
‘Gabin’
Lightdox
EXCLUSIVE: Gabin, set to premiere Thursday in Cannes, tells a classic coming of age story, a boy growing up in Northern France who must choose whether to follow a path prescribed by his family or strike out on his own.
The documentary directed by Maxence Voiseux bows in the Directors’ Fortnight sidebar, alongside fictional titles including Butterfly Jam, Atonement, and Clarissa. We have your first look at Voiseux’s film in the trailer above.
Gabin, shot over a period of 10 years, follows Gabin Jourdel from boyhood through adolescence. He’s the youngest of the Jourdel children and, as a lover of animals, perhaps not well disposed to become a butcher like his father.

‘Gabin’
Lightdox
“Torn between family loyalty and a desire to break free, his dreams lie elsewhere,” notes as synopsis, “to train a contest cow, to become a dog breeder, and to save his mother’s farm from financial ruin.”
The filmmaker hails from the same region of Artois as his protagonist, a place he describes as “a forgotten land, its landscapes often washed in a pale and unsettling light.” Voiseux writes in a director’s statement, “My relationship with this region has always been complex. As a child, I saw it as bleak and austere. Only much later did I begin to see it as a genuine film set, its inhabitants as living, novelistic characters.”

Director Maxence Voiseux
Courtesy of Gabrielle Denisse
Voiseux originally got to know the Jourdel family in 2014 while working on his short film Des hommes et des bêtes (Of Men and Beasts). He later made a mid-length documentary about Gabin’s father and siblings called Les Héritiers (The Heirs), before deciding to dedicate a feature length film to Gabin’s progress toward adulthood.
“The film takes place between his 8th and 18th birthdays, but I had shot the first sequences during The Heirs,” Voiseux explained in an interview with journalist Manon Marcillat. “So, when we started filming Gabin, he was eleven years old. The film was never conceived as an immersion; I always approached it knowing there would be ellipses because I wanted Gabin to be able to grow up ‘outside’ the film. I went there three to six times a year and filmed for a solid week. If you set aside the break I had to take because of Covid, we shot for about a hundred days in total.”

