movies
Newsom Grows Antitrust War Chest As California Mulls Paramount-WBD Merger
New antitrust litigation funding in Gavin Newsom‘s final budget as California’s governor looks to provide a clue as to what the state plans to do about the contentious Paramount-Warner Bros Discovery merger.
The just-released revised budget may be unexpectedly tax-revenue flush, but the likely 2028 White House candidate isn’t exiting Sacramento without firing off a multimillion-dollar antitrust salvo to corporate America and consolidating Hollywood.
Message: Get ready to rumble!
“In response to the federal government’s recent retreat from enforcing antitrust laws, the May Revision includes $14.3 million Special Funds in 2026-27, declining to $10.5 million in 2029-30, to address an anticipated increase in antitrust workload,” reads Newsom’s May Revision budget summary released Thursday.
“The lack of federal oversight in this area leaves California individuals and businesses vulnerable to predatory business practices that threaten affordability and consumer rights,” the 105-page document adds. “California has been a leader in this area, most recently dedicating $8 million annually since the 2023 Budget Act, specifically to prosecute antitrust violations in the gas and oil, technology, and agricultural sectors. These resources allow DOJ to conduct independent investigations and litigation and to enforce California’s antitrust laws in these sectors of the economy.”
If you have any doubts what Newsom is talking about here, just ask the executives at Paramount and Warner Bros Discovery if they’ve talked to the brass at Live Nation and Nexstar-Tegna lately. The latter wouldn’t be lying if they told the companies led by David Ellison and David Zaslav that Golden State Attorney General Rob Bonta is loaded for bear.
Loaded, and on a roll of late.
Having successfully led Blue State efforts to have live entertainment giant Live Nation labeled a monopoly last month, Bonta was also pivotal in recently halting the already-in-motion Nexstar-Tegna merger as well. On a parallel track, as Live Nation preps an appeal and Nexstar vows a fight, the re-election-seeking Bonta has an self-styled antitrust “active investigation” underway into Donald Trump‘s “good friend” Ellison’s $111 billion acquisition of WBD.
No decision has been made yet as to what that Paramount-WBD probe might conclude and where it could go, sources tell me.
For the record, the CA DOJ draws much of its antitrust funding for investigations and litigation from its Antitrust Accounts, where portions of past settlements and awards are deposited. The announcement Thursday of additional resources in the revised budget would be in addition to those accounts.
In the background of the Paramount-WBD probe, Ellison and Newsom have met privately at least once in L.A. In the public arena, a variety of A-list-packed petitions against ParaBros have widely circulated, and a few lawsuits have been filed.
“It’s not a done deal,” Bonta told Deadline back in March.
Last week, likely sensing which way the legal wind is blowing, Paramount Skydance’s chief legal officer Makan Delrahim wrote to Bonta to preemptively plead the company’s case. “To compete more effectively with Netflix, and others leading services, a combined Paramount-WBD will need to capture audiences’ attention in fresh ways, and that includes broadening theatrical distribution to tap into the magic of the moviegoing experience and create momentum behind films before they reach streaming services,” the ex-Trump administration antitrust guru told the California AG.
This spring, Bonta laid out where he and other states were on the merger: “The regulatory hurdles have not been crossed by the deal yet. We have an investigation that’s open and ongoing, and we are looking at the deal. Whenever there’s major corporate consolidation like this, there’s a concern that we might see increased prices, lower wages, reduction in competition, limits in choice, lower quality, all those things. That’s why there is antitrust law in the first place. That’s why there’s regulators like my office that care and will look and be objective and fair, thorough and comprehensive in our review and come to a conclusion.”
Spreading the wealth strategically, Newsom’s self-declared “fiscally disciplined, balanced” budget released today estimates that state has brought revenues $16.5 billion higher than anticipated just a few months ago. That will pay for a lot of antitrust lawyers, among other things.
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movies
‘One Night Only’ Director Understands “Sex Purge” Comparisons
While One Night Only is intended as a romantic-comedy, there are some obvious dystopian undertones that audiences can’t ignore.
Director Will Gluck recently addressed online comparisons between the Purge franchise and his new Universal rom-com, which is now in theaters, about two New Yorkers (Monica Barbaro and Callum Turner) who meet on the one night a year premarital sex is legal.
“I am very aware of the online discourse about this world and this movie being the ‘sex Purge,’ and rightfully so,” he told SlashFilm. “But I don’t want this movie to be about that. And I know I get some blowback going, ‘How could you make a movie about this not being about that?’ Because I love exploring characters and situations.
Gluck added, “Whenever us humans get put in situations, no matter how or why the situation happens, we still have to be humans and get through the day. And that’s what interests me. So we didn’t want it to overwhelm. We wanted to explain it. We didn’t want to take a side. We wanted to show both sides, but we wanted it to be about these two people going through this crazy night.”
With five movies and a TV series expanding on the universe since The Purge premiered in 2013, the Blumhouse franchise is set in an alternate reality where all crime, including murder, is legal one night a year for 12 hours.

In a similarly dystopian fascist universe, albeit with a much lighter mood, One Night Only follows recently dumped pizzeria owner Owen (Turner) and singer Allie (Barbaro) meet on the one night of the year premarital sex is legal under the United States’ “chastity mandate.”
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movies
HBO’s ‘Monsters Of God’ Chronicles Lizard People, Reptile Wranglers
HBO’s new documentary series Monsters of God abounds with colorful creatures – and those are just the humans.
The five-parter from Tiger King co-director Eric Goode features reptile dealers with a fondness for creepy crawlies and a loose connection to ethical and legal mores. There’s Tom Crutchfield, who loves women with the ardor of Pepé Le Pew but spends most of his time not in pursuit of the ladies but of exotic snakes, lizards, alligators, turtles and whatnot. His arch rival: Hank Molt (aptly named, given that snakes molt), a man who pioneered the shady trade of importing rare and often endangered reptiles to the United States (HBO calls it a “billion-dollar criminal enterprise.”).

