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The Irregular at Magic High School THE MOVIE – Yotsuba Succession Arc – Anime Film Review – Review

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*This review contains major spoilers for both the various The Irregular at Magic Highschool TV anime and this film as well.

As humans, we love stories about overcoming challenges—be they practical or romantic. Even if we’ll never be facing down magical soldiers or grappling with a love that can never be, we can empathize with those feelings—and hope that our favorite characters will be able to overcome all that stands against them, even if we are unable to overcome the mundane challenges in our real-world, everyday lives.

The Irregular at Magic Highschool as a whole is a story about Tatsuya living in the shadow of his far more traditionally talented sister while overcoming the prejudice directed towards him (and other outcasts like him). The story ultimately shows that being different doesn’t mean being weak—nor does being hyper-specialized in one specific area.

However, this film focuses not on the practical challenges facing Tatsuya but rather the romantic challenge facing Miyuki: that she’s deeply in love with her brother. Unlike many anime out there, the incest angle in this film is not played for titillation—nor is it played for laughs as it has so often been in previous iterations of this franchise. Rather, it is played for pure, serious drama.

Miyuki knows her feelings are wrong on both a scientific and societal level. However, that doesn’t change the fact that the idea of being married off to another man—being forced to be intimate with someone other than Tatsuya—makes her physically ill. So does the idea of Tatsuya becoming romantically involved with someone else and leaving her behind. The cold truth of reality clashing with what she wants but knows she can never have leaves her on the edge of a psychotic break, curled up on her floor, bawling while her desires taunt her rational mind.

Honestly, the series up to this point has done a great job of showing us why Miyuki feels the way she does. In her cutthroat family clan, Miyuki has had one true ally; one person she could count on regardless of the situation: Tatsuya. He always puts her and her feelings first and is literally the most loyal man out there. But, of course, that’s only half the story. While he has grown a bit emotionally over the course of the story, the fact remains that his mind was initially altered so that the only emotions he would feel would be love for her. She knows this and no doubt harbors guilt around the fact that his feelings for her are the chain around his neck. With all this context, it’s understandable why she might feel so unnaturally attached to him, even if she knows it’s wrong.

In the series thus far, things have been in a holding pattern while the siblings have been at school. With this film, however, time has run out. While Miyuki knows she can never be with Tatsuya as she wants to be, if she even wants some hope of being able to keep the status quo—both her and Tatsuya side-by-side and single—then there is only one choice: for her to become the next head of the Yotsuba family. Only then will she have control over both her life and her brother’s.

What’s truly interesting about this film is how it manages to both sidestep its incest dilemma for a happy ending and fail to do so at the same time. Basically, Miyuki gets both permission and an excuse for why it would be okay for her to be with Tatsuya romantically. However, there is one often overlooked issue that still remains: Tatsuya’s own feelings.

While he is not disgusted by Miyuki’s feelings towards him, he doesn’t reciprocate them either. Miyuki is his sister—this was forcefully hard-wired into his mind. He cares for her and loves her, just not in a romantic way. It’s not something he can simply switch off—not even with the reveal of a few loopholes that would make such a relationship just this side of moral if you squint right. And on a more meta-textual level, it also substantially changes the status quo for the pair going forward. Miyuki’s love for Tatsuya is now out in the open, and the two of them will have to learn how to deal with it both at home and school.

As the main dilemma for the film is an internal, dramatic one—and its solution gained through expositionary dialogue and flashbacks—there isn’t much action in this film. Of the four fights seen in the film, three are over in a scant few minutes. The remaining one, while longer, doesn’t even have the needed importance to act as an action climax for the film, leaving the film without one.

However, that doesn’t mean that the film is boring to watch. There is a lot of visual creativity to keep things interesting through the endless series of conversations. There are slow camera spins, low-angle shots, camera focus on relevant background objects, and more than a few surreal bits of visual exposition to make what the characters are thinking about clear. Flashbacks are given a mostly monochrome color palette, and the characters’ faces, hair, and clothing have distinct highlights based on the color of the nearest light source. All in all, this is the best The Irregular at Magic Highschool has ever looked by a fair margin.

Musically, the background soundtrack works at bolstering the moments of tension, drama, and joy in the film. And, as is par for the course for the series, this film also comes with a new LiSA song—and while it may not be the best of the best, it’s a catchy enough tune.