‘Gabin’
Lightdox
There’s a subtlety to the director’s approach, one he describes as “narrative, non-explanatory cinema.” He added in his interview with Marcillat, “You have to find the balance to give the viewer enough elements to understand what is at stake, without over-emphasizing things, and that can come down to a word, a look, a shot.”
Gabin is written and directed by Maxence Voiseux, and produced by Cécile Lestrade and Elise Hug. Cinematography is by François Chambe and Martin Roux. Pascale Hannoyer and Natali Barrey edited the film. The music is composed by Nicolas Rabaeus.
Watch the trailer for Gabin above.
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SPOILER ALERT! This post contains details from Tuesday night’s episode of Dancing with the Stars.
It’s another exciting night in the ballroom as 13 contestants are still eyeing the Len Goodman Mirrorball Trophy during Week 3 of Dancing with the Stars.
Last week, the judges reinforced just how tough they are going to be this season, once again declining to score anyone above a 7. Still, three couples — Jenna and Val, Ezra and Daniella, and Amber and Pasha — walked away tied for the top of the leaderboard with 21 points. We also said goodbye to Alan Bersten and chef Giada De Laurentiis.
Week 3 is Yacht Rock night, so the remaining couples are performing to hits from artists including Fleetwood Mac, The Doobie Brothers, and Luther Vandross.
Here is how the night went.
Olympian Amber Glenn with Pasha Pashkov danced a Foxtrot to “Hold the Line” by Toto. SCORE: 24
Actress Julia Stiles with Ezra Sosa danced a salsa to “I Can’t Go for That (No Can Do)” by Daryl Hall & John Oates. SCORE: 19
Late-night sidekick Guillermo Rodriguez with Whitney Carson danced a Foxtrot to “Escape (The Piña Colada Song)” by Rupert Holmes. SCORE: 15
Actress Tatyana Ali with Jan Ravnik performed a Quickstep to “Maneater” by Daryl Hall & John Oates. SCORE: 21
Actor Harry Shum Jr. with Jenna Johnson performed a jive to “You Make My Dreams Come True” by Daryl Hall & John Oates. SCORE: 24
Musician Taylor Hanson with Britt Stewart danced a Foxtrot to “What a Fool Believes” by The Doobie Brothers. SCORE: 18
Reality star Maura Higgins with Mark Ballas danced a Quickstep to “Turn Your Love Around” by George Benson. SCORE: 22
Reality star Ciara Miller with Brandon Armstrong performed a Cha Cha to “Never Too Much” by Luther Vandross. SCORE: 18
Savannah Bananas midfielder Jackson Olson with Emma Slater performed a paso doble to “Easy Lover” by Philip Bailey and Phil Collins. SCORE: 18
Comedian and podcaster Connor Wood with Rylee Arnold danced a Foxtrot to “Everywhere” by Fleetwood Mac. SCORE: 20
Actress Jenna Dewan with Val Chmerkovskiy danced a samba to “Africa” by Toto. SCORE: 21
Reality star Tyler Cameron with Sharna Burgess danced a jive to “Still the One” by Orleans. SCORE: 17
Paralympian Ezra Frech with Daniella Karagach danced a Foxtrot to “Just the Two of Us” by Grover Washington Jr. featuring Bill Withers. SCORE: 21
Who goes home?
The competition is now down to 12 as Taylor Hanson and Britt Stewart were sent home. Next week is all about Mariah Carey, so the couples will perform a variety of the pop superstar’s biggest hits.
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Another hockey book adaptation has entered the chat.
Netflix is currently building out its cast for the series adaptation of Hannah Grace’s Icebreaker book that kicks off the Maple Hill series. This in addition to their show The Sticks that is also currently in the works.
For everything we know about Netflix’s Icebreaker book adaptation so far, read on.
When will Netflix’s Icebreaker series adaptation come out?
A release date has not yet been set. The show has begun to assemble its cast.
Who will lead the Icebreaker show at Netflix?
Daisy Jelley (Poser, How To Have Sex) will portray Anastasia “Stassie” Allen, and Connor Simos (Subversion) will portray Nate Hawkins in the college hockey drama series.
Who else is in the cast of Netflix’s Icebreaker adaptation?
Gabriel Tierney (Rivals, Enola Holmes 2), Auliʻi Cravalho (Moana), newcomer and professional athlete Peter Berry, Chaneil Kular (Best of the Best, Sex Education), Devin Craig (Sex Lives of College Girls, Maize) and Aidan Shaw (We Were Liars, Heated Rivalry, Finding Her Edge) have joined the ensemble cast.
Tierney will play Aaron; Cravalho will portray Lola; Berry is Robbie; Kular will play JJ; Craig will portray Henry and Shaw is Russ.
What is Hannah Grace’s Icebreaker book about?
Stassie is a transfer athlete gunning for Olympic gold. Nate is the campus star chasing the NHL. When an accident forces their teams to share one rink, Anastasia Allen and Nate Hawkins collide—and discipline gives way to obsession, because the only thing more dangerous than wanting to win is wanting each other.
Who else is behind Netflix’s Icebreaker series?
Jade Halley Bartlett (Road House, Doctor Strange in the Multiverse of Madness, Miller’s Girl) created and executive produced the series. Amanda Lasher (Gossip Girl, The Bold Type, Togetherness) serves as showrunner, writer and excutive producer. Grace also executive produces along with Alex Cooper, Matt Kaplan and Mina Lefevre for Cooper’s Unwell Productions.
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One of the biggest executive questions about Paramount following its pending acquisition of Warner Bros. Discovery — who will lead streaming — may have been answered.
Cindy Holland is leaving Paramount where she was Chairman of Direct-To-Consumer since the Skydance-Paramount merger having served as an advisor to Skydance CEO David Ellison prior to that. She announced her departure in a company memo, which you can read below.
The move leaves HBO’s Casey Bloys as the likely streaming head of the combined Paramount-WBD.
“Cindy is one of the most exceptional executives in our industry — a force of nature whose impact on Paramount over the past year has been significant,” Paramount CEO David Ellison said. “Under her leadership, P+ reached new heights, Pluto TV underwent its most significant transformation in a decade, and we strengthened our content and sports portfolio – all while the business exceeded the ambitious goals we set. Just as importantly, she built an exceptional team and a strong foundation for the future. Cindy has been a trusted partner to me and so many others, and I couldn’t be more grateful for her leadership, her relentless drive and everything she’s done for our company.”
Here is Holland’s memo:
When I joined David’s team in January 2025, we proceeded to set three goals: i) advise on the Warner Bros. Discovery acquisition, ii) integrate and transform Paramount+ & revive Pluto TV, and iii) build an unparalleled team in this industry. In just over 12 months, I’m proud to say we accomplished all three and it’s been a joy to work closely with all of you.
Together with the Product team, we drove significant strategic and organizational change across DTC — building a new foundation for growth on both services, while investing in greater depth and breadth of programming and delivering strong revenue, profit, and subscriber growth for the division.
As David readies for the next phase of his vision, we’ve discussed my role and the future of the combined businesses. David is optimizing for HBO stability as we move into this next chapter, and I fully support that. I know this team has the leadership and expertise to manage through the transition and the next phase of the company, and to this end today will mark my last day here.
As I reflect on my time here and all that we’ve built together in this short time, what stands out most to me is this team. I have never been more proud of a group of people. What we’ve accomplished together is remarkable — landing quarter after quarter while navigating extraordinary uncertainty and change with resilience, focus and ambition. We grew Paramount+ to an all-time subscriber high, delivered the best retention in the service’s history, and drove double-digit growth in both engagement and revenue. We built an extraordinary content pipeline, greenlighting more than 40 new and returning series and setting all-time records with Landman, the most-watched series in Paramount+ history, and Dutton Ranch, the service’s biggest original series debut ever. We transformed live sports into a powerful streaming growth engine, securing landmark agreements with UFC and Zuffa Boxing and expanding our WNBA and UEFA Champions League rights – with UFC Freedom 250 becoming the largest-ever audience for an exclusive live event on Paramount+ and UFC 329 setting a new platform record for peak concurrent streams for an exclusive live event. And we undertook Pluto TV’s biggest product transformation in a decade, dramatically increasing registered viewing and VOD consumption while delivering strong financial performance across the business. These are extraordinary accomplishments – but what makes me proudest is how we achieved them: together, with an unwavering commitment to our audiences, our creative partners and one another.
I joined Paramount because I believe in these businesses, and because I believe wholeheartedly that the combination of Paramount and Warner Bros. Discovery serves the best interests of artists and audiences worldwide. I’m looking forward to seeing what you all accomplish together in this next, momentous chapter.
Cindy
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