Another key Monsters of God character: Anson Wong, a Malaysian “exporter” (to use a polite term) perhaps as cold-blooded as the creatures he rounds up and dispatches around the world. His nickname – “the Pablo Escobar of reptiles.”
The template for the series is supplied by the 2008 book The Lizard King: The True Crimes and Passions of the World’s Greatest Reptile Smugglers, written by Bryan Christy. The author, who appears in the series and serves as a consulting producer, took part in a panel discussion of Monsters of God Thursday night after HBO screened episode 1 at Vidiots in Los Angeles. He praised Goode and fellow producers for wrangling the reptilian importers, typically a wary group.

“I know what it took to run these people down, to get people to say ‘yes’ to you coming in their place,” Christy told the moderator, the actor Jason Segel. “And with a camera. I just had a pencil… It’s amazing what they brought together. And they’re celebrating the animals in a way that I hope gets people to care more about this sort of maligned species.”
Goode needed no persuading about the beauty of animals like New Caledonian geckos, African bush vipers, Caribbean rock iguanas, and similar Cyclura. He’s been an avid collector since childhood.

“I have a confession to make,” he said at the Q&A, alluding to his collecting urge. “I’ve been an addict for over 50 years and now I’m still not sober, sorry to say.”
The challenge of convincing reptile dealers to appear on camera became evident during the panel discussion, which included Crutchfield and Mike Van Nostrand, both Florida men who have served time behind bars for their activities (in 2022, Van Nostrand was convicted in a scheme to smuggle “illegally-harvested Florida turtles out of the United States and into China, Japan, and other places,” per the Department of Justice).
“I didn’t like the Tiger King,” Van Nostrand stated flatly. “Eric was a little tricky one.”
For his part, Crutchfield called Tiger King “one of the weirdest movies I’ve ever seen.”

Along with Tiger King, Goode also directed the 2024 HBO documentary series Chimp Crazy about people obsessed with raising chimpanzees as essentially human children. At the Q&A, he addressed contrasts between Tiger King, Chimp Crazy, and Monsters of God.
“Right now, a lot of people are thinking I’m trying to take down the reptile world,” Goode said of Monsters of God. “Yes, I didn’t like people keeping chimpanzees in Chimp Crazy. I wanted laws changed so you couldn’t do that. I didn’t want people having 200 tigers in their backyard [in Tiger King]. Reptiles are different. It’s nuanced. And as Mike [Van Nostrand] says, if people were breeding more reptiles that may take pressure off of the poachers. And so there’s a lot of gray in this story and it’s not painting anyone with one brush. Law enforcement made a lot of mistakes. We’ve made mistakes. The zoos made big mistakes and we’re all complicit.”

Zoos are complicit, the series makes clear, by paying dealers like Molt and Crutchfield to supply them with exotic reptiles knowing full well the wranglers were violating U.S. and international law. Federal officials with the U.S. Fish and Wildlife Service don’t seem to come off much better, to judge from episode 1. Nobody’s motives seem 100 percent pure in Monsters of God, self-assessments notwithstanding.
“What I really want people to get out of my complete performance from the very beginning to the end,” Crutchfield asserted at the Q&A, “is my great passion and my great love, and more importantly, my great respect for all of these monsters of God that you’re going to see.”
Van Nostrand chimed in sardonically, “Are you saying money had nothing to do with it?”
“So far,” Crutchfield replied.
Fresh episodes of Monsters of God will debut on HBO the next four Thursdays, and stream on HBO Max. Audiences may get hooked, mirroring the obsessional quality of true lizard people. Jason Segel, for one, pronounced himself a fan of the series.
“At times it feels like Goodfellas. It feels like Scarface sometimes,” Segel enthused at the Q&A. “I watched every episode over two days and was mesmerized. I can’t wait for all of you guys to see it.”
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movies
Rachel Reid Appears To Dismiss ‘Heated Rivalry’ Season 2 Casting Backlash
As Heated Rivalry hits the ice for another season with some new teammates, there’s bound to be some opinions about the casting choices for the book series’ beloved characters.
Following the news that Justice Smith and Charlie Gillespie have been cast in Season 2, author Rachel Reid appeared to respond to negative online reactions to the news that the actors will portray Harris Drover and Troy Barrett, respectively, the couple from Role Model, the fifth book in her bestselling Game Changer series.
“Thinking about all the people last summer who told me the casting for llya and Shane was wrong and bad…” wrote Reid on her Instagram Story with a side-eye selfie.
Based on the second book in the series, Season 1 of Heated Rivalry became an overnight hit largely due to Connor Storrie and Hudson Williams’ steamy performances as Ilya Rozanov and Shane Hollander, launching the actors’ profiles in Hollywood as well.
On Friday, Deadline reported that Smith and Gillespie have been cast as leads in Season 2 of the Crave Original, which is set to premiere in spring 2027. Production began on the sophomore season in Canada earlier this week.

In the Role Model book, Troy Barrett is a hockey player on Ilya’s team with a history of bullying, while Harris Drover is the team’s cheerful social media manager.
“Rachel Reid has given us two beautifully layered characters in Harris and Troy who you can’t help but root for,” said series creator Jacob Tierney and fellow executive producer Brendan Brady. “From the start of the casting process, we knew we were looking for actors who could create something truly special together and bring that same depth and heart to the screen. Justice and Charlie do exactly that. They immediately connected with the vulnerability and resilience at the core of these characters, bringing an instinctive understanding of who Harris and Troy are.”
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