The Irregular at Magic High School THE MOVIE – Yotsuba Succession Arc – serves as the emotional capstone to the story so far. The truth behind Tatsuya and Miyuki’s origins is laid bare, as are their feelings for each other. But that doesn’t mean that there aren’t forces both within the Yotsuba clan and without who refuse to tolerate a pair of codependent teens with the power to destroy the world as we know it. Plenty of danger still awaits our heroes even as they enter a new stage of their relationship.

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Aoki Denshō Welsh & Shedar Anime Casts Risa Hayamizu – News

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The official website for Aoki Denshō Welsh & Shedar (The Azure Legend: Welsh & Shedar), the original television anime by French entertainment company Ankama, revealed a new cast member on Wednesday. Risa Hayamizu voices Mama Caroni, Welsh’s adoptive mother and cooking mentor.

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Image via Aoki Denshō Welsh & Shedar anime’s website

The anime’s staff also revealed character visuals for two previously announced cast members:

Wataru Takagi as Khan Karkass, a hero from Bonta who accompanies Welsh and the others on their adventures

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Image via Aoki Denshō Welsh & Shedar anime’s website

Show Hayami as Azalar, the most powerful dragon who looms before Welsh and the others

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Image via Aoki Denshō Welsh & Shedar anime’s website
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Image via Aoki Denshō Welsh & Shedar anime’s website

The anime’s story centers on a country boy named Welsh, and a prince destined to become a king named Shedar. The two boys are from different stations in life, but their destinies intertwine when they try to end a tyrant’s plot to conquer the world.

The anime will star: 

Naoki Horiuchi (episode director for Kingdom second season, Black Clover, Vivy -Fluorite Eye’s Song-) is directing the anime at Studio Massket. Saori Nakashiki (Sasaki and Peeps, Tales of Wedding Rings) is designing the characters, and Nakashiki is also one of the chief animation directors alongside Yoshiaki Tsubata (Date A Live IV) and Yuki Ikeda (WAVE!! -Let’s go surfing!! movie trilogy). 

Eri Suzuki (Black Summoner) is the color key artist, and Studio Massket is also in charge of anime background art. Lucas Cisterne (3D CG for The Weakest Tamer Began a Journey to Pick Up Trash) is in charge of art setting, Jun Watanabe (Ascendance of a Bookworm) is directing the sound at TO Books, and Pierre-Jean Beaudoin & Jose Pavli are composing the music. Tot is credited for the original work, scripts, and drafting the series story outline. Kenichi Yamashita (MF Ghost) is in charge of the series scripts for the anime’s Japanese version. Takuya Imakado (The Weakest Tamer Began a Journey to Pick Up Trash) is the series’ monster designer.

Artists Hironobu Kageyama and Masami Okui will perform the theme song “Bokura no Mirai e” (To Our Future). Kageyama will also perform the ending theme song “Omelette.” Kageyama & KUKO will perform the insert song “I’m in you.”

The anime will premiere on October 2 on Tokyo MX at 9:25 p.m. JST (8:25 a.m. EDT).

Ankama is an independent entertainment and digital creation group most widely known for the DOFUS tactical MMORPG, which launched in 2004. The company also published Atsushi Kaneko‘s SOIL manga, and Suguro Chayamachi‘s Togainu no Chi manga in French.

Sources: Aoki Denshō Welsh & Shedar anime’s website, Comic Natalie

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‘Mahoutsukai no Yoru’ Reveals Production Staff, Final Trailer, Theme Song

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The special livestream presentation for the anime movie adaptation of Type-Moon‘s Mahoutsukai no Yoru (Witch on the Holy Night) visual novel reveals production staff, theme song, and final promotional video on Wednesday. Produced by ufotable, the film is scheduled to open in Japanese theaters on November 20.

