home. Next week is all about Mariah Carey, so the couples will perform a variety of the pop superstar’s biggest hits.
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movies
‘Icebreaker’ TV Show Adaptation News & Updates: Everything We Know
Another hockey book adaptation has entered the chat.
Netflix is currently building out its cast for the series adaptation of Hannah Grace’s Icebreaker book that kicks off the Maple Hill series. This in addition to their show The Sticks that is also currently in the works.
For everything we know about Netflix’s Icebreaker book adaptation so far, read on.
When will Netflix’s Icebreaker series adaptation come out?
A release date has not yet been set. The show has begun to assemble its cast.
Who will lead the Icebreaker show at Netflix?
Daisy Jelley (Poser, How To Have Sex) will portray Anastasia “Stassie” Allen, and Connor Simos (Subversion) will portray Nate Hawkins in the college hockey drama series.
Who else is in the cast of Netflix’s Icebreaker adaptation?
Gabriel Tierney (Rivals, Enola Holmes 2), Auliʻi Cravalho (Moana), newcomer and professional athlete Peter Berry, Chaneil Kular (Best of the Best, Sex Education), Devin Craig (Sex Lives of College Girls, Maize) and Aidan Shaw (We Were Liars, Heated Rivalry, Finding Her Edge) have joined the ensemble cast.
Tierney will play Aaron; Cravalho will portray Lola; Berry is Robbie; Kular will play JJ; Craig will portray Henry and Shaw is Russ.
What is Hannah Grace’s Icebreaker book about?
Stassie is a transfer athlete gunning for Olympic gold. Nate is the campus star chasing the NHL. When an accident forces their teams to share one rink, Anastasia Allen and Nate Hawkins collide—and discipline gives way to obsession, because the only thing more dangerous than wanting to win is wanting each other.
Who else is behind Netflix’s Icebreaker series?
Jade Halley Bartlett (Road House, Doctor Strange in the Multiverse of Madness, Miller’s Girl) created and executive produced the series. Amanda Lasher (Gossip Girl, The Bold Type, Togetherness) serves as showrunner, writer and excutive producer. Grace also executive produces along with Alex Cooper, Matt Kaplan and Mina Lefevre for Cooper’s Unwell Productions.
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