Anime
The Road to Redemption: Unmasking The Vermilion Mask
Combining dark fantasy, action, and an unconventional approach to the shounen genre, Shuiro no Kamen (The Vermilion Mask) is set to bring its striking world and mysterious masks to television this October. From its first chapters, the manga stands out for its willingness to place its protagonist in situations rarely seen in shounen stories, forcing him to confront guilt, loss, and the consequences of his actions rather than simply growing stronger.
At Anime Expo 2026, we had the opportunity to speak with the manga editor Taichi Kimura and Taihi Kimura, the voice of Peru, the central character of the series. Together, they offered insight into what makes Peru such an unusual and compelling protagonist, the creative decisions behind some of the manga’s most unexpected developments, and the relationships that gradually take shape as he moves forward.
──As an editor, what stood out to you the most when you first came across the manga, and what made you believe it had the potential to resonate with readers?
Editor Taichi Kimura: When I first looked at the storyboard for chapter one, I asked the author, “What happens next?” and had him guide me through the overall plot up to around the third chapter. After hearing that, I was amazed at how fast-paced the story was. It contained developments that you don’t normally see in shounen manga, so many story points came as a surprise.
The themes are a bit dark, but I felt that having a shounen manga character confront his need for redemption and face his struggles with a more positive outlook would give readers something they could relate to, making the character very easy to empathize with.
© Nabana Naba, Dr.Poro, SHONENGAHOSHA / “The Vermilion Mask” Production Committee
──As the voice of the lead character Peru, could you tell us how you became involved with The Vermilion Mask?
Seiyuu Taihi Kimura: When I was given the opportunity to audition for The Vermilion Mask, I read the original manga. I thought it was very interesting, so it took me only a day to read through everything, and I went into the audition really hoping that I would get the role. Then, as fate would have it, I was given the opportunity to play Peru.
At the time of the audition, I wouldn’t say I felt overly confident about it, but it went pretty smoothly. There weren’t many corrections or retakes, and it went by quite quickly. I typically land the part when I have really good feelings about the audition, so I was very happy when I heard I got the role.
Editor Kimura: Director Watanabe said, “I already envision Kimura-san as the role.” But these weren’t only the director’s thoughts. The voice we heard in the audition matched Peru’s character perfectly, and the line readings were exceptional, so it was a unanimous decision.
Seiyuu Kimura: Ah, thank you very much. It makes me happy to hear that.
──This is your second leading role in an anime series. How does it feel?
Seiyuu Kimura: I’m very happy. Incredibly happy, with a bit of nervousness too, but I want to enjoy myself as much as I can while doing it.
──What are some appealing points of Peru’s character? Please tell us what you kept in mind when recording.
Seiyuu Kimura: I think part of Peru’s charm comes from the fact that he’s still a child. He tends to take too much on himself, which is worrisome, but this is also what makes you grow fond of him. I like how strong his sense of responsibility is, his feelings of, “I have to be the one to do it.”
Although he is a pretty quiet character, or rather, a cool and reserved character, I keep in mind that even Peru laughs. Like a normal human being, he has a wide range of emotions, and even though he’s cool, he has a boyish side that’s appropriate for his age. That’s the part of him I try to not forget.
© Nabana Naba, Dr.Poro, SHONENGAHOSHA / “The Vermilion Mask” Production Committee
“Seeing how he comes to terms with his guilt and how he can gradually move forward
makes him a character that you want to cheer on.”
──Something shocking and irreversible happens to Peru early in the story, which we rarely see happen to a main character. Without spoiling anything, could you tell us how you felt about that development?
Editor Kimura: Part of me wondered how readers would react to the fact that he commits a crime, but at the same time, he goes through an incredibly painful experience. Seeing how he comes to terms with his guilt and how he can gradually move forward makes him a character that you want to cheer on.
Seiyuu Kimura: I think Peru is definitely a character who tends to put the blame on himself, but I think how he grows from that point onward is what’s important. Even though he finds himself in a difficult situation, it can’t simply end with his death. I feel like what comes after is what is so important about Peru as a character, and really, the entire story itself. I hope that seeing Pelle smile will allow others to smile with him as well.