Staff

Director: Masashi Takeuchi (Kimetsu no Yaiba Movie: Mugen Ressha-hen episode director)

Chief Director: Hikaru Kondou (Kimetsu no Yaiba Movie 1: Mugenjou-hen – Akaza Sairai)

Script Production: ufotable

Chief Animation Director: Masato Nagamori (Kimetsu no Yaiba: Katanakaji no Sato-hen)

Character Design: Moe Tsuzuki (Katsugeki/Touken Ranbu)

Sub-Character Design: Nana Ishigo (Fate/stay night Movie: Heaven’s Feel – III. Spring Song animation director), Masato Nagamori

Prop Design: Masato Saito

3D Director: Gochu Sato

Art Director: Kouji Etou (Fate/stay night: Unlimited Blade Works)

Color Design: Mika Matsuoka (Fate/stay night Movie: Heaven’s Feel – II. Lost Butterfly)

Editing: Manabu Kamino (Kimetsu no Yaiba: Yuukaku-hen)

Director of Photography: Yuuichi Terao (Fate/stay night Movie: Heaven’s Feel – I. Presage Flower)

Music: Hideyuki Fukasawa (Gnosia)

Japanese pop band supercell (Monogatari Series: Second Season) is performing the theme song “Yoru to Ao,” which is previewed in the trailer below.

Developed and published by Type-Moon, the visual novel Mahoutsukai no Yoru (Witch on the Holy Night) was launched for Windows in Japan in April 2012. An enhanced remaster debuted on Nintendo Switch and PlayStation 4 in December 2022, followed by a Steam port in December 2023. It later received a worldwide release in December 2023. Written by Kinoko Nasu, it serves as a prequel to Shingetsutan Tsukihime (Lunar Legend Tsukihime) within the shared Nasuverse.

Final Trailer

Source: Official Site

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The Final-Boss Prince is Somehow Obsessed with the Chubby Villainess: Reincarnated Me Anime’s 1st Video Unveils More Cast & Staff, January Debut – News

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The official website for the television anime of writer Kotoko and artist Kaname Hanamiya‘s The Final-Boss Prince is Somehow Obsessed with the Chubby Villainess: Reincarnated Me (Odebu Akujo ni Tensei Shitara, Nazeka Last Boss О̄jisama ni Shūchaku Sareteimasu) manga presented on Wednesday the anime’s first full promotional video, first key visual, additional cast and staff members, and its January 2027 premiere. The anime will run on the Tokyo MX, BS NTV, AT-X and CBC TV channels, and will stream on the d Anime Store streaming service in Japan.


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Image via The Final-Boss Prince is Somehow Obsessed with the Chubby Villainess: Reincarnated Me anime’s website

The newly announced cast members are:

Shunichi Toki as Lewis, the first-born prince of the kingdom

Cast image for Lewis
Image via The Final-Boss Prince is Somehow Obsessed with the Chubby Villainess: Reincarnated Me anime’s website

Fūka Izumi as Adele, Celine’s little sister

Cast image for Adele
Image via The Final-Boss Prince is Somehow Obsessed with the Chubby Villainess: Reincarnated Me anime’s website

The additional staff members include:

The staff previously announced that Fumino Kakihata and Yukiko Sekita are also designing the characters. 

The Final-Boss Prince is Somehow Obsessed with the Chubby Villainess: Reincarnated Me visual
Image via The Final-Boss Prince is Somehow Obsessed with the Chubby Villainess: Reincarnated Me anime’s website

Media Do, NTT Docomo, Akatsuki Group, and MyAnimeList‘s joint digital manga distribution service Manga Mirai is publishing the series in English (until December), and it describes the story:

After dying of illness, she has been reincarnated as Celine, the selfish, fat, villainous duchess, sister of the heroine of a popular novel. If she stays this way, she will be killed by the hero prince and die a miserable death, just as in the novel. She vows to reform herself with all her might and begins to struggle, but she finds herself caught up in unexpected doting and obsession..! Will Celine be able to find “peaceful happiness”? A fantasy love story about a reincarnation in another world where she is loved too much by a Yandere.

The anime stars Haruka Shiraishi as Celine and Takeo Ōtsuka as Wilfred.

Naoyuki Kuzuya (Possibly the Greatest Alchemist of All Time) is directing the anime at Studio Lings with Shūsaku Katо̄ as the assistant director. Mitsutaka Hirota (Edens Zero) is overseeing and writing the series scripts. Infinite is producing.

Kotoko and Hanamiya launch the manga in April 2023. The fifth compiled book volume shipped in Japan on February 14. The series has over 70 million downloads.

Sources: The Final-Boss Prince is Somehow Obsessed with the Chubby Villainess: Reincarnated Me anime’s website, Comic Natalie

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