Editor Kimura: Also, something unfortunate happens to him around the second episode. I can’t go into too much detail because it would be a spoiler, but I think once you see it, he will become a character you really want to root for.
© Nabana Naba, Dr.Poro, SHONENGAHOSHA / “The Vermilion Mask” Production Committee
──Actually, I think that event in the second episode might be what I was referring to.
──Are there any other scenes or characters that left a strong impression on you?
Seiyuu Kimura: Totoque, a character that appears in the first episode. He’s in the PV, too. I recommend looking out for him. He’s a bit psychopathic, something just feels off about him. But he’s very handsome! (in English)
Editor Kimura: There’s a character named Moku who joins the group and uses smoke as his fighting ability. The relationship between him and Peru stands out. As the story progresses, Moku becomes a character who helps shoulder some of the responsibility Peru is carrying, and the scenes where he fights for Peru’s sake increase. I highly recommend paying attention to their relationship and the “buddy” dynamic that develops between them.
© Nabana Naba, Dr.Poro, SHONENGAHOSHA / “The Vermilion Mask” Production Committee
──By “buddy” dynamic, do you mean they become very close friends?
Editor Kimura: I wouldn’t go that far. They become a bit closer than before, but it’s more like allies who are standing together in battle. Similar to Zenitsu and Tanjirou from Kimetsu no Yaiba. (everyone laughs)
“Both of them are trying to make amends for what they’ve done,
and since their circumstances are alike,
both of them want to be forgiven by the other.”
──Since we haven’t talked about Sonah yet, what do you find most interesting about the relationship dynamics between the three main characters (Peru, Sonah, and Moku)?
Seiyuu Kimura: It’s tough to think of something the three of them have in common. Each of them have a different role, as they move along they slowly become more open and grow together.
Editor Kimura: Peru and Sonah find themselves in a similar situation, as both have committed a sin. Both of them are trying to make amends for what they’ve done, and since their circumstances are alike, both of them want to be forgiven by the other. That becomes a crucial part of their relationship. And I think how Moku takes care of others, like a mischievous oniichan from the neighborhood, is really great.
© Nabana Naba, Dr.Poro, SHONENGAHOSHA / “The Vermilion Mask” Production Committee
──Do you have any memorable moments you can share from the recording sessions with the other cast and staff?
Seiyuu Kimura: There were actually quite a few amusing moments, which one would be best? …Hang on, this is actually kinda hard. Let me think for a minute.
Editor Kimura: The three main cast members are Kimura-san, Yamamoto-san (who plays Sonah), and Ura-san (who plays Moku). When the three of them are standing next to each other during the recording and you see them from behind, their heights are similar to their characters. Their dynamic can also kind of feel like they’re really Peru, Sonah, and Moku, so sometimes I just find myself watching their interactions play out.
Seiyuu Kimura: Back in high school, I used to perform dramatic readings as part of my club activities. It turns out that Yamamoto-san, who plays Sonah, is the same age as me and was in the same type of club. Apparently, Yamamoto-san already knew who I was.
Editor Kimura: Oh, really? Was it because you were the best?
Seiyuu Kimura: No no, it’s not like that. She apparently knew about me from a contest. When she said to me, “I already know about you~”, I realized she must have been close by. That’s scary, I thought.
Editor Kimura: You even participated in the same competition.
Seiyuu Kimura: And then our paths crossed again here.
Editor Kimura: That’s a wonderful story.
“Well, with the mind control mask, I could really do anything.
Like using it to make the people who cause trouble do volunteer work.”
──There are many different masks with different levels and powers. Which mask interests you the most so far and what would you do with it?
Editor Kimura: I’d go for the dragon mask. Then if I ever had an awful day at work or something, I could use it to vent my frustrations somewhere deep in the mountains.
Seiyuu Kimura: (laughs) Wouldn’t you want to use it to trash the company instead?
Editor Kimura: I would definitely feel too guilty for that. What about you?
Seiyuu Kimura: Well, with the mind control mask, I could really do anything. Like using it to make the people who cause trouble do volunteer work. (laughs)
Editor Kimura: Amazing.
Seiyuu Kimura: It sounds really bad saying it like that, but it’s not a bad thing.
Editor Kimura: No, it’s really great.
© Nabana Naba, Dr.Poro, SHONENGAHOSHA / “The Vermilion Mask” Production Committee
──Please leave a final message for the MyAnimeList community.
Seiyuu Kimura: This series has turned out to be incredibly entertaining, so I really want you to watch the first episode. Once you see it, I think you’ll get a good feel for what the world and series is like, so please be sure to check it out.
Editor Kimura: I feel like the level of awareness and enthusiasm for the upcoming anime does not match the incredible amount of passion that went into creating it, so I’m really counting on anime fans in MyAnimeList’s community to help spread the word. I’m confident this is going to be an amazing series. If you watch the first episode, I think you’ll fall in love with it, so I hope you’ll check it out.
Interview was conducted through an interpreter and has been edited for clarity.
Visit the Official Site: https://the-vermilion-mask.com/
Follow the Official X (Twitter): https://twitter.com/vermilion_PR/
Read The Vermilion Mask on emaqi: https://emaqi.com/manga/the-vermilion-mask
Shuiro no Kamen (The Vermilion Mask) PV2
>
Anime
Mazenchu Food Characters Get TV Anime on October 7 – News
Graphic design company TORCH announced on Wednesday that its Mazenchu character brand will receive a anime that will begin airing as the first original anime within Kansai TV‘s morning news and lifestyle program Yoidon! on October 7.

©TORCH / mazenchu committee
Mazenchu is set in a school where all kinds of food can live out their youth and form friendships, rivalries, and bittersweet romances.
The cast includes:
- Obara Rea as Sume, a sushi rice girl
- Sakura Hayashi as Abo, an avocado girl
- Uki Nashiki as Akami, a tuna boy
- Kokoro Kikuchi as Shinko, a pickled vegetable boy
Ebi created the Mazenchu characters. Yūsuke Takase (CG on Berserk: The Golden Age Arc I – The Egg of the King, Halo Legends, Detroit Metal City) is directing the anime at Studio Nanahoshi. The studio dugout is producing the sound, and Aiin is producing the music. BONJIN is the offline editor. Liberty Animation Studio produced the opening animation. Sayo Kawase is the executive producer, and TORCH is planning and producing the project.
Sources: Mazenchu anime’s website, Comic Natalie
>
Anime
Shogakukan Launches ‘Rumiko Takahashi Fantasy Manga Awards’ – News
This year’s 42nd and 43rd combined issue of Shogakukan‘s Weekly Shonen Sunday magazine announced its new “Rumiko Takahashi Fantasy Manga Awards” on Wednesday, and the organizers are currently accepting manga entries until January 11, 2027.

©Rumiko Takahashi, Shogakukan
The contest is open to professional and amateur manga creators. Entries must be 42 pages or less and contain at least one fantasy element. Takahashi will head the panel of judges which will also include Weekly Shonen Sunday editor-in-chief Kazunori Ōshima and other Shonen Sunday editors. The organizers will announce the results in Weekly Shonen Sunday and on the awards’ website on March 24.
The grand prize winner will receive 1 million yen (about US$6,000), and their manga will be published in Weekly Shonen Sunday or a spinoff publication and on Shogakukan‘s Sunday Webry manga website. The second prize winner will get 500,000 yen (about US$3,000), and their manga will also be published in Weekly Shonen Sunday or a spinoff publication and on Sunday Webry. The honorable mention recipient will receivie 300,000 yen (about US$2,000), and their work will appear on Sunday Webry. The effort prize recipient will receive 100,000 yen (about US$600), and the encouragement prize recipient will receive 30,000 yen (about US$200).
Takahashi debuted as a manga creator in 1978, and in her career of over three decades, Takahashi has created manga such as Urusei Yatsura, Maison Ikkoku, Mermaid Saga, Rumic Theater, Ranma 1/2, One-Pound Gospel, and Inuyasha. Many of her works have become internationally popular and inspired anime and live-action adaptations.
The compiled volumes of all of Takahashi’s manga have surpassed 230 million copies in circulation worldwide, as of August 2024.
The anime adaptation of Takahashi’s MAO manga premiered on April 4, and is running for two continuous cours (quarter of a year).
The third season of the new anime based on Takahashi’s Ranma 1/2 manga will debut on October 3.
A new television anime of Takahashi’s Urusei Yatsura manga premiered in October 2022. The anime’s first half ran for half a year, or two cours without breaks. The show’s second half aired for two consecutive cours and started in January 2024. The show’s fourth and final cours premiered in April that same year.
Source: Weekly Shonen Sunday issue 42/43 and website
>
Anime
Asaka Performs ‘Tetsuryō! meet with Tetsudō Musume’ Anime’s Opening Song – News

© てつりょー!meet with 鉄道むすめ
The official X (formerly Twitter) account for Tetsuryō! meet with Tetsudō Musume, the original television anime based on the Tetsudō Musume (Railway Girls) characters, announced on Sunday that artist Asaka is performing the anime’s opening theme song “GO! GO! RAILWAY!!”
The original anime’s story centers on four train-loving college students who are members of the Tetsudō Ryokō Dōkō-kai (“Tetsuryo” in short, or literally Railway Travel Club). They journey throughout the world where hundreds of Tetsudō Musume work.
The anime will star:
TOMYTEC is credited for the original work in collaboration with I’ve Been Killing Slimes for 300 Years and Maxed Out My Level novel writer Kisetsu Morita. Misuzu Hoshino (Laid-Back Camp episode director, Hokkaido Gals Are Super Adorable!, The Maid I Hired Recently Is Mysterious director) is directing the anime at East Fish Studio. Aya Satsuki (Solo Camping for Two, “Ippon” Again!, Too Cute Crisis) is overseeing and writing the series scripts, and Hisanori Hashimoto (Laid-Back Camp season 3) is designing the characters. The Tetsuryo Club, comprised of the main voice actors: May Tachibana (Misaki), Mao Shōji (Kodama), Haruna Fukushima (Ushio), and Hika Tsukishiro (Usa) will perform the ending theme song “Watashi Miraisen” (My Future Line).
The anime will premiere on October 8 at 12:00 a.m. JST (effectively, October 9 at midnight) on the Tokyo MX and BS Fuji channels. HIDIVE will stream the anime as it airs in the United States, Canada, the United Kingdom, Ireland, Australia, and New Zealand. This year’s Anime NYC event hosted the anime’s world premiere on August 21.
The Tetsudō Musume characters “work” in railway companies and railway-related businesses all over Japan, wearing real uniforms and work clothes. As of May 2025, there are 114 Tetsudō Musume all over Japan. Tetsudō Musume launched in 2005, and celebrated its 20th anniversary in 2025.
Source: Tetsuryō! meet with Tetsudō Musume anime’s X/Twitter account via Ota-Suke
>
-
movies4 months agoSearch For Canadian TV Actor Stewart McLean Now Homicide Investigation
-
Fashion9 years agoThese ’90s fashion trends are making a comeback in 2017
-
Fashion9 years agoAccording to Dior Couture, this taboo fashion accessory is back
-
Fashion9 years agoModel Jocelyn Chew’s Instagram is the best vacation you’ve ever had
-
Fashion9 years agoEmily Ratajkowski channels back-to-school style
-
Fashion9 years ago9 Celebrities who have spoken out about being photoshopped
-
Anime3 months agoRurouni Kenshin: Hokkaido Arc Manga Takes 1-Issue Break – News
-
Anime3 months agoHIDIVE to Stream English Dubs for The World Is Dancing, The Forsaken Saintess and Her Foodie Roadtrip in Another World, The Dangers in My Heart: The Movie Anime